Was ist die Welt? Chorale SATB SATB, Piano [Conducteur] Carus Verlag
SATB Choir, Piano SKU: CA.926610 From: Sonne, Mond und Sterne. Com...(+)
SATB Choir, Piano
SKU:
CA.926610
From:
Sonne, Mond und
Sterne. Composed by
Peter Schindler. Carus
digital: Extra digital
products. Full Score.
Duration 3 minutes.
Published by Carus Verlag
(CA.926610).
ISBN
9790007295578.
German.
Peter
Schindler's full-length
secular choral work
Sonne, Mond und Sterne
(Sun, Moon and Stars)
narrates a love story
based on old texts which
are given a new
interpretation through
these musical settings.
Some individual numbers
were published in spring,
and now more movements
with piano accompaniment
are available in print
and digitally.-
choral work of medium
difficulty- will
appeal to experienced
Brahms Requiem singers as
well as ambitious chamber
or youth choirs with a
gospel, pop or jazz
background-cross-over
between jazz, chanson,
and chamber music
Peter Schindler
about Was ist die
Welt?A strict Allegro
ben ritmato symbolises
how inexorable the course
of the world is. The
choir chants the question
about what Welt (the
world) actually is.
Hectic bustle is
expressed through a
pulsing basic motif. This
is repeated constantly
and moves through the
parts. A lyrical B flat
minor in the central
section allows us to
float like shadows on the
way into a dream.The
song text is a collage.
The first verse, by the
Baroque poet Christian
Hoffmann von
Hoffmannswaldau, is
concerned with the
vanitas motif: the world,
and everything which
seems beautiful to us, is
ephemeral. The second and
third verses were written
in the 18th century by
Johann Gottfried Herder.
Here, the poet expounds
the view that real life
does not take place in
the world and that
people's mathematical
abilities are
insufficient to measure
space and
time.
Americana: Easy Piano Arrangements for Beginners. By Lorie Line. Piano Solo ...(+)
Americana: Easy Piano
Arrangements for
Beginners.
By Lorie Line. Piano Solo
Personality. Softcover.
60
pages. Hal Leonard
#TLP353.
Published by Hal Leonard
Latin & German Choral (SSATB a cappella) SKU: HL.49045642 SSATB a Capp...(+)
Latin & German Choral
(SSATB a cappella)
SKU: HL.49045642
SSATB a Cappella Latin
& German. Composed by
Heinrich Poos. Edition
Schott. Classical,
General Worship, Sacred.
Octavo. 8 pages. Schott
Music #C59164. Published
by Schott Music
(HL.49045642).
Altes Lied by
Heinrich Poos for mixed a
cappella choir (SSATBB)
is a three-part sacred
work which addresses a
topic that had been
frequently taken up in
old times as well - love.
In this case a tragic
story: 'bin tot im
Herzen' ['am dead at
heart']. The very quiet,
short sentences testify
to the persona's grief
and sorrow in German and
Latin, with the pain of
the broken heart becoming
apparent again and again.
Altes Lied is easy to
study and practise and,
due to its chorale-like
structure, will not cause
any difficulties for
choirs. Poos has written
a thought-provoking piece
with which you can make
your audience fly in
thought. Latin &
German.
Piano, Voix et Guitare [Partition] - Intermédiaire Hal Leonard
For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vo...(+)
For voice, piano and
guitar chords. Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names and guitar
chord diagrams. Gospel.
216 pages. 9x12 inches.
Published by Hal Leonard.
SATB Choir SKU: BT.MUSM570200641 Composed by Anne Boyd. Classical. Vocal ...(+)
SATB Choir
SKU:
BT.MUSM570200641
Composed by Anne Boyd.
Classical. Vocal Score.
64 pages. University of
York Music Press
#MUSM570200641. Published
by University of York
Music Press
(BT.MUSM570200641).
English.
