String Quartet (2vl,va,vc)

SKU: BR.EB-9260

Composed by Manuela Kerer. Chamber music; Folder. Edition Breitkopf.

World premiere: Stockholm (Festival O/MODERNT), June 19, 2017

Music post-1945; New music (post-2000). Set of parts. Composed 2016/17. 32 pages. Duration 15' - 18'. Breitkopf and Haertel #EB 9260. Published by Breitkopf and Haertel (BR.EB-9260).

ISBN 9790004185605. 9 x 12 inches.

When Hugo Ticciati asked me to write a new piece for his quartet, I was immediately enthusiastic about this project. I love how Hugo and his O/MODERNT String Quartet unite old and new music in a completely natural way. So, I was absolutely excited about Hugo`s idea of having my piece based on two of my idols, Bach and Beethoven, deconstructing the one and constructing the other. With all my respect for these great composers I gave to the piece a very personal inner part consisting of my own music that influenced and inspired the other parts. For the whole piece I felt very close to Beethoven, who said: To make a fugue is not art, which [is something] I have made dozens of times in my study. But the imagination will assert its rights and must come today, in light of the old traditional form, to another truly poetic element. De/Con is a travel into different centuries with different sound-languages. For me, it was like having a wonderful constructive discussion with Johann Sebastian Bach and Ludwig van Beethoven, each of us trying to speak our own language, approaching the others step by step. The piece could be defined as a Love Letter to two of the greatest composers ever. De/Con could be preceded by (parts of) Johann Sebastian Bach's Die Kunst der Fuge (The Art of the Fugue) and succeeded by Ludwig van Beethoven's Grosse Fuge (Great Fugue). Ideally, then, all parts should be played attacca. It could, but it hasn't to be played with these two pieces. (Manuela Kerer)

World premiere: Stockholm (Festival O/MODERNT), June 19, 2017.

String Quartet (2vl,va,vc)

SKU: BR.EB-9259

Composed by Manuela Kerer. Chamber music; stapled. Edition Breitkopf.

World premiere: Stockholm (Festival O/MODERNT), June 19, 2017

Music post-1945; New music (post-2000). Full score. Composed 2016/17. 32 pages. Duration 15' - 18'. Breitkopf and Haertel #EB 9259. Published by Breitkopf and Haertel (BR.EB-9259).

ISBN 9790004185599. 9 x 12 inches.

When Hugo Ticciati asked me to write a new piece for his quartet, I was immediately enthusiastic about this project. I love how Hugo and his O/MODERNT String Quartet unite old and new music in a completely natural way. So, I was absolutely excited about Hugo`s idea of having my piece based on two of my idols, Bach and Beethoven, deconstructing the one and constructing the other. With all my respect for these great composers I gave to the piece a very personal inner part consisting of my own music that influenced and inspired the other parts. For the whole piece I felt very close to Beethoven, who said: To make a fugue is not art, which [is something] I have made dozens of times in my study. But the imagination will assert its rights and must come today, in light of the old traditional form, to another truly poetic element. De/Con is a travel into different centuries with different sound-languages. For me, it was like having a wonderful constructive discussion with Johann Sebastian Bach and Ludwig van Beethoven, each of us trying to speak our own language, approaching the others step by step. The piece could be defined as a Love Letter to two of the greatest composers ever. De/Con could be preceded by (parts of) Johann Sebastian Bach's Die Kunst der Fuge (The Art of the Fugue) and succeeded by Ludwig van Beethoven's Grosse Fuge (Great Fugue). Ideally, then, all parts should be played attacca. It could, but it hasn't to be played with these two pieces. (Manuela Kerer)

World premiere: Stockholm (Festival O/MODERNT), June 19, 2017.

SATB Choir - Grade 3

SKU: BT.HU-4349-250

Composed by Hans Leenders. Harmonia Concert Series. Choral Score. Composed 2013. 16 pages. Harmonia #HU 4349-250. Published by Harmonia (BT.HU-4349-250).

9x12 inches. German.

