Assembly, SATB choir, and organ with optional flute, brass quintet, timpani, sus...(+)
Assembly, SATB choir, and
organ with optional
flute, brass quintet,
timpani, suspended
cymbal, and strings
(Brass Quintet/Percussion
Parts include: Trumpets I
and II in B-flat and C,
Horn in F (substitute for
Trombone I), Trombone I
and II, Bass
Trombone/Tuba, Timpani,
Suspended Cymbal. String
Parts include: Violin I
and II, Viola, Cello) -
Intermediate
SKU:
MN.80-500
Composed by
Normand Gouin. Score &
instrument parts.
MorningStar Music
Publishers #80-500.
Published by MorningStar
Music Publishers
(MN.80-500).
UPC:
688670805004.
English.
Normand
Gouin has crafted a
timeless setting of the
Mass. He has set familiar
Gregorian chant Ordinary
parts—Kyrie XVI in
Greek, Gloria VIII in
Latin, Mode VI Alleluia,
Sanctus XVIII in Latin,
ICEL memorial
acclamations in English,
ICEL Amen (expanded), and
Agnus Dei XVIII in
Latin—for
Assembly, SATB choir, and
organ, with optional
instrumentation for
Flute, Brass Quintet,
Percussion, and Strings.
The choral parts
sometimes support the
assembly chant, and
sometimes act as halos,
deftly embellishing it.
The score is in modern
notation, and rhythmic
values have been treated
with great care to
preserve the natural flow
of chant. A highlight is
the Gloria (Missa de
Angelis), which
alternates assembly chant
with original, metered
music for the choir based
on the chant.
Commissioned for the
dedication of Christ
Cathedral, Orange, CA, in
2019.
SATB choir, cantor,
assembly, organ
accompaniment, flute,
oboe, violin 1, violin 2,
viola, cello, bass -
Early intermediate
SKU: GI.G-10453
Composed by Chaz Bowers.
Pentecost. Ritual Prayer.
Tune Name: Veni Creator
Spiritus. Sacred. Octavo.
8 pages. GIA Publications
#10453. Published by GIA
Publications
(GI.G-10453).
UPC:
785147045311. English.
Text Source: Psalm
104:1ab and 24ac,
29bc-30, 31 and 34,
The Abbey Psalms and
Canticles, ref.,
Lectionary for
Mass Scripture: Psalm
104.
“Lord,
Send Out Your
Spirit†is based on
Veni Creator Spiritus,
one of the most familiar
Gregorian chants. The
chant is sung at
Pentecost Vespers, the
dedication of a church,
and for the sacraments of
Confirmation and Holy
Orders. It is also heard
at consistories when the
cardinals gather in the
Sistine Chapel to elect a
new pope. The psalm
verses in this setting
are appointed for
Pentecost Sunday Mass
during the Day, as well
as being an option for a
common responsorial psalm
for Pentecost.
Organ - Medium Difficult SKU: PL.9515 Composed by Michael Ferguson. Chant...(+)
Organ - Medium Difficult
SKU: PL.9515
Composed by Michael
Ferguson. Chant,
Festival, General, Hymn,
Feast-Corpus Christi.
Sheet music. Paraclete
Press #9515. Published by
Paraclete Press
(PL.9515).
This
three movement work is
based upon the chant hymn
Pange Lingua (Now my
tongue, the mystery
telling) for the feast of
Corpus Christi. Movement
I, Pange Lingua, is set
as a duet between flute
stops over a quiet pedal
drone. Movement II,
Verbum Caro, Panem verum
has the chant at 4' pitch
in the pedal with rich
string accompaniment in
the manuals. The final
movement Genitori,
Genitoque, is a
French-style toccata on
full organ. Of medium
difficulty, this work can
be used effectively as a
prelude, offertory, and
postlude or as a recital
piece.
Organ - Medium SKU: PL.0618 Composed by Robert Lind. Chant, Eucharist, Le...(+)
Organ - Medium
SKU:
PL.0618
Composed by
Robert Lind. Chant,
Eucharist, Lent. Sheet
music. Paraclete Press
#0618. Published by
Paraclete Press
(PL.0618).
