Violin - Concerto Orchestre, Violon SATB, Orchestre Editorial de Musica Boileau
Violin and orchestra SKU: BO.B.3340 Composed by Jordi Cervello. Instrumen...(+)
Violin and orchestra
SKU: BO.B.3340
Composed by Jordi
Cervello. Instrumental
Sets. Duration 29:00.
Published by Editorial de
Musica Boileau
(BO.B.3340).
ISBN
9788480207591.
Engl
ish comments: My
dedication to the string
instruments has been a
constant throughout my
compositional career and
I knew that sooner or
later the time would come
to compose a concerto for
violin and orchestra.
That moment came in the
autumn of 2002 and after
ten months of
uninterrupted work I
finished it in August of
2003. It is a work
structured similarly to
the traditional
concertos. An important
impetus for the
elaboration of my
concerto was due to the
ill-fated violinist
Ginette Neveu. Her
version of Sibelius'
Concerto has always
stayed with me. For this
reason the first
movement,
Moderato-Allegro, begins
with a contemplative
atmosphere similar to
that of Sibelius'
Concerto in which the
principal thematic ideas
appear tentatively. These
ideas, two rhythmic and
two melodic, are
reaffirmed through a
broad development that
culminates in an
orchestral fullness. A
calm, mysterious passage
recalls the introduction
and after becoming
blurred, three bars burst
in leading to the rapid
section of the movement.
Soloist and orchestra
engage in a dialectic
struggle of a dramatic
nature. The agitation
subsides leaving only a
tranquil and suggestive
clarinet phrase. This
will be taken up by the
soloist who leads up to
the movement's most
dramatic moment playing
an accelerating triplet
figure supported by an
orchestral pedal in
crescendo. From here the
soloist's cadenza emerges
beginning with soft
double notes. It finishes
with an ascending
progression and the
soloist settles into the
high register to elicit
the orchestra's
intervention in a soft
and transfigured
atmosphere. Once
internalised the second
movement, Adagio poco
sostenuto e leggero
begins. It has a solemn
character and opens with
two trumpet calls
answered by the
violoncellos and the
contrabasses. The violin
soloist introduces and
plays two nostalgic
themes, the first in the
low register and the
second, more extensive,
in the middle register.
The soft and delicate
Misterioso e leggero
begins with the violin
singing on high. The
rhythm of the constant
quaver figures gradually
accelerates until the
soloist provokes a
dramatic full orchestra
as in a cadenza. Once
again, the Calmo, in
which the soloist with
less and less orchestral
attire serenely bids
farewell. A rising series
of double stops by the
soloist serves to
initiate the
Finale-Scherzo. In 6/8
rhythm and with the
character of a rondo it
carries us along in a
carefree, virtuosic
ambiance. The principal
motives, brief and
concise, emerge from the
happy, playful theme
presented by the soloist.
With an intricate
progression of rapid
sixths in double stops it
reaches a tense and
somewhat combative
moment. However this
resolves itself in a
diminuendo that the
soloist peacefully takes
up with the notes re-la
to commence the cadenza.
This culminates in a
series of tied notes to
reintroduce the principal
theme. A moment of
melodic suspension serves
as a farewell before the
brief and jovial final
coda. --The
author
Comentari
os del Espanol: A lo
largo de mi carrera
compositiva mi dedicacion
a los instrumentos de
cuerda ha sido constante
y sabia que, tarde o
temprano, llegaria el
momento de componer un
concierto para violin y
orquesta. Este llego en
otono de 2002 y, tras
diez meses de trabajo
ininterrumpido, lo
termine en agosto de
2003. Se trata de una
obra estructurada de
manera similar a los
conciertos tradicionales.
Un importante impulso a
la elaboracion de mi
concierto lo debo al
recuerdo de la malograda
violinista Ginette Neveu.
