Concert Band (SCORE+PARTS) - Level 2.5 SKU: HL.4006202 Composed by Jan de...(+)
Concert Band
(SCORE+PARTS) - Level 2.5
SKU: HL.4006202
Composed by Jan de Haan.
De Haske Concert Band.
Concert. Softcover.
Duration 425 seconds. De
Haske Publications
#DHP1196179. Published by
De Haske Publications
(HL.4006202).
UPC:
888680970499. 9.0x12.0
inches.
The title
of this work is based on
the name of the
commissioning band: Music
Society Asaf (Dutch for
Asaph). In the Hebrew
Bible, the poet, singer
and seer Asaph is in
charge of the choir in
the house of King David.
Various psalms, including
Psalm 81, which is used
in this work, are
attributed to him. The
melody of this psalm is
flanked by a march-like
initial part, and the
traditional klezmer
melody “Uri
Tzion†features as
a spectacular finale.
The Temple Musician Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2.5 SKU: BT.DHP-1196179-015 Co...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2.5
SKU:
BT.DHP-1196179-015
Composed by Jan de Haan.
De Haske Easy Band
Series. Concert Piece.
Set (Score & Parts).
Composed 2019. De Haske
Publications #DHP
1196179-015. Published by
De Haske Publications
(BT.DHP-1196179-015).
English-German-French-
Dutch.
The title of
this work is based on the
name of the commissioning
band: Music Society Asaf
(Dutch for Asaph). In the
Hebrew Bible, the poet,
singer and seer Asaph is
in charge of the choir in
the house of King David.
Various psalms, including
Psalm 81, which is used
in this work, are
attributed to him. The
melody of this psalm is
flanked by a march-like
initial part, and the
traditional klezmer
melody ‘Uri
Tzion’ features as
a spectacular finale.
De titel van dit
werk is gebaseerd op de
naam van de
opdrachtgever:
Muziekvereniging Asaf. In
de Hebreeuwse Bijbel is
de dichter, zanger en
ziener Asaf als
zangmeester in dienst van
koning David. Er worden
verschillende psalmen,
waaronder de in dit werk
gebruikte psalm 81, aan
hem toegeschreven. De
melodie van deze psalm
wordt geflankeerd door
een marsachtig eerste
gedeelte, en de
traditionele
klezmermelodie ‘Uri
Tzion’ als
spectaculaire afsluiting.
Der Titel dieses
Werkes bezieht sich auf
den Namen des
Musikvereins Asaf, der es
in Auftrag gegeben hat.
In der hebräischen
Bibel war der Dichter,
Sänger und Seher Asaf
verantwortlich für den
Chor im Haus von König
David. Ihm werden
verschiedene Psalmen
zugeschrieben, darunter
Psalm 81, der in diesem
Werk verwendet wird. Die
Melodie dieses Psalms
wird von einem
marschartigen Anfangsteil
umrahmt und die
traditionelle
Klezmer-Melodie Uri
Tzion“ führt in
ein spektakuläres
Finale.
Concert Band (SCORE) - Level 2.5 SKU: HL.4006203 Composed by Jan de Haan....(+)
Concert Band (SCORE) -
Level 2.5
SKU:
HL.4006203
Composed
by Jan de Haan. De Haske
Concert Band. Concert.
Softcover. Duration 425
seconds. De Haske
Publications #DHP1196179.
Published by De Haske
Publications
(HL.4006203).
UPC:
888680970505.
The
title of this work is
based on the name of the
commissioning band: Music
Society Asaf (Dutch for
Asaph). In the Hebrew
Bible, the poet, singer
and seer Asaph is in
charge of the choir in
the house of King David.
Various psalms, including
Psalm 81, which is used
in this work, are
attributed to him. The
melody of this psalm is
flanked by a march-like
initial part, and the
traditional klezmer
melody “Uri
Tzion†features as
a spectacular finale.
