La référence GB3810 de l'éditeur Billaudot dont l'auteur célèbre est Holstein Jean-Paul, qui a pour titre 5 EPISODES DE LA VIE D'UN ALTISTE VOL2-EN JOUANT A SAUTE-CROCHE, a été écrite et composée pour Alto et plus particulièrement pour Alto Et Piano. Cette partition musicale appartient à la catégorie Classique. / Alto Et Piano / Partition

La référence GB4141 de l'éditeur Billaudot dont l'auteur célèbre est Holstein Jean-Paul, qui a pour titre 5 EPISODES DE LA VIE D'UN ALTISTE VOL4-A CONTRE-CHANT, a été écrite et composée pour Alto et plus particulièrement pour Alto Et Piano. Cette partition musicale appartient à la catégorie Classique. / Alto Et Piano / Partition

La référence GB4140 de l'éditeur Billaudot dont l'auteur célèbre est Holstein Jean-Paul, qui a pour titre 5 EPISODES DE LA VIE D'UN ALTISTE VOL3-CORDES LISSES ET CORDES, a été écrite et composée pour Alto et plus particulièrement pour Alto Et Piano. Cette partition musicale appartient à la catégorie Classique. / Alto Et Piano / Partition

Par BACEWICZ GRAZYNA. Studying the sketches for works which a composer considers to be finished, perfected, is a fascinating activity. It enables one to penetrate the secrets of creative work, to compare the initial outline of a composition with its final version. A sketch is generally left untitled, but it does occur that a composer enhances the status of such a draft by giving it a title, before creating an improved version of that title on the basis of the finished work. The list of compositions by Grazyna Bacewicz, the full catalogue of which is held in the National Library in Warsaw, includes a work for string quartet entitled Quatuor. The manuscript was left undated, but analysis of the music allows us to date this work to the mid-1960s. In the composer?s output from that period, the instrumental tone colouring, often an element that helps to forge a work, takes on particular significance. The first movement of the Quatuor [à cordes] opens with three fifth-tritone chords ?cast forth?, in succession, in saltando-gettato technique by the cello, second violin and first violin. When we look at the beginning of the Seventh String Quartet, from 1965, such a chord appears in the second bar of the cello part. Further comparisons lead to interesting conclusions. The two opening movements are almost identical, built from the same elements, only spatially arranged in a different way. In the structure of the first movement of the Seventh Quartet, one distinguishes two thematic planes, which shape the narrative after the fashion of a sonata allegro. The first theme is a series of episodes of changing texture ? from passagework to chords and short glissandos repeated with varying intensity. The second theme (Meno mosso) displays an imitative form. Both works feature an inverted reprise. For the first 25 bars of the second movement, a nostalgic Grave, the two works sound identical. The continuation of this movement in the Quatuor [à cordes] is more modest than in the analogous segments of the Seventh Quartet, in terms of both changing textures and the use of differentiated means of articulation. Towards the end, a motif from the beginning of this movement returns in modified form. Both the third movements (Capriccioso in the Quatuor [à cordes], Con vivezza in the Seventh Quartet) take the form of a rondo, and appearing in each of them is the same ?warbling? theme, based on scattered notes with grace notes. The Seventh String Quartet is in three movements. The presumed prototype consists of four movements. The last movement of the Quatuor [à cordes] is a Maestoso resembling a mine of textural ideas for other works of a sonoristic provenance from this period. The introduction, constituting a closed narrative whole and a reference point for the rest of the movement, is followed by segments that are dominated by ostinatos of various kinds, including with the use of harmonics, passages built on the progressive shifting of short motifs, and unevenly spread chords. Grazyna Bacewicz used material from earlier works more than once in her compositions. Her oeuvre also includes ?twin? pieces merely scored for a different set of instruments. Yet the self-quotation that occurs in the case of the Quatuor [à cordes] and the Seventh String Quartet ? lengthy passages from another of her works reused with minor modifications ? is an unusual situation. It undermines the former?s status as an independent work. Malgorzata Gasiorowska/ Répertoire / Quatuor à Cordes

Watkins' String Quartet, set in three movements, showcases the range of emotions the composer is able to conjure through music. The piece works from gently ebbing lyrical episodes into virtuosic, impassioned frenzies and back, ending serenely. / Quatuor A Cordes

Par LEWIS GEORGE. Although his Signifying Riffs (1998) for percussion and strings is halfway there, String Quartet 1.5: Experiments in Living (2016) is the first proper string quartet by composer George Lewis. Borrowing its title from the writings of John Stuart Mill, Experiments in Living leads the performers through a series of idiosyncratic episodes featuring extremes of gesture and extended technique over the course of a single, 16-minute movement. Commissioned by the Fromm Foundation, String Quartet 1.5: Experiments in Living was composed for Spektral Quartet, who gave the premiere performance in October 2016 at Chicago\'s Harris Theater. This set of score and parts has been made available for sale by Edition Peters as part of the Peters Contemporary Chamber Series and includes full performance notes. Chopsticks and superball mallets are required to achieve some of the score\'s percussive playing techniques. / Date parution : 2022-09-07/ Répertoire / Quatuor à Cordes

Instrument/Discipline : Alto Style/Genre : Musique de film Support : Livre CD Auteur/Compositeur : WILLIAMS JOHN Cce livre fait parti d'une série instrumentale arrangée pour flûte, Clarinette, Sax alto, Sax ténor, trompette. Cor en Fa et trompette. Les arrangements sont compatibles avec chacun et peuvent être joués en groupe ou en solo. Chaque livre contient une partie pour joueur de niveau 2-3, ainsi qu'un CD. Celui-ci inclus une piste démo pour chaque chanson ainsi qu'une piste playback pour s'exercer. Partitions pour Alto et piano. Inclus des photos du film en couleurs et NandB. Contenu : Star Wars (Main Theme). Jar Jar's Introduction. Augie's Great Municipal Band. Qui-Gon's Funeral. Duel of the Fates. Anakin's Theme. The Flag Parade. Across the Stars (Love Theme). The Arena. The Meadow Picnic. Battle of the Heroes. Cantina Band. The Throne Room. The Imperial March ( Darth Vadre's Theme). May the Force Be With You. Princess Leia's Theme