Minor Infraction Ensemble de Percussions [Partition + CD-ROM] - Avancé Tapspace Publications
(for percussion ensemble). Composed by Rick Dior. For Percussion Ensemble (9-13 ...(+)
(for percussion
ensemble). Composed by
Rick Dior. For Percussion
Ensemble (9-13 players).
Percussion Ensembles.
Medium-Advanced. Folio
and Parts on CD-ROM. 18
pages. Duration 4
minutes, 15 seconds.
Published by Tapspace
Publications
(For String Orchestra, Harp, Timpani, And Percussion). By Arvo Part (1935-). For...(+)
(For String Orchestra,
Harp, Timpani, And
Percussion). By Arvo Part
(1935-). For String
Orchestra, Harp, Timpani,
Percussion. Study score.
58 pages. Duration 34
minutes. Published by
Universal Edition
(for percussion ensemble). Composed by Jim Casella. For Percussion Ensemble (8 p...(+)
(for percussion
ensemble). Composed by
Jim Casella. For
Percussion Ensemble (8
players). Percussion
Ensembles. Medium-Easy.
Folio and Parts on
CD-ROM. 16 pages.
Duration 4 minutes, 30
seconds. Published by
Tapspace Publications
Glacier Canyon Orchestre d'harmonie [Conducteur et Parties séparées] Carl Fischer
Composed by Mike Forbes. Score and part(s). 20 192 pages. Duration 4 minutes, ...(+)
Composed by Mike Forbes.
Score and part(s). 20
192 pages. Duration 4
minutes, 27 seconds. Carl
Fischer #YPS0173.
Published by Carl Fischer
(CF.YPS173).
The Legend of Taum Sauk Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Carl Fischer
Composed by Larry Clark. Score and part(s). With Standard notation. 24 162 pag...(+)
Composed by Larry Clark.
Score and part(s). With
Standard notation. 24
162 pages. Duration 4
minutes, 52 seconds. Carl
Fischer #YPS0180.
Published by Carl Fischer
(CF.YPS180).
Tumbleweed Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Carl Fischer
Fanfare and Fantasy. Composed by Tyler Arcari. Score and part(s). With St...(+)
Fanfare and
Fantasy. Composed by
Tyler Arcari. Score and
part(s). With Standard
notation. 32 322 pages.
Duration 4 minutes, 6
seconds. Carl Fischer
#CPS0185. Published by
Carl Fischer (CF.CPS185).
Composed by Richard Wagner (1813-1883). Arranged by James Olcott. Small Ensemble...(+)
Composed by Richard
Wagner (1813-1883).
Arranged by James Olcott.
Small Ensemble. Key: C
Major. Romantic. Score
and parts. With Standard
notation. 59 pages.
Duration 4 minutes.
Published by Triplo Press
(T3.TRP-097).
At the Threshold Orchestre d'harmonie [Conducteur et Parties séparées] Carl Fischer
Composed by Bill Calhoun. Score and part(s). 24 136 pages. Duration 4 minutes,...(+)
Composed by Bill Calhoun.
Score and part(s). 24
136 pages. Duration 4
minutes, 22 seconds. Carl
Fischer #YPS0165.
Published by Carl Fischer
(CF.YPS165).
Fur Elise Ensemble de Percussions [Partition + CD-ROM] - Facile Tapspace Publications
Arranged for percussion ensemble. Composed by Ludwig van Beethoven (1770-...(+)
Arranged for
percussion ensemble.
Composed by Ludwig van
Beethoven (1770-1827).
Arranged by Christopher
M. Retschulte. Percussion
Ensembles. Folio and
Parts on CD-ROM. 12
pages. Duration 3
minutes, 30 seconds.
Published by Tapspace
Publications
(TA.TSPCE14-007).
Composed
by Jan Dismas Zelenka.