Piano SKU: BT.MUSM570365913 Composed by Sadie Harrison. Classical. Book O...(+)
Piano
SKU:
BT.MUSM570365913
Composed by Sadie
Harrison. Classical. Book
Only. 8 pages. University
of York Music Press
#MUSM570365913. Published
by University of York
Music Press
(BT.MUSM570365913).
English.
Sadie
Harrison wrote these
jazzy miniatures
especially for Helen
Burford as a thank you
for her performance of
..around and a round.. in
2014. Helen is renowned
for her innovative
programmes which combine
jazz classics with new
commissions and works by
little known contemporary
composers and these
pieces celebrate this
joyful approach to
repertoire. The pieces
are titled: I - Pavillion
Ferris Stride (Fats
Waller) II - Just air and
water (Bill Evans) III -
Erroneous Monkish
(Thelonius Monk) IV -
Boogie Woogie Barcarolle
(Albert Ammons) Duration:
c. 6 minutes Four Jazz
Portraits was premiered
by Helen at the Brighton
Fringe Festival on 10th
May 2015 at the Friend s
Meeting
House,Brighton.
Your Dream Instrument Trio à Cordes: violon, alto, violoncelle [Partition] String Letter Publishing
An Insider's Guide to Buying Violins, Violas, Cellos, Basses and Bows. String Le...(+)
An Insider's Guide to
Buying Violins, Violas,
Cellos, Basses and Bows.
String Letter Publishing.
Softcover. 176 pages.
Published by String
Letter Publishing.
SSAATTBB Chorus & Organ SKU: SU.80400460 For SSAATTBB Chorus & Organ(+)
SSAATTBB Chorus & Organ
SKU: SU.80400460
For SSAATTBB Chorus &
Organ. Composed by
Stephen Paulus.
Vocal/Choral, Secular
Choral. Accompanied by
organ. Choral Octavo.
Subito Music Corporation
#80400460. Published by
Subito Music Corporation
(SU.80400460).
SSAATTBB Chorus
& Organ Duration:
3:00Commissioned by:
Marjorie Bowers and Linda
and Patrick
SmithDedication: For the
Motet Choir, In
celebration of the life
of Delmar E.
BowersPremiered by: The
House of Hope
Presbyterian Church,
Saint Paul, MN, Thomas
Lancaster,
ChoirmasterCopyright
2006PText author: Psalm
92 - King James Version
Published by: Paulus
Publications (SP484)
Minimum order quantity: 8
copies. To order
quantities fewer than
8.
Chamber Music Clarinet, Flute, Piano, Violin, Violoncello SKU: PR.11441271S(+)
Chamber Music Clarinet,
Flute, Piano, Violin,
Violoncello
SKU:
PR.11441271S
For
Flute, Clarinet, violin,
Cello, and Piano.
Composed by Chen Yi. Poem
by Du Fu (712-770 in Tang
Dynasty). Premiered at
Merkin Hall in New York.
Contemporary. Full score.
With Standard notation.
Composed 2004. 45 pages.
Duration 12 minutes.
Theodore Presser Company
#114-41271S. Published by
Theodore Presser Company
(PR.11441271S).
UPC:
680160587094. 8.5 x 11
inches. Poem by Du Fu
(712-770 in Tang
Dynasty).
It's like
the welcome rain on a
quiet spring night that
nurtures the budding
seeds, our new society is
pushing us forward to the
new future. This music
reflects the scenes and
the expression according
to the meaning of the
poem when it's being
unfolded line by line.
