By Dinosaur Jr.. Guitar Recorded Version. Softcover. Guitar tablature. 130 pages. Published by Hal Leonard

Performed by Harry Connick, Jr., lyrics by Gus Kahn, music by Isham Jones. Single for voice, piano and guitar chords. From the motion picture "When Harry Met Sally". G Major. 4 pages. Published by Alfred Publishing.

The Spiritual Art Song Collection by Charles Lloyd, Jr.. For Voice. Vocal Collection. Spiritual. Book and CD. 96 pages. Published by Alfred Music Publishing

By Johann Strauss, Jr. For Piano. Piano Collection. Kalmus Edition. Masterwork. Level: Intermediate / Advanced. Book. 48 pages. Published by Alfred Publishing.

(A Singer's Resource for Competitive Sight-Singing). By Stan McGill and H. Morriss Stevens, Jr.. For Voice. Choral, Sight-Reading, Instructional. Exercise Book and Rehearsal CD

((from Sleepless in Seattle) Discovery Level 2). By Harry Connick, Jr.. Arranged by Steve Zegree. 2-Part. Discovery Choral. 12 pages. Published by Hal Leonard

String quartet

SKU: B9.1190

For string quartet. Composed by Carlos Simon. Classical, 21st Century. Score and set of parts. CSJr Music #1190. Published by CSJr Music (B9.1190).

9 x 12 inches.

There are 2 other versions of this piece, both titled Elegy.

((The Guppy, The Llama)). Composed by Christine Donkin. SATB. Pavane Choral. 12 pages. John Rich Music Press #JR0103. Published by John Rich Music Press

((The Duck, The Panther)). Composed by Christine Donkin. SATB. Pavane Choral. 12 pages. John Rich Music Press #JR0102. Published by John Rich Music Press

SSAB Choir

SKU: HL.14027078

Composed by Pia Raug. Music Sales America. Choral Score. Composed 2005. 5 pages. Edition Wilhelm Hansen #WH30399. Published by Edition Wilhelm Hansen (HL.14027078).

ISBN 9788759874165. Danish.

Pia Raugs Regnvejrsdag i November arrangeret for blandet kor SSATB (alt. SAATB) af Klaus Brinch.

Tekst af Ebba Munk Pedersen.

Easy Transcriptions of Famous Classic Melodies. By Various. Arranged by Sauro Sili. Piano Collection. Size 9x12 inches. 248 pages. Published by Ricordi.

Composed by Joel Rothman. Gifts. Word finder book. Published by Joel Rothman Publications (JR.JRP66).

Composed by Martin Norgaard. Saddle-stitched. Jazz Wizard. Book and online audio. Published by Mel Bay Publications, Inc (MB.20189M).

Composed by Martin Norgaard. Saddle-stitched. Jazz Wizard. Book and online audio. Published by Mel Bay Publications, Inc

Concert Band/Harmonie - Grade 6

SKU: BT.AMP-422-140

Composed by Philip Sparke. Elite Series. Score Only. Composed 2015. Anglo Music Press #AMP 422-140. Published by Anglo Music Press (BT.AMP-422-140).

English-German-French- Dutch.

Three Washington Statues was commissioned by the United States Army Band â??Pershings Ownâ?, led by Colonel Thomas H. Palmatier. Washington D.C. contains some of the worldâ??s most iconic monuments, memorials and statues. Philip Sparke has chosenthree of these as the inspiration for this piece: â??The Lincoln Memorialâ?? in the form of a Greek Doric temple in which the composer depicts the grandeur of this monument; â??The Martin Luther King, Jr. Memorialâ?? on which steps the iconic speech â??I havea dreamâ?? was given - the music is both reverential as well as powerful referring to Martin Luther Kingsâ?? speech; and the â??Encoreâ?? statue in memory of the world famousAfrican-American composer, pianist and bandleader Duke Ellington. In this finalmovement, Philip Sparke catches the virtuosic, energetic and unique dynamism of Ellingtonsâ?? music.

Three Washington Statues is geschreven in opdracht van de United States Army Band â??Pershingâ??s Ownâ?? en de leider van dit orkest, kolonel Thomas H. Palmatier. Washington D.C. is het decor van een aantal van de meest iconische monumenten,gedenktekens en standbeelden van de VS. Componist Philip Sparke heeft er drie uitgekozen als inspiratie voor dit werk: The Lincoln Memorial, in de vorm van een Griekse Dorische tempel, waarin de grandeur van het monument wordt verklankt; het MartinLuther King Jr. Memorial, het gebouw waar de iconische toespraak â??I have a dreamâ?? ooit weerklonk de sfeer is respectvol en eerbiedig, maar de muziek weerspiegelt tevens de karakteristiekekracht die ervan uitgaat; en het beeld â??Encoreâ?? vancomponist, pianist en bandleider Duke Ellington in dit laatste deel geeft Philip Sparke de virtuoze, energieke, unieke en dynamische stijl van Ellingtons muziek weer.

Three Washington Statues wurde von der United States Army Band Pershings Ownâ??, die von Oberst Thomas H. Palmatier geleitet wird, in Auftrag gegeben. Washington D.C. besitzt einige der weltberühmtesten Bauwerke, Denkmäler und Statuen. PhilipSparke hat drei von diesen als Inspiration für dieses Stück genommen. So beschreibt er die Erhabenheit des Lincoln Memorialâ??, das mit seinen dorischen Säulen in Form eines griechischen Tempels erbaut wurde. Das Martin Luther King, Jr. Memorialâ??erinnert an die legendäre Rede Martin Luther Kings I have a dreamâ?? (Ich habe einen Traumâ??). Die ehrfurchtsvolle und zugleich kraftvolle Musik ist ein Tribut an diese Rede. Die StatueEncoreâ?? erinnert an den weltbekannten afroamerikanischenKomponi sten, Pianisten und Bandleader Duke Ellington. In diesem letzten Satz fängt Philip Sparke die virtuose, energiegeladene und einzigartige Dynamik von Duke Ellingtons Musik ein.