*
based on the chant, this
work begins simply with
flutes and mutations in
duet * detailed
registrations,
appropriate for small or
large instruments, as
well as manual
indications make the
execution of this work
very direct *
registration indications
and harmonic colors
increase as the piece
gradually builds * final
section with octave
chords and strong pedal
foundation carries the
piece to a dynamic climax
* tempo slows by
increments in the final
measures, leading to the
final modal cadence * a
passionate instrumental
expression of the text:
printing the text of this
hymn in a program or
bulletin
Musically,
this is a rather
interesting piece with
harmonic language that is
more advanced than one
might normally use in
services, but here one
can allways follow the
hymn tune. The
registration is highly
colorful, using at 16'
Quintaton played an
octave higher, or
substituting an 8' and 2
2/3'. As in the chorale
preludes mentioned
earlier, this work, too,
creates a continuing
crescendo to the end.
Harmonically, this work
makes use of some
interesting
ideas-mirroring short
sections of the hymn tune
as a motivic device,
short canonic imitation,
etc. Technically, it is
fairly easy reading until
about halfway, when close
attention must be paid to
accidentals. The last
page will require some
working of fingering in
the right hand to
maintain the legato sense
of the phrase. - The
Journal of the
Association of Anglican
Musicians March 2006.
SATB choir, organ accompaniment, flute, oboe, clarinet in B-flat, horn in f, bas...(+)
SATB choir, organ
accompaniment, flute,
oboe, clarinet in B-flat,
horn in f, bassoon -
Early intermediate
SKU: GI.G-7261
Composed by Ronald
Krisman. Pentecost,
Pentecost A, Pentecost B,
Pentecost C. Oramos
cantando series. Sacred.
Octavo. GIA Publications
#7261. Published by GIA
Publications (GI.G-7261).
UPC: 785147726104.
English, Spanish.
Translation: Mary Louise
Bringle. Text by
Francisco Luis
Bernárdez.
This
easily sung piece is
perfect for celebrations
of the Spirit. The simple
congregational melody,
intertwined with the
Latin chant “Veni
Creator Spritusâ€
sung by the choir, makes
this an effective
processional piece.
Multiple reprint boxes
are included for use with
English, Spanish, or
bilingual assemblies.
Wind quintet part is
optional
Easily sung,
perfect for celebrations
of the Spirit.
SAB choir, Organ or Piano - Easy/Medium SKU: PL.0004 Composed by J. Willi...(+)
SAB choir, Organ or Piano
- Easy/Medium
SKU:
PL.0004
Composed by
J. William Greene.
Parish. Choral, Evensong,
General. Octavo.
Paraclete Press #0004.
Published by Paraclete
Press (PL.0004).
These
delightful anthems come
at a time of great
interest in Celtic music
and literature. Dr.
Greene has composed
characterful and colorful
music for each of these
poems that will be a joy
to learn. The Tree of
Life is set quite
reflectively with a flute
obbligato that captures
the elegiac text. Patrick
s Evening Hymn has long
phrase lines and a
chant-like flow between
the organ and voices.
Caedmon s Hymn is set as
a lively vigorous dance
that emphasizes the
strength of this text.
The keyboard parts are
discreet and supportive
throughout and the voice
ranges are quite moderate
in scope. These short
anthems are winning
additions to the SAB
repertory.
Organ SKU: HL.49003551 Organ. Composed by Jean-Francois Dandrieu. ...(+)
Organ
SKU:
HL.49003551
Organ. Composed by
Jean-Francois Dandrieu.
Arranged by Felix
Alexandre Guilamnt. This
edition: Paperback/Soft
Cover. Sheet music.
Edition Schott.
Classical. 108 pages.
Schott Music #ED1880.
Published by Schott Music
(HL.49003551).
ISBN
9790001035002. UPC:
842819110019.
9.0x11.75x0.345
inches.
Organ solo SKU: AP.6-296962 Composed by Jean-Francois Dandrieu and Louis-...(+)
Organ solo
SKU:
AP.6-296962
Composed
by Jean-Francois Dandrieu
and Louis-Claude Daquin.
Masterworks; Organ -
Method or Collection.
Dover Edition. French and
Classical. Book. 96
pages. Dover Publications
#06-296962. Published by
Dover Publications
(AP.6-296962).
ISBN
9780486296968. UPC:
9780486296968. 9x12
inches.
English.
These 40
beautiful French pieces
by Daquin, Dandrieu and
Balbastre are sure to
charm organ-loving
audiences everywhere.
Continuo SKU: FZ.6222 Serie I - France 1600-1800. Edited by Jean S...(+)
Continuo
SKU:
FZ.6222
Serie I -
France 1600-1800.
Edited by Jean
Saint-Arroman. This
edition: Facsimile.
Methodes & Traites.
Score. Published by Anne
Fuzeau Productions -
France (FZ.6222).
ISBN
9790230662222. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in six books.