Although the tempo is set
60-70 quarter notes per
minute throughout (played
vividly, never slow
down), the tension is
being built up from the
quiet background in the
beginning, to the
sustained climax towards
the end. The musical
image in Rehersal A and B
(measures 1 - 41)
represents the first four
lines of the poem. The
woodwind instruments
response to the rustling
of fast moving notes on
muted string triplets,
decorated by occasional
strokes produced by
metallic string sound and
high piano gestures. The
music in Rehersal C and D
(measures 42-87)
represents the next two
lines of the poem. It's
so dark, a little light
in the boat is shimmering
on the lake... The
breathy key slaps on the
flute creates a
mysterious atmosphere, in
a dialogue with other
instruments. The cello
glissandi recite the poem
in the tone of Mandarin,
echoed by the string
harmonics. The music in
Rehersal E, F, G (m 88 -
161) is a toccata,
starting with the piano,
which builds up a big
shape, to reach the
climax in m. 116, and
keeps the vivid scene
towards the coda
(Rehersal H, m. 162 - the
end), which stands on the
energetic peak at the end
of the
piece. Commissioned by
the Music From Copland
House ensemble, supported
by a grant from the
NYSCA’s
Composer’s
Commissions program in
2002, my mixed ensemble
piece Happy Rain on a
Spring Night is written
for all five instruments
in the ensemble: flute,
clarinet, violin, cello
and piano, and premiered
on Oct. 18, 2004, at
Merkin Hall in New York.
 The musical
imagination came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in the
Tang Dynasty. Happy
Rain on a Spring Nightby
Du Fu (712-770 in the
Tang Dynasty)Â Happy
rain comes in time,When
spring is in its
prime.With night breeze
it will fall,And quietly
moisten all.Clouds darken
wild roads,Light
brightens a little
boat.Saturated at
dawn,With flowers
blooming the
town. (English
translation by Chen Yi
from the original poem in
Chinese) It’s
like the welcome rain on
a quiet spring night that
nurtures the budding
seeds; our new society is
pushing us forward to the
new future. Â The music
reflects the scenes and
the expression according
to the meaning of the
poem when it’s
being unfolded line by
line. Â Although the
tempo is set 60-70
quarter notes per minute
throughout (played
vividly, never slowing
down), the tension is
being built up from the
quiet background in the
beginning, to the
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures 1-41)
represents the first four
lines of the poem.
 The woodwind
instruments respond to
the rustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokes produced by
metallic string sound and
high piano gestures.
 The music in
Rehearsal C and D
(measures 42-87)
represents the next two
lines of the poem.
 It’s so dark,
a little light in the
boat is shimmering on the
lake... Â The breathy
key slaps on the flute
create a mysterious
atmosphere, in a dialogue
with other instruments.
 The cello glissandi
recite the poem in the
tone of Mandarin, echoed
by the string harmonics.
 The music in
Rehearsal E, F and G (m
88-161) is a toccata,
starting with the piano,
which builds up a big
shape, to reach the
climax in m. 116, and
keeps the vivid scene
towards the coda
(Rehearsal H, m.
162-192), which stands on
the energetic peak at the
end of the
piece. According to
the principle of the
Golden Section, I have
constructed the piece
with two large parts (m.
1-115 and m. 116-192).
 The GS falls onto the
beginning of the climax
section of the piece,
which is exciting and
loud. Â All
subdivisions of the
structures coincide with
the numbers of
proportions based on the
GS principle. Â The
music has textures
changed according to the
proportional arrangement
throughout the
piece. First Part (m.
1-115, total 115
measures), including two
sectionsSection I (m.
1-69, total 69 measures),
including two
divisionsFirst Division
(m. 1-41, total 41
measures), including two
subdivisions:Subdivision
I (m. 1-25, total 25
measures)Rehearsal A,
violin triplets + cello
metalic sound in small
intervals, followed by
woodwinds.Subdivision II
(m. 26-41, total 16
measures)Rehearsal B,
cello triplets + violin
metallic sound in small
intervals, overlapped by
woodwinds.Second Division
(m. 42-69, total 28
measures)Rehearsal C,
breathy key slaps on
flute, in dark.Section II
(m. 70-115, total 46
measures), including two
divisionsFirst Division
(m. 70-87, total 18
measures)Rehearsal D,
soft cello reciting,
followed by string
harmonics & woodwind
“echoâ€
passages.Second Division
(m. 88-115, total 28
measures)Rehearsal E,
starts to buildup the
excitement, with piano
toccata in the beginning.
