Hautbois, Violon, Piano [Set de Parties séparées] - Intermédiaire Barenreiter
Composed by Johann Sebastian Bach (1685-1750), edited by Wilfried Fischer. BWV 1...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Wilfried Fischer. BWV
1060. For oboe, violin
and keyboard (basso
continuo). Urtext of the
New Bach Edition.
Includes set of
performance parts
(includes separate
pull-out violin and oboe
parts). With solo parts
and keyboard realization.
Baroque. C Minor. 55
pages. 9x12 inches.
Duration 17m. Published
by Baerenreiter-Ausgaben.
Reconstruction after BWV 1060. By Johann Sebastian Bach. Edited by Wilfried Fisc...(+)
Reconstruction after BWV
1060. By Johann Sebastian
Bach. Edited by Wilfried
Fischer. For Oboe Solo,
Violin Solo, strings,
basso continuo. Score;
Urtext Edition. Duration
17'. Published by
Baerenreiter-Ausgaben
(German import).
Concerto BWV 1060 Ensemble de guitares Guitare classique - Avancé Productions OZ
Composed by Johann Sebastian Bach (1685-1750). Arranged by Raymond Burley. Sco...(+)
Composed by Johann
Sebastian
Bach (1685-1750).
Arranged by
Raymond Burley. Score and
parts. Les Productions
d'OZ
#DZ 3645. Published by
Les
Productions d'OZ
Reconstruction after BWV 1060. By Johann Sebastian Bach. Edited by Wilfried Fisc...(+)
Reconstruction after BWV
1060. By Johann Sebastian
Bach. Edited by Wilfried
Fischer. For Violin 1.
Single Part. Published by
Baerenreiter-Ausgaben
(German import). (BA5147
74)
Reconstruction after BWV 1060. By Johann Sebastian Bach. Edited by Wilfried Fisc...(+)
Reconstruction after BWV
1060. By Johann Sebastian
Bach. Edited by Wilfried
Fischer. For Viola. $.
Published by
Baerenreiter-Ausgaben
(German import). (BA5147
79)
Composed by Johann Sebastian Bach (1685-1750), edited by Friedrich Conrad Griepe...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Friedrich Conrad
Griepenkerl. BWV 1060.
Set of performance parts
(2 copies included) for
two pianos four-hands. C
Minor. 54 pages.
Published by C.F. Peters.
Reconstruction after BWV 1060. By Johann Sebastian Bach. Edited by Wilfried Fisc...(+)
Reconstruction after BWV
1060. By Johann Sebastian
Bach. Edited by Wilfried
Fischer. For Violin Solo.
Single Part. Published by
Baerenreiter-Ausgaben
(German import). (BA5147
77)
Reconstruction after BWV 1060. By Johann Sebastian Bach. Edited by Wilfried Fisc...(+)
Reconstruction after BWV
1060. By Johann Sebastian
Bach. Edited by Wilfried
Fischer. For Oboe. Single
Part. Published by
Baerenreiter-Ausgaben
(German import). (BA5147
31)
Adagio Harpe et Orgue MorningStar Music Publishers
Harp and organ, piano, or Second harp - Intermediate Composed by Charles E. Pee...(+)
Harp and organ, piano, or
Second harp -
Intermediate
Composed by Charles E.
Peery
and Johann Sebastian Bach
(1685-1750). MorningStar
Music
Publishers #20-241.
Published
by MorningStar Music
Publishers
Cello trio SKU: VD.ED11363 Bearbeitet von Eberhard Heymann. Compos...(+)
Cello trio
SKU:
VD.ED11363
Bearbeitet von
Eberhard Heymann.
Composed by Johann
Sebastian Bach. Arranged
by Eberhard Heymann.
Classical. Score, parts.
25 S. Part. + 29 S.
Stimmen pages. Verlag
Dohr #ED11363. Published
by Verlag Dohr
(VD.ED11363).
For Piano. Includes a high-quality printed music score and a compact disc contai...(+)
For Piano. Includes a
high-quality printed
music score and a compact
disc containing a
complete version of each
composition with soloist
(1st piano), in
split-channel stereo
(soloist on the right
channel); then a second
version in full stereo of
the orchestral
accompaniment, minus the
soloist. Published by
Music Minus One.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Leisinger.
Stuttgart Urtext Edition:
Bach vocal. Cantatas, End
of the church year,
Trinity. Vocal score.
Composed 1726. BWV 52. 24
pages. Duration 18
minutes. Carus Verlag #CV
31.052/03. Published by
Carus Verlag
(CA.3105203).
ISBN
9790007187637. Language:
German/English. Text:
Birkmann,
Christoph.
It only
became apparent a few
years ago that the text
of the soprano cantata
Falsche Welt, dir trau
ich nicht came from the
collection
Gott-geheiligten
Sabbaths-Zehnden by the
Leipzig theology student
and Bach pupil Christoph
Birkmann, printed in 1728
in Nuremberg. Birkmann
was probably therefore
the author of the text.
The cantata was written
for the 23rd Sunday after
Trinity, which fell on 24
November 1726 in the year
of its first performance.
As in other cantatas in
the first annual cycle,
Bach chose an
instrumental sinfonia as
the opening movement -
here the first movement
of the 1st Brandenburg
Concerto. The soprano
soloist has two
recitatives and two
arias, in which the
falsehood of the world is
juxtaposed with trust in
God. The cantata text is
rounded off with the
first verse of the
chorale In dich hab ich
gehoffet, scored for
four-part chorus, as is
usual with Bach. With the
use of two horns and
three oboes added to the
string ensemble, the
cantata has colorful and
varied orchestration.
Score available
separately - see item
CA.3105200.