Jesus
Reassures His Mother is a
setting of medieval lyric
poetry written
anonymously in the 14th
century. The poet
recounts a vision of the
young Mary rocking the
infant Christ to sleep.
The child requests his
mother to sing a lullaby
but, alas, knowing her
child’s fate she is too
sad to sing. Jesus tells
her that all mothers
worry about their
children’s futures and
insists that she should
sing nevertheless. Mary
recounts the visit of
Gabriel and the events of
Christ’s birth but
reflects how sad it is to
have delivered a child to
such a fate. Jesus
reassures his mother that
he will be with his
father in heaven where
Mary will come to join
Him at the end of time,
there to livein eternal
bliss. At this point Mary
is persuaded by and
echoes her child’s
reassuring words, and she
is joined in this by the
choir (now representing
us all). The vision fades
away in the voice of the
narrator whose loneliness
and longing return. We
learn that it is
Christmas Day. This
setting grows from the
visionary mystical world
inhabited by Julian of
Norwich whose Revelations
of Divine Love provided
the inspiration for a
work Anne Boyd composed
in 1994. The medium has
been expanded from the
Song Company’s six solo
voices used in the
Revelations to the double
motet choir of the Sydney
Philharmonia who
commissioned this work
for their 75th
anniversary. The parts of
the infant Jesus, Mary,
the Narrator and the
angel Gabriel are taken
by choir soloists:
soprano, alto, tenor and
bass. The work is
situated in the context
of Boyd ’s personal
musical aesthetic which
she describes as the
intersection of Christian
Love with Buddhist
silence.
From Terra Nostra.
Composed by Stacy Garrop.
Full score. Duration
3:15. Theodore Presser
Company #312-41902S.
Published by Theodore
Presser Company
(PR.31241902S).
UPC:
680160690589.
English.
Commission
ed by the San Francisco
Choral Society and the
Piedmont East Bay
Children’s Choir,
Terra Nostra is a
70-minute oratorio on the
relationship between our
planet and humankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. Part
I: Creation of the World
explores various creation
myths from different
cultures, culminating in
a joyous celebration of
the beauty of our planet.
Part II: The Rise of
Humanity examines human
achievements,
particularly since the
dawn of our Industrial
Age, and how these
achievements have
impacted the planet. Part
III: Searching for
Balance questions how to
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. In addition to
the complete oratorio,
stand-alone movements for
mixed chorus, and for
solo voice with piano,
are also available
separately. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s
World†by Edna St.
Vincent Millay, which
describes the world in
exuberant and vivid
detail. Percy Bysshe
Shelley’s
“On thine own
child†praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O
voluptuous cool-breathed
earth!†Part I ends
with “A Blade of
Grass†in which
Whitman muses how our
planet has been spinning
in the heavens for a very
long time.Part II: The
Rise of Humanity examines
the achievements of
mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley
Hall†sets an
auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s
“Railways
1846,†William
Ernest Henley’s
“A Song of
Speed,†and John
Gillespie Magee,
Jr.’s “High
Flight,†each of
which celebrates a new
milestone in
technological
achievement. In
“Binsey
Poplars,†Gerard
Manley Hopkins takes note
of the effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A
Dirge†concludes
Part II with a warning
that the planet is
beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. Three texts
continue the
earth’s plea that
ended the previous
section: Lord
Byron’s
“Darknessâ€
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s
“Earth
Screaming†gives
voice to the modern
issues of our changing
climate; and William
Wordsworth’s
“The World Is Too
Much With Us†warns
us that we are almost out
of time to change our
course.
Contemporary/agrarian
poet Wendell
Berry’s “The
Want of Peaceâ€
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts
(“A Child said,
What is the grass?â€
and “There was a
child went forth every
dayâ€) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s
“A Blade of
Grass†from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states,
“I bequeath myself
to the dirt to grow from
the grass I
love…â€My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her?