When it reachesthe
patterns on the top of
the keyboard, the lowest
passages on piano and
cello punch in, andreview
the pitch material with
small intervals.Second
Part (m.116-192, total 77
measures), including two
sectionsSection I (m.
116-161, total 46
measures), including two
divisionsFirst Division
(m. 116-133, total 18
measures)Rehearsal F, the
excitement reaches the
climax, GS located. All
instruments join
in.Second Division (m.
134-161, total 28
measures)Rehearsal G,
combination of E and F,
continue to
buildup.Section II (m.
162-192, total 31
measures)Rehearsal H,
coda, keep the excitement
on the peak.
Organ SKU: SU.80400210 For Organ. Composed by Stephen Paulus. Keyb...(+)
Organ
SKU:
SU.80400210
For
Organ. Composed by
Stephen Paulus. Keyboard,
Organ. Score. Subito
Music Corporation
#80400210. Published by
Subito Music Corporation
(SU.80400210).
Solo
OrganDuration:
13:00Commissioned by:
House of Hope
Presbyterian Church
Premiered by: Nancy
Lancaster, Organist, May
21, 2000, St. Paul,
MinnesotaCopyright 2000
I. Like an Ever-Rolling
Stream II. Still Be My
Vision III. As If the
Whole Creation Cried
Published by: Paulus
Publications (SP242).
Light of the Sword Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1094729-140 Composed by Itaru...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1094729-140
Composed by Itaru Sakai.
Brilliant Marches.
Concert March. Score
Only. Composed 2009. 20
pages. De Haske
Publications #DHP
1094729-140. Published by
De Haske Publications
(BT.DHP-1094729-140).
9x12
inches.
This work
takes both its name and
inspiration from a
lighthouse “Sword
Cape†that keeps
watch near Japan’s
naval base. The piece
describes how, come rain
or shine, the lighthouse
bids a safe journey to
departing ships, guides
them during their travels
and eventually welcomes
them home again. The
music evokes many musical
images - grand ships
sailing by, white-capped
waves, the deep blue of
the ocean and the light
of ‘sword
cape†as it
silently guides ships
over the mysterious
waters.
Dieses
Werk wurde von einem
Leuchtturm mit dem Namen
Schwert-Kap“
inspiriert, der in der
Nähe des
Marinestützpunkts von
Japan steht. Es
beschreibt, wie die
Schiffe bei jedem Wetter
von diesem Leuchtturm
verabschiedet, auf ihrem
Weg geleitet und bei der
Rückkehr willkommen
geheißen werden. Dabei
entstehen verschiedene
musikalische Bilder vor
dem inneren Auge des
Zuhörers: das
Vorbeiziehen eines
Schiffes, weiße Wellen
blauer See oder das Licht
des Leuchtturm auf dem
stillen Wasser bei
Nebel.
Light of
the Sword è un
brano commissionato a
Sakai dalla Banda
Militare delle Forze
marittime di autodifesa
giapponesi di stanza nel
porto di Yokosuka nella
baia di Tokio.
L’origine del
titolo ha due
significati: da una parte
si ispira al faro di
Tsurugizaki
(letteralmente
“estremit della
spadaâ€), la cui
luce serve come punto di
riferimento tra la terra
ed il mare, e
dall’altra alla
luce emanata dalla spada
che appartiene alla
grande tradizione degli
ufficiali di marina. Una
marcia luminosa!
Light of the Sword Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1094729-010 Composed by Itaru...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1094729-010
Composed by Itaru Sakai.
Brilliant Marches.
Concert March. Set (Score
& Parts). Composed 2009.
De Haske Publications
#DHP 1094729-010.
Published by De Haske
Publications
(BT.DHP-1094729-010).
9x12
inches.
