Clarinet Trio In A Minor Op. 114 - With Critical Report - Series II Volume 7. Par BRAHMS JOHANNES. With Critical Report / Loose, Katharina / Répertoire / Violon, Cor (Eb) et Piano / Clarinette (Alto), Vio

Herttrich Ernst (Editor) - Schilde Klaus (Editor). Par MENDELSSOHN-BARTHOLDY FELIX. After an early work and a discontinued attempt in 1831/32 Mendelssohn made his breakthrough in this important chamber music genre in the summer of 1839 with the Piano Trio in d minor op. 49, which was to be followed six years later by the Trio in c minor op. 66. On publication of the first trio, Schumann took the opportunity to describe the composer as the 'Mozart of the 19th century”, whereby he was obviously alluding to the mixture of Classical and Romantic stylistic elements.The musical text of these two famous Trios has been thoroughly revised to reflect the latest scholarly findings. In addition HN 1297 also includes a Flute part for the alternative version of op. 49 (Flute instead of Violin) that Mendelssohn himself made. / Classical / Répertoire / Violon, Violoncelle et Piano

We owe a debt of gratitude to the clarinettist Richard Mühlfeld for making the elderly Brahms so interested in his instrument. In the 1890s the composer wrote the Trio op. 114, the Quintet op. 115 and the Sonatas op. 120 - three gems in the clarinet chamber music repertoire. Brahms also provided a part for viola as an alternative to the clarinet. The revision of our edition of the viola version of opus 120 is based on the musical text of the New Brahms Complete Edition and in many respects contains significant improvements: we were able to consult the autograph for the first time - the newly set piano score now contains the viola part - and viola players can benefit from fingerings and bowings by Tabea Zimmermann in the solo part. / Alto Et Piano

für Oboe, Violine, Tasteninstrument, Cello ad lib.. Par BACH JOHANN SEBASTIAN. Here is a publication that springs from the spirit of Baroque transcription practice at its best. In this case, it also goes hand in hand with a reconstruction made with scholarly precision. As to the choice of the key, editor Klaus Hofmann decided against C minor, which the previous generation had preferred, and turned instead to D minor that Max Schneider had chosen back in 1921. The fruit of Siegfried Petrenzs labor is an inspired, transparent 'Clavier' reduction (EB 8662) that is amazingly faithful to Baroque practice. Musicians will undoubtedly welcome this arrangement, which boldly transgresses the conventions of Piano scores and presents a 'new' work, the 'TrioSonata' in D minor BWV 1060./ Répertoire / 2 Violons Hautbois et Orchestre