Choral (SATB)

SKU: HL.294333

By Stevie Nicks. Arranged by Paul Langford. Shawnee Press. Pop. Octavo. Published by Shawnee Press (HL.294333).

ISBN 9781540053091. UPC: 888680941376. 6.75x10.5x0.036 inches.

Stevie Nicks released this single in 1982 from her debut solo album Bella Donna. This arrangement captures the distinctive chugging 16th-note pattern and simple chord structures with moody vocals full of wonderful harmonies and rhythm that reflect the original recording.

Choral (Studiotrax CD)

SKU: HL.294338

By Stevie Nicks. Shawnee Press. Pop. CD. Published by Shawnee Press (HL.294338).

ISBN 9781540053138. UPC: 888680941420. 5.0x5.0x0.185 inches.

Stevie Nicks released this single in 1982 from her debut solo album Bella Donna. This arrangement captures the distinctive chugging 16th-note pattern and simple chord structures with moody vocals full of wonderful harmonies and rhythm that reflect the original recording.

Choral (SAB Choir)

SKU: HL.294334

By Stevie Nicks. Arranged by Paul Langford. Shawnee Press. Pop. Octavo. 12 pages. Published by Shawnee Press (HL.294334).

ISBN 9781540053107. UPC: 888680941383. 6.75x10.5 inches.

Stevie Nicks released this single in 1982 from her debut solo album Bella Donna. This arrangement captures the distinctive chugging 16th-note pattern and simple chord structures with moody vocals full of wonderful harmonies and rhythm that reflect the original recording.

By Stevie Nicks. Arranged by Paul Langford. Shawnee Press. Pop. Octavo. 24 pages. Published by Shawnee Press

Performed by Stevie Nicks. Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords). Softcover. 104 pages. Published by Hal Leonard.

For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Folk. Series: Hal Leonard Fake Books. 536 pages. 9.6x12 inches. Published by Hal Leonard.

By Various. For voice and C instrument. Hal Leonard Paperback Songs. Folk. Difficulty: easy-medium. Fakebook (leadsheet notation). Vocal melody, lyrics, leadsheet notation and chord names. 255 pages. Published by Hal Leonard fakebook (leadsheet notation) Folk

Study Score Orchestra (pic.2.2.3.2.cbsn-4.3.3.1 -timp.4perc(glsp, vib(bow), xly, bells, tri, clash cym, 2 sus cym, Chinese cym(bow), Sizz cym, Antique cym, tam-t, clave, 4s.d., b.d., tamb, 4templeblck, 2 anvils, whip)-2hp.cel-str(12.10.8 .6.6 min))

SKU: HL.49045520

For Orchestra (2013) Music of Our Time Series. Composed by Ryan Wigglesworth. Arranged by Ryan Wigglesworth. This edition: Saddle stitching. Sheet music. Study Score. Classical. Softcover. Composed 2013. 60 pages. Duration 1020 seconds. Schott Music #ED13930. Published by Schott Music (HL.49045520).

ISBN 9790220137198. UPC: 841886028876. 8.25x11.75x0.2 inches.

Locke's Theatre, an orchestral work in three short movements, takes as its departure point incidental music written for Shakespeare's The Tempest by the seventeenth-century English composer Matthew Locke. Aspects of Locke's idiosyncratic and daringly advanced harmonic and rhythmic language were to be adopted (some might say perfected) by his younger friend and protege Henry Purcell. But it is the very rawness and directness of Locke's theatre music that I wished to acknowledge and emulate. In each of my work's three movements - entitled respectively 'The First Music', 'Rustic Music', and 'Curtain Music (with Storm)' - the baroque originals, though very often submerged, remain a constant, shadowy presence. Locke's Theatre was commissioned by the Aldeburgh Festival to mark the centenary of Benjamin Britten's birth. -Ryan Wigglesworth.

Voice and piano (Solo: S - 3(picc/A-fl).2.cor ang.2.B-clar.2.dble bsn - 4.3.3.1 - timp.perc(3) - hp - pno - cel - str: 12.10.8.6.4)

SKU: BR.EB-9465

The Fury of Our Concepts. Composed by Johannes Maria Staud. Voice; stapled. Edition Breitkopf. New music (post-2000). Sheet Music. Composed 2021/22. 48 pages. Duration 19'. Breitkopf and Haertel #EB 9465. Published by Breitkopf and Haertel (BR.EB-9465).

ISBN 9790004189436. 9 x 12 inches. English.

Wahrend der vielen Corona-bedingten Lockdowns seit Fruhjahr 2020 habe ich mich, warum auch immer, tief in die vielgestaltige wie aufregende amerikanische Lyrik des 20. und 21. Jahrhunderts verloren - auch, aber nicht nur auf der Suche nach spannenden, vertonbaren Texten.Bei William Carlos Williams (1883-1963) schliesslich, der trotz seiner eminenten Bedeutung gar nicht so viel vertont wurde, hat mein Suchradar schliesslich angeschlagen.Fernab der protzerischen Bildungsburgerei eines T.S. Eliot, Lichtjahre entfernt von der gefahrlichen Faschismus-Nahe eines Ezra Pound, gehort WCW, wie er gerne liebevoll genannt wird, mit Elizabeth Bishop und Robert Lowell wohl zu den Fixsternen der amerikanischen Moderne. Diese feine, reduzierte, vermeintlich unscheinbar-verspielte, auf den zweiten Blick aber so subversive und messerscharf-bedeutungsre iche Lyrik hat mich seitdem vollends in ihren Bann gezogen.Auf Gedichten aus drei Banden basierend, ,,Sour Grapes(1921), ,,An Early Martyr and Other Poems (1935) und ,,The Wedge (1944), habe ich schliesslich einen sechs Orchesterlieder umfassenden Zyklus komponiert. Mit diesem wollte ich WCWs Gedichte nicht etwa verdoppeln oder nachzeichnen, sondern ganz bewusst meine personliche Sicht auf diese fragilen Meisterwerke werfen. Dieses Auftragswerk der Wiener Symphoniker und des Wiener Konzerthauses wurde vom fein modellierten Klang und Facettenreichtum dieses wunderbaren Orchesters inspiriert. Es ist meinen Eltern gewidmet. (Johannes Maria Staud, 3.2.2022)

World premiere of the piano version: Bad Kissingen (Kissinger Sommer), July 3, 2022 Commissioned by Kissinger Sommer funded by the Anton and Katharina Schick Foundation.