Volume 1: Anonyme -
BARTOLOTTI A. M. - BOYVIN
J. - BUTERNE J-B. - CARRE
A. Sieur de La Grange -
CHARPENTIER M-A. -
CHAUMONT L. - D'ANGLEBERT
J-H. - DE LA BARRE M. -
DELAIR D. - FLEURY N. -
MARAIS M. - NIVERS G. G.
- PERRINE - SAINT-LAMBERT
M. de. Volume 2: CAMPION
F. - CAMPION T. - CHERON
A. - CLERAMBAULT N. -
COUPERIN F. - DANDRIEU
J-F. - DELAIR D. -
LECLAIR J. -M. - RAMEAU
J. -P. Volume 3: Anonyme
- CAMPION F. - DORNEL A.
- FORQUERAY A. - GERVAIS
L. - GOUDAT - GUILLEMAIN
L. -G. - MONNIER Le Cadet
- MONTECLAIR M. P. de -
PINGRE A-G. - RAMEAU J.
-P. - SERRE DE RIEUX J. -
TELEMANN G. P. - TRAVENOL
L. A. Volume 4: ALEMBERT
J. Le Rond d' -
BLAINVILLE C. H. de -
CORRETTE M. - DUBUGRARRE
- GEMINIANI F S. -
LAPORTE C. de. Volume 5:
BETHISY J-L. de - BIFERI
F. (fils) - CLEMENT C-F.
- DUBREUIL J-J. - GARNIER
H. - GIANOTTI P. -
GOUGELET Madame - LABBET
A. J. - LE BOEUF - RAMEAU
J. -P. - ROUSSIER P-J. -
SIMON S. - TAPRAY J.
Volume 6: Anonyme -
BEMETZRIEDER A. -
CORRETTE M. - FROESTLER
B. - GOURNAY B. C. -
LANGLE H-F-M. - RODOLPHE
J-J. - ROUSSIER P-J.
Table of contents: Volume
1: Fleury Nicolas:
Methode pour apprendre
facilement - 1660.
Bartolotti Angelo
Michele: Table pour
apprendre facilement -
1669. Carre Antoine:
Livre de Guitarre
Contenant Plusieurs
pieces - 1671. Perrine:
Livre de Musique pour le
Lut - 1680. Anonyme:
Petites Reigles
Generalles qui peuvent
servir de methode - 1680.
Nivers Guillaume Gabriel:
Motets a voix seule -
1689. D'Anglebert Jean
Henry: Pieces de clavecin
- 1689. Marais Marin:
Basse-continues des
pieces a une et a deux
Violes - 1689. Anonyme:
(traite abrege
d'accompagnement) - c.
1690. Anonyme: Regles
pour l'Accompagnement -
1690. Delair Denis:
Traite d'accompagnement
pour le theorbe - 1690.
Charpentier Marc Antoine:
Abrege des regles de
l'accompagnement - c.
1692. Chaumont Lambert:
Pieces D'orgue sur les 8
tons - 1695. Buterne
Jean-Baptiste: Petites
Reigles pour
l'accompagnement - 1700.
Boyvin Jacques: Second
livre d'orgue - 1700.
Anonyme: Traite
d'accompagnement du
Clavecin - c. 1700. De La
Barre Michel: Premier
livre de pieces pour la
flute - 1702.
Saint-Lambert Michel de:
Nouveau Traite de
l'accompagnement - 1707.
Volume 2: Couperin
Francois: Regles pour
l'accompagnement - s. d.
Campion Thomas: Traite
d'accompagnement et de
composition - 1716.
Clerambault Nicolas:
Regles d'accompagnement -
1716. Clerambault
Nicolas: Principes
d'accompagnement - 1716.
Dandrieu Jean Francois:
Principes de
l'accompagnement - 1719.
Rameau Jean-Philippe:
Traite de l'harmonie -
1722. Delair Denis:
Nouveau traite
d'accompagnement - 1724.
Leclair Jean-Marie:
Premier livre de sonates
- 1723. Rameau
Jean-Philippe: Nouveau
systeme de musique
theorique - 1726. Cheron
Andre: Sonates en trio -
1727. Campion Francois:
Lettre du sieur Campion a
un philosophe - 1729.
Campion Thomas: Addition
au traite
d'accompagnement - 1730.
Volume 3: Pingre
Alexandre Gui: Traite de
l'harmonie - s. d. Rameau
Jean-Philippe:
Observations sur la
Methode d'Accompagnement
- 1730. Rameau
Jean-Philippe: Plan
abrege d'une Methode
nouvelle - 1730.