The poetry on which this composition is based is the Ballad of External Life (the Ballade des äußeren Lebens) from the pen of Viennese author Hugo von Hofmansthal (1874-1929). He is known for, amongst other things, his libretti for the works of Richard Strauss (Der Rosenkavalier, Ariadne auf Naxos, Elektra) and as founder of the Salzburg Festival. Von Hofmansthal was one of the last of the German Symbolists. Central to this literary movement was the unification of the internal and external worlds. The search for meaning was a cornerstone of this fin-de-siècle movement.In the Ballade des äußeren Lebens (Ballad of External Life), the meaninglessness ofexistence is expressed in restricting, oppressive metaphors—an ambience that is reflected in the music. Ultimately, man is capable of establishing order from seeming chaos. The poet expresses this powerfully in a non-rhyming line of poetry: ‘And yet, he who says “evening” says much, A word, from which profundity and sorrow flow’.This composition follows the overall structure of the ballad, which is written in terza rima—interlocking three-line rhymes.The choral work can be performed by a chamber choir, but also by a much larger ensemble. The parts are mainly in four voices (SATB), although there are also six parts (SAATBB). One chord is arranged for eight voices.The composer conducted this work at its première, to open the 2013 International Choir Biennial in Aachen. The choir was comprised of four chamber choirs: Aachen Youth Choir, Carmina Mundi, Aachen Chamber Choir and Aachen Madrigal Choir.

Het dichtwerk waarop deze compositie is gebaseerd, de Ballade des äußeren Lebens (Ballade van het uiterlijke leven), is geschreven door de in Wenen geboren schrijver Hugo von Hoffmansthal (1874-1929), die onder meer bekend is als librettist van Richard Strauss (Der Rosenkavalier, Ariadne auf Naxos, Elektra) en medeoprichter was van de Salzburger Festspiele. Von Hoffmansthal behoorde tot de laatste vertegenwoordigers van het Duitse symbolisme. Deze stroming stelde zich ten doel de innerlijke en uiterlijke wereld met elkaar te verenigen. Zingeving vormde een van de hoofdthematieken binnen deze fin de siècle-cultuur.In de Ballade des äußeren Lebens wordt dezinloosheid van het bestaan verwoord in beklemmende metaforen - een atmosfeer die in de muziek wordt weerspiegeld. Uiteindelijk blijkt de mens toch in staat te zijn orde te scheppen in de schijnbare willekeur. De dichter benadrukt dit in zijn enige versregel zonder rijm: Und dennoch sagt der viel, der “Abend” sagt. De compositie volgt in hoofdlijnen de structuur van de ballade, die in terzinen is opgebouwd.Het werk kan worden uitgevoerd door kamerkoor, maar ook door een veel grotere bezetting. De zetting is voornamelijk vierstemmig (SATB), maar er zijn tevens zesstemmige delen (SAATBB). Een enkel akkoord is zelfs achtstemmig.Het werk ging onder leiding van de componist tijdens de Internationale Chorbiennale Aachen 2013 als openingswerk in première. Het koor was samengesteld uit vier kamerkoren: Der Junge Chor Aachen, Carmina Mundi, Aachener Kammerchor en Der Madrigalchor Aachen.

