L'affectueuse Violon et Piano [Conducteur] Hal Leonard
Piano; Violin (Violin) SKU: HL.50564671 Violin and Piano. Composed...(+)
Piano; Violin (Violin)
SKU: HL.50564671
Violin and Piano.
Composed by Herrando and
José. Edited by
Joaquí and n Nin.
Editions Durand.
Classical. Score Only.
Composed 2001. Hal
Leonard #ME00452900.
Published by Hal Leonard
(HL.50564671).
ISBN
9781423403135. UPC:
073999934960.
8.25x11.75x0.067
inches.
Piano; Violin (Violin) SKU: HL.50564672 Violin and Piano. Composed...(+)
Piano; Violin (Violin)
SKU: HL.50564672
Violin and Piano.
Composed by Herrando and
José. Edited by
Joaquí and n Nin.
Editions Durand.
Classical. Score Only.
Composed 2001. Hal
Leonard #ME00452800.
Published by Hal Leonard
(HL.50564672).
Violin and Piano SKU: HL.50496893 Composed by Dé, odat de Sé,...(+)
Violin and Piano
SKU:
HL.50496893
Composed
by Dé, odat de
Sé, and verac. MGB.
Score Only. Composed
2002. Editions Salabert
#SLB5072. Published by
Editions Salabert
(HL.50496893).
Violin and Piano SKU: HL.50510695 For two violins and orchestra K. 190...(+)
Violin and Piano
SKU:
HL.50510695
For
two violins and orchestra
K. 190. Composed by
Amadeus Wolfgang Mozart.
Arranged by Ferenc
Halá and sz.
Classic. EMB. Piano
score. 56 pages. Editio
Musica Budapest #Z13698.
Published by Editio
Musica Budapest
(HL.50510695).
ISBN
9790080136980. UPC:
073999580310.
9.0x12.0x0.153 inches.
Wolfgang Amadeus Mozart;
Gergely Kaposi; Ferenc
Halasz.
Dated 1774,
the concerto belongs to
Mozart's early
compositions. This
tripartite fast-slow-fast
work of a basically
joyous tone provides both
violinists choice matter
to play. The piano
reduction was made from
the score by Gergely
Kaposi. The parts of the
solo violins were revised
by Ferenc Halasz.
Violin-solo, piano (Violin solo, Piano) SKU: BA.BA09099-92 First Versi...(+)
Violin-solo, piano
(Violin solo, Piano)
SKU: BA.BA09099-92
First Version
1844. Composed by
Felix Bartholdy
Mendelssohn. Edited by R.
Larry Todd. This edition:
urtext edition. Stapled.
Barenreiter Urtext. Early
version 1844. Piano
reduction, Part. Opus 64.
Duration 12 hours.
Baerenreiter Verlag
#BA09099_92. Published by
Baerenreiter Verlag
(BA.BA09099-92).
ISBN
9790006565733. 31 x 24.3
cm inches. Key: E minor.
Preface: Larry R.
Todd.
Mendelssohn's
Violin Concerto op. 64,
is a key work of the 19th
century, adhering to the
classical style of
Beethoven while pointing
the way to the romantic
ethos of Brahms. It has
long been known that
Mendelssohn performed the
work with three soloists
in succession: Ferdinand
David, who worked closely
with the composer during
its composition and
played it at the
premiere; the 'child
prodigy' Joseph Joachim;
and Hubert Leonard, a
young Belgian virtuoso
about whom little is
known.
As proof
sheets for the Violin
Concerto in E minor were
long considered lost, it
could be described as
somewhat of a sensation
when proofs for the solo
violin part resurfaced
together with a letter
from Mendelssohn to
Leonard.
The
letter informs us that
the composer invited
Leonard to his home in
Frankfurt in order to
make his acquaintance. It
was already known that
Mendelssohn had given
proof sheets to David;
now we know that he also
gave some to
Leonard.
The
recently discovered
proofs reveal how Leonard
played the concerto with
Mendelssohn on that
memorable evening in
February 1845. Besides
containing bowing marks
and fingering, they also
show how Leonard executed
shifts of position and
where he employed open
strings. Furthermore
modifications made to
dynamic markings and
additional legato bowing
are shown.
It is
safe to assume that all
of this was done with
Mendelssohn's approval.
That the young violinist
made a positive
impression on the
composer is confirmed in
the latter's
correspondence following
their joint performance.
Mendelssohn is full of
praise for Leonard's
playing and offers to
lend his support in
finding employment in
Germany.
This
revised edition of the
Mendelssohn Violin
Concerto (only the
orchestral parts remain
unchanged) includes a
separate booklet on
performance practice.
The editor, Clive
Brown, is an acknowledged
expert on Romantic
performance
practice.
- New
source situation owing to
recently rediscovered
proofs - Revised
Urtext edition - With
a separate booklet on
performance practice
(Eng/Ger).
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
B�¤renreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composer�s
intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Piano Accompaniment; Violin (Score and Solo Part) - difficult SKU: HL.4904445...(+)
Piano Accompaniment;
Violin (Score and Solo
Part) - difficult
SKU:
HL.49044450
Violin
and Piano. Composed
by Thierry Pé and
cou. This edition: Saddle
stitching. Sheet music.
String. Soleil-Feu refers
to the first attempt to
create a world out of a
rain of fire (nahui
quiahuitl) as described
in the cosmogony of
Ancient Mexican
civilisation. The element
of fire is reflected in
the musical soundscape of
this work; rampant,
rhythmic moti. Classical,
Contemporary. Softcover.
Composed 2013. 32 pages.
Duration 6'. Schott Music
#ED21888. Published by
Schott Music
(HL.49044450).
ISBN
9790001198639.
9.0x12.0x0.124
inches.
This work
is part of a cycle of
five short pieces for a
single instrument and
piano, focused on the
five ages in the
cosmogony of Ancient
Mexican civilisation. The
peoples of the Mexican
highlands believe that
time follows specific
cycles and that the world
was created following the
pattern of 'trial and
error'. The creation of
the world is divided into
several periods which are
termed 'suns' (we are
currently living in the
fifth phase named
'Ollin'). Each period
will be brought to an end
through a natural
catastrophe.Solei-Feu
refers to the first
attempt to create a world
out of a rain of fire
(nahui quiahuitl).The
element of fire is
reflected in the musical
soundscape of this work,
constructed from rampant,
rhythmic motifs,
fragmented splinters,
spinning upswings and
impacts reverberating
through space. An
intimate dialogue
develops between violin
and piano on the basis of
extremely simple figures.
Interconnecting lines and
dense musical material
are thrown against each
other in a play of
contrasting registers and
blended tonal colouring,
creating a mysterious and
disturbing mythological
universe coloured by its
ontological pessimism.
Thierry
Pecou
Soleil-Feu
refers to the first
attempt to create a world
out of a rain of fire
(nahui quiahuitl) as
described in the
cosmogony of Ancient
Mexican civilisation. The
element of fire is
reflected in the musical
soundscape of this work;
rampant, rhythmic motifs,
fragmented splinters,
spinning upswings and
impacts reverberating
through space create a
mysterious and disturbing
mythological universe
coloured by its
ontological pessimism.
Thierry Pecou.