High Flight Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB Choir and Piano SKU: PR.312419020 From Terra Nostra. C...(+)
Choral SATB Choir and
Piano
SKU:
PR.312419020
From
Terra Nostra.
Composed by Stacy Garrop.
Sws. Performance Score.
12 pages. Duration 3:15.
Theodore Presser Company
#312-41902. Published by
Theodore Presser Company
(PR.312419020).
ISBN
9781491131862. UPC:
680160680474. 6.875 x
10.5 inches.
English.
Commission
ed by the San Francisco
Choral Society and the
Piedmont East Bay
Children’s Choir,
Terra Nostra is a
70-minute oratorio on the
relationship between our
planet and humankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. Part
I: Creation of the World
explores various creation
myths from different
cultures, culminating in
a joyous celebration of
the beauty of our planet.
Part II: The Rise of
Humanity examines human
achievements,
particularly since the
dawn of our Industrial
Age, and how these
achievements have
impacted the planet. Part
III: Searching for
Balance questions how to
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. In addition to
the complete oratorio,
stand-alone movements for
mixed chorus, and for
solo voice with piano,
are also available
separately. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s
World†by Edna St.
Vincent Millay, which
describes the world in
exuberant and vivid
detail. Percy Bysshe
Shelley’s
“On thine own
child†praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O
voluptuous cool-breathed
earth!†Part I ends
with “A Blade of
Grass†in which
Whitman muses how our
planet has been spinning
in the heavens for a very
long time.Part II: The
Rise of Humanity examines
the achievements of
mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley
Hall†sets an
auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s
“Railways
1846,†William
Ernest Henley’s
“A Song of
Speed,†and John
Gillespie Magee,
Jr.’s “High
Flight,†each of
which celebrates a new
milestone in
technological
achievement. In
“Binsey
Poplars,†Gerard
Manley Hopkins takes note
of the effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A
Dirge†concludes
Part II with a warning
that the planet is
beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. Three texts
continue the
earth’s plea that
ended the previous
section: Lord
Byron’s
“Darknessâ€
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s
“Earth
Screaming†gives
voice to the modern
issues of our changing
climate; and William
Wordsworth’s
“The World Is Too
Much With Us†warns
us that we are almost out
of time to change our
course.
Contemporary/agrarian
poet Wendell
Berry’s “The
Want of Peaceâ€
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts
(“A Child said,
What is the grass?â€
and “There was a
child went forth every
dayâ€) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s
“A Blade of
Grass†from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states,
“I bequeath myself
to the dirt to grow from
the grass I
love…â€My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her?
From Terra Nostra.
Composed by Stacy Garrop.
Set of Score and Parts.
Duration 3:15. Theodore
Presser Company
#312-41902A. Published by
Theodore Presser Company
(PR.31241902A).
UPC:
680160690510.
English.
Commission
ed by the San Francisco
Choral Society and the
Piedmont East Bay
Children’s Choir,
Terra Nostra is a
70-minute oratorio on the
relationship between our
planet and humankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. Part
I: Creation of the World
explores various creation
myths from different
cultures, culminating in
a joyous celebration of
the beauty of our planet.
Part II: The Rise of
Humanity examines human
achievements,
particularly since the
dawn of our Industrial
Age, and how these
achievements have
impacted the planet. Part
III: Searching for
Balance questions how to
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. In addition to
the complete oratorio,
stand-alone movements for
mixed chorus, and for
solo voice with piano,
are also available
separately. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s
World†by Edna St.
