Arranged by Rollo Dilworth. Henry Leck Creating Artistry. Concert, Festival, G...(+)
Arranged by Rollo
Dilworth.
Henry Leck Creating
Artistry.
Concert, Festival,
General
Worship, Sacred,
Spiritual.
Octavo. 8 pages.
Published by
Hal Leonard
(The Beginner Singing Method). By Pam Wedgwood and Heidi Pegler. For Voice (...(+)
(The Beginner Singing
Method).
By Pam Wedgwood and Heidi
Pegler. For Voice (Female
voice; Male voice).
Technique
Musicianship; Vocal
Collection. Faber
Edition:
It's Never Too Late.
Adult
Contemporary. Elementary;
Late
Elementary. Published by
Faber
Music
Choral (Brass, Guitar, Piano, Rhythm) SKU: HP.C6193 Composed by Chris Tom...(+)
Choral (Brass, Guitar,
Piano, Rhythm)
SKU:
HP.C6193
Composed by
Chris Tomlin, Ed Cash,
and Matt Redman. Arranged
by Mary McDonald. Rhythm
parts: Piano, acoustic
guitar, electric bass,
and synth. Contemporary,
Praise & Worship, Music &
Singing, General Worship,
Assurance, Comfort,
Confidence, Hope, Jesus
Christ - King & Lord,
Jesus Christ - Savior,
Joy, New Life in Christ,
Praise to Christ. Octavo.
12 pages. Hope Publishing
Company #C6193. Published
by Hope Publishing
Company (HP.C6193).
UPC: 763628161934. By
Chris Tomlin, Ed Cash &
Matt Redman. Psalm 42:8,
Psalm 118:22, Numbers
20:1-13.
Popular
contemporary song by
Chris Tomlin, Ed
Cash & Matt
Redman Taking its
root from the old gospel
hymn, this popular,
contemporary version
lilts in joyful 6/8
rhythm that truly makes
you want to sing along!
The underlying message
reminds the listener that
in any circumstance of
life, there is always
music and singing because
I am loved by the King,
and it makes my heart
want to sing!.
P/A CD and Split-Track CD SKU: HP.C6193C Performance/Accompanim ent CD...(+)
P/A CD and Split-Track CD
SKU: HP.C6193C
Performance/Accompanim
ent CD with Split
Tracks. Composed by
John Wimber. Arranged by
Thomas Fettke. Rhythm
parts: Piano, acoustic
guitar, electric bass,
and synth. Choral
Performance/Accompaniment
CDs. Hope Publishing
Company #C6193C.
Published by Hope
Publishing Company
(HP.C6193C).
UPC:
763628961930. John
Wimber. Psalm 28:2, Psalm
63:4, Psalm 103:5, Psalm
107:9, Psalm 147:14,
Matthew 3:16, Matthew
11:28-30, Mark 1:10, Luke
3:22, John 1:32, John
4:7-15, John 6:37-51,
John 7:37-39, John
10:1-10, Acts
2.
Popular
contemporary song by
Chris Tomlin, Ed
Cash & Matt
Redman Taking its
root from the old gospel
hymn, this popular,
contemporary version
lilts in joyful 6/8
rhythm that truly makes
you want to sing along!
The underlying message
reminds the listener that
in any circumstance of
life, there is always
music and singing because
I am loved by the King,
and it makes my heart
want to sing!.
Soprano/Alto High Voice; Vocal SKU: HL.383303 Soprano/Alto Edition...(+)
Soprano/Alto High Voice;
Vocal
SKU:
HL.383303
Soprano/Alto
Edition. By Various.
Vocal Collection. Pop,
Pop/Rock, Rock.
Softcover. Published by
Hal Leonard (HL.383303).
ISBN 9781705154137.
UPC: 196288021421.
9.0x12.0x0.666
inches.
Do you need
a perfect contemporary
song for a vocal audition
or performance? The
Singer's Anthology of
Pop/Rock Ballads gives
you over 30 pop/rock
classics to choose
fromââall
transposed into
appropriate keys and
based on the original
recorded hits. These
songs fall into the new
wave of standards that
you are hearing more
often at cabaret,
concerts, and special
occasions. These songs
are most often identified
with singer-songwriters,
so this collection
features the work of
Billy Joel, Carole King,
Adele, and others. These
arrangements were custom
made for this collection
as authentic performing
editions, friendly to
both the singer and
accompanist. Keys were
carefully chosen, either
preserving the original
recorded key or
transposing as near the
original as possible to
increase accessibility.