Su version del concierto
de Sibelius ha
permanecido siempre
dentro de mi. Por ese
motivo, el primer
movimiento
Moderato-Allegro se
inicia con una atmosfera
contemplativa cercana a
la del mencionado
Concierto, en la que
aparecen cautamente las
principales ideas
tematicas. Con un amplio
desarrollo se llega a un
lleno orquestal en el que
estas ideas -dos ritmicas
y dos melodicas- quedan
reafirmadas. Un pasaje
calmo y misterioso
rememora la introduccion.
Tras desdibujarse,
irrumpen tres compases
que nos llevan a la parte
rapida del movimiento.
Solista y orquesta
establecen un combate
dialectico de caracter
dramatico. La inquietud
desaparece hasta una
tranquila e insinuante
frase del clarinete. Esta
sera recogida por el
solista, quien, a base de
una figuracion de
tresillos cada vez mas
rapidos apoyada por un
pedal de la orquesta in
crescendo, conduce hacia
el momento mas dramatico
del movimiento. De aqui
nace la cadenza del
solista, que se incia con
suaves notas dobles.
Finaliza con una
progresion ascendente y
el solista se coloca en
el registro agudo para
llamar la intervencion de
la orquesta dentro de una
atmosfera suave y
transfigurada.
Interiorizado es el
segundo movimiento Adagio
poco sostenuto e leggero.
Con dos llamadas de las
trompas respondidas por
los violonchelos y
contrabajos inicia el
Adagio de caracter grave.
El violin solista
introduce y canta dos
temas nostalgicos. El
primero en el registro
grave y el segundo, mas
amplio, en el medio.
Inicia el Misterioso e
leggero, de caracter
suave y delicado. Con el
violin cantando en agudo.
La constante figuracion
de corcheas acelerara
poco a poco el ritmo
hasta que el solista a
modo de cadenza provocara
un dramatico lleno
orquestal. De nuevo el
Calmo, donde el solista,
cada vez con menos ropaje
orquestal, se despide
serenamente. Una subida
de dobles cuerdas a cargo
del solista sirve para
iniciar el
Finale-Scherzo. Este, en
ritmo de 6/8 y con
caracter de rondo, nos
transporta en un clima
virtuosistico y
despreocupado. Del tema
alegre y jugueton
presentado por el solista
nacen los principales
motivos, breves y
concisos. Con una
intrincada sucesion de
rapidas sextas en doble
cuerda se llega a un
momento crispado y algo
combativo que, sin
embargo, se resolvera en
un diminuendo que el
solista recoge
apaciblemente con las
notas re-la para inciar
la cadenza. Esta culmina
con un suave rosario de
notas en ligado para
introducir de nuevo el
tema principal. Un
momento de suspension
melodica sirve como
despido antes de la breve
y jovial coda final. La
obra fue estrenada el 23
de septiembre de 2005 en
el Teatre Monumental de
Madrid por la Orquesta
Sinfonica de RTVE con
Markus Placci de solista
y Uwe Mund de director.
Gravacion: RNE y Canal
Clasico de TVE. --El
Autor.
Summer Solstice Clarinette et Piano [Conducteur] Theodore Presser Co.
Chamber Music Clarinet, Piano SKU: PR.114418230 Concerto for Clarinet ...(+)
Chamber Music Clarinet,
Piano
SKU:
PR.114418230
Concerto for Clarinet
and Strings. Composed
by Daniel Dorff. Sws
both. Premiere: Arne
Running clarinet, James
Freeman conducting
Orchestra 2001,
Philadelphia PA.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 1986, 1993.
28+12 pages. Duration 19
minutes. Theodore Presser
Company #114-41823.
Published by Theodore
Presser Company
(PR.114418230).
ISBN
9781491109939. UPC:
680160640713. 9x12
inches.
Summer
Solstice is a 19-minute
concerto in three
movements, composed for
solo clarinet with a
colorfully-textured
string orchestra. The
piano reduction is
comfortably voiced for
recital use. Dorff's joy
in writing for his own
instrument is readily
heard in the warm
cantabile writing and
gracefully idiomatic
passagework. Drawing
inspiration from the
elegance of Mozart's
concerto and the rhythmic
grit of Copland's,
Dorff's concerto is a
true hybrid of
jazz-inspired language
with classical form and
counterpoint. The
Philadelphia Inquirer has
written, Summer Solstice
is light without being
insubstantial, melodic
without being obvious. It
has an invariably
American sound.