Vincent Millay, which
describes the world in
exuberant and vivid
detail. Percy Bysshe
Shelley’s
“On thine own
child†praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O
voluptuous cool-breathed
earth!†Part I ends
with “A Blade of
Grass†in which
Whitman muses how our
planet has been spinning
in the heavens for a very
long time.Part II: The
Rise of Humanity examines
the achievements of
mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley
Hall†sets an
auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s
“Railways
1846,†William
Ernest Henley’s
“A Song of
Speed,†and John
Gillespie Magee,
Jr.’s “High
Flight,†each of
which celebrates a new
milestone in
technological
achievement. In
“Binsey
Poplars,†Gerard
Manley Hopkins takes note
of the effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A
Dirge†concludes
Part II with a warning
that the planet is
beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. Three texts
continue the
earth’s plea that
ended the previous
section: Lord
Byron’s
“Darknessâ€
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s
“Earth
Screaming†gives
voice to the modern
issues of our changing
climate; and William
Wordsworth’s
“The World Is Too
Much With Us†warns
us that we are almost out
of time to change our
course.
Contemporary/agrarian
poet Wendell
Berry’s “The
Want of Peaceâ€
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts
(“A Child said,
What is the grass?â€
and “There was a
child went forth every
dayâ€) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s
“A Blade of
Grass†from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states,
“I bequeath myself
to the dirt to grow from
the grass I
love…â€My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her?
Composed by Andrae Crouch. For voice, piano and guitar chords. Format: piano/voc...(+)
Composed by Andrae
Crouch. For voice, piano
and guitar chords.
Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names and guitar
chord diagrams.
Contemporary Christian
and Gospel. 88 pages.
9x12 inches. Published by
Hal Leonard.
SATB choir, cantor, voice solo, assembly, piano accompaniment - Early intermedia...(+)
SATB choir, cantor, voice
solo, assembly, piano
accompaniment - Early
intermediate
SKU:
GI.G-9431
Entrance
and Communion Antiphons
for the Church Year.
Composed by M. Roger
Holland, II. Sacred. 40
pages. GIA Publications
#9431. Published by GIA
Publications (GI.G-9431).
UPC: 785147943105.
English. Text Source: 1.
Ps. 96:1, 3, 6-9, alt.,
The Revised Grail
Psalms, 2. 1 Jn.
4:16, Ps. 103:1-2, 8,
10-12, 17-18a, The
Grail, 1983, 3. Is.
7:14, Ps. 19:2-6,
RGP, 4. Jn. 6:57,
Ps. 119:1-2, 11, 49-50,
65, 72, 103,
Grail, 1983, Ps.
2. Scripture: Psalm 96:1,
3, 6–9, 1 John
4:16, Psalm
103:1–2, 8,
10–12,
17–18a, Isaiah
7:14, Psalm
19:2–6, John 6:57,
Psalm 119:1–2, 11,
49–50, 65, 72,
103, Psalm
23:5ad.
Noted
composer M. Roger Holland
has taken antiphons from
the 2010 Roman Missal and
paired them with psalm
verses, creating
compositions that have
wide use in the liturgy.
Some parishes will want
to use these pieces on
the appointed day for
entrance or communion
processionals. Others may
find use for them
throughout the entire
year, perhaps using them
as a weekly song through
the season. The songs
work well as stand-alone
processional pieces and
many choirs will want to
use them as choir anthems
or congregational songs
during the preparation of
the gifts and altar.
While utilizing official
texts of the Roman rite,
they can be used by
congregations of any
denomination. Roger
explores the wide breadth
that is African American
music, you’ll find
lyric ballades,
spiritualinspired
offerings, gospel-style
songs, and pieces with a
more uptempo feel. This
is the fourth volume in
this series. Contains: O
Sing a New Song
• God Is Love
• Behold
Emmanuel
• Communion Song
For cantor or
soloist.
Choral (SATB a cappella) SKU: HL.466851 The David C. Dickau Choral Ser...(+)
Choral (SATB a cappella)
SKU: HL.466851
The David C. Dickau
Choral Series.
Arranged by Jesse Beulke.
Pavane Choral. Concert,
Folk. Octavo. Pavane
Publishing #P1712.
Published by Pavane
Publishing (HL.466851).
UPC: 196288070795.
6.75x10.5x0.029
inches.
