Concert Band (Score) - Grade 3 SKU: HL.4004285 Composed by Richard L. Sau...(+)
Concert Band (Score) -
Grade 3
SKU:
HL.4004285
Composed
by Richard L. Saucedo.
MusicWorks Grade 3.
Festival. 48 pages.
Published by Hal Leonard
(HL.4004285).
UPC:
888680067953. 9x12
inches.
Each of the
five movements of this
innovative work is
designed to invoke a
particular type of
emotion associated with
leadership. Courage is
stately in nature and
played in a marcato
style. Vision has a
playful sense and focuses
on mixed meters as well
as mixed emotions. The
lyric and sensitive
Compassion is meant to
stir the soul, while the
contrasting Selflessness
offers some of the most
intense and demanding
music of the set. The
energetic final movement,
Heroes, will bring to
mind your own favorite
superhero! Educator and
speaker Scott Lang helped
develop the concept for
this unique work, and has
made available
supplemental curricula
centered around
leadership and character
development. This
material is tied to the
Common Core Standards
relating to reading,
writing, music, art, and
critical thinking. Each
movement and accompanying
curriculum can stand on
its own, allowing the
director the flexibility
of using as much or as
little as desired. A
tremendous resource for
today's teacher!
Duration: 9:20.
This Is Me Ensemble Jazz [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
From The Greatest Showman (Key: C). Composed by Benj Pasek, Justin Paul. Arr...(+)
From The Greatest Showman
(Key: C). Composed by
Benj
Pasek, Justin Paul.
Arranged
by Mark Taylor. Vocal
Solo/Jazz Ensemble
Series.
Jazz. Softcover.
Published
by Hal Leonard
An Easy-Learn-Easy-Sing Musical for Kids. Composed by Dale Mathews & Dana...(+)
An
Easy-Learn-Easy-Sing
Musical for Kids.
Composed by Dale Mathews
& Dana Anderson.
Non-Seasonal Musical.
Simply WordKidz. Short
sleeve t-shirt - youth
small. Duration 30
minutes. Published by
Word Music
(WD.679143059406).
Skilful Duets 2 Trombones (duo) [Partition + CD] Anglo Music
(40 Progressive Duets). By Philip Sparke (1951-). Trombone. Anglo Music Press Pl...(+)
(40 Progressive Duets).
By Philip Sparke (1951-).
Trombone. Anglo Music
Press Play-Along. 44
pages. Anglo Music Press
#AMP255401. Published by
Anglo Music Press
Phong-Vu Quatuor à cordes: 2 violons, alto, violoncelle Jobert
String quartet SKU: LM.JJ11453 Composed by Tiet Ton That. Classical: 20th...(+)
String quartet
SKU:
LM.JJ11453
Composed
by Tiet Ton That.
Classical: 20th Century
(Contemporary). Score and
parts. 26 + 4x12 pages.
Editions Jobert #JJ11453.
Published by Editions
Jobert (LM.JJ11453).
Chamber Music String Quartet SKU: PR.114419160 Composed by Richard Wernic...(+)
Chamber Music String
Quartet
SKU:
PR.114419160
Composed
by Richard Wernick. Sws.
Set of Score and Parts.
24+8+8+8+8 pages.
Duration 16 minutes.
Theodore Presser Company
#114-41916. Published by
Theodore Presser Company
(PR.114419160).
ISBN
9781491131619. UPC:
680160679607. 9 x 12
inches.
Wernick's
tenth String Quartet was
written for the Emerson
String Quartet, with whom
he had previously
collaborated (his String
Quartet No. 4 is also
dedicated to the
ensemble). The Emerson
premiered the work in
Berlin in March, during a
European tour of three
countries. A performance
was also scheduled for
their appearance at
Tanglewood, July 23.
String Quartet No. 10 is
crafted in three
movements: Prelude, Fuga
Pomposa & Postlude
(Maestoso); Scherzo
Serioso (with a secular
song of thanks); and CODA
(Lamentoso).
Cello; Orchestra (Study Score) SKU: HL.48025411 HPS 1576 Study Score(+)
Cello; Orchestra (Study
Score)
SKU:
HL.48025411
HPS
1576 Study Score.
Composed by Unsuk Chin.
Boosey & Hawkes
Scores/Books. Classical.
Softcover. Duration 1800
seconds. Boosey & Hawkes
#M060130069. Published by
Boosey & Hawkes
(HL.48025411).
UPC:
196288202288.
The
composer states that her
Cello Concerto is
antithetical to her other
concertos. “While
in the concertos for
violin and piano, in the
Double Concerto, and in
my new sheng concerto I
was seeking to merge the
solo instrument and the
orchestra into a single
virtuoso
super-instrument, here
itÂ’s all about the
competitive tension
between the soloist and
the orchestra. The 'aura'
of the cello was the
initial nucleus and forms
the basis of the music,
so the whole structure of
the piece is thus
'carried' by the cello.
However, the orchestra
responds to it in an
antagonistic way. This
antagonism is much
stronger than in
traditional
Classical-Romantic
concertos; one could even
speak of a 'psychological
warfare' between soloist
and orchestra. In my
cello writing, I often
ask the soloist to
disguise the nature of
the instrument so the
perception can be
blurred. I try to explore
the boundaries of the
celloÂ’s expressivity
and to broaden the
definition of
'expression'. Therefore I
also use special playing
techniques and call for
unusual timbres,
including noises and
rasping sounds. For me,
this actually serves the
expressivity by
suggesting new meanings.
The unique artistry of
Alban Gerhardt inspired
me immensely. Not only
his solo part but also
the orchestral parts are
often characterized by
extreme virtuosity, by
the idea of the
instrumentalists being
pushed to the
edge.â€.