Par YE XIAOGANG. 'Datura was commissioned by Accessible Contemporary Music and was written in a unique way. I composed the piece in installments over the summer of 2006 and emailed them to Seth Boustead who forwarded them on to the ensemble. In this unique way of working I was able to have time between each installment to think about what would come next and to get feedback from the performers about the music. This is a very new and different way for a composer to work. Usually I write the piece in solitude and then hand it to the performers but writing in installments allows more communications between the performers and the composer and allows the audience to hear the piece as its created. Datura is another series of pieces composer written about Asian plants and flowers. Datura is a very common houseplant in south China and very beautiful but it can also be used as a hallucinogen, usually with unpleasant results. In this piece the composer juxtaposed the other beauty of the plant with the intense inner would it can create by using alternately tranquil and intense musical passages.' (Xiaogang Ye)/ Répertoire / Flute, Violin, Cello and Piano

Arrangeur: Matt Johnston. Par HERBERT VICTOR. L'Encore is a short vignette originally composed for Flute, Clarinet (in A) and orchestra accompaniment. For this edition with piano reduction, to transpose the A Clarinet part for B-flat Clarinet would put the clarinet in an awkward key, so instead, included in the volume are additional transposed parts for the flute and piano. Thus, the clarinetist will always play off the clarinet part provided, however, depending on the instrument used, the flute and piano will need to play on the properly corresponding part, either in D Major or E-flat Major./ Répertoire / Flûte Traversière, Clarinette et Piano

La référence GB5384 de l'éditeur Billaudot dont l'auteur célèbre est Mozart Wolfgang Amadeus, qui a pour titre MOLTO ALLEGRO - POUR FLUTE ET TRIO A CORDES, a été écrite et composée pour Musique de Chambre et plus particulièrement pour Flûte Et Trio A Cordes. Cette partition musicale appartient à la catégorie Classique. / Flûte Et Trio A Cordes / Partition

Par ROKEACH MARTIN. Going Up? was commissioned in 2007 by the New York trio Eight Strings and a Whistle and completed in 2008. The material and energy of the piece continually pulls the listener upward, hence the title. There are three themes, all ascending, introduced in the first moments respectively by the flute as the piece opens, the pizzicato cello in measure 4, and the pizzicato cello again in measure 8./ Répertoire / Flûte Traversière, Alto et Violoncelle

Piano, flute, oboe, clarinet, horn, trumpet, trombone, percussion, 2 violins, viola, cello, dbass. Par FUJIKURA DAI. English / Niveau : Intermédiaire à Avancé / Date parution : 1905-07-08/ Répertoire / Ensemble de Chambre

for flute/alto sax. Par JOHOW JOACHIM. Le recueil All Time Klezmers s´inspire des danses et des chants juifs joués par les klezmorim : de la beauté lyrique de la Hora à l'exubérance du Freilach. Certaines pièces possèdent une deuxième voix optionnelle qui peut être utilisée pour jouer en duo ou pour varier le contexte thématique dans le cas d'un passage avec reprise. Ce recueil contient uniquement les parties d'accompagnement de piano de l'ensemble des pièces presentées dans All Time Klezmers pour flûte ou saxophone alto. / Niveau : Intermédiaire / Recueil / Flûte Traversière, Saxophone Alto et Piano

Par KAPUSTIN NIKOLAI. Nikolai Kapustin is considered a pioneer of the Soviet jazz scene. His music combines typical idioms of jazz with classical forms. The Trio op. 86 for flute, violoncello and piano from 1998 is one of the most popular chamber music works by Kapustin. He recorded it himself together with Alexander Zagorinsky and Alexander Korneev. / Niveau : Avancé / Répertoire / Flûte Traversière, Violoncelle et Piano

Par MAGALIF EUGENE. This atmospheric duet with piano accompaniment was commissioned by La Cote Flute Festival. Versions for two flutes and flute and alto flute are available from the publisher./ Répertoire / Flûte Traversière, Flûte Traversière Alto et Piano