This work
takes both its name and
inspiration from a
lighthouse “Sword
Cape†that keeps
watch near Japan’s
naval base. The piece
describes how, come rain
or shine, the lighthouse
bids a safe journey to
departing ships, guides
them during their travels
and eventually welcomes
them home again. The
music evokes many musical
images - grand ships
sailing by, white-capped
waves, the deep blue of
the ocean and the light
of ‘sword
cape†as it
silently guides ships
over the mysterious
waters.
Dieses
Werk wurde von einem
Leuchtturm mit dem Namen
Schwert-Kap“
inspiriert, der in der
Nähe des
Marinestützpunkts von
Japan steht. Es
beschreibt, wie die
Schiffe bei jedem Wetter
von diesem Leuchtturm
verabschiedet, auf ihrem
Weg geleitet und bei der
Rückkehr willkommen
geheißen werden. Dabei
entstehen verschiedene
musikalische Bilder vor
dem inneren Auge des
Zuhörers: das
Vorbeiziehen eines
Schiffes, weiße Wellen
blauer See oder das Licht
des Leuchtturm auf dem
stillen Wasser bei
Nebel.
Light of
the Sword è un
brano commissionato a
Sakai dalla Banda
Militare delle Forze
marittime di autodifesa
giapponesi di stanza nel
porto di Yokosuka nella
baia di Tokio.
L’origine del
titolo ha due
significati: da una parte
si ispira al faro di
Tsurugizaki
(letteralmente
“estremit della
spadaâ€), la cui
luce serve come punto di
riferimento tra la terra
ed il mare, e
dall’altra alla
luce emanata dalla spada
che appartiene alla
grande tradizione degli
ufficiali di marina. Una
marcia luminosa!
Takayama-No
In-Sho. Composed by
Jan Van der Roost.
Concert and Contest
Collection CBHA. Concert
Piece. Set (Score and
Parts). Composed 2019. De
Haske Publications #DHP
1196070-010. Published by
De Haske Publications
(BT.DHP-1196070-010).
English-German-French-
Dutch.
This piece
was written to celebrate
the fiftieth anniversary
of the Takayama Wind
Orchestra, who also
commissioned it. The
historic city of Takayama
draws numerous visitors
from home and abroad, not
just to see its
well-preserved old houses
and buildings but also
because every year
several historic
processions take place,
with beautiful floats.
When these ride through
the city, age-old
melodies are heard played
on wooden flutes,
accompanied by muted
drums. This image is
evoked at the beginning
of the work, followed by
an archaic sounding
melody in a typically
Japanese pentatonic
sequence, that develops
throughout. In this
challenging piece Eastern
and Western influences
alternate,creating a
sensational and
overwhelming musical
effect!
Dit werk
is geschreven ter
gelegenheid van het
vijftigjarig bestaan van
het Takayama Wind
Orchestra, dat tevens de
opdrachtgever was. De
historische stad Takayama
trekt jaarlijks talloze
bezoekers uit binnen- en
buitenland, niet alleen
vanwege de goed bewaarde
oude huizen en gebouwen
die de stad rijk is, maar
ook omdat er elk jaar een
aantal historische
optochten plaatsvinden.
Wanneer die door de stad
trekken, weerklinken
eeuwenoude melodieën,
gespeeld op houten
fluiten en begeleid door
doffe trommen. Dit beeld
wordt opgeroepen aan het
begin van het werk,
gevolgd door een archa
sch klinkende melodie in
een typisch Japanse
pentatonische tonenreeks,
die zich in de loop van
het werkverder zal
ontwikkelen. In dit
pittige werk wisselen
oosterse en westerse
invloeden elkaar af, met
als resultaat een
meeslepend en
overweldigend muzikaal
effect!
