Composed by Bela Bartok (1881-1945), edited by Dr Benjamin Suchoff. For piano. T...(+)
Composed by Bela Bartok
(1881-1945), edited by Dr
Benjamin Suchoff. For
piano. The Archive
Edition. Format: piano
solo book. With standard
notation, fingerings and
introductory text. 20th
Century and Hungarian.
150 pages. 9x12 inches.
Published by Dover
Publications.
Songs & Dances Flûte traversière et Piano - Intermédiaire Stainer and Bell
Flute & Piano - intermediate SKU: ST.H487 Composed by Bryan Kelly. Wind &...(+)
Flute & Piano -
intermediate
SKU:
ST.H487
Composed by
Bryan Kelly. Wind & brass
music. Standard:
Intermediate. Score and
part. Stainer & Bell Ltd.
#H487. Published by
Stainer & Bell Ltd.
(ST.H487).
ISBN
9790220224485.
Wood
wind players in
particular have cause to
thank Bryan Kelly for so
many tuneful and finely
crafted collections of
pieces written for their
enjoyment. There are
eight sparkling additions
to the flautist's
repertoire in Songs
and Dances for flute
and piano. An easygoing
combination of baroque
movements - an Intrada,
Sarabande and Hornpipe -
with a lively Polka and
Ragtime, a Venezuelan
Dance, a Grand Waltz and
a soothing Irish Lament,
makes for an entirely
characteristic blend of
moods. The standard is
intermediate, and the
style laconic, engaging,
soigne - pure Kelly!
Composed by Bela Bartok (1881-1945). Edited by Hywel Davies. BH Piano. Classical...(+)
Composed by Bela Bartok
(1881-1945). Edited by
Hywel Davies. BH Piano.
Classical. Softcover with
CD. 52 pages. Boosey and
Hawkes #M060131998.
Published by Boosey and
Hawkes (HL.48023789).
By Various. Jazz. Fake Book. 550 pages. Published by Sher Music Company. CD Incl...(+)
By Various. Jazz. Fake
Book. 550 pages.
Published by Sher Music
Company. CD Included with
the book contains 37
melodies played by the
following artists:
Bob Sheppard - saxes and
flute
Steve Houghton - drums
Dave Carpenter - acoustic
bass
Paul van Wageningen -
drums
Marc van Wageningen -
electric bass
Larry Dunlap - piano and
synthesizer
Dave Mac Nab - guitar.
15 Easy to Intermediate Pieces for 18th-century Ireland for Flute and Keyboard, ...(+)
15 Easy to Intermediate
Pieces for 18th-century
Ireland for Flute and
Keyboard, optional Cello.
Arranged by Jeremy
Barlow. Misc. 40 pages.
Published by Schott.
By ABRSM. Edited by Catherine Black and Paul Harris. For violoncello, piano. (Gr...(+)
By ABRSM. Edited by
Catherine Black and Paul
Harris. For violoncello,
piano. (Grades 2-3).
Published by ABRSM
(Associated Board of the
Royal Schools of Music).
Edited by Jerome Goldstein and arranged by Denes Agay. Book. Published by Music...(+)
Edited by Jerome
Goldstein and arranged by
Denes Agay. Book.
Published by Music Sales.
(YK21616)
Easy, familiar solos for
flute, from baroque to
boogie.
By Various. For Flute, Piano plus backing CD. Jazz Flute Tunes Level / Grade 1 (...(+)
By Various. For Flute,
Piano plus backing CD.
Jazz Flute Tunes Level /
Grade 1 (with Piano
accompaniment and CD).
Education. Level: Level /
Grade 1. Book and CD;
CD/DVD. Published by
ABRSM (Associated Board
of the Royal Schools of
Music).
The Irish Songbook Piano, Voix et Guitare [Partition] - Intermédiaire Music Sales
The Clancy Brothers and Tommy Makem. Book. Published by Music Sales. Includes 75...(+)
The Clancy Brothers and
Tommy Makem. Book.
Published by Music Sales.
Includes 75 all-time
favorites, best-selling
hits, old traditional
songs - many in Gaelic
and not to be found
anywhere else - lavishly
ilustrated with Irish
art, design and
anecdotes. Lyrics, full
piano scores and guitar
chords.