Orchestral score and
parts are available on
rental. Full score is
also available for sale
as study score
(416-41604) or large
score
(416-41604L).____________
_________________________
Text from the scanned
back cover:Summer
Solstice (Concerto for
Clarinet and Strings)The
Philadelphia Inquirer has
written “Summer
Solstice is light without
being insubstantial,
melodic without being
obvious. It has an
invariably American
sound.†SUMMER
SOLSTICE is a 19-minute
concerto in three
movements, composed for
solo clarinet with a
colorfully-textured
string orchestra; the
piano reduction is
comfortably voiced for
recital use.
Dorff’s joy in
writing for his own
instrument is readily
heard in the warm
cantabile writing and
gracefully idiomatic
passagework. Drawing
inspiration from the
elegance of
Mozart’s concerto
and the rhythmic grit of
Copland’s,
Dorff’s concerto
is a true hybrid of
jazz-inspired language
with classical form and
counterpoint.
Composed by Claude Debussy (1862-1918). Arranged by Keith Terrett. For 2 clarine...(+)
Composed by Claude
Debussy (1862-1918).
Arranged by Keith
Terrett. For 2 clarinets,
alto clarinet, 3 bass
clarinets. Classical;
20th century. Score and
parts. 47 pages (score);
parts vary. Published by
Alea Publishing
By Frank Sinatra. Edited by Rob DuBoff and Jeffrey Sultanof. Arranged by Nelson ...(+)
By Frank Sinatra. Edited
by Rob DuBoff and Jeffrey
Sultanof. Arranged by
Nelson Riddle. For
orchestra with vocal
solo. Swing, Jazz. Medium
Difficult. Score only.
Published by Jazz Lines
Publications
Cello. Arranged by
Leonard Slatkin. Easy
Music For Strings. Folk.
Softcover. 12 pages.
Published by Hal Leonard
(HL.4491326).
ISBN
9781480366237. UPC:
884088962562. 9x12
inches.
World
Songs for Solo
Instruments and
Strings is the newest
in a series of
publications by
internationally acclaimed
conductor Leonard
Slatkin, long known for
his commitment to music
education. These easy to
intermediate folk song
settings for flexibie
solo (violin, flute or
clarinet*) with youth
orchestra accompaniment
are a wonderful set of
pieces for your concert
catalog - and with 25
minutes of concert
programming they're also
a great value! Add flair
to your performance with
the optional percussion
parts. Includes:
• *When
Johnny Comes Marching
Home (features all three
solo instruments)
• Volga
Boatmen's Song
• Danny Boy
• Dance of
the Cockroach
•
Funiculì,
Funiculà
• *Simple
Grace (setting of
Simple Gifts and
Amazing Grace for
solo piano with strings)
• O Waly,
Waly (The Water Is Wide)
•
Frère Jacques
• Ich hab
die Nacht Geträumet
(I Dreamed This Night)
Orchestra Clarinet SKU: AP.49803 Warm-Up Exercises and Chorales to Imp...(+)
Orchestra Clarinet
SKU: AP.49803
Warm-Up Exercises and
Chorales to Improve
Blend, Balance,
Intonation, Phrasing, and
Articulation.
Composed by Bob Phillips,
Chris M. Bernotas, David
Pope, Jim Palmer, and
Peter Boonshaft.
MakeMusic Cloud;
Method/Instruction;
String Orchestra
Method/Supplement. Sound
Orchestra: Ensemble
Development. Book. 48
pages. Alfred Music
#00-49803. Published by
Alfred Music (AP.49803).
ISBN 9781470648251.
UPC: 038081569048.
English.
Sound
Orchestra: Ensemble
Development for String or
Full Orchestra provides a
comprehensive and clear
approach to developing
ensemble performance
skills at the
intermediate through
advanced level with the
goal of improving
technical facility and
musicianship in the
string or full orchestra.
