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Taking Over Me
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Duetti (BERIO LUCIANO)
41.00
Duetti (BERIO LUCIANO)
2 Altos (duo)
Universal Edition
Par BERIO LUCIANO. This set of arrangements of Luciano Berio’s “Duetti”, o...
(+)
Par BERIO LUCIANO. This set of arrangements of Luciano Berio’s “Duetti”, originally for two violins, represents a fascinating expansion of the limited repertoire for two violas. Berio originally conceived these duets as a collection of occasional pieces, each dedicated to someone who was close to him, rather like Elgar’s “Enigma” Variations, but they eventually developed into a full compositional project with pedagogical overtones. As such, there is a wide variation in technical demands, from pieces playable by beginners up to a duet that foreshadows the skills required for Berio’s “Sequenza” for the viola. Taken as a whole, over some years of study, the “Duetti” can gently lead players into the mysteries of contemporary music; however, the composer also envisaged them in a concert performance of the complete cycle with at least 24 players of differing abilities taking turns to play. In this guise, it might be an intriguing idea to mix them with the original version for two violins (UE17757), although it must be understood that the two versions are not mutually compatible to be played as violin/viola duets./ Répertoire / 2 Altos
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Couverture
Concerts Royaux (COUPERIN FRANCOIS)
37.20
Concerts Royaux (COUPERIN FRANCOIS)
Orchestre de chambre
[Conducteur et Parties séparées]
Barenreiter
Par COUPERIN FRANCOIS. Couperin Concerts royaux 1722 (Score and Parts) This edit...
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Par COUPERIN FRANCOIS. Couperin Concerts royaux 1722 (Score and Parts) This edition contains Couperin?s four ?Concerts royaux?, which were published in 1722 as part of Book III of his ?Pièces de clavecin?. For the first time it makes these pieces, scored for chamber ensemble, separately available in an Urtext edition. It is based on the musical text of the solo harpsichord version found in the pioneering new edition of ?Pièces de clavecin III? (BA 10846). The editor has painstakingly evaluated the many impressions of the original print, most of which he himself discovered in libraries throughout the world. The preface (Fr/Eng) contains informative details on historical performance practice and on the conception of the ?Concerts royaux?, which Couperin expressly intended to be performed either by solo harpsichord or with accompanying ensemble. The modern engraving preserves essential features of the original print, which largely avoids page-turns within the pieces. It thereby brings today?s players close to the special sound of this music in a fascinating way. Couperin?s table of embellishments and symbols as well as a glossary (Fr/Eng) and a detailed Critical Commentary (Eng) round off this long-overdue Urtext edition. - First separate Urtext edition of the ?Concerts royaux? for chamber ensemble, based on the pioneering new edition of Book III of the ?Pièces de clavecin? (BA 10846) - Preserves essential features of the original notation as well as Couperin?s original embellishment signs - Notes on historical performance practice, glossary, Couperin?s table of embellishments and symbols (Fr/Eng) and detailed Critical Commentary (Eng) / Date parution : 2022-05-31/ Recueil / Ensemble de Chambre
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