Every so
often an arranger takes a
familiar folk song and
redresses it so
incredibly that it feels
like a brand new piece.
Such is the case with
this arrangement. It is
both old and new all at
once; an intimate friend
you can fall in love with
all over again. The
harmonies are lush and
delicate at the same
time. Choirs will love
singing this piece and it
is an excellent choice
for advanced high school,
college, and community
choirs.
Jam with the Eagles Guitare notes et tablatures [Livre + CD] Faber Music Limited
(Guitar/Vocal). For Guitar. This edition: Guitar/Vocal. CD; Guitar Method or Sup...(+)
(Guitar/Vocal). For
Guitar. This edition:
Guitar/Vocal. CD; Guitar
Method or Supplement;
Guitar TAB. Faber
Edition: Jam with....
Pop. Published by Faber
Music
Locatelli's Challenge Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Pietro Antonio Locatelli (1695-1764). Arranged by Tim McCarrick. Orchestra. F...(+)
By Pietro Antonio
Locatelli (1695-1764).
Arranged by Tim
McCarrick. Orchestra. For
string w/ vln3.
Masterworks; Part(s);
Score; String Orchestra.
Belwin Intermediate
String Orchestra.
Baroque; Masterwork
Arrangement. Grade 3. 144
pages. Published by
Alfred Music Publishing
Orchestra - Grade 3 SKU: AP.36004S Composed by Pietro Antonio Locatelli. ...(+)
Orchestra - Grade 3
SKU: AP.36004S
Composed by Pietro
Antonio Locatelli.
Arranged by Tim
McCarrick. Masterworks;
Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Intermediate String
Orchestra. Baroque;
Masterwork Arrangement.
Score. 16 pages. Belwin
Music #00-36004S.
Published by Belwin Music
(AP.36004S).
UPC:
038081415697.
English.
Are your
string players ready to
take the challenge? This
high-spirited showcase
from Corelli's most
famous student will
instantly grab your
audience's attention.
Made to play fast, this
is just the kind of
Italian Baroque music
that string players love
to play! It's ideal as an
opener or even as an
encore.
Clarinet and piano - Intermediate-Advanced SKU: YM.GTW01091435 Woodwinds....(+)
Clarinet and piano -
Intermediate-Advanced
SKU:
YM.GTW01091435
Woodwinds. Japanese
Traditional Songs. Score
& part with CD. Yamaha
Music Media #GTW01091435.
Published by Yamaha Music
Media (YM.GTW01091435).
ISBN
9784636914351.
25
songs arranged for solo
clarinet and piano.
Clarinet part with a book
for piano accompaniment
and Karaoke CD.
20Shou Dan Huang Guan
Du Zou Qu ,Gang Qin Ban
Zou . Han Dan Huang Guan
Pu Ji Gang Qin Ban Zou Pu
&Ban Zou CD.
1.
Soshunfu(Ode to Early
Spring); 2.
Hatsukoi(First Love); 3.
Oborozukiyo(A Night with
a Hazy Moon); 4. Hana; 5.
Sakura Sakura; 5. Hana;
6. Hamabe no Uta(A Song
at the Seaside); 7.
Shabondama(Soap Bubbles);
8. Kono Michi; 9.
Furusato(My Old Town);
10. Yuyake Koyake; 11.
Chiisai Aki
Mitsuketa(I've Found a
Little Autumn); 12. Sato
no Aki; 13. Aka Tombo(Red
Dragonfly); 14. Kojo no
Tsuki(Moon over the
Ruined Castle); 15.
Nagori Yukii(Snowfall at
the end of the Winter);
16. Nada SouSou(Down Come
My Tears); 17. Jidai; 18.
Kawa no nagare no Yo
ni(As a River's Running);
19. Sen no Kaze ni
natte(A Thousand Winds);
20. Hana wa Saku(Flowers
Will Bloom); 21. Haru yo
Koi(Come spring!); 22.