Edited by Thomas
Kohlhase. Arranged by
Paul Horn. This edition:
urtext. 1x 27.197/21
flute 1, 1x 27.197/22
flute 2, 1x 27.197/23
oboe 1, 1x 27.197/24 oboe
2, 5x 27.197/31 trumpet
1-4 and timpani.
Stuttgart Urtext Edition.
Harmony parts. Sacred
vocal music, Praise and
thanks. Set of Orchestra
Parts. ZWV 146. Duration
28 minutes. Carus Verlag
#CV 27.197/09. Published
by Carus Verlag
(CA.2719709).
ISBN
9790007200930. Language:
Latin.
Two settings
of the Te Deum by Jan
Dismas Zelenka have been
survived: the Te Deum in
D major ZWV 145 of ca.
1724 and the present Te
Deum a due cori in D
major ZWV 146, which was
composed in 1731. Whereas
the Te Deum ZWV 145 is
scored for five voices
(soli e tutti) and an
orchestra including two
trumpets and timpani, the
setting of the Te Deum a
due cori, which includes
five soloists and two
four-part choirs, as well
as four trumpets and
timpani, and soloistic
flauti traversi is
magnificently realized in
a more decisive manner.
The large, solemn scoring
suggests that the work
was composed for a
worship service on the
occasion of the birth of
the Electoral Princess
Maria Josepha of Saxony.
Score and parts available
separately - see item
CA.2719700.
Composed by
Ludwig van Beethoven.
Arranged by Todd Parrish.
Folio. Cas. Set of Score
and Parts.
15+32+24+15+15+2+20
pages. Duration 4
minutes, 35 seconds. Carl
Fischer Music #SAS1.
Published by Carl Fischer
Music (CF.SAS1).
ISBN
9781491157718. UPC:
680160916290. 9 x 12
inches.
Written in
1814, the Fidelio
Overture was the fourth
and final version chosen
to open Beethoven's only
opera by the same name.
Though not as lengthy or
grand as its three
predecessors (the Leonore
Overtures 1 - 3), it
served its purpose as an
opening statement without
overshadowing the music
to come. This string
arrangement transposes
the original key of E
Major into the much more
playable key of D Major.
It retains the original
opening which alternates
between powerful majestic
bursts and lyrical
harmonic progressions
while finishing with the
energetic presto to the
end. Rhythms have been
simplified but are very
much in the spirit of
Beethoven's writing. The
optional timpani gives
this arrangement a
symphonic quality that
closely resembles the
original. Written in
1814, the Fidelio
Overture was the fourth
and final version chosen
to open Beethoven's only
opera by the same name.
Though not as lengthy or
grand as its three
predecessors (the Leonore
Overtures 1 – 3),
it served its purpose as
an opening statement
without overshadowing the
music to come. This
string arrangement
transposes the original
key of E Major into the
much more playable key of
D Major. It retains the
original opening which
alternates between
powerful majestic bursts
and lyrical harmonic
progressions while
finishing with the
energetic presto to the
end. Rhythms have been
simplified but are very
much in the spirit of
Beethoven’s
writing. The optional
timpani gives this
arrangement a symphonic
quality that closely
resembles the
original.
Composed by
Anton Bruckner. Arranged
by Kirk Moss. Set of
Score and Parts.
20+24+3+15+10+10+2 pages.
Duration 4 minutes, 56
seconds. Carl Fischer
Music #SAS6. Published by
Carl Fischer Music
(CF.SAS6).
ISBN
9781491159286. UPC:
680160917860.
Bruck
ner began composing the
Eighth Symphony, his last
completed symphony, in
July 1884, working mainly
during the summer
vacations from his duties
at the University of
Vienna and the Vienna
Conservatory. When he
finished the work's
revelatory finale, he
signed it Hallelujah, and
reported
enthusiastically, The
Finale is the most
significant movement of
my life. Following the
premiere performance, a
peer composer penned, Its
success was almost
without precedent. It was
the absolute victory of
light over darkness. This
work leaps to life with
awe-inspiring power in
this first-ever setting
for string orchestra with
optional timpani.
