By The Eagles. For Guitar. Guitar Chord Songbook. Softcover. 112 pages. Published by Hal Leonard

For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, lyrics, piano accompaniment, chord names and leadsheet notation. Hymn. Series: Hal Leonard Fake Books. 494 pages. 9x12 inches. Published by Hal Leonard.

SKU: GI.G-1092

Composed by Patrick Hawes. GIA ChoralWorks. Music Education. Choral score. GIA Publications #1092. Published by GIA Publications (GI.G-1092).

UPC: 785147009221.

This world premiere recording features two new choral collections. The Fire of Love sets the words of fourteenth-century English mystic Richard Rolle, who depicted the soul’s movement towards God through the phases of heat, sweetness, and song, with song being the ultimate expression of the soul. For the second collection, Patrick has set nine of William Blake’s Songs of Innocence, and the fragile poetry gives rise to tender and heartfelt music. Somehow, I knew that I and The Same Stream needed to collaborate on a recording with Patrick Hawes. This recording grew out of our shared desire to collaborate on some new scores. Over the months that ensued from our initial meeting, the music on this CD grew out of meaningful exchanges between a composer and a conductor… Both works, The Fire of Love and Songs of Innocence, represent settings of profound poets that capture some essences of lives lived. But what made an impact upon us all was the honesty that Patrick Hawes knitted into these scores. Working with him on this recording was inspirational for us all. His passion for communicating through sound was radiantly clear to us, and it is our hope that his passion for these words by Richard Rolle and William Blake become alive in your ears and your heart. — James Jordan Click here to download the CD booklet Learn more about this album from Patrick Hawes, James Jordan, and The Same Stream in the video below:.

67 Songs!. For Guitar. This edition: Easy Guitar TAB. Guitar Mixed Folio. Book. 344 pages. Published by Alfred Publishing.

(Chords/Lyrics). By Oasis. The Little Black Songbook. Softcover. 192 pages. Music Sales #AM991595. Published by Music Sales

Compiled by Richard Walters. For tenor voice and piano. Format: piano/vocal songbook. With vocal melody, piano accompaniment and lyrics. Broadway and vocal standards. 224 pages. 9x12 inches. Published by Hal Leonard.

Tenor Accompaniment CDs. By Various Composers. (Tenor). Vocal Collection. CD only. Size 9x12 inches. 8 pages. Published by Hal Leonard.

Edited by Richard Walters. Vocal Collection. Piece for the NFMC Vocal event with the National Federation of Music Clubs (NFMC) Festivals Bulletin 2008-2009-2010. Instruction, Classical. Softcover Audio Online. 224 pages. Published by Hal Leonard

Chamber Music Violin

SKU: PR.144407380

Composed by Ellen Taaffe Zwilich. Performance Score. 4 pages. Duration 4 minutes. Merion Music #144-40738. Published by Merion Music (PR.144407380).

ISBN 9781491133903. UPC: 680160683475. 9 x 12 inches.

In her powerful Foreword to the music, violinist Kelly Hall-Tompkins has written: “There are great works which give voice to important moments for generations, and this is one of them.” The tragedy of Elijah McClain’s murder has moved us all, and for many musicians the image of this gentle young man playing his violin for kittens at an animal shelter has added a poignant extra layer. Zwilich was a professional violinist before turning exclusively to composing, and A LITTLE VIOLIN MUSIC is a memorial from the heart of one violinist to another.
[THESE NOTES MAY NOT BE REPRODUCED OUTSIDE OF THE PUBLICATION; OK TO QUOTE A BIT AND GIVE AUTHOR CREDIT]We often research important pieces of music to gain some glimpse into the mind of the composer by understanding the times in which a piece was written. The times that brought this piece into being, 2020, has been a year like no other in our lifetimes.With the suffering of a once in a century pandemic raging in ever higher waves, and millions of people around the world confined to their homes with a shared attention span for the first time in generations, we watched in horror the 8 minute 46 second killing of George Floyd, a man previously unknown to us, but now unwillingly joining a long list of names of unarmed African Americans killed by police. The anguished backlash of citizens around the world, from Japan to New Zealand to Germany to the United States, of every age, color, and creed, has rallied for weeks and months on end to demand enough and that “Black Lives Matter.”And yet, in the midst of it all is an America starkly divided against itself with some defiantly pushing back, emboldened by authoritarian-style government actions against its own citizens occurring all over the country. It is against this backdrop that we ever had a chance to know of Elijah McClain. Here in quarantine I sometimes practice my scales in front of the news. And one day the mirror image looking back at me from the screen was a slight young man, warm, affable brown eyes, and also a violin under his chin. The newsreel-style camera pan so familiar now, I knew the only reason we were gazing upon his unfamous face was that he too had been killed by police nearly a year before. But the revelation of it in the broadcast hit me particularly hard.Ellen Taaffe Zwilich, who is not only one of the great composers of our time, is also a dear friend, and called me the next day, also deeply saddened by the news. It was from Ellen that I learned that Elijah used to play for the kittens at the local animal shelter so they wouldn’t be lonely. This kind, gentle soul was aggressively taken into police custody while saying, “I am an introvert. Please respect the boundaries that I am speaking... I’m going home.” He was never seen alive again.Ellen and I spoke of the sadness and the injustice of this several times. She felt a powerful calling to contribute something in a statement and the result is the piece you now hold in your hands. I am deeply honored to be the dedicatee of the piece, to have worked together with Ellen on some of the final details, and to pen this score note. As an invited alumna of the Eastman School of Music, I premiered the work for their virtual event on Diversity and Inclusion. Each time I play it, there is a persistent lump in my throat because Ellen has captured something poignant and powerful here.There are great works which give voice to important moments for generations, and this is one of them. We humbly offer this piece in memory of Elijah McClain.Foreword © 2021 by Kelly Hall-Tompkins. Used by permission.

Unison voices, assembly, organ accompaniment - Early intermediate

SKU: GI.G-9683

A Mass for Unison Voices and Organ. Composed by David Hurd. Mass. Sacred. Octavo. 12 pages. GIA Publications #9683. Published by GIA Publications (GI.G-9683).

UPC: 785147968306. English, Greek. Text Source: Revised Order of Mass 2010.

David Hurd’s New Plainsong, a unison setting of the ordinary of the Mass first appeared in 1980 and quickly became a staple of Roman Catholic and Episcopal congregations. It was expanded in 1985 for inclusion as one the three complete mass settings in GIA’s iconic Worship—Third Edition. Now, David has set the new texts according the 2010 Roman Missal, keeping this venerable setting alive on the lips of congregations. As the title suggests, this is a chant-like setting accompanied by organ, with sections equally successful being sung unaccompanied. This is sturdy, beautiful music that is able to bear repetition week to week throughout the year.

Composed by Andrii Didorenko. Set of Score and Parts. Duration 11 minutes. Theodore Presser Company #114-42371. Published by Theodore Presser Company