Composed by Jean Brizard/Henri Classens. For cello and piano. Classical. Score. 29 16 pages. Published by Editions Combre

Cello and piano

SKU: LM.P04012

Composed by Henri Classens and Jean Brizard. Classical. Score. Editions Combre #P04012. Published by Editions Combre (LM.P04012).

ISBN 9790230340120.

Composed by Jean Brizard/Henri Classens. For cello and piano. Classical. Score. 33 16 pages. Published by Editions Combre

Score & Parts Cello

SKU: HL.51481132

For Violoncello and Piano. Composed by Jean-Louis Duport. Edited by Norbert Gertsch. Henle Music Folios. Classical. Softcover. 42 pages. G. Henle #HN1132. Published by G. Henle (HL.51481132).

UPC: 840126989656. 9.0x12.0x0.35 inches.

“More than 20 years ago I was called upon by friends, artists, and aficionados to write about fingerings for the violoncello,” then-famous Berlin cellist Jean-Louis Duport thus opens his “Essai” from 1806, dedicated to “Professeurs de Violoncelle.” His methodology revolutionized cello technique, and the 21 etudes printed in its appendix are still regarded today as perhaps the most important set of studies for all budding cellists. Modelled after the volumes of etudes for violin, Henle is also issuing the Urtext here, together with all original fingerings and bowings, while also offering alternatives by the famous cellist and teacher Wolfgang Emanuel Schmidt. This edition also offers a second cello part provided by Duport for accompaniment.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)

Cello and piano

SKU: LM.P03355

Composed by Henri Classens and Jean Brizard. Classical. Score. Editions Combre #P03355. Published by Editions Combre (LM.P03355).

ISBN 9790230333559.

Cello and piano

SKU: HL.49045723

For cello and piano. Composed by Andrew Norman. This edition: Saddle stitching. Sheet music. String Solo. Softcover. Composed 2011. 26 pages. Duration 10'. Schott Music #ED31326. Published by Schott Music (HL.49045723).

ISBN 9781540015914. UPC: 888680725242. 9.0x12.0x0.115 inches.

Sonnets is a collection of miniatures for cello and piano. To me, these micro-pieces are sonnets not in the rigorously formalized Elizabethan or Petrarchan senses of the word. Rather, they grow from the term's older, freer roots in the Italian word sonetto, meaning little song or little sound. Each of my five little songs takes as its title and point of inspiration a fragment from a Shakespeare sonnet.- Andrew Norman.

Piano Accompaniment; Viola (Viola With Piano Accompaniment)

SKU: HL.48025329

Viola and Piano. Composed by Elena Kats-Chernin. Boosey & Hawkes Chamber Music. Classical. Softcover. Duration 420 seconds. Bote & Bock #M202536513. Published by Bote & Bock (HL.48025329).

UPC: 196288175490.

Note by the composer: “This piece was written in 2006 (for violoncello and piano) for an exhibition dedicated to artists suffering from schizophrenia. The basis of the piece is a sequence of four chords, very simple and minimalistic. A person with schizophrenia hears voices that can be very disturbing; there is a longing for silence. I wrote this piece so that my son Alex, who suffers from the illness, could hear silence and meditation from it. It's called Blue Silence because blue is sometimes associated with healing.” Elena Kats-Chernin.

Cello; Piano Accompaniment (Cello Part And Piano Score)

SKU: HL.48024888

Cello and Piano. Composed by Bertold Hummel. Boosey & Hawkes Chamber Music. Classical. Softcover. 20 pages. Duration 360 seconds. Simrock #M221122575. Published by Simrock (HL.48024888).

UPC: 840126919769.

As a lesson and lecture piece, Bertold Hummel's Sonatine op. 35, created in 1969, accompanied many young musicians on their way. Sold a thousand times all over the world, it is one of the composer's best-known works and has been included in the repertoire list for the 'Jugend musiziert' competition by the German Music Council. Warmth and sparkling rhythm characterize the three movements: inthe powerful maestoso, the sonority of the main theme is contrasted with a lyrical side theme; the recapitulation ends with an impulsive fugato. The second movement Elegie consists of a single soulful melody about spherical harmonies of the piano. As the highlight in the Finale vivace, playful lightness, marching rhythms and dramatic increases replace each other in quick succession; wild arpeggios lead to the end. Originally composed for violin, versions for viola and cello were already familiar. For the 50th birthday, Simrock / Boosey & Hawkespresents the work in a revised, revised edition. A repertoire enrichment for beginning instrumentalists are the first available versions for alto and tenor saxophone, which the composer made himself in the 1990s.

Cello; Piano Accompaniment (Cello Part And Piano Score)

SKU: HL.48025315

Cello and Piano. Composed by Elena Kats-Chernin. Boosey & Hawkes Chamber Music. Classical. Softcover. Duration 420 seconds. Bote & Bock #M202535912. Published by Bote & Bock (HL.48025315).