Flûte traversière et Piano [Set de Parties séparées] - Intermédiaire Hal Leonard
Performed by James Galway, Phil Coulter. For flute solo and piano accompaniment....(+)
Performed by James
Galway, Phil Coulter. For
flute solo and piano
accompaniment. Format:
set of performance parts
(includes separate
pull-out flute part).
With chord names. Celtic
and irish. 64 pages. 9x12
inches. Published by Hal
Leonard.
Arranged by Ruth Elaine Schram. For SSA choir, piano, optional flute 1 and 2. Oc...(+)
Arranged by Ruth Elaine
Schram. For SSA choir,
piano, optional flute 1
and 2. Octavo. 12 pages.
Duration 2 minutes, 51
seconds. Published by
Carl Fischer
Solo Pieces Vol. 4 Flûte traversière et Piano [Conducteur et Parties séparées] - Facile Editions Marc Reift (Swiss import)
Flute & Piano (Organ) + CD Play Back / Play Along - Grade 3 SKU: MA.EMR-33811...(+)
Flute & Piano (Organ) +
CD Play Back / Play Along
- Grade 3
SKU:
MA.EMR-33811
Jingle Bells / Deep
River / Clementine /
Minuet For Anna Magdanena
/ Rio By Night /
Liebestraum / Pie Jesu /
Chorus From Nabucco / Two
Dances From The Fairy
Queen / Celtic
Lament. Composed by
John G. Mortimer. Flute &
CD Playback (Play Along).
10 Titles. Score and
parts. Duration 19'51.
Editions Marc Reift #EMR
33811. Published by
Editions Marc Reift
(MA.EMR-33811).
Possible
instrumentations: Flute & CD Play Back /
Play Along Flute &
Organ (+ Play Back / Play
Along CD
optional) Flute &
Piano (+ Play Back / Play
Along CD optional).
Flute and piano SKU: M7.BRP-1505 Composed by Antonin Dvorak. Edited by Yo...(+)
Flute and piano
SKU:
M7.BRP-1505
Composed
by Antonin Dvorak. Edited
by Yoav and Yoav Talmi.
Sheet music. MDS (Music
Distribution Services)
#BRP 1505. Published by
MDS (Music Distribution
Services) (M7.BRP-1505).
This piece was
originally written for
Violin and Piano, and if
the 'New World' Symphony
and the 'American' String
Quartet are the
best-known products of
AntonÃn Dvorak's years
in the United States, the
little Sonatina in G
major (sometimes called
the 'Indian Lament'
Sonatina) may well be the
most obscure; yet it is a
charming work that
deserves better than its
relegation to the
learning books of young
violinists. The Sonatina
is in four movements:
Allegro risoluto ,
Larghetto , Scherzo
(molto vivace) , and
Allegro .
Composed by Behzad
Ranjbaran. Spiral.
Premiered by the
Philadelphia Orchestra,
Yannick Nezet-Seguin,
Music Director, Jeffrey
Khaner, flute; Verizon
Hall, Philadelphia.
Contemporary. Study
Score. With Standard
notation. Composed 2013.
126+126 pages. Duration
28 minutes. Theodore
Presser Company
#416-41515. Published by
Theodore Presser Company
(PR.416415150).
ISBN
9781598069020. UPC:
680160621743. 9 x 12
inches.
Inspired by
the alluring, human-like
sound of the Ney (a
Persian bamboo flute),
Ranjbaran aims
not only to highlight
the modern
flutist’s ability
to play agile and
brilliant passages, but
also to emulate the
delicate sound of the
Ney, particularly in
extended solo passages.
The three-movement
27-minute concerto was
commissioned by the
Philadelphia Orchestra
for its principal flutist
Jeffrey Khaner. The
piano reduction
(published separately)
was designed by the
composer to be practical
in
recital performances.