Die Dichtung, auf welcher diese Komposition basiert, ist die Ballade des äußeren Lebens aus der Feder des gebürtigen Wiener Schriftstellers Hugo von Hoffmansthal (1874-1929), der unter anderem als Librettist von Richard Strauss (Der Rosenkavalier, Ariadne auf Naxos, Elektra) und Mitbegründer der Salzburger Festspiele bekannt ist. Von Hoffmansthal gehörte zu den letzten Vertretern des Deutschen Symbolismus. Diese literarische Richtung machte sich zur Aufgabe, die innere und die äußere Welt miteinander zu vereinen. Sinngebung bildete eine der Hauptthematiken innerhalb dieser Fin-de-Siècle-Strömung. In der Ballade des äußeren Lebens wird die Sinnlosigkeitdes Daseins in beklemmenden Metaphern formuliert - eine Atmosphäre, die sich in der Musik widerspiegelt. Letztendlich scheint der Mensch doch imstande zu sein, Ordnung in der scheinbaren Willkür zu schaffen. Der Dichter betont dies nachdrücklich in der einzigen Verszeile ohne Reim: Und dennoch sagt der viel, der Abend“ sagt. Die Komposition folgt in ihren Hauptzügen der Struktur der Ballade, die in Terzinen geschrieben ist.Das Chorwerk kann von einem Kammerchor, aber auch von einem viel größeren Ensemble aufgeführt werden. Der Satz ist hauptsächlich vierstimmig (SATB), aber es gibt auch sechsstimmige Teile (SAATBB). Ein einzelner Akkord ist gar achtstimmig.Das Werk ging unter der Leitung des Komponisten während der Internationalen Chorbiennale Aachen 2013 als Eröffnungswerk in Premiere. Der Chor setzte sich aus vier Kammerchören zusammen: Der Junge Chor Aachen, Carmina Mundi, der Aachener Kammerchor und der Madrigalchor Aachen.

SSATB Choir, Piano

SKU: CA.926400

Composed by Camille Saint-Saens. Arranged by Denis Rouger, Denis Rouger. Carus digital: Extra digital products. Full Score. Composed 1862. Op. 13, No. 1. Duration 5 minutes. Published by Carus Verlag (CA.926400).

ISBN 9790007261870. French. Text: Victor Hugo.

In his poem Soiree en mer, Victor Hugo describes how the sea can be perceived very differently by two lovers at the same time in the same place. While the man perceives the deepening shadows on the dancing waves, the woman marvels at the stars shining ever brighter in the firmament. In nature, as in the words of the poem, the painful ambiguity that represents life at its core can be experienced. Like no other poet, Hugo captures this almost unbearable simultaneity of living and dying, of love and suffering. Saint-Saens translates this into music - probably the most ephemeral and contemporary of all art forms. His balanced musical form leaves plenty of room for the poetry and his subtle variations in timbre, which also inspired Denis Rouger to his choral arrangement, create a seething motion under the surface of the sea.

This art song was originally composed not for chamber choir, but for solo voice and piano. Denis Rouger has carefully adapted it to suit the requirements and expressive possibilities offered by a larger ensemble, without losing any of the qualities of the original in the process. Each part in the choir has a melodic line drawn from the harmonic and rhythmic framework. In the process, the variety and refinement of the choral language combines with an enormous flexibility in form and expression, as French melodies or German art song demand from a soloist and pianist. The songs have been recorded by the figure humaine chamber choir on the CD ...wo die Ztronen bluhn (Carus 83.514).

Cello

SKU: RM.HUGO05868

Composed by Romain Hugon. Cello and piano. Instrumental music. Editions Robert Martin #HUGO05868. Published by Editions Robert Martin (RM.HUGO05868).

ISBN 9790231058680.

Cello - Grade 1

SKU: RM.HUGO05824

Composed by Romain Hugon. Cello and piano. CD included. Instrumental music. Editions Robert Martin #HUGO05824. Published by Editions Robert Martin (RM.HUGO05824).

ISBN 9790231058246.

SKU: CA.744400

Composed by Peter Schindler. Contemporary Choir Music. Secular choral music. Full Score. Carus Verlag #CV 07.444/00. Published by Carus Verlag (CA.744400).

ISBN M-007-24692-1. Text: Peter Schindler; Eduard Morike; Maik Brandenburg; Hugo Ball; Friedrich Ruckert; Adelheid Wette.

Poets and composers have regularly been inspired by angels for texts, images or melodies. Peter Schindler has set to music an angel song cycle based on the wonderful lyrics of Hugo Ball, Martin Luther, Eduard Morike, Friedrich Ruckert, from Des Knaben Wunderhorn, as well as Psalm 91, which can be performed at any time of the year, as a whole or partially, as a concert interlude or an encore, and of course during Christmastime. The six angel songs can be performed with different vocal settings (1- to 4-part S, SA, SSA or SATB) and piano accompaniment. All four vocal versions can be combined as desired and sung simultaneously, as well as - additionally or alternatively - with string quartet/quintet. For each song there is a descant notated in C or B flat ad lib. In this way, the songs can be compiled individually for singers of all ages and easily rehearsed and performed. All possibilities are open for the joint concert experience of adult and children's choirs.

