By Tomasso Albinioni. Arranged by Jan Farrar-Royce. Orchestra. Part(s); Score; S...(+)
By Tomasso Albinioni.
Arranged by Jan
Farrar-Royce. Orchestra.
Part(s); Score; String
Orchestra. Belwin
Intermediate String
Orchestra. Form:
Concerto. Baroque;
Masterwork Arrangement.
Grade 3. 144 pages.
Published by Belwin Music
Albanian Folk Song Piano Trio: piano, violon, violoncelle [Conducteur] University Of York Music Press
Violin, Cello and Piano SKU: BT.MUSM570368549 Composed by Thomas Simaku. ...(+)
Violin, Cello and Piano
SKU:
BT.MUSM570368549
Composed by Thomas
Simaku. Classical. Score
Only. University of York
Music Press
#MUSM570368549. Published
by University of York
Music Press
(BT.MUSM570368549).
Thom
as Simaku's
Albanian Folk Song
'My Beautiful Morea'
for Piano Trio. A4 score
and parts.
Clarinet and Piano SKU: BT.MUSM570366606 Clarinet In Bb Version. C...(+)
Clarinet and Piano
SKU:
BT.MUSM570366606
Clarinet In Bb
Version. Composed by
Thomas Simaku. Score
Only. 9 pages. University
of York Music Press
#MUSM570366606. Published
by University of York
Music Press
(BT.MUSM570366606).
English.
Moj e
Bukura Moré (My
Beautiful Morea) has its
origin in Southern Italy,
in Calabria, where an
Albanian community has
lived for more than 500
years, and so has the
song! The tenderness of
the melodic lines
expresses the natural
beauty of the distant
homeland, which according
to legend can be seen
from the Calabrian
mountain-tops. As in most
folk songs, this tune is
remarkably short; the
melody itself has not
been altered, but has
been extended, enriched
in texture and presented
in different ways. The
melodic lines serve as a
point of departure for
the proliferation of a
distinct harmonic
vocabulary. - Thomas
Simaku.
Flute and Piano SKU: BT.MUSM570366569 Composed by Thomas Simaku. Classica...(+)
Flute and Piano
SKU:
BT.MUSM570366569
Composed by Thomas
Simaku. Classical. Score
Only. University of York
Music Press
#MUSM570366569. Published
by University of York
Music Press
(BT.MUSM570366569).
English.
Moj e
Bukura Moré (My
Beautiful Morea) has its
origin in Southern Italy,
in Calabria, where an
Albanian community has
lived for more than 500
years, and so has the
song! The tenderness of
the melodic lines
expresses the natural
beauty of the distant
homeland, which according
to legend can be seen
from the Calabrian
mountain-tops. As in most
folk songs, this tune is
remarkably short; the
melody itself has not
been altered, but has
been extended, enriched
in texture and presented
in different ways. The
melodic lines serve as a
point of departure for
the proliferation of a
distinct harmonic
vocabulary. TS.
Albanian Dance Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Boosey and Hawkes
Windependence Master Level - Grade 4. By Shelley Hanson. (Score and Parts). Boo...(+)
Windependence Master
Level - Grade 4. By
Shelley Hanson. (Score
and Parts). Boosey and
Hawkes Concert Band. Size
9x12 inches. Published by
Boosey and Hawkes.
SSA Choir SKU: BT.MUSM570202133 SSA. Composed by Thomas Simaku. Cl...(+)
SSA Choir
SKU:
BT.MUSM570202133
SSA. Composed by
Thomas Simaku. Classical.
Vocal Score. 20 pages.
University of York Music
Press #MUSM570202133.
Published by University
of York Music Press
(BT.MUSM570202133).
English.
Thomas
Simaku 's Three Albanian
Folk Songs for two
Sopranos and Alto. This
piece was published in
2001 and was written for
the Norwegian Mediaeval
Trio. The first
performance took place at
Birmingham Early Music
Festival, 10th November
2001. Also available as a
version for female
choir.
