Easy Instrumental Duets for Two - Trombone Edition. By Various. Easy Instrumen...(+)
Easy Instrumental Duets
for
Two - Trombone Edition.
By
Various. Easy
Instrumental
Duets. Duet, Pop.
Softcover.
48 pages. Duration 120
seconds. Published by Hal
Leonard
Alto Sax Easy Instrumental Duets for Two - Alto Sax Edition. By Various. Easy ...(+)
Alto Sax
Easy Instrumental Duets
for
Two - Alto Sax Edition.
By
Various. Easy
Instrumental
Duets. Duet, Pop.
Softcover.
48 pages. Duration 120
seconds. Published by Hal
Leonard
Easy Instrumental Duets for Two - Trumpet Edition. By Various. Easy Instrument...(+)
Easy Instrumental Duets
for
Two - Trumpet Edition. By
Various. Easy
Instrumental
Duets. Duet, Pop.
Softcover.
48 pages. Duration 120
seconds. Published by Hal
Leonard
Easy Instrumental Duets for Two - Cello Edition. By Various. Easy Instrumental...(+)
Easy Instrumental Duets
for
Two - Cello Edition. By
Various. Easy
Instrumental
Duets. Duet, Pop.
Softcover.
48 pages. Duration 120
seconds. Published by Hal
Leonard
Easy Instrumental Duets for Two - Clarinet Edition. By Various. Easy Instrumen...(+)
Easy Instrumental Duets
for
Two - Clarinet Edition.
By
Various. Easy
Instrumental
Duets. Duet, Pop.
Softcover.
48 pages. Duration 120
seconds. Published by Hal
Leonard
Easy Instrumental Duets for Two - Violin Edition. By Various. Easy Instrumenta...(+)
Easy Instrumental Duets
for
Two - Violin Edition. By
Various. Easy
Instrumental
Duets. Duet, Pop.
Softcover.
48 pages. Duration 120
seconds. Published by Hal
Leonard
(6 Graded Duets for Late Intermediate Pianists). Arranged by Dan Coates. For Pia...(+)
(6 Graded Duets for Late
Intermediate Pianists).
Arranged by Dan Coates.
For Piano. Book; Duet or
Duo; Piano Duet (1 Piano,
4 Hands). Hits for Teens.
Pop. Late Intermediate.
48 pages. Published by
Alfred Music
Euphonium & Piano - advanced SKU: CY.CC2697 Composed by Reinhold Moritzov...(+)
Euphonium & Piano -
advanced
SKU:
CY.CC2697
Composed by
Reinhold Moritzovich
Gliere. Arranged by Ralph
Sauer. Russian 19th
Century. Solo part and
Piano accompaniment.
Published by Cherry
Classics (CY.CC2697).
Gliere's Two
Pieces, Op. 9 is an early
work, originally written
for double bass with the
two movements having been
beautifully arranged for
Euphonium and Piano by
Ralph Sauer.
The
Intermezzo is lyrical,
sensual and Eastern
sounding.
The
Tarantella is a sprightly
folk dance of southern
Italy. The curious name
comes from the wolf
spider or Tarantula whose
bite is highly poisonous
and in earlier times was
believed to cause the
victims to engage in a
frenzied dance.
The two
movements are about 9.5
minutes in length and are
appropriate for
advanced
performers.
The
mp3 clip is of Ralph
Sauer on Trombone and Mac
Booke on Piano.
Edited by Gail Lew. Arranged by Sid Richardson. Piano method/supplement (1 piano...(+)
Edited by Gail Lew.
Arranged by Sid
Richardson. Piano
method/supplement (1
piano, 4 hands). Level:
intermediate, level 4. 64
pages. Published by
Belwin.
Cantata for the 1st
Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Liebster Jesu. Sacred
vocal music, Cantatas,
Epiphany. Single Part,
Violin 2. Composed 1726.
BWV 32. 4 pages. Duration
24 minutes. Carus Verlag
#CV 31.032/12. Published
by Carus Verlag
(CA.3103212).
ISBN
9790007042516. Key: E
minor / g major.
Language: German/English.
Text: Lehms, Georg
Christian. Text: Georg
Christian
Lehms.
The text of
the cantata Dearest
Jesus, sore I need Thee
for the 1st Epiphany
Sunday 1726 was written
by the Darmstadt poet
Georg Christian Lehms. It
is conceived as a dialog
between Jesus and the
Faithful Soul. Bach
titled his cantata
Concerto in Dialogo and
accordingly, it is
structured as a dialog
between soprano and bass,
set in the voice types
that were - not only for
Bach - typically used for
the soul (soprano) and
Jesus (bass). The cantata
is based on the narrative
of the twelve-year-old
boy Jesus in the temple;
however, in spite of
closely following the
gospel text, it is
interpreted more widely
here: it is through Jesus
that the believer finds
God's dwelling. Bach
creates a great arch from
the opening aria full of
yearning and searching
through to the joyful
duet Nun verschwinden
alle Plagen. He himself
added the four-part
closing chorale to the
text model, thus
communicating the sense
of joyous certainty to
the congregation of
believers. Score and part
available separately -
see item CA.3103200.
