(Hymns, Classics, and Songs of Praise). By Thomas Fettke. For high voice solo, m...(+)
(Hymns, Classics, and
Songs of Praise). By
Thomas Fettke. For high
voice solo, medium voice
solo and piano. Sacred
Vocal. Published by
Lillenas Publishing
Company
Chamber Music violin, piano SKU: PR.144407050 Composed by James Primosch....(+)
Chamber Music violin,
piano
SKU:
PR.144407050
Composed
by James Primosch. Set of
Score and Parts. With
Standard notation. 28+12
pages. Duration 20
minutes. Theodore Presser
Company #144-40705.
Published by Theodore
Presser Company
(PR.144407050).
UPC:
680160655519. 9 x 12
inches.
Celebrating
30 years, the
Philadelphia Chamber
Music Society
commissioned a work of
20-25 minutes for violin
and piano from James
Primosch, University of
Pennsylvania professor of
music. Primosch had
originally thought to
create a new sonata, but
what developed is more
appropriately a set of
five character pieces,
two of which were
directly inspired by
poems. Five Poems was
premiered in May, 2016,
and Primosch's thoughts
are recorded at his
website:
https://jamesprimosch.com
/2016/05/10/five-poems-pr
emiere/. Upon
receiving a commission
from the Philadelphia
Chamber MusicSociety for
a violin and piano piece
in honor of its 30th
anniversary, myplan was
to write a sonata, a term
suggesting a relatively
abstractdiscourse. But as
the piece developed, the
movements struck me
ascharacter pieces rather
than music employing a
more
“symphonicâ€ap
proach. When specific
poems started to attach
themselves in my mindwith
two of the movements, the
overall title Five Poems
became clear.The title of
the second movement is a
line from Susan
Stewart’s“De
scentâ€, which deals
with Aeneas’s
visit to the underworld.
The musicis alternately
fiercely driving and
quite still, though
tense.
RobertFrost’s
Nothing Gold Can Stay
summons fleet scale
passages framinglyrical
counterpoint. The
remaining movements do
not refer to
specificpoems, but have
titles reflecting their
expressive tone.
Dreamscape ismusing with
an improvisatory violin
line over shifting pairs
of pianochords. Nightsong
is a bluesy lullaby that
turns highly
dramatic.Vision begins
with a closely argued
struggle but breaks
through tosomething
spacious and clear.
Rejoice! Orgue, Piano (duo) - Intermédiaire Lillenas Publishing Co.
(Powerful Expressions of Faith). Composed by Ron Sprunger. For organ and piano, ...(+)
(Powerful Expressions of
Faith). Composed by Ron
Sprunger. For organ and
piano, 3-staff. Sacred,
Christmas, General.
Moderately advanced.
Lillenas Publishing
Company #9780834173330.
Published by Lillenas
Publishing Company
Mixed Trios. By Various. Arranged by Daniel Kelley. For Keyboard or Guitar. Trio...(+)
Mixed Trios. By Various.
Arranged by Daniel
Kelley. For Keyboard or
Guitar. Trios. Music for
Three. Sacred /
Spirituals. Level:
Intermediate/Advanced.
Part. Published by Last
Resort Music Publishing.
Choral (SAB Choir) SKU: HL.1197396 Arranged by Jay Rouse. Fred Bock Publi...(+)
Choral (SAB Choir)
SKU: HL.1197396
Arranged by Jay Rouse.
Fred Bock Publications.
Octavo. 12 pages.
Duration 220 seconds.
Fred Bock Music Company
#BG2698. Published by
Fred Bock Music Company
(HL.1197396).
UPC:
196288134367.
6.75x10.5x0.029
inches.
In typical
fashion, Jay Rouse gives
us a fresh and powerful
version of this timeless
hymn. Your choir and
congregation alike will
find a new vision as they
enjoy this stirring,
slightly syncopated
setting. The violin
obligato adds a lovely
depth of texture to the
choral sound,
complimenting the piano
accompaniment
throughout.
Piano Accompaniment; Violin (Score and Solo Part) SKU: HL.50600469 For...(+)
Piano Accompaniment;
Violin (Score and Solo
Part)
SKU:
HL.50600469
For
Violin and Piano.
Composed by Krzysztof
Meyer. String. Classical,
Contemporary. Softcover.
48 pages. Sikorski
#SIK1496. Published by
Sikorski (HL.50600469).
8.25x11.75x0.14
inches.
“I
belong to that group of
people who appropriate
Debussy's wonderfully
formulated philosophy
according to which music
begins where words end.
Contrary to a view that
has become widespread
during the past 100
years, I am convinced
that the task of the
composer is to write
music, not to talk about
it. Even if my technical
and aesthetic
commentaries on one of my
compositions were to have
a certain value for
listeners, such a
commentary would have the
effect that I were more
or less forcing my own
vision of the work onto
the listener. The power
of music is, however, a
gift that makes it
capable of calling forth
different reactions in
listeners. I shall
therefore limit myself to
saying that the
'Imaginary Variations'
were inspired by the
wonderful recordings of
Janet Packer that I
listened to with the
greatest pleasure prior
to the beginning of my
work. The title is
derived from the fact
that this composition is
structured similarly to
the classical variation
form and that the
audience can listen to
the constant changes of
the musical ideas. In
truth, however, the
twelve short sections of
the work are not true
variations even though
they reveal some
connections and
similarities.â€
(Krzysztof Meyer).
Unison voices (with optional second part) & piano/organ SKU: OU.9780193433540...(+)
Unison voices (with
optional second part) &
piano/organ
SKU:
OU.9780193433540
Composed by Bob Chilcott.
Vocal score. 8 pages.
Duration 2.5'. Oxford
University Press
#9780193433540. Published
by Oxford University
Press (OU.9780193433540).
ISBN 9780193433540. 10
x 7 inches.
For
unison voices (with opt.
second part) and piano or
organ Arranged here for
unison voices and piano,
this heartfelt setting is
built upon a haunting
melody of folk-like
simplicity, underpinned
throughout by a lyrical
and independent
accompaniment. Also
available in versions for
SATB, solo high voice,
and solo low voice.
Composed by Bob Chilcot.
Oxford Three-part
Repertoire. Choral score.
8 pages. Duration 4'.
Oxford University Press
#9780193433441. Published
by Oxford University
Press (OU.9780193433441).
ISBN 9780193433441. 10
x 7 inches.
For
soprano solo, SABar
choir, and piano (or
organ) This heartfelt
setting is built upon a
haunting melody of
folk-like simplicity,
underpinned throughout by
a lyrical and independent
accompaniment. An
orchestral accompaniment
is available on hire. A
version for soprano solo,
SATB choir, and piano (or
organ) is also
available.
The Decade Series. E-Z Play Today (Easy big-note right-hand-only arrangements fo...(+)
The Decade Series. E-Z
Play Today (Easy big-note
right-hand-only
arrangements for piano,
organ, and electronic
keyboard). Size 9x12
inches. 192 pages.
Published by Hal Leonard.