Funeral March Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2.5 SKU: BT.DHP-1135497-215 (+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2.5
SKU:
BT.DHP-1135497-215
Trauermarsch.
Composed by Robert van
Beringen. De Haske
Flexible Series. Festive
and Solemn Music. Score
Only. Composed 2013. 20
pages. De Haske
Publications #DHP
1135497-215. Published by
De Haske Publications
(BT.DHP-1135497-215).
9x12 inches.
English-German-French-Dut
ch.
Robert van
Beringen chose a
classical theme for this
funeral march. For this
reason, within the trio
of this melancholy piece
we find echoes of
Albinoni’s
Adagio which -
according to the latest
research was actually
composed by his
biographer Remo Giazotto.
Thanks to the four-part
variable instrumentation
(with ad lib. drums) this
funeral march can be
played by pretty much any
ensemble - whether at a
funeral on the way from
the church to the
cemetery, in the church
itself or indeed on stage
as part of a memorial
concert.
Robert
van Beringen maakt in het
trio van zijn Funeral
March gebruik van de
bekende melodie
‘Adagio van
Albinoni’, en
waarvan sinds kort blijkt
dat het eigenlijk werd
geschreven door Giazotto.
Door de _x001E_exibele,
vierstemmige bezetting
kan dit werk gespeeld
worden door elk orkest.
Het is geschikt als
begeleiding van de kerk
naar het kerkhof of in de
kerk als een moment van
bezinning of eerbetoon.
Robert van
Beringen wählte
für diesen
Trauermarsch ein
klassisches Thema. So
_x001D_finden sich im
Trio dieses
melancholischen
Stückes Anklänge
an das Adagio“ von
Albinoni, das nach
neueren Erkenntnissen
aber von dessen Biograf
Remo Giazotto zu stammen
scheint. Dank der
vierstimmig variablen
Instrumentierung (mit
Schlagzeug ad lib.) kann
der Trauermarsch von
jeder Besetzung gespielt
werden - ob bei einer
Beerdigung auf dem Weg
von der Kirche zum
Friedhof, in der Kirche
selbst oder auf der
Konzertbühne bei
einem
Gedenkkonzert.
P
er questa marcia funebre,
Robert van Beringen si
è ispirato ad un tema
classico. Il malinconico
trio ricorda
l’Adagio di
Albinoni che secondo
scoperte recenti sembra
sia stato composto dal
biografo Remo Giazotto.
Scritta per
strumentazione variabile
a quattro voci (con
percussioni ad libitum),
Funeral March può
essere eseguita in
occasione di una
cerimonia funebre, di una
processione o di un
concerto
commemorativo.
Funeral March Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2.5 SKU: BT.DHP-1135497-015 (+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2.5
SKU:
BT.DHP-1135497-015
Trauermarsch.
Composed by Robert van
Beringen. De Haske
Flexible Series. Festive
and Solemn Music. Set
(Score and Parts).
Composed 2013. De Haske
Publications #DHP
1135497-015. Published by
De Haske Publications
(BT.DHP-1135497-015).
9x12 inches.
English-German-French-Dut
ch.
Robert van
Beringen chose a
classical theme for this
funeral march. For this
reason, within the trio
of this melancholy piece
we find echoes of
Albinoniâ??s
Adagio which -
according to the latest
research was actually
composed by his
biographer Remo Giazotto.
Thanks to the four-part
variable instrumentation
(with ad lib. drums) this
funeral march can be
played by pretty much any
ensemble - whether at a
funeral on the way from
the church to the
cemetery, in the church
itself or indeed on stage
as part of a memorial
concert.
Robert
van Beringen maakt in het
trio van zijn Funeral
March gebruik van de
bekende melodie
â??Adagio van
Albinoniâ??, en waarvan
sinds kort blijkt dat het
eigenlijk werd geschreven
door Giazotto. Door de
_x001E_exibele,
vierstemmige bezetting
kan dit werk gespeeld
worden door elk orkest.
