Urtext. Composed
by George Frideric
Handel. Edited by Ton
Koopman. Stapled.
Orchester-Bibliothek
(Orchestral Library).
,I want to make an
edition that is not a
Koopman interpretation,
but contains only that
which Handel really
wrote.' (Ton Koopman)
Solo concerto; Baroque.
Part. 4 pages. Duration
15'. Breitkopf and
Haertel #OB 5215-26.
Published by Breitkopf
and Haertel
(BR.OB-5215-26).
ISBN
9790004332009. 9 x 12
inches.
Ton
Koopman's new edition of
all 16 organ concertos by
Handel has drawn to a
close. The quality of
this edition has been
highly praised from all
quarters. Source-critical
responsibility goes hand
in hand with a high level
of performance practice
when Koopman provides
interpretative tips for
the ad libitum passages
in the organ part without
restricting the
creativity of the
interpreter who is
interested in stylistic
matters and prefers to
work out his own
solutions. I want to make
an edition that is not a
Koopman interpretation,
but contains only that
which Handel really
wrote. Nevertheless,
there are occasional
performance suggestions
in small print which are
elucidated in the
Critical Commentary. (Ton
Koopman in Concerto)
Koopman offers a
basically unmarked text,
thus leaving the
performance details up to
the performer. Especially
note-worthy is the clear
printing, extensive
preface and detailed
Critical Notes.
(Katholische
Kirchenmusik) Whoever
wishes to hear the entire
Koopman edition on CD can
look forward to the new
recording by Christian
Schmitt and the
Stuttgarter
Kammerorchester
(Brilliant Classics).
This is the first
recording for which all
16 new Koopman editions
were used as the basis
for the
performance.
,I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote.'
(Ton Koopman).
Taiwan Fantasia for Brass Quintet Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba [Conducteur et Parties séparées] - Avancé Cherry Classics
Brass Quintet - Advanced SKU: CY.CC3020 Composed by John van Deursen. Arr...(+)
Brass Quintet - Advanced
SKU: CY.CC3020
Composed by John van
Deursen. Arranged by John
van Deursen. Classical.
Score and Parts. Cherry
Classics #CC3020.
Published by Cherry
Classics (CY.CC3020).
ISBN 9781774310601.
8.5 x 11 in
inches.
About the
Taiwan Fantasia, van
Deursen states: After
having lived in Taipei
for a number of years, I
learned many of the local
folk and popular songs.
Some of the melodies are
exceptionally beautiful,
and my idea was to
somehow combine all the
elements that have made
up my musical experiences
over these years -
Chinese melodies, western
orchestral music and
jazz; I wanted to see if
these songs could survive
with a totally different
harmonic structure and
concept. My original goal
was to write a simple
arrangement of the two
songs, but quickly I
discovered more melodies
building upon the
original ones and thus
the Variations were born.
Composed in 1995, this
work of about 10 minutes
in length is in one
continuous movement, but
is divided into seven
short sections of
contrasting moods
including two cadenzas,
for Trumpet and Trombone.
The music is appropriate
for advanced performers.
Parts in C and B-flat are
supplied for the
Trumpets. A recording of
Taiwan Fantasia can be
purchased on iTunes from
the album by the Yeh Shu
Han Brass Quintet.
Percussive Carols Marimba [Partition + Accès audio] C. Alan Publications
(8 Festive Holiday Arrangements for 2 or 4-Mallet Marimba and CD). By Kandis Tay...(+)
(8 Festive Holiday
Arrangements for 2 or
4-Mallet Marimba and CD).
By Kandis Taylor. For
marimba (2 or 4-mallet)
and CD (Marimba
(4.3-octave) CD
accompaniment *Optional
Vibraphone, Bells, and/or
Xylophone). Medium easy
to medium. Duration
17:30. Published b
String Quartet SKU: BR.EB-9270 Composed by Christian Mason. Chamber music...(+)
String Quartet
SKU:
BR.EB-9270
Composed
by Christian Mason.
Chamber music. Edition
Breitkopf. New music
(post-2000); Music
post-1945. Sheet Music.
Composed 2018. 28 pages.
Duration 21'. Breitkopf
and Haertel #EB 9270.
Published by Breitkopf
and Haertel (BR.EB-9270).
ISBN 9790004185704. 9
x 12 inches.
I fell
in love with the
remarkable singing of the
Tenores di Bitti on
hearing their recordings
as a student. Their
uniquely intense vocal
timbre, their harmony,
which seemed pure and
rough at once, and the
sense that this music
was, at root, not so much
about performance as
simply being together in
the world, in a community
of spirit. At the time, I
had no intention of using
this music to my own
creative ends, but now,
here we are: Sardinian
Songbook is the second in
a cycle of works for the
Ligeti Quartet, all based
on transcriptions of
music from different
throat-singing
traditions. Like string
quartets, the tenores
usually sing in groups of
four voices, but being
free from instruments
they stand very close
together enabling the
resonances of their
voices to blend and
interact in a special
way. The quartet, of
course, can only sit so
close before their bows
clash, so I have chosen
instead to reflect this
physical closeness
inversely, by getting the
players to stand
increasingly far from one
another as the piece
progresses. In so doing,
the initial state of
sonic blend gives way to
hocketing lines, opening
up the sense of
space.Christian Mason,
2018 The four movements
may be played separately
or as a collection. If
played together the
following order should be
observed (see table of
contents).