CONCERTO for Flute and
Orchestra has been
recorded for Naxos by
Érik Gratton
with the Nashville
Symphony conducted by
Giancarlo
Guerrero. The
melancholic tone of the
Ney (the Persian bamboo
flute) is known for its
alluring sound, emulating
the human voice. Â In
Persian literature, the
Ney is considered a
mystic instrument capable
of expressing deep human
emotions.In writing my
flute concerto, I aimed
not only to highlight the
modern flautist’s
ability to play agile and
brilliant passages but
also to emulate the
delicate sound of the
Ney, particularly in
extended solo flute
passages.Two prominent
characters permeate the
first movement of my
concerto. Â They are
marked in the score as
lamentoso, and con
spirito, expressing grief
and loss, and joy of
living respectively.
 The lament is mostly
expressed in several
extended cadenzas for
solo flute while the con
spirito consists of
robust and energetic fast
sections played by all
forces of the orchestra.
 Apart from these two
characters there are
moments of mystery,
comedy and the grotesque,
among others.In the
second movement, the
lyrical and poetic
character of the flute is
prominently presented in
dream-like passages
surrounded by shimmering
and tender orchestral
colors. Â The solo
flute is left out in an
agitated middle section
that references the first
movement. Â In the
third section of the
movement the solo flute
returns in meditative
fashion culminating in a
duet with the harp.The
third movement is written
as one continuous quasi
scherzo, challenging the
limits of agility and
brilliance of the flute.
 Some of the materials
from the earlier
movements are presented
again with joyous
character. Â The coda
elevates the concerto
into its brightest and
most festive character,
driving to the end with
relentless energy.
Trombone(s) solo SKU: BR.EB-9160 (Plainte sur la perte de la reflexion...(+)
Trombone(s) solo
SKU:
BR.EB-9160
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Edited by
Andrew Digby. Arranged by
Andrew Digby. Solo
instruments; stapled.
Edition Breitkopf.
You
will need a copy of BG
1002 for each player to
perform the version for
variable instrumentation
(BG 1004).
Music
post-1945; New music
(post-2000). Score.
Composed 1972. 12 pages.
Duration 20'. Breitkopf
and Haertel #EB 9160.
Published by Breitkopf
and Haertel (BR.EB-9160).
ISBN 9790004181966. 9
x 12 inches.
World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109.
(Orchestra Accompaniment) SKU: HL.35029349 From A Time for Alleluia(+)
(Orchestra Accompaniment)
SKU: HL.35029349
From A Time for
Alleluia. Composed by
Joseph M. Martin. Harold
Flammer Easter. CD-ROM,
Score and Parts.
Published by Shawnee
Press (HL.35029349).
UPC: 884088955724. 5x5
inches.
Uses: Good Friday, Holy Week
Scripture:
Isaiah 53:3; John 1:11;
Matthew 26:21-22; John
3:16-17; Galatians 2:20
A moving choral
lamentation for the
crucified Christ is
presented in this anthem
for Good Friday. From the
shadows of Golgotha, this
poignant paean weeps with
emotion through
expressive music and
cries of “Kyrie
Eleison.” The
anthem is dependent on
two soloists that soar
above the dramatic
choral. The classic
chorale “Ah, Holy
Jesus” is a
sensitive ending to the
piece. Score and parts
for Flute 1&2 (Flute 2
dbl. Piccolo),
Oboe/English Horn,
Clarinet 1&2, Bassoon,
Horn 1&2, Trumpets 1-3,
Trombone 1&2, Bass
Trombone/Tuba, Timpani,
Percussion 1&2, Harp,
Piano, Violin 1&2, Viola,
Cello, Double Bass.
Cello solo SKU: BR.EB-9074 (Plainte sur la perte de la reflexion music...(+)
Cello solo
SKU:
BR.EB-9074
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Edited by
Michael Bach. Arranged by
Michael Bach. Solo
instruments; stapled.
Edition Breitkopf. You
will need a copy of BG
1002 for each player to
perform the version for
variable instrumentation
(BG 1004). Music
post-1945; New music
(post-2000). Score.
Composed 1972. 12 pages.
Duration 20'. Breitkopf
and Haertel #EB 9074.
Published by Breitkopf
and Haertel (BR.EB-9074).
ISBN 9790004179499. 9
x 12 inches.
World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109
World
premiere: VIII version
for violoncello Tokyo:
October 14, 1989.