Three Washington Statues fut commandé par la United States Army Band « Pershingâ??s Own », dirigée par le Colonel Thomas H. Palmatier. Certains des monuments, mémoriaux et statues les plus emblématiques du monde se trouvent Washington D.C.Philip Sparke en a choisi trois comme inspiration pour ce morceau : « The Lincoln Memorial » où le compositeur dépeint la grandeur de ce temple grec de style dorique ; « The Martin Luther King, Jr. Memorial » sur les marches duquel le discourscélèbre « I have a dream » fut prononcé la musique est révérencieuse ainsi que puissante en référence ce discours de Martin Luther King ; et la statue « Encore » en mémoire du célèbrecompositeur, pianiste et chef dâ??orchestre de jazzafro-américain Duke Ellington. Dans le mouvement final, Philip Sparke a réussi saisir le dynamisme virtuose, énergétique et unique de la musique dâ??Ellington.

Co mmissionato dalla banda dellâ??esercito statunitense, condotta dal colonnello Thomas H. Palmatier, Three Washington Statues è un brano dedicato ad alcuni dei più noti e iconici monumenti americani mai realizzati. Philip Sparke ha scelto,difatti, di musicare la stentoreit del Lincoln Memorial, della statua di Martin Luther King di West Potomac Park e di quella dedicata al gigante della musica afro-americana Duke Ellington.

Arranged by Fred Bock. Fred Bock Publications. Size 9.3x12 inches. 145 pages. Published by Fred Bock Music Company.

Composed by Martin Norgaard. For Viola. Jazz Wizard. Beginning-Intermediate. Book and Online Audio. 48 pages. Published by Mel Bay Publications, Inc

Choral (SATB)

SKU: HL.1311466

Composed by Cedric Dent/Cedric Dent, Jr. Gentry Publications. Spiritual. Octavo. Gentry Publications #JG2696. Published by Gentry Publications (HL.1311466).

UPC: 196288177401. 6.75x10.5x0.041 inches.

“I Hear the Drum” was inspired by Dr. Martin Luther King, Jr.'s 1968 “Drum Major Instinct” speech, sometimes called the “Drum Major for Justice.” This powerful choral setting includes a rap that can be led by a soloist or performed by a select group. It was commissioned for the annual “Let Freedom Sing Concert” in Nashville, TN, which honors the legacy of Dr. Martin Luther King, Jr. With a message that addresses social justice, it is a timely anthem for the 21st century.

SKU: HP.C5409C

Composed by James E. Moore Jr. Arranged by Jane Holstein. Contemporary, General Worship, God's Attributes/Character, New Life in Christ, Promise, Worship, Sacred. Performance/Accompaniment CD, Rhythm. Hope Publishing Company #C5409C. Published by Hope Publishing Company (HP.C5409C).

UPC: 763628954093. By James E. Moore Jr. Psalms 34:8.

Praise and worship song by James E. Moore Jr. One of James E. Moore's best known songs, Taste and See, has been given a new choral treatment by arranger, Jane Holstein. The powerful lyrics, paraphrasing Psalm 34, are combined with singable harmonies in a true gospel, ballad style - making it an ideal choice for any worship service of praise.

Choral SA choir and piano

SKU: CF.CM9707

Composed by Austin Hunt. 8 pages. Duration 3 minutes, 19 seconds. Carl Fischer Music #CM9707. Published by Carl Fischer Music (CF.CM9707).

ISBN 9781491160121. UPC: 680160918720. Key: Db major. John Gillespie Magee. Poem by John Gillespie Magee, Jr.

Just weeks after his nineteenth birthday, John Gillespie Magee, Jr. wrote the poem High Flight while serving in the Royal Canadian Air Force. The year was 1941, and World War II was culminating toward its darkest chapters. Magee had just completed his seventh flight in the iconic Spitfire Mk I fighter plane, soaring to heights well above 30,000 feet. These high altitude exercises supplied his inspiration for the poem, which describes the long, delirious, burning blue and having touched the face of God. Tragically, Magee died in a training exercise just months after writing High Flight. His words, however, live on to lift our hearts and stir the imagination. After you have learned High Flight, ask yourself the following questions: Are you singing the text clearly and articulately? Are you properly stressing the important syllables and backing off of non-stressed syllables? Is there a sense of energy throughout the piece, in both the lyrical, flowing sections and the up-tempo, faster sections? Are you also singing with a sense of energy no matter what the dynamic marking? Are you singing phrases with proper breath support and a sense of rise and fall to the phrase?.
Just weeks after his nineteenth birthday, John Gillespie Magee, Jr. wrote the poem High Flight while serving in the Royal Canadian Air Force. The year was 1941, and World War II was culminating toward its darkest chapters. Magee had just completed his seventh flight in the iconic Spitfire Mk I fighter plane, soaring to heights well above 30,000 feet. These high altitude exercises supplied his inspiration for the poem, which describes “the long, delirious, burning blue” and having “touched the face of God.”Tragically, Magee died in a training exercise just months after writing High Flight. His words, however, live on to lift our hearts and stir the imagination. After you have learned High Flight, ask yourself the following questions: Are you singing the text clearly and articulately? Are you properly stressing the important syllables and backing off of non-stressed syllables? Is there a sense of energy throughout the piece, in both the lyrical, flowing sections and the up-tempo, faster sections? Are you also singing with a sense of energy no matter what the dynamic marking? Are you singing phrases with proper breath support and a sense of rise and fall to the phrase?