World
premiere: Sheffield/UK,
Firth Hall, April 14,
2018, Commissioned by
Ligeti Quartet.
Urtext. Composed
by George Frideric
Handel. Edited by Ton
Koopman. Stapled.
Orchester-Bibliothek
(Orchestral Library).
,I want to make an
edition that is not a
Koopman interpretation,
but contains only that
which Handel really
wrote.' (Ton Koopman)
Solo concerto; Baroque.
Part. 8 pages. Duration
18'. Breitkopf and
Haertel #OB 5211-16.
Published by Breitkopf
and Haertel
(BR.OB-5211-16).
ISBN
9790004330845. 9 x 12
inches.
Ton
Koopman's new edition of
all 16 organ concertos by
Handel has drawn to a
close. The quality of
this edition has been
highly praised from all
quarters. Source-critical
responsibility goes hand
in hand with a high level
of performance practice
when Koopman provides
interpretative tips for
the ad libitum passages
in the organ part without
restricting the
creativity of the
interpreter who is
interested in stylistic
matters and prefers to
work out his own
solutions. I want to make
an edition that is not a
Koopman interpretation,
but contains only that
which Handel really
wrote. Nevertheless,
there are occasional
performance suggestions
in small print which are
elucidated in the
Critical Commentary. (Ton
Koopman in Concerto)
Koopman offers a
basically unmarked text,
thus leaving the
performance details up to
the performer. Especially
note-worthy is the clear
printing, extensive
preface and detailed
Critical Notes.
(Katholische
Kirchenmusik) Whoever
wishes to hear the entire
Koopman edition on CD can
look forward to the new
recording by Christian
Schmitt and the
Stuttgarter
Kammerorchester
(Brilliant Classics).
This is the first
recording for which all
16 new Koopman editions
were used as the basis
for the
performance.
,I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote.'
(Ton Koopman).
The
Cuckoo and the
Nightingale - Urtext.
Composed by George
Frideric Handel. Edited
by Ton Koopman. Folder.
Orchester-Bibliothek
(Orchestral Library). I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote. '
(Ton Koopman). Solo
concerto; Baroque. Set of
parts. 8 pages. Duration
13'. Breitkopf and
Haertel #OB 5250-30.
Published by Breitkopf
and Haertel
(BR.OB-5250-30).
ISBN
9790004332412. 10 x 12.5
inches.
Ton
Koopman's new edition of
all 16 organ concertos by
Handel has drawn to a
close. The quality of
this edition has been
highly praised from all
quarters. Source-critical
responsibility goes hand
in hand with a high level
of performance practice
when Koopman provides
interpretative tips for
the ad libitum passages
in the organ part without
restricting the
creativity of the
interpreter who is
interested in stylistic
matters and prefers to
work out his own
solutions. I want to make
an edition that is not a
Koopman interpretation,
but contains only that
which Handel really
wrote. Nevertheless,
there are occasional
performance suggestions
in small print which are
elucidated in the
Critical Commentary. (Ton
Koopman in Concerto)
Koopman offers a
basically unmarked text,
thus leaving the
performance details up to
the performer. Especially
note-worthy is the clear
printing, extensive
preface and detailed
Critical Notes.
(Katholische
Kirchenmusik) Whoever
wishes to hear the entire
Koopman edition on CD can
look forward to the new
recording by Christian
Schmitt and the
Stuttgarter
Kammerorchester
(Brilliant Classics).
This is the first
recording for which all
16 new Koopman editions
were used as the basis
for the
performance.
,I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote.'
(Ton Koopman).
A Collection of 31 Entertaining Solos. Edited by Willard A. Palmer, Morton Manus...(+)
A Collection of 31
Entertaining Solos.
Edited by Willard A.
Palmer, Morton Manus, and
Amanda Vick Lethco.
Method/Instruction; Piano
- Alfred's Basic Piano
Library. Alfred's Basic
Piano Library, Piano
Method. Instructional and
Method. Instructional
book. 32 pages. Alfred
Music #00-2397. Published
by Alfred Music
E-Z Play Today (Easy big-note right-hand-only arrangements for piano, organ, and...(+)
E-Z Play Today (Easy
big-note right-hand-only
arrangements for piano,
organ, and electronic
keyboard). Size 9x12
inches. 64 pages.
Published by Hal Leonard.
Part I of the sacred
singspiel. Composed
by Wolfgang Amadeus
Mozart. Edited by Franz
Giegling. This edition:
complete edition, urtext
edition. Linen. New
Mozart Edition (Neue
Mozart Ausgabe - NMA)
Series I, Werkgruppe 4,
No. 1. Complete edition,
Score. K. 35. Duration 1
hour, 24 minutes.
Baerenreiter Verlag
#BA04513_01. Published by
Baerenreiter Verlag
(BA.BA04513-01).
