This series offers a versatile selection of music for flute, clarinet, alto sax, tenor sax, trumpet, horn in F, trombone, violin, viola, and cello. Each book contains carefully edited arrangements appropriate to each instrument, and is well suited for level 2-3 students. The CD includes a fully orchestrated demo track of each song, which features a live instrumental solo performance, followed by a play-along track. Also included are PDFs of piano accompaniments, and Alfred's Tempo Changer Software. / Alto

The study of string instruments should include ensemble playing at the earliest possible stage. There is much to be gained from the playing of duets. Each player learns how to listen to the other, and in a short time develops an awareness of balance, musical phrasing, intonation, and tone quality. This type of training is excellent preparation for participation in large groups. These four volumes of duets for two violins will help fill the need for early ensemble experience in the public schools. They should be used in string classes as a supplement to any of the standard string methods. They will also encourage music making outside of the school, with parents or with other students. These duets are ideal for recitals in the public schools and in public school festivals. They may be played by two performers, or by multiple performers on each part, with or without piano accompaniment.

Because a fine orchestra depends on fine players, Solo Time for Strings emphasizes individual accomplishment, progress, and achievement while preparing young students for participation in a school orchestra. The series teaches reading in conjunction with note learning, enabling students to start playing melodies as soon as possible, and is appropriate for class or individual instruction. The solos assist in a progressive technical development from 'twinkle, twinkle' in Book 1 to music by Vivaldi in Book 5. / Alto

Par BERIO LUCIANO. This set of arrangements of Luciano Berio’s “Duetti”, originally for two violins, represents a fascinating expansion of the limited repertoire for two violas. Berio originally conceived these duets as a collection of occasional pieces, each dedicated to someone who was close to him, rather like Elgar’s “Enigma” Variations, but they eventually developed into a full compositional project with pedagogical overtones. As such, there is a wide variation in technical demands, from pieces playable by beginners up to a duet that foreshadows the skills required for Berio’s “Sequenza” for the viola. Taken as a whole, over some years of study, the “Duetti” can gently lead players into the mysteries of contemporary music; however, the composer also envisaged them in a concert performance of the complete cycle with at least 24 players of differing abilities taking turns to play. In this guise, it might be an intriguing idea to mix them with the original version for two violins (UE17757), although it must be understood that the two versions are not mutually compatible to be played as violin/viola duets./ Répertoire / 2 Altos

10 flexible Blues Arrangements for String Ensemble. Par HUFSCHMIDT THOMAS. Get the blues by playing in small or large ensembles of woodwinds, brass, strings, or rhythm section!Play together in harmony with classmates, family, and friends. Use any combination of instruments and any skill level. Everyone can play the blues! As a conductor of school bands or ensembles you?re always looking for arrangements that can be played by players of different levels and instrument groups. At many times such arrangements don?t fit to what you require. Alfred?s Flex-Ability series will fit for you! Arranged for multi-level instrumentalists to play popular music together, this Flex-Ability Blues series will enable you:? to perform each blues song either as solo, duet, trio, quartet, and/or quintet to bring together players of different levels to choose your individual ensemble of any size to combine any instrument part from any book with any part from the other books The Flex-Ability Blues series provides you with seven instrumental books including ten blues songs in five-part score form you can use in such a flexible way. The arrangements are carefully crafted to sound authentic, optional octaves are included to allow for range flexibility. To help you practice, a downloadable PDF Piano accompaniment for all the pieces in this book is available online. This way, you definitely will have the blues!/ Recueil / Violon, Alto ou Violoncelle

Titles: Concerto No. 2, 3rd Movement (F. Seitz) * Concerto No. 5, 1st Movement (F. Seitz) * Tonalization: Lullaby, Wiegenlied, Op. 98, No. 2 (F. Schubert) * Tonalization: Lullaby, Wiegenlied, Op. 49, No. 4 (J. Brahms) * Concerto in D Minor, 1st Movement, transcribed from Concerto in A Minor, Op. 3, No. 6 for Violin (A. Vivaldi) * Concerto in D Minor, 3rd Movement, transcribed from Concerto in A Minor, Op. 3, No. 6 for Violin (A. Vivaldi) * Concerto in G Major (Largo, Allegro, Andante, Presto) (G.P. Telemann) * Concerto in G Major for Two Violas (Lento, Allegro, Largo, Vivace) (G.P. Telemann). This title is available through SmartMusic.

Par BUTTERWORTH HELEN. This collection of seven pieces is suitable for young string players in the early stages of orchestral playing. The rhythms and notes used in all the parts are still quite basic, the third violin/viola being the easiest, but the overall effect is very satisfying for performer and listener. The Violin 3 and Viola parts are the same and the Double Bass part is optional. The optional Piano parts can be used in rehearsals or if any of the string parts are missing. / Ensemble Music / Recueil / Violon, Alto, Violoncelle et Contrebasse

Arrangeur: Joseph Knaus. Par SUZUKI SHINICHI. Comprised of works from Volumes 1, 2 and 3 of the Suzuki Violin School, which have been arranged for string quartet by violinist/arranger Joseph Knaus. With lower string parts providing melodic and rhythmic counterpoint to set off the simple melodies (which match the Suzuki Method[R] repertoire), these quartets are nevertheless simple enough for beginning level players ready for their first chamber music experience. String Quartets for Beginning Ensembles are sold in sets including full score and one part book per instrument. Volume 1 contents are: Twinkle, Twinkle, Little Star Theme and Variations (Shinichi Suzuki) * Lightly Row (Folk Song) * Song of the Wind (Folk Song) * Go TellAunt Rhody (Folk Song) * O Come, Little Children (Folk Song) * May Song (Folk Song) * Long, Long Ago (T. H. Bayly) * Allegro (Shinichi Suzuki) * Etude (Shinichi Suzuki) * Perpetual Motion (Shinichi Suzuki) * Allegretto (Shinichi Suzuki) * Andantino (Shinichi Suzuki) * Gavotte (F. J. Gossec). / Niveau : Débutant / Méthode / Recueil / Orchestre de Chambre