Vocal and Orchestra

SKU: BT.WH33193

Composed by Hugo Wolf. Contemporary Music. Score Only. Composed 2019. 38 pages. Edition Wilhelm Hansen #WH33193. Published by Edition Wilhelm Hansen (BT.WH33193).

ISBN 9788759841846.

Eivi nd Buene’s orchestration of Der Feuerreiter by Hugo Wolf was commissioned by Stiftung Berliner Philharmoniker. The world premiere was given at the Berliner Philharmonie by the baritone Christian Gerhaher and the Berliner Philharmoniker conducted by Ivan Fischer on 20 December 2018.

By George David Weiss, Hugo Peretti And Luigi Creatore. Arranged by Michael Story. By George David Weiss, Hugo Peretti and Luigi Creatore / arr. Mike Story. For Concert Band. Concert band. Beginning Band. Pop/Rock. Level: 1 (Very Easy) (grade 1). Conductor Score & Parts. 110 pages. Published by Alfred Publishing.

Oboe solo, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, Trombone, Timpani, 4 Strings

SKU: CA.4057600

Composed by Hugo Schuncke. This edition: Paperbound. German title: Oboenkonzert. Full score. 120 pages. Duration 25 minutes. Carus Verlag #CV 40.576/00. Published by Carus Verlag (CA.4057600).

ISBN 9790007105976. Key: A minor. Language: all languages.

An oboe concerto from the romantic era? Embarassingly, due to the small amount of solo literature for the instrument from this period, this question often asked of oboists, must be answerded with a reference to the few small concert pieces and sets of variations available. The A minor Concerto by Hugo Schuncke, who was a musician at the Court of Stuttgart, fills a need. The work consists of three movements: a virtuoso Allegro, a pastorale Andante and a rhythmic, exciting Bolero in rondo form.

Flute (violin), viola (viola da gamba/viola da braccio) and basso continuo (harpsichord/piano) - intermediate

SKU: HL.49000321

Composed by Johann Christoph Pepusch. Edited by Hugo Ruf. Arranged by Hugo Ruf. This edition: Saddle stitching. Sheet music. Antiqua (Chamber Music). Classical. 24 pages. Schott Music #ANT 87. Published by Schott Music (HL.49000321).

ISBN 9790001003117. UPC: 073999286274. 9.0x12.0x0.074 inches.

Flute (violin), viola (viola da gamba/viola da braccio) and basso continuo (harpsichord/piano).

SATB Choir, 2 Violins, 2 Violas, Basso continuo

SKU: CA.3500911

Composed by Johann Hugo von Wilderer. Edited by Frieder Rempp. Arranged by Paul Horn. Violin 1. Sacred vocal music, Masses, Latin. Part. Duration 12 minutes. Carus Verlag #CV 35.009/11. Published by Carus Verlag (CA.3500911).

ISBN M-007-25279-3. Latin.

This Missa in G minor is the only surviving work in this genre by Johann Hugo von Wilderer; his output as Kapellmeister at the Electoral Palatinate court, which resided in Mannheim from 1720 onwards, was mainly devoted to opera. The three-part Kyrie, the through-composed Gloria, and the partly obbligato instrumental writing show the influence of the early Neapolitan mass style. The music-historic significance of the Missa is firstly that it is an important example of the church music performed around 1700 at the Electoral Palatinate court, but above all that Bach evidently used it as a source of inspiration for the Kyrie of the Mass in B minor, as shown, for example in the form of the Adagio introduction of the Kyrie I in both works.

Voice & Piano

SKU: SU.50600764

For Voice & Piano. Composed by Hugo Hugo Kauder. Vocal/Choral, Solo Voice. Accompanied by piano. Score. Seesaw Music Corp #50600764. Published by Seesaw Music Corp (SU.50600764).