Monteclair Michel
Pignolet de: Reponse du
second Musicien au
premier - 1729. Rameau
Jean-Philippe: Replique
du premier Musicien a la
reponse du second - 1730.
Monteclair Michel
Pignolet de: Reponse du
second Musicien au
premier Musicien - 1730.
Rameau Jean-Philippe:
Replique du premier
Musicien a l'ecrit du
second - 1730. Rameau
Jean-Philippe:
Dissertation sur les
differentes metodes -
1732. Gervais Laurent:
Methode pour
l'accompagnement - 1733.
Campion Francois: Second
recueil d'airs - 1734.
Serre de Rieux Jean: Les
dons des Enfans de Latone
- 1734. Telemann Georg
Philipp: Nouveaux
Quatuors en six Suites -
1738. Goudat: Principes
de Laccompagnement -
1738. Travenol Louis
Antoine: Premier livre de
Sonates a violon seul -
1739. Guillemain Louis
Gabriel: Six sonates en
quatuors - 1743. Monnier
le Cadet: L'art de
Toucher le Clavecin dans
son propre caractere - c.
1745. Dornel Antoine: le
Tour du Clavier - 1745.
Forqueray Antoine: Pieces
de Viole avec la Basse
Continue - 1747. Anonyme:
(Methode
d'accompagnement) - s. d.
Volume 4: Alembert Jean
Le Rond d': Elemens de
musique - 1752.
Blainville Charles Henri
de: Essay sur un
troisieme mode - 1751.
Corrette Michel: Le
maitre de Clavecin -
1753. Laporte Claude de:
Traite theorique et
pratique - 1753.
Geminiani Francesco
Saverio: L'art de bien
accompagner - 1754.
Dubugrarre: Methode plus
courte et plus facile -
1754. Volume 5: Tapray
Jean: Abrege de
l'accompagnement - 1755.
Labbet Antoine Joseph et
Leris Antoine de:
Sentiment d'un
Harmoniphile - 1756.
Clement Charles Francois:
Essai sur
l'accompagnement - 1758.
Gianotti Pietro: Le guide
du compositeur - 1759.
Rameau Jean-Philippe:
Code de musique pratique
- 1760. Bethisy
Jean-Laurent de:
Exposition de la theorie
et de la pratique - 1764.
Roussier Pierre-Joseph:
Traite des accords et de
leur succession - 1764.
Le Boeuf: Traite
d'harmonie et regles
d'accompagnement - 1766.
Garnier Honore: Nouvelle
methode pour
l'accompagnement - 1767.
Dubreuil Jean-Jacques:
Manuel harmonique - 1767.
Biferi Francesco Fils:
Traite de musique abrege,
divise en trois parties -
1770. Simon Simon:
Theorie pratique
d'accompagnement - s. d.
Gougelet Madame: Methode
ou abrege des regles -
1771. Volume 6: Roussier
Pierre-Joseph: L'harmonie
pratique - 1775. Corrette
Michel: Prototipes
contenant des lecons
d'accompagnement - 1775.
Anonyme: Abrege des
regles de composition -
1777. Bemetzrieder
Antoine: Nouvelles lecons
de clavecin ou
instructions generales -
1782. Rodolphe
Jean-Joseph: Theorie
d'accompagnement - c.
1785. Gournay B. C. :
Lettre a M. l'abbe
Roussier - 1785. Langle
Honore-Francois-Marie:
Traite de la basse sous
le chant - 1797.
Froestler B. : Traite
d'harmonie et de
modulation - 1800.
Anonyme: Principes de
l'accompagnement - s. d.
Anonyme: Regles
d'accompagnement - s. d.
Collection supervised by
the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimiles of
copies from: -
Conservatory Library of
Geneva (Switzerland). -
Conservatory Library of
Dijon (France). - Royal
Conservatory of Liege
(Belgique). - Municipal
Library of Bordeaux
(France). - Municipal
Library of Grenoble
(France). - Municipal
Library of Lyon (France).
- National Library of
Paris (France). - Royal
Library of Brussels
(Belgium). -
Sainte-Genevieve Library
of Paris (France). -
British Library of London
(England). - Nederlands
Muziek Instituut of The
Hague (Netherlands). -
Yale University, Music
Library of New Haven
(USA). -
Zentralbibliothek of
Zurich (Switzerland).
Anne Fuzeau Classique
propose the complete
theoretic documentation,
methods, classical music
scores on the
continuo.