Arrangeur: Joseph Knaus. Par SUZUKI SHINICHI. Comprised of works from Volumes 1, 2, and 3 of the Suzuki Violin School, which have been arranged for string quartet by violinist/arranger Joseph Knaus. With lower string parts providing melodic and rhythmic counterpoint to set off the simple melodies (which match the Suzuki Method repertoire), these quartets are nevertheless simple enough for beginning level players ready for their first chamber music experience. String Quartets for Beginning Ensembles are sold in sets including full score and one part book per instrument. Volume 3 contents are: Gavotte (P. Martini) * Minuet, BWV Anh. II 114/Anh. III 183/Anh. II 115 (J. S. Bach) * Gavotte in G Minor, Gavotte en Rondeaufrom Suite in G Minor for Klavier, BWV 822 (J. S. Bach) * Humoresque, Op. 101, No. 7 for Piano (A. Dvorák) * Gavotte (J. Becker) * Gavotte from Orchestral Suite No. 3 from Overture in D Major, BWV 1068 (J. S. Bach) * Bourree, Bourrees I and II from Suite III in C Major for Violoncello, BWV 1009 (J. S. Bach). / Niveau : Intermédiaire / Recueil / Orchestre de Chambre

Because a fine orchestra depends on fine players, Solo Time for Strings emphasizes individual accomplishment, progress, and achievement while preparing young students for participation in a school orchestra. The series teaches reading in conjunction with note learning, enabling students to start playing melodies as soon as possible, and is appropriate for class or individual instruction. The solos assist in a progressive technical development from 'twinkle, twinkle' in Book 1 to music by Vivaldi in Book 5. / Alto

Par BUTTERWORTH HELEN. This collection of seven pieces is suitable for young string players in the early stages of orchestral playing. The rhythms and notes used in all the parts are still quite basic, the third violin/viola being the easiest, but the overall effect is very satisfying for performer and listener. The Violin 3 and Viola parts are the same and the Double Bass part is optional. The optional Piano parts can be used in rehearsals or if any of the string parts are missing. / Ensemble Music / Recueil / Violon, Alto, Violoncelle et Contrebasse

This duet collection of 17 keyboard, vocal and instrumental pieces covering the Baroque to the 20th Century periods can be played together in harmony by any number or combination of instruments. Woodwinds, brass, strings and percussion can play in like-instrument or mixed instrumentation. It's an all-purpose folio that makes classical music fun! Contains: Allegro (Mozart) * Aria (from Rigoletto) (Verdi) * Au Clair de la Lune (Lully) * Capricho Catalan (Albeniz) * Duet (Mozart) * Duetto (Pleyel) * Echo (Haydn) * Larghetto (Telemann) * Lost is My Quiet (Purcell) * Lullaby (Brahms) * Melody (Schumann) * Minuet (Bach) * Minuet in Canon (Mozart) * Pavana (Scarlatti) * Siciliene (Aubert) * Two Adagios (Corelli) * Two Rigaudons (Rameau).

L'oeuvre musicale qui a pour support une Partition a pour titre 3 Voeux A Un Nouveau Ne. C'est une partition musicale composée par Desenclos et qui est destinée aux joueurs de Musique de Chambre. Le détail de l'instrumentation Violon, Alto Et Violoncelle vous permettra de savoir si cette partition correspond bien à ce que vous cherchez. Son style Classique vous permettra de découvrir ô combien la musique Classique est belle et enrichissante. / Violon, Alto Et Violoncelle / Partition

La troisième et la cinquième position générateur de chaîne doit être utilisée après livre 3 de la chaîne Builder Belwin. Cependant, il peut également être utilisé comme une continuation de toutes les méthodes standard de la classe String. Dans ce livre, le violon, alto, violoncelle, contrebasse et jouent ensemble. Le livre pour chaque instrument, cependant, est une unité complète et peut être utilisé séparément pour la classe ou l'enseignement individuel. Dans ce livre, l'élève est soigneusement pris étape par étape à travers les troisième et cinquième positions. L'élève apprend à trouver chaque doigt, après quoi des changements simples sont introuduced avec le même doigt, suivie par des changements à ces positions avec différents doigts. Chaque type de changement est présenté et développé avec des mélodies intéressantes. Le contenu de ce volume est choisi pour son intérêt musical et sa valeur technique. Il ya un certain nombre de duos qui doivent être joué soit par deux élèves ou avec la classe divisée en deux groupes. Le contenu de ce livre est réaliste classé de sorte que seul un minimum d'explications est nécessaire. Suggestions pour le travail par coeur sont présentés dans le livre. Publié pour violon, alto, violoncelle, contrebasse, piano accompagnement, manuel de l'enseignant. / Alto

Instrumentistes seront ravis de cette collection, qui comporte des interprétations thématiques de 11 sélections de brillante partition de Howard Shore pour Le Hobbit: un voyage inattendu. Shore se développe magistralement sur ??la palette musicale de la Terre du Milieu, mêlant motifs familiers du Seigneur des Anneaux trilogie avec une panoplie de nouveaux thèmes mémorables. Cette folio magnifiquement produit dispose d'un éventail de photos colorées du film. / Alto