Voice & Piano Published by: Seesaw Music Includes: Schlecter Trost (Goethe), Dies Ist Ein Lied (George) [earlier version], Dies Ist Ein Lied (George) [later version], Hochländisch (Goethe), Zigeunerlied (Goethe), Had I the Heavens’ Embroidered Cloths (W.B. Yeats), The Cloths of Heaven (W.B. Yeats) Songs on Poems by R. Pannwitz Vier Gesänge aus Philolethes, Aus Das Kind Aion, Aus Philolethes, Aus Urblick: Jenseits, Aus Urblick: Erde, Aus Urblick: Stern, Aus Urblick: Spruch, Aus Urblick: Gebirge, Aus Urblick: Der Ungenannte, Wenn sich des Jahr.

SSA choir

SKU: GH.N04173

Composed by Hugo Hammarstrom. Children / adults. Octavo. With Language: Swedish. 1 pages. Published by Gehrmans Musikforlag (GH.N04173).

ISBN 9790070030014. A4 inches. Text: Hugo Hammarstrom.

Flute; Piano (Flute) - advanced

SKU: HL.49010542

Composed by Johann Joachim Quantz. Edited by Hugo Ruf. Arranged by Hugo Ruf. This edition: Saddle stitching. Sheet music. Il Flauto Traverso (Flute Library). Classical. Set of Parts. 44 pages. Schott Music #FTR148. Published by Schott Music (HL.49010542).

ISBN 9790001094443. UPC: 073999290646. 9.0x12.0x0.15 inches.

For two flutes and basso continuo (piano).

Wind quintet

SKU: KU.ETP-398

Composed by Hugo Pfister. Edited by Hugo Pfister. DIN-A5. Staple Bound. Miniature score. 24 pages. Edition Kunzelmann #ETP-398. Published by Edition Kunzelmann (KU.ETP-398).

Piano

SKU: KU.GM-124

Composed by Hugo Pfister. Edited by Hugo Pfister. Bach format (230 x 302). Staple Bound. Piano score. 15 pages. Edition Kunzelmann #GM-124. Published by Edition Kunzelmann (KU.GM-124).

By Hugo Montenegro. Arranged by Hugo Montenegro. Jazz Ensemble / Jazz Band. The Stan Kenton Orchestra Library Series. Level: Grade 6. Score and set of parts. Published by Sierra Music.

Flute, Violin (Oboe) and Basso continuo - intermediate

SKU: HL.49000139

Score and Parts. Composed by Johann Joachim Quantz. Edited by Hugo Ruf. Arranged by Hugo Ruf. This edition: Saddle stitching. Sheet music. Antiqua (Chamber Music). Classical. 37 pages. Schott Music #ANT143. Published by Schott Music (HL.49000139).

ISBN 9790001004534. UPC: 073999281866. 9.0x12.0x0.144 inches.

Flute, violin (oboe) and basso continuo.

Flute; Piano - intermediate

SKU: HL.49010613

Flute and Piano. Composed by Pietro Antonio Locatelli. Edited by Hugo Ruf. Arranged by Hugo Ruf. This edition: Saddle stitching. Sheet music. Il Flauto Traverso (Flute Library). Classical. 16 pages. Schott Music #FTR 51. Published by Schott Music (HL.49010613).

ISBN 9790001093606. 9.0x12.0x0.109 inches.

Fur bereits fortgeschrittene Flotisten und Liebhaber italienischer Barockmusik eine besonders interessante Veroffentlichung, die Gelegenheit bietet, den personlichen Stil Locatellis naher kennenzulernen.

By Wolfgang Amadeus Mozart. Edited by Andreas Moser And Hugo Becker. Mozart, Wolfgang Amadeus (1756 - 1791), rev. Andreas Moser and Hugo Becker. For String Quartet. String Quartet. Kalmus Edition. Masterwork. Book. 284 pages. Published by Alfred Publishing.