UPC: 196288175193.

Note by the composer: “This piece was written in 2006 (for violoncello and piano) for an exhibition dedicated to artists suffering from schizophrenia. The basis of the piece is a sequence of four chords, very simple and minimalistic. A person with schizophrenia hears voices that can be very disturbing; there is a longing for silence. I wrote this piece so that my son Alex, who suffers from the illness, could hear silence and meditation from it. It's called Blue Silence because blue is sometimes associated with healing.” Elena Kats-Chernin.

Violin, Viola, Cello and Piano

SKU: HL.14029171

Composed by Gerard Schurmann. Music Sales America. 20th Century. Set. Music Sales #NOV120877. Published by Music Sales (HL.14029171).

ISBN 9781844492718.

This work was commissioned by the Arizona Friends of Chamber Music for their 50th Music season, and 5th Tucson Winter Chamber Music Festival. The first performance was given by the Los Angeles Piano Quartet in Tucson, Arizona in March 1998.

Short Cello Pieces by Hywel Davies. Music Sales America. Film and TV. 64 pages. Bosworth and Co. #BOE005186. Published by Bosworth and Co.

Cello and Piano

SKU: BT.EMBZ14779

Composed by Franz Liszt. Book Only. Composed 2011. 16 pages. Editio Musica Budapest #EMBZ14779. Published by Editio Musica Budapest (BT.EMBZ14779).

The arranger of this work (a well-known Hungarian composer living in Romania) writes: This piece has always excited my imagination, from several points of view. First of all, its name. The German title, the obstinate one, may refer to its ostinato character. This is close to Liszt's programme concept, but the French word 'obstiné' is closer in meaning to stubborn. There is just a shade of difference, but to me it is important, because the latter suggests the description of a type of behaviour, the emotional state of a dancer's inner frame of mind abstracted into movements, expressed in dance movements, and this is a fascinating interpretation. The demonstration ofstubborn resistance and defiance to the point of exhaustion was not a frequently occurring phenomenon with Liszt. Secondly, at the beginning of the seventies Zoltán Kocsis played the piece in Transylvania. At that time, I asked the composer, Is the character of the continuous staccato in the left hand sharp, short, or an accompanying background like a constant shadow? Is it a weighty Brahmsian staccato, an ominous knocking? - and so on. Then there are the Bartókian false relations that keep recurring in the work, the B-E flat-G, etc. That foreshadows Debussy, creating harmonic thrills that, when I hear the work, keep my continuing interest alive for it. Finally, my immediate reason for arranging the work was of a family nature: in connection with Liszt's jubilee year, my daughter, who is a cellist, wanted a 'more energetic' piece to play at a bicentenary concert an addition to the existing slow, lyrical, or sombre works written by Liszt for the cello.

The arranger of this work, the well-known Romania-based Hungarian composer Cs ky Boldizsár writes: This piece has always excited my imagination, from several points of view. First of all, its name. The German title, the obstinateone, may refer to its ostinato character, this is close to Liszt's programme concept, but the French word 'obstiné' is closer in meaning to stubborn. There is just a shade of difference, but to me it is important, because the lattersuggests the description of a type of behaviour, the emotional state of a dancer's inner frame of mind abstracted into movements, expressed in dance movements, and this is a fascinating interpretation. The demonstration of stubbornresistance , defiance to the point of exhaustion, was not a frequently occurring phenomenon with Liszt. Secondly, at the beginning of the seventies Zoltán Kocsis played the piece here in Transylvania (Romania).

Der Bearbeiter des Werkes, der renommierte ungarische Komponist aus Rumänien, schreibt: Dieses Stück reizte immer schon meine Phantasie, sogar in vielerlei Hinsicht. Als erstes sein Name. Der deutsche Titel ‚Hartnäckiger' kann auf den ihm innewohnenden ostinativen Charakter hinweisen, was der Liszt'schen Programm-Konzeption näher kommt, das französische ,obstiné' steht jedoch eher dem Wort ‚dickköpfig' nah. Das sind nur geringfügige Unterschiede, mir ist das dennoch wichtig, weil aus Letzterem die Darstellung eines Verhaltens, der in Tanzgesten ausgedrückte, zur Bewegung abstrahierte innere emotionale Zustand eines Tänzers durchscheint, und das ist eine überaus beeindruckendeErklärun g. Die Demonstration des bis zur Erschöpfung reichenden Trotzes, der störrischen Kraft erscheint bei Liszt selten. Der zweite Aspekt: Zu Beginn der 70er Jahre spielte bei uns Zoltán Kocsis das Stück. Schon damals (und seitdem) frage ich den Komponisten:.