Het is geschikt als
begeleiding van de kerk
naar het kerkhof of in de
kerk als een moment van
bezinning of eerbetoon.
Robert van
Beringen wählte fu?r
diesen Trauermarsch ein
klassisches Thema. So
_x001D_finden sich im
Trio dieses
melancholischen Stu?ckes
Anklänge an das
Adagioâ?? von Albinoni,
das nach neueren
Erkenntnissen aber von
dessen Biograf Remo
Giazotto zu stammen
scheint. Dank der
vierstimmig variablen
Instrumentierung (mit
Schlagzeug ad lib.) kann
der Trauermarsch von
jeder Besetzung gespielt
werden - ob bei einer
Beerdigung auf dem Weg
von der Kirche zum
Friedhof, in der Kirche
selbst oder auf der
Konzertbu?hne bei einem
Gedenkkonzert.
P
er questa marcia funebre,
Robert van Beringen si
è ispirato ad un tema
classico. Il malinconico
trio ricorda lâ??Adagio
di Albinoni che secondo
scoperte recenti sembra
sia stato composto dal
biografo Remo Giazotto.
Scritta per
strumentazione variabile
a quattro voci (con
percussioni ad libitum),
Funeral March può
essere eseguita in
occasione di una
cerimonia funebre, di una
processione o di un
concerto
commemorativo.
With a Critical Commentary. By Johann Sebastian Bach. Edited by G.V. Dadelsen, K...(+)
With a Critical
Commentary. By Johann
Sebastian Bach. Edited by
G.V. Dadelsen, K. Ronnau.
Piano (Harpsichord),
2-hands. Pages: 143.
Urtext edition-cloth
bound. Published by G.
Henle.
Composed by Johann Sebastian Bach (1685-1750), edited by Klaus Ronnau. Collectio...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Klaus Ronnau. Collection
for Piano (Harpsichord),
2-hands. With Critical
Commentary. Urtext
edition-paper bound. 143
pages. Published by G.
Henle.
Composed
by Tomaso Giovanni
Albinoni. Edited by
Michael Talbot. Voice
(Soprano) & Basso
Continuo. Full score and
parts. Edition HH Music
Publishers #HH153-FSP.
Published by Edition HH
Music Publishers
(HH.HH153-FSP).
ISBN
9790708059073.
This
cantata, from an
important manuscript in
Berlin containing 18
Albinoni cantatas for
soprano and continuo,
takes the form of a
lover's plea to Clori,
who is proving 'hard to
get'. He begs her finally
to yield to his love.
Even if she does not
reciprocate it, she
should at least soothe
his pain temporarily by
glancing in his
direction. As so often in
Baroque cantatas, the
exaggerated emotion seems
to be ironised to some
extent: Albinoni and his
poet simultaneously
express and critically
observe the lover's
feelings. The two arias
are nicely contrasted,
the first containing a
large amount of written
in vocal ornamentation
and the second, in
contrast, conveying a
bluff breeziness.
Trumpet and piano SKU: P2.60013 Composed by Tomaso Giovanni Albinoni. Arr...(+)
Trumpet and piano
SKU:
P2.60013
Composed by
Tomaso Giovanni Albinoni.
Arranged by Joseph
Ardovino. Solo music.
Published by Potenza
Music (P2.60013).
Arranger Joseph
Ardovino says, Despite
the fact that Tomaso
Albinoni appears to have
enjoyed a large following
among his contemporaries,
few details of his life
are known. This work
begins with an Allegro,
typical of the model
established in Albinoni's
late period. It maintains
the typical three
movement form,
fast-slow-fast.
Accompanying the trumpet
in the original version
is a small wind ensemble
with continuo consisting
of three oboes, bassoon
and continuo... This
offers a modern
performance edition of an
important piece from one
of the great composers of
the Baroque period..