Dieses
Stück wurde aus Anlass
des 50-jährigen
Jubiläums des Takayama
Wind Orchestra
geschrieben, das dieses
Werk auch in Auftrag
gegeben hat. Die Altstadt
von Takayama zieht jedes
Jahr zahlreiche Besucher
aus dem In- und Ausland
an, nicht nur wegen der
gut erhaltenen alten
Häuser und Gebäude,
sondern auch wegen der
historischen
Festumzüge, die dort
stattfinden. Wenn diese
durch die Stadt ziehen,
erklingen uralte
Melodien, die auf
Holzflöten gespielt
und von gedämpften
Trommeln begleitet
werden. Dieses Bild wird
zu Beginn des Werks
hervorgerufen, darauf
folgt eine archaisch
klingende Melodie mit
einer typisch japanischen
pentatonischen Sequenz,
die sich im Laufe des
Werkesweiterentwickelt.
In diesem anspruchsvollen
Werk wechseln sich
östliche und westliche
Einflüsse ab und
erzeugen einen
sensationellen und
überwältigenden
musikalischen Effekt!
Donar Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1175742-010 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1175742-010
Composed by Jan Van der
Roost. Brilliant Marches.
Concert Piece. Set (Score
& Parts). Composed 2017.
De Haske Publications
#DHP 1175742-010.
Published by De Haske
Publications
(BT.DHP-1175742-010).
English-German-French-
Dutch.
This noble
concert march was
commissioned by the
Musikverein Heek,
Germany, for its 125th
anniversary. In German
mythology, Donar
is the God of Thunder,
and in the area around
Heek, ‘Thunder
Mountain’ is a
household name. The work
begins with a stately
opening, followed by a
beautiful trio melody
with rhythmical and
energetic sections. This
is a march that features
and showcases a range of
musical aspects. It is
perfect as an opener or
to create variety during
a concert.
Deze
nobele concertmars werd
geschreven in opdracht
van de Duitse Musikverein
Heek, ter gelegenheid van
het 125-jarig bestaan van
deze vereniging in 2017.
De première vond onder
leiding van de componist
op 2 september plaats in
de gemeente Heek.
Donar is de
dondergod uit de
Germaanse mythologie en
er is een specifieke
reden voor de keuze van
deze naam: in de regio
rond Heek is de
‘Donderberg’
een begrip, zodat deze
titel zeer toepasselijk
is. Het lage register
komt een paar keer
duidelijk op de voorgrond
om de donder en bliksem
weer te geven. Het werk
begint echter met een
plechtstatige
‘entree’ een
godheid waardig! De
triomelodie daarentegen
is naar de
loffelijkegewoonte van
Jan Van der Roost
zangerig en melodieus.
Kortom: dit is een mars
die diverse muzikale
aspecten bevat en
etaleert.
Dieser
prachtvolle Konzertmarsch
wurde vom Musikverein
Heek aus Deutschland
anlässlich seines
125-jährigen Bestehens
in Auftrag gegeben. In
der germanischen
Mythologie ist
Donar“ der Gott des
Donners, und in der
Gegend um Heek ist
Donnerberg“ ein
gebräuchlicher
Begriff. Das Werk beginnt
mit einer
majestätischen
Einleitung, gefolgt von
einer wunderschönen
Trio-Melodie mit
rhythmischen und
schwungvollen
Abschnitten. In diesem
Marsch werden
verschiedene musikalische
Aspekte verwendet. Er
eignet sich bestens als
Eröffnungsstück
oder um während eines
Konzertes für
Abwechslung zu
sorgen.
Questa
elegante marcia da
concerto è stata
commissionata dal
Musikverein di Heek in
Germania per il suo
125° anniversario.
Nella mitologia tedesca
Donar è il
Signore dei Tuoni e
nell’area intorno
ad Heek ‘Thunder
Mountain’ è un
nome familiare.
L’opera inizia con
un’introduzione
maestosa, seguita da un
bellissimo trio melodico
dalle sezioni ritmiche ed
energiche. Questa marcia
presenta una vasta gamma
di aspetti musicali ed
è perfetta come brano
d’apertura o per
creare variet
all’interno di un
concerto.