This method focuses on
improving an ensemble's
tone quality, intonation,
and technique with 270
exercises grouped by key
signature, including
chorales and orchestral
themes, that students
will find both a joy and
challenge to work
through.
Sound
Orchestra thoroughly
complements performance
music for string or full
orchestra by isolating
and reinforcing each
ensemble concept,
focusing on improving
blend, balance, phrasing,
pitch accuracy, and
articulation. Additional
features: Percussion
parts are included *
Violin 3 book that
replicates the viola book
is available * Optional
piano and saxophone parts
are included * Teacher's
scores are available for
string orchestra or full
orchestra * For
intermediate through
advanced string orchestra
alone, full orchestra, or
string orchestra with any
combination of wind and
percussion players.
Written by By Bob
Phillips, Peter
Boonshaft, Chris
Bernotas, Jim Palmer, and
David Pope, this addition
to the revolutionary
Sound Innovations series
will help your students
create beautiful
music.
Clarinet and piano SKU: BR.EB-8980 Fantasy on Themes by Giuseppe Verdi...(+)
Clarinet and piano
SKU: BR.EB-8980
Fantasy on Themes by
Giuseppe Verdi.
Composed by Alexey Shor.
Solo instruments;
stapled. Edition
Breitkopf. Solo concerto;
New music (post-2000).
Piano reduction. 40
pages. Duration 15'.
Breitkopf and Haertel #EB
8980. Published by
Breitkopf and Haertel
(BR.EB-8980).
ISBN
9790004187098. 9 x 12
inches.
Verdiana is
a musical tribute to
Giuseppe Verdi. It takes
some of his most famous
melodies and reimagines
them in styles of Samba,
Bossa Nova and Tango to
produce a virtuosic
showpiece for clarinet
and orchestra. The work
is structured in three
movements. The titles of
the movements do not only
indicate from which
operas the main melodies
were taken, they also
function as a hint to the
styles in which the
movements are written.
The first movement,
titled Il Sambatore, is a
Samba based primarily on
the melodic material from
Verdi's Il Trovatore. The
second one, Un Bossa in
Maschera, is a slow Bossa
Nova and consists of an
aria from Un Ballo in
Maschera. The third and
the most virtuosic
movement is called Don
Tangoletto and derives
most of its material from
Don Carlos and Rigoletto.
The piece exists in 4
versions: Solo clarinet
with either full
orchestra, string
orchestra, string quartet
or piano. This
publication also includes
an alto sax part that can
be used instead of a
clarinet.
(Overture). By Jacques Offenbach (1819-1880). Arranged by J. Bishop. For Full or...(+)
(Overture). By Jacques
Offenbach (1819-1880).
Arranged by J. Bishop.
For Full or String
Orchestra (flute, oboe,
Bb clarinet 1, Bb
clarinet 2, bass
clarinet, bassoon, F horn
1, F horn 2, Bb trumpet
1, Bb trumpet 2,
trombone, tuba, violin 1,
violin 2, viola,
violoncello, bass,
timpani, percussion (3,
players) (snare drum,
bass drum, crash
cymbals)). String Music.
Grade 3. Score and parts.
Duration 2:50. Published
by C. Alan Publications
(For Full or String Orchestra). By Larry Clark. Orchestra. For Flute, Oboe, Clar...(+)
(For Full or String
Orchestra). By Larry
Clark. Orchestra. For
Flute, Oboe, Clarinet I,
Clarinet II, Bassoon,
Trumpet I, Trumpet II,
Horn, Tenor I, Tenor II,
Tuba, Chimes, Timpani,
Percussion I, Snare Drum,
Bass Drum, Percussion II,
Suspended Cymbal,
Tambourine, Violin I,
Violin II, Violin (Viola,
Treble Clef), Viola. This
edition: full score. Carl
Fischer Performance
Series - Young, Full or
String Orchestra.
Classical. EASY. Standard
notation. Composed 2001.
24 pages