Arrangeur: Jan Boland. Ten Pocket-Sized Trios is a collection of vignettes arranged for flute, guitar, and cello by Jan Boland (with guitar adaptations by John Dowdall). For two of the titles, there is an alto flute transposition of the C flute part. Additionally, for the entire collection, the cello part can be considered optional. Ten Pocket-Sized Trios is a collection of vignettes arranged for flute, guitar, and cello by Jan Boland (with guitar adaptations by John Dowdall). For two of the titles, there is an alto flute transposition of the C flute part. Additionally, for the entire collection, the cello part can be considered optional./ Répertoire / Flûte Traversière, Guitare, et Violoncelle

Par HALL JONTY. Suite of 4 movements in a modern, quirky style. Advanced players needed. Toot ( and Hoot) Suite A four movement Suite for more advanced musicians. This Suite was brought together from two current compositions (movements II and IV), the other two movements were conceived around 28 years ago - originally for solo clarinet and piano - now re-drafted for flute, clarinet and piano. Flute and Clarinet have equal prominence in all movements. The Toot ( and Hoot) Suite was first performed July 2018 at Christ Church Freemantle by Claire Stocker (Flute), Alison Hughes (Clarinet), and the composer at the piano. / Niveau : Avancé / Répertoire / Flûte Traversière, Clarinette et Piano

a cura di Federico Maria Sardelli. Par VIVALDI ANTONIO. Among Vivaldi’s many flute and recorder concertos, two, both for transverse flute, were known until a few years ago only in incomplete form: RV 431 and 432. Both are written in the comfortable and expressive key of E minor, are transmitted inautograph manuscripts and lack their second movement (RV 432 also lacks its third movement). The seemingly enigmatic instruction “Grave sopra il libro” replacing the second movement has given rise to the most fanciful hypotheses. The discovery in Edinburgh, in 2010, of a concerto for transverse flute in D minor entitled “Il gran Mogol” suddenly shed light on the situation: this was an earlier version of RV 431, now complete with its middle movement, a “Larghetto” that is verypossibly identical with the one missing in RV 431. This “Gran Mogol”, which belonged to Robert Kerr, a Scottish nobleman and amateur flautist, was already known by name to scholars on account of its listing in an eighteenth-century catalogue as partof a set of Vivaldi concertos bearing geographical titles: more recently, there has come to light a letter written by Vivaldi three months before his death in which the composer describes this set in detail. It is very likely that RV 431 and RV 432belonged to this group of works, the last known collection of its kind in Vivaldi’s oeuvre. This critical edition places these closely related works side by side for the first time, placing them in their historical context and making them performable through its reconstruction of some lost parts. / Niveau : Intermédiaire / Date parution : 1905-07-09/ Répertoire / Flûte Traversière Cordes et Basse Continue

For Flute/Alto flute, Oboe/Cor anglais and Piano (2005/2011). Par WILSON IAN. English / Niveau : Intermédiaire / Répertoire / Flûte Traversière, Hautbois et Piano

Par JOLIVET ANDRE. Pastoreles De Noë l by Andre Jolivet is a piece for Flute, Bassoon and the Harp lasting nearly 13 minutes. This piece is really gentle and restrained which demonstrates the quality of Jolivet 's work but also reflects that period of WWII when France was under occupation. These scores are of medium level of ability. Pastoreles De Noë l features four sections: L'etoile (the Star), Les Mages (the Wisemen), La Vierge et l'Enfant (the Virgin and the Child) and Entree et Danse des Bergers (the Shepherds' dance). Each of these parts describes a part of theChristmas story, starting with the Flute and the Bassoon in a duet, followed by the entrance of the Harp to settle the first part. The second section is quieter, expressing the walk in the desert. The Virgin and the Child is like a lullaby and the piece finishes on a joyful dance to express happiness and devotion. Andre Jolivet is a French composer who was really inspired by the Antiquity, and had a strong interest for atonality. He also wrote many chamber music pieces, eleven concertos, some orchestral and some vocal music./ Répertoire / Flûte Traversière Basson et Harpe