This volume is presented
in separate editions for
Soprano/Alto and
Tenor/Baritone, with some
songs shared between the
two, and others specific
to the voice type. The
Soprano/Alto edition
features 31 songs,
including: All by Myself
⢠At Last â¢
Don't Know Why â¢
Hallelujah ⢠Hello
⢠I Can't Make You
Love Me ⢠I Will
Always Love You â¢
Killing Me Softly with
His Song ⢠Landslide
⢠Million Reasons
⢠(You Make Me Feel
Like) A Natural Woman
⢠New York State of
Mind ⢠She Used to
Be Mine ⢠Someone
like You ⢠A
Thousand Years â¢
Time After Time â¢
When We Were Young â¢
Will You Love Me Tomorrow
(Will You Still Love Me
Tomorrow) ⢠and
more.
Choral SATB choir SKU: CF.CM9700 Composed by Hungarian Folk. Arranged by ...(+)
Choral SATB choir
SKU:
CF.CM9700
Composed by
Hungarian Folk. Arranged
by Stacy Garrop. 20
pages. Duration 4:44.
Carl Fischer Music
#CM9700. Published by
Carl Fischer Music
(CF.CM9700).
ISBN
9781491160008. UPC:
680160918607. Key: A
minor. Hungarian.
Hungarian Folk.
In
2014, Chanticleer
commissioned me to make a
new arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one's homeland, a place
where the singer can
never return. Chanticleer
consists of twelve men
whose vocal ranges span
from low bass to high
soprano, equivalent to
the range of a mixed
choir of women and men. I
composed slow sections of
original material to
represent the singers'
longing to return home;
these are interspersed
with the folk song's
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer version.
PERFORMANCE NOTES All
spoken sounds (indicated
by x noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music. If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the end. TEXT
Transliteration Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa. Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat. O mers mama de pe
sat, O lasat coliba
goala, Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa. Jarba, mare
jarba mas duce a casa, da
nu pot ca am jurat.
Translation Green grass,
tall grass, I would like
to go home, but I cannot,
because I have sworn not
to. Tall grass, green
grass - oh, that I cannot
go home! My mother has
left the village; she
left the hut empty,
Adorned with leaves but
full of poverty. Tall
grass, green grass - oh,
that I cannot go home!
Tall grass, green grass -
I would like to go home.
but I cannot, because I
have sworn not to. Stacy
Garrop's music is
centered on dramatic and
lyrical storytelling. The
sharing of stories is a
defining element of our
humanity; we strive to
share with others the
experiences and concepts
that we find compelling.
She shares stories by
taking audiences on sonic
journeys - some simple
and beautiful, while
others are complicated
and dark - depending on
the needs and dramatic
shape of the story.
Garrop served as the
first Emerging Opera
Composer of Chicago Opera
Theater's Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received numerous
awards and grants
including an Arts and
Letters Award in Music
from the American Academy
of Arts and Letters,
Fromm Music Foundation
Grant, Barlow Prize, and
three Barlow Endowment
commissions, along with
prizes from competitions
sponsored by the Detroit
Symphony Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels. Her catalog
covers a wide range, with
works for orchestra,
opera, oratorio, wind
ensemble, choir, art
song, various sized
chamber ensembles, and
works for solo
instruments. Notable
commissions include My
Dearest Ruth for soprano
and piano with text by
Martin Ginsburg, the
husband of the late
Supreme Court Justice
Ruth Bader Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for the
Kronos Quartet, Give Me
Hunger for Chanticleer,
Rites for the Afterlife
for the Akropolis and
Calefax Reed Quintets,
and Terra Nostra: an
oratorio about our
planet, commissioned by
the San Francisco Choral
Society and Piedmont East
Bay Children's Chorus.
Garrop previously served
as composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.). In 2014,
Chanticleer commissioned
me to make a new
arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one’s homeland, a
place where the singer
can never return.