ISBN
9790006449453. 33 x 25.8
cm inches. Text: Ignaz A
Weiser.
This work,
possibly commissioned by
Prince-Bishop Sigismund
Christoph von
Schrattenbach , was
assigned to three
Salzburg composers: W. A.
Mozart (part 1), Michael
Haydn (part 2), and Anton
Cajetan Adlgasser (part
3). Only the manuscript
of part 1 has survived.
Here Mozart drew heavily
on the Salzburg tradition
of church music and
school dramas, perhaps
taking Johann Ernst
Eberlin and even his
father Leopold as his
models.
The
first performance took
place in the Knights'
Hall of the prince's
palace on 12 March 1767.
The libretto was supplied
by Ignaz Anton Weiser
(1701-1785), town
councillor and mayor of
Salzburg .
Mozart wrote out many of
the appoggiaturas in this
early work, thereby
providing a useful guide
to the vocal practices of
his day. Aria no. 2 has
come down to us with an
instructive passage in
which the vocal part is
ornamented in the hand of
Leopold Mozart.
The piano reduction,
by K.-H. Muller , was
prepared on the basis of
the New Mozart Edition.
The piano part is
uncluttered and
easy-to-play.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
(10 Contemporary Settings for Solo Voice and Piano For Recitals, Concerts, and C...(+)
(10 Contemporary Settings
for Solo Voice and Piano
For Recitals, Concerts,
and Contests (Medium Low
Voice)). By and arr. Jay
Althouse. For Voice (Low
voice (Medium-Low)).
Book; CD; Vocal
Collection. For Solo
Singers. Patriotic. 52
pages. Published by Alfr
Performed by Hank Williams. E-Z Play Today (Easy big-note right-hand-only arrang...(+)
Performed by Hank
Williams. E-Z Play Today
(Easy big-note
right-hand-only
arrangements for piano,
organ, and electronic
keyboard). Size 9x12
inches. 56 pages.
Published by Hal Leonard.
(Guitar/Lyrics/Chords). For Guitar. This edition: Guitar/Lyrics/Chords. Artist/P...(+)
(Guitar/Lyrics/Chords).
For Guitar. This edition:
Guitar/Lyrics/Chords.
Artist/Personality; Book;
Guitar Personality;
Guitar TAB. Country;
Folk; Rock. 104 pages.
Published by Alfred Music
Publishing
By Various. Edited by David Fanning. For baritone, piano. 19th and 20t Century r...(+)
By Various. Edited by
David Fanning. For
baritone, piano. 19th and
20t Century repertoire.
Selected and edited by
David Fanning. Published
by C.F. Peters.
(Songs from 13 Shows and Films). Composed by Stephen Sondheim (1930-). For V...(+)
(Songs from 13 Shows and
Films). Composed by
Stephen
Sondheim (1930-). For
Vocal,
Piano/Vocal/Guitar. P/V/G
Composer Collection. 144
pages. Published by
Rilting
Music, Inc.
(10 Contemporary Settings for Solo Voice and Piano For Recitals, Concerts, and C...(+)
(10 Contemporary Settings
for Solo Voice and Piano
For Recitals, Concerts,
and Contests (Medium Low
Voice)). By and arr. Jay
Althouse. For Voice (Low
voice (Medium-Low)).
Book; Vocal Collection.
For Solo Singers.
Patriotic. 52 pages.
Published by Alfred Music
Publishing
Urtext. Composed
by George Frideric
Handel. Edited by Ton
Koopman. Stapled.
Orchester-Bibliothek
(Orchestral Library).
,I want to make an
edition that is not a
Koopman interpretation,
but contains only that
which Handel really
wrote.' (Ton Koopman)
Solo concerto; Baroque.
Part. 8 pages. Duration
14'. Breitkopf and
Haertel #OB 5213-26.
Published by Breitkopf
and Haertel
(BR.OB-5213-26).
ISBN
9790004331026. 9 x 12
inches.
Ton
Koopman's new edition of
all 16 organ concertos by
Handel has drawn to a
close. The quality of
this edition has been
highly praised from all
quarters. Source-critical
responsibility goes hand
in hand with a high level
of performance practice
when Koopman provides
interpretative tips for
the ad libitum passages
in the organ part without
restricting the
creativity of the
interpreter who is
interested in stylistic
matters and prefers to
work out his own
solutions. Whoever wishes
to hear the entire
Koopman edition on CD can
look forward to the new
recording by Christian
Schmitt and the
Stuttgarter
Kammerorchester
(Brilliant Classics).
This is the first
recording for which all
16 new Koopman editions
were used as the basis
for the performance.I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote.
Nevertheless, there are
occasional performance
suggestions in small
print which are
elucidated in the
Critical Commentary. (Ton
Koopman in Concerto)
Koopman offers a
basically unmarked text,
thus leaving the
performance details up to
the performer. Especially
note-worthy is the clear
printing, extensive
preface and detailed
Critical Notes.
(Katholische
Kirchenmusik)
,I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote.'
(Ton Koopman).