Composed by Johannes Brahms (1833-1897). Edited by Clive Brown / Neal Peres Da Costa / Kate Bennett Wadsworth. For cello and piano. This edition: Urtext edition. Stapled. With an Urtext solo part by Clive Brown and a solo part with bowing and fingering by Kate Bennett Wadsworth; Fingering in the piano part by Neal Peres Da Costa; Performance Practice Commentary by C. Brown, N. P. Da Costa and K. B. Wadsworth. Level 3. Score and part. Text Language: German/English. Opus 38. Published by Baerenreiter Verlag

Op. 112 B Minor Cello and Piano Student Level 3. Composed by Sebastian Lee (1805-1887). Edited by Anna Catharina Nimczik. This edition: Saddle stitching. Sheet music. Schott Student Edition. Classical. Softcover. Op. 112. 16 pages. Schott Music #SE1023. Published by Schott Music

Cello; Piano Accompaniment (Cello Part And Piano Score)

SKU: HL.50605489

For Cello and Piano. Composed by Máté Bella. EMB. Classical. Softcover. Editio Musica Budapest #Z15206. Published by Editio Musica Budapest (HL.50605489).

ISBN 9781705190531. UPC: 196288126560.

Mate Bella's (*1985) earliest composition, written in 2005, is based on Lorinc Szabo's poem, Dsuang Dsi's Dream. This duet of cello and piano pendulates between dream and reality, formulating the same musical thoughts first in a slow march towards ecstasy, and then in a dizzying perpetuum mobile. Contents: 1. Andante, effettuoso 2. Presto.

Edited by George A. Speckert. Stapled. Ready to Play. Performance score, part(s), anthology. With Language: German/English. 43301 pages. Baerenreiter Verlag #BA10632. Published by Baerenreiter Verlag (BA.BA10632).

Chamber Music Oboe, Trombone, Percussion:, - Glockenspiel, - 4 Temple Blocks, - Triangle, - Silly Bird Whistle, - 4 Tom-toms, - Duck call, - hi-hat, - bass drum, - sizzle cymbal, Cello, Piano

SKU: PR.111402440

For Narrator, Oboe, Trombone, Percussion, Cello, and Piano. Composed by Daniel Dorff. Premiered by members of the Philadelphia Orchestra, Charlotte Blake Alston, narrator; Philadelphia, PA. Traditional. Set of Score and Parts. With Standard notation. Composed 13-Mar. 16+2+2+2+2 pages. Duration 6 minutes. Theodore Presser Company #111-40244. Published by Theodore Presser Company (PR.111402440).

ISBN 9781491101308. UPC: 680160616053. 9.5 x 13 inches. Old MacDonald Had A Farm.

Commissioned by the Philadelphia Orchestra Association, Dorff uses the familiar Old MacDonald to introduce children to various instruments within an orchestra, calling upon each in turn for examples of their sounds, and then merging all of the soloists into an original variation on the theme. An effective showcase for children's concerts. Duration: 6'.

(Transcriptions for Cello and Piano (Un-antologia: An Anthology)). Composed by Various. Arranged by Andrea Cavuoto. For Cello, Piano Accompaniment (Score and Parts). String. Softcover. Ricordi #R140540. Published by Ricordi

Chamber ensemble Oboe, Trombone, Percussion:, - Glockenspiel, - 4 Temple Blocks, - Triangle, - Silly Bird Whistle, - 4 Tom-toms, - Duck call, - hi-hat, - bass drum, - sizzle cymbal, Cello, Piano

SKU: PR.11140244S

For Narrator, Oboe, Trombone, Percussion, Cello, and Piano. Composed by Daniel Dorff. Premiered by members of the Philadelphia Orchestra, Charlotte Blake Alston, narrator; Philadelphia, PA. Traditional. Performance score. With Standard notation. Composed 13-Mar. 16 pages. Duration 6 minutes. Theodore Presser Company #111-40244S. Published by Theodore Presser Company (PR.11140244S).

UPC: 680160616077. 9.5 x 13 inches. Old MacDonald Had A Farm.

Commissioned by the Philadelphia Orchestra Association, Dorff uses the familiar Old MacDonald to introduce children to various instruments within an orchestra, calling upon each in turn for examples of their sounds, and then merging all of the soloists into an original variation on the theme. An effective showcase for children's concerts. Duration: 6'.

12 Recital Pieces in First Position for Cello and Piano or Two Celli. Edited by Christoph Sassmannshaus / Melissa Lusk. Stapled. Baerenreiter's Sassmannshaus. Performance score, parts. 16/23/21 pages pages. Published by Baerenreiter Verlag

Cello and Piano. Composed by Gabriel Faure (1845-1924). Edited by Fabian Kolb. Henle Music Folios. Classical. Softcover. G. Henle #HN1357. Published by G. Henle