Cantata for the 1st
Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Liebster Jesu. Sacred
vocal music, Cantatas,
Epiphany. Single Part,
Viola. Composed 1726. BWV
32. 4 pages. Duration 24
minutes. Carus Verlag #CV
31.032/13. Published by
Carus Verlag
(CA.3103213).
ISBN
9790007042523. Key: E
minor / g major.
Language: German/English.
Text: Lehms, Georg
Christian. Text: Georg
Christian
Lehms.
The text of
the cantata Dearest
Jesus, sore I need Thee
for the 1st Epiphany
Sunday 1726 was written
by the Darmstadt poet
Georg Christian Lehms. It
is conceived as a dialog
between Jesus and the
Faithful Soul. Bach
titled his cantata
Concerto in Dialogo and
accordingly, it is
structured as a dialog
between soprano and bass,
set in the voice types
that were - not only for
Bach - typically used for
the soul (soprano) and
Jesus (bass). The cantata
is based on the narrative
of the twelve-year-old
boy Jesus in the temple;
however, in spite of
closely following the
gospel text, it is
interpreted more widely
here: it is through Jesus
that the believer finds
God's dwelling. Bach
creates a great arch from
the opening aria full of
yearning and searching
through to the joyful
duet Nun verschwinden
alle Plagen. He himself
added the four-part
closing chorale to the
text model, thus
communicating the sense
of joyous certainty to
the congregation of
believers. Score and part
available separately -
see item CA.3103200.
Orchestra Soli SB, Coro SATB, Ob, Vl solo, 2 Vl, Va, Bc SKU: CA.3103207 <...(+)
Orchestra Soli SB, Coro
SATB, Ob, Vl solo, 2 Vl,
Va, Bc
SKU:
CA.3103207
Cantata
for the 1st Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas,
Epiphany. Study score.
Composed 1726. BWV 32. 36
pages. Duration 24
minutes. Carus Verlag #CV
31.032/07. Published by
Carus Verlag
(CA.3103207).
ISBN
9790007092450. Key: E
minor / g major.
Language: German/English.
Text: Lehms, Georg
Christian.
The text
of the cantata Dearest
Jesus, sore I need Thee
for the 1st Epiphany
Sunday 1726 was written
by the Darmstadt poet
Georg Christian Lehms. It
is conceived as a dialog
between Jesus and the
Faithful Soul. Bach
titled his cantata
Concerto in Dialogo and
accordingly, it is
structured as a dialog
between soprano and bass,
set in the voice types
that were - not only for
Bach - typically used for
the soul (soprano) and
Jesus (bass). The cantata
is based on the narrative
of the twelve-year-old
boy Jesus in the temple;
however, in spite of
closely following the
gospel text, it is
interpreted more widely
here: it is through Jesus
that the believer finds
God's dwelling. Bach
creates a great arch from
the opening aria full of
yearning and searching
through to the joyful
duet Nun verschwinden
alle Plagen. He himself
added the four-part
closing chorale to the
text model, thus
communicating the sense
of joyous certainty to
the congregation of
believers. Score
available separately -
see item CA.3103200.
Cantata for the 1st
Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Liebster Jesu, mein
Verlangen. Sacred vocal
music, Cantatas,
Epiphany. Choral Score.
Composed 1726. BWV 32. 2
pages. Duration 24
minutes. Carus Verlag #CV
31.032/05. Published by
Carus Verlag
(CA.3103205).
ISBN
9790007042493. Key: E
minor / g major.
Language: German/English.
Text: Lehms, Georg
Christian. Text: Georg
Christian
Lehms.
The text of
the cantata Dearest
Jesus, sore I need Thee
for the 1st Epiphany
Sunday 1726 was written
by the Darmstadt poet
Georg Christian Lehms. It
is conceived as a dialog
between Jesus and the
Faithful Soul. Bach
titled his cantata
Concerto in Dialogo and
accordingly, it is
structured as a dialog
between soprano and bass,
set in the voice types
that were - not only for
Bach - typically used for
the soul (soprano) and
Jesus (bass). The cantata
is based on the narrative
of the twelve-year-old
boy Jesus in the temple;
however, in spite of
closely following the
gospel text, it is
interpreted more widely
here: it is through Jesus
that the believer finds
God's dwelling. Bach
creates a great arch from
the opening aria full of
yearning and searching
through to the joyful
duet Nun verschwinden
alle Plagen. He himself
added the four-part
closing chorale to the
text model, thus
communicating the sense
of joyous certainty to
the congregation of
believers. Score
available separately -
see item CA.3103200.