Transposed from its
original key of C
minor/major to D
minor/major, the music
sits nicely for all
parts, ready for any
concert or festival. The
conductor should
encourage students to
vary the bow lanes,
weight, and speed to
produce powerful forte
and expressive piano
dynamics. Encourage
mature players to make
expressive fingering
choices and to use
vibrato. Students should
practice coloring the
tone and intensity
through bowing lanes,
variable bow weight, and
appropriate bow
speeds. Bruckner began
composing the Eighth
Symphony, his last
completed symphony, in
July 1884, working mainly
during the summer
vacations from his duties
at the University of
Vienna and the Vienna
Conservatory. When he
finished the work's
revelatory finale, he
signed it
Hallelujah,†and
reported
enthusiastically,
“The Finale is the
most significant movement
of my life. Following the
premiere performance, a
peer composer penned,
“Its success was
almost without precedent.
It was the absolute
victory of light over
darkness.â€This work
leaps to life with
awe-inspiring power in
this first-ever setting
for string orchestra with
optional timpani.
Transposed from its
original key of C
minor/major to D
minor/major, the music
sits nicely for all
parts, ready for any
concert or festival.The
conductor should
encourage students to
vary the bow lanes,
weight, and speed to
produce powerful forte
and expressive piano
dynamics. Encourage
mature players to make
expressive fingering
choices and to use
vibrato. Students should
practice coloring the
tone and intensity
through bowing lanes,
variable bow weight, and
appropriate bow
speeds.
Composed
by Jan Dismas Zelenka.
Edited by Thomas
Kohlhase. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition. Violin 2. Sacred
vocal music, Praise and
thanks. Single Part,
Violin 2. ZWV 146. 16
pages. Duration 28
minutes. Carus Verlag #CV
27.197/12. Published by
Carus Verlag
(CA.2719712).
ISBN
9790007200954. Language:
Latin.
Two settings
of the Te Deum by Jan
Dismas Zelenka have been
survived: the Te Deum in
D major ZWV 145 of ca.
1724 and the present Te
Deum a due cori in D
major ZWV 146, which was
composed in 1731. Whereas
the Te Deum ZWV 145 is
scored for five voices
(soli e tutti) and an
orchestra including two
trumpets and timpani, the
setting of the Te Deum a
due cori, which includes
five soloists and two
four-part choirs, as well
as four trumpets and
timpani, and soloistic
flauti traversi is
magnificently realized in
a more decisive manner.
The large, solemn scoring
suggests that the work
was composed for a
worship service on the
occasion of the birth of
the Electoral Princess
Maria Josepha of Saxony.
Score and part available
separately - see item
CA.2719700.
Composed
by Jan Dismas Zelenka.
Edited by Thomas
Kohlhase. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition. Organ. Sacred
vocal music, Praise and
thanks. Single Part,
Organ. ZWV 146. 20 pages.
Duration 28 minutes.
Carus Verlag #CV
27.197/49. Published by
Carus Verlag
(CA.2719749).
ISBN
9790007164874. Language:
Latin.
Two settings
of the Te Deum by Jan
Dismas Zelenka have been
survived: the Te Deum in
D major ZWV 145 of ca.
1724 and the present Te
Deum a due cori in D
major ZWV 146, which was
composed in 1731. Whereas
the Te Deum ZWV 145 is
scored for five voices
(soli e tutti) and an
orchestra including two
trumpets and timpani, the
setting of the Te Deum a
due cori, which includes
five soloists and two
four-part choirs, as well
as four trumpets and
timpani, and soloistic
flauti traversi is
magnificently realized in
a more decisive manner.
The large, solemn scoring
suggests that the work
was composed for a
worship service on the
occasion of the birth of
the Electoral Princess
Maria Josepha of Saxony.
Score and part available
separately - see item
CA.2719700.