Hana; 23. Kazebue -
Asuka' Theme; 24.
Satoukibi Batake(In a
Large Field of
Sugarcane); 25. Miagete
goran Yoru no Hoshi
wo(Look up at the Night
sky) 1. Zao Chun Fu ;
2. Chu Lian ; 3. Meng
Long Yue Ye ; 4. Hua ; 5.
Ying Hua ; 6. Hai Bin Zhi
Ge ; 7. Fei Zao Pao ; 8.
Zhe Tiao Lu ; 9. Gu Xiang
; 10. Wan Xia Jian Dan ;
11. Zhao Dao Liao Xiao
Xiao De Qiu Tian ; 12.
You Jian Chui Yan ; 13.
Hong Qing Ting ; 14.
Huang Cheng Zhi Yue ; 15.
Can Xue ; 16. Lei Guang
Shan Shan ; 17. Shi Dai ;
18. Chuan Liu Bu Xi ; 19.
Hua Wei Qian Feng ; 20.
Hua Zheng Zai Kai ; 21.
Chun Tian ,Lai Ba ; 22.
Hua ; 23. Feng Di ; 24.
Gan Zhe Tian ; 25. Yang
Wang Xing Kong.
Swing. Composed by
Gene Roland and Stanley
Newcomb Kenton. Sheet
music. Score and parts.
Handelsware #SMP 1165.
Published by Handelsware
(M7.SMP-1165).
English.
Here is
a slow, gutty, down-home
type of blues written for
and recorded by the Stan
Kenton Orchestra on the
Adventures In Blues
album. There is open solo
space for tenor, trumpet
and piano. Once the solos
are over, the full
ensemble comes roaring in
to take the chart to a
strong, sensational
ending. Your audiences
will love this tune!
5-5-5-3.
Visceral Chase Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Excelcia Music Publishing
Concert Band Concert Band - Grade 3 SKU: XC.ICB2104 Composed by Sean O'Lo...(+)
Concert Band Concert Band
- Grade 3
SKU:
XC.ICB2104
Composed
by Sean O'Loughlin.
Intermezzo Concert Band
Series. Concert and
Contest. Concert and
Contest. Score and Parts.
Excelcia Music Publishing
#ICB2104. Published by
Excelcia Music Publishing
(XC.ICB2104).
UPC:
812598036855. 9 x 12
inches.
Take a wild
ride full of impact
percussion and motivic
writing with Sean
O’Loughlin’
s new Visceral Chase!
Abounding with drama and
the brilliant writing
that we have come to love
and expect from Sean,
your ensemble will sound
fantastic with this
piece.
Visceral Chase Orchestre d'harmonie [Conducteur] - Facile Excelcia Music Publishing
Concert Band - Grade 3 SKU: XC.ICB2104FS Composed by Sean O'Loughlin. Int...(+)
Concert Band - Grade 3
SKU: XC.ICB2104FS
Composed by Sean
O'Loughlin. Intermezzo
Concert Band Series.
Concert and Contest.
Concert and Contest.
Score Only. Excelcia
Music Publishing
#ICB2104FS. Published by
Excelcia Music Publishing
(XC.ICB2104FS).
UPC:
812598036312. 9 x 12
inches.
Take a wild
ride full of impact
percussion and motivic
writing with Sean
O’Loughlin’
s new Visceral Chase!
Abounding with drama and
the brilliant writing
that we have come to love
and expect from Sean,
your ensemble will sound
fantastic with this
piece.
Arranged by Jay Althouse. For Choir. (SSATB, a cappella). Choral Octavo. Choral...(+)
Arranged by Jay Althouse.
For Choir. (SSATB, a
cappella). Choral Octavo.
Choral Designs. Secular,
Christmas. Choral Octavo.
8 pages. Published by
Alfred Publishing.
Level: Level 5 (grade
L5).
Amazing Grace Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor Full
Score. Duration 6:00.
Published by Manhattan
Beach Music.