Chanticleer consists of
twelve men whose vocal
ranges span from low bass
to high soprano,
equivalent to the range
of a mixed choir of women
and men. I composed slow
sections of original
material to represent the
singers’ longing
to return home; these are
interspersed with the
folk song’s
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer
version.PERFORMANCE
NOTESAll spoken sounds
(indicated by x
noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music.If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the
end.TEXTTransliterationJa
rba, mare jarba mas duce
a casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa.Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat.O mers mama de pe
sat, O lasat coliba
goala,Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa.Jarba, mare
jarba mas duce a casa, da
nu pot ca am
jurat.TranslationGreen
grass, tall grass, I
would like to go home,
but I cannot, because I
have sworn not to.Tall
grass, green grass
– oh, that I
cannot go home!My mother
has left the village; she
left the hut empty,
Adorned with leaves but
full of poverty.Tall
grass, green grass
– oh, that I
cannot go home! Tall
grass, green grass
– I would like to
go home.but I cannot,
because I have sworn not
to.Stacy Garrop’s
music is centered on
dramatic and lyrical
storytelling. The sharing
of stories is a defining
element of our humanity;
we strive to share with
others the experiences
and concepts that we find
compelling. She shares
stories by taking
audiences on sonic
journeys – some
simple and beautiful,
while others are
complicated and dark
– depending on the
needs and dramatic shape
of the story.Garrop
served as the first
Emerging Opera Composer
of Chicago Opera
Theater’s Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received
numerous awards and
grants including an
Arts and Letters Award in
Music from the American
Academy of Arts and
Letters, Fromm Music
Foundation Grant, Barlow
Prize, and three Barlow
Endowment commissions,
along with prizes from
competitions sponsored by
the Detroit Symphony
Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels.Her catalog covers
a wide range, with works
for orchestra, opera,
oratorio, wind ensemble,
choir, art song, various
sized chamber ensembles,
and works for solo
instruments. Notable
commissions include My
Dearest Ruth for
soprano and piano with
text by Martin Ginsburg,
the husband of the late
Supreme Court Justice
Ruth Bader
Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for
the Kronos Quartet, Give
Me Hunger for
Chanticleer, Rites for
the Afterlife for the
Akropolis and Calefax
Reed Quintets,
and Terra
Nostra:Â an oratorio
about our planet,
commissioned by the San
Francisco Choral Society
and Piedmont East Bay
Children’s
Chorus.Garrop previously
served as
composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.).ÂÂ.
Bells/Glockenspiel Bells; Glockenspiel (Bells) SKU: HL.367549 For Bell...(+)
Bells/Glockenspiel Bells;
Glockenspiel (Bells)
SKU: HL.367549
For
Bells/Glockenspiel.
By Various. Instrumental
Folio. Christmas.
Softcover. 96 pages.
Duration 245 seconds.
Published by Hal Leonard
(HL.367549).
ISBN
9781705140024. UPC:
840126966039.
9.0x12.0x0.277
inches.
Instrumenta
lists will love this
jam-packed collection of
101 holiday favorites!
Songs include: Away in a
Manger • Caroling,
Caroling • Do You
Want to Build a Snowman?
• Feliz Navidad
• Grandma Got Run
over by a Reindeer
• Hark! The Herald
Angels Sing • I Saw
Three Ships •
Jingle Bells • Joy
to the World •
Mary, Did You Know?
• O Come, All Ye
Faithful • O Holy
Night • Silent
Night • The Twelve
Days of Christmas •
We Wish You a Merry
Christmas • White
Chrismas • and
more.
Easy Piano Piano/Keyboard SKU: HL.282481 The New Decade Series. Co...(+)
Easy Piano Piano/Keyboard
SKU: HL.282481
The New Decade
Series. Composed by
Various. Easy Piano
Songbook. Alternative,
Pop, Rock. Softcover. 410
pages. Published by Hal
Leonard (HL.282481).
ISBN 9781540034380.
UPC: 888680789251.
9.0x12.0x0.965
inches.
The 1990s
saw the rise of R&B,
boy bands and alternative
rock as the 20th century
came to a close. This
collection features 80
songs from the decade
arranged for easy piano
with lyrics: Always Be My
Baby * As Long As You
Love Me * ...Baby One
More Time * Black Velvet
* Can You Feel the Love
Tonight * Dreams * Fields
of Gold * Friends in Low
Places * Good Riddance
(Time of Your Life) * How
Am I Supposed to Live
Without You * I Need to
Know * I'm the Only One *
Ironic * Livin' La Vida
Loca * Losing My Religion
* More Than Words * Only
Wanna Be with You *
Smells like Teen Spirit *
Smooth * Tears in Heaven
* Under the Bridge * You
Must Love Me * You're
Still the One * and
more.
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Traditional pop
and vocal standards.
Series: Hal Leonard Fake
Books. 424 pages. 9x12
inches. Published by Hal
Leonard.