Hairspray Piano, Voix [Partition + Accès audio] Hal Leonard
Broadway Singer's Edition. Composed by Marc Shaiman and Scott Wittman. Vo...(+)
Broadway Singer's
Edition. Composed by
Marc Shaiman and Scott
Wittman. Vocal Piano.
Softcover Audio Online.
88 pages. Published by
Hal Leonard (HL.140988).
Fra Diavolo Orchestre d'harmonie De Haske Publications
Concert Band SKU: BT.DHP-1043529-040 The Great Classics. Transcription. S...(+)
Concert Band
SKU:
BT.DHP-1043529-040
The Great Classics.
Transcription. Set (Score
& Parts). Composed 2004.
16 pages. De Haske
Publications #DHP
1043529-040. Published by
De Haske Publications
(BT.DHP-1043529-040).
English-German-French-
Dutch.
French
composer Daniel
François Esprit Aubers
extensive outputconsisted
mainly of operas, but
unfortunately today only
two of theseare still
well known, including the
comic opera Fra Diavolo.
The storyconcerns Fra
Diavolo, a famous Italian
bandit and soldier from
the late 18th and early
19th centuries, and is
one of crime, lust and
treachery. The overture
has a classical structure
filled with striking
themes and motifs with a
particularly unusual
introduction (for the
time) with the snare drum
taking the leading
role!
De ouverture
van Fra Diavolo,
een komische opera van de
Franse componist Daniel
François Esprit Auber
(1782-1871), heeft een
klassieke opbouw. De
gebruikte thema’s
zijn zeer herkenbaar en
roepen duidelijke beelden
op. Signaalmotievenzijn
rijkelijk aanwezig - en
deze mogen natuurlijk ook
niet ontbreken als het in
de handeling gaat over
rovers en gendarmes. De
inleiding is voor Aubers
tijd bijzonder ge
nstrumenteerd: de kleine
trom speelt een
solistischerol!
Di
e Ouvertüre zu Aubers
komischer Oper Fra
Diavolo hat eine
klassische Form mit
leicht wieder erkennbaren
Themen, klaren Bildern
und deutlichen Motiven -
sehr passend zu einer
ebenfalls
einprägsamen,
turbulenten Handlung voll
von Gerichtsvollziehern
und Dieben!
Unsentimentale, reizvolle
Musik, die auch in der
Transkription von Wil van
der Beek das Publikum in
ihren Bann ziehen wird!
Mach Morris Moebius Orchestre d'harmonie - Intermédiaire/avancé TRN Music Publisher
By C. Bruce Bray. For concert band. Recording available separately on TRNCD40. L...(+)
By C. Bruce Bray. For
concert band. Recording
available separately on
TRNCD40. Level: Grade
4.5. Full score. Duration
3:38. Published by TRN
Music Publisher.
Featuring "Come So Far (Got So Far to Go)," "Big, Blonde and Beautiful (Reprise)...(+)
Featuring "Come So Far
(Got So Far to Go),"
"Big, Blonde and
Beautiful (Reprise),"
"The New Girl in Town,"
and "Ladies' Choice". By
Scott Wittman, Marc
Shaiman. Arranged by
Victor Lopez. For Full
Orchestra. Full
Orchestra. Pop
Intermediate Full
Orchestra. Movie. Level:
3 (grade 3). Conductor
Score and Parts. 244
pages. Published by
Alfred Publishing.
Sag Harbor Sunset Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé Alfred Publishing
By Robert Sheldon. Concert Band. Concert Band; Part(s); Score. Alfred Concert Ba...(+)
By Robert Sheldon.
Concert Band. Concert
Band; Part(s); Score.
Alfred Concert Band.
Form: Ballade. Grade 4.
132 pages. Published by
Alfred Music Publishing
By Thomas Morley. Arranged by H. Clough-Leighter. Text: Michael Drayton. For SSA...(+)
By Thomas Morley.
Arranged by H.
Clough-Leighter. Text:
Michael Drayton. For
SSATB choir. (Mixed
Voices). Secular. Choral.
Published by E.C.
Schirmer Publishing.
A
monodrama in memory of
Trayvon Martin.
Composed by Nkeiru Okoye.
Study Score. 47 pages.
Duration 12:30. Theodore
Presser Company
#116-42111S. Published by
Theodore Presser Company
(PR.11642111S).
(from the Opera Les Pecheurs de Perles). By Georges Bizet (1838-1875). Arranged ...(+)
(from the Opera Les
Pecheurs de Perles). By
Georges Bizet
(1838-1875). Arranged by
Douglas McLain. For Tenor
voice solo, Baritone
voice solo and concert
band. Grade 3. Full
score. Duration 5:50
By Marc Shaiman, Lyrics By Scott Wittman And Marc Shaiman. Arranged by Jay Altho...(+)
By Marc Shaiman, Lyrics
By Scott Wittman And Marc
Shaiman. Arranged by Jay
Althouse. For Choir.
(SSA). Choral Octavo. Pop
Choral. Broadway; Movie.
Choral Octavo. 12 pages.
Published by Alfred
Publishing.
Composed
by Charles Francois
Gounod. Edited by Frank
Hondgen. Sacred vocal
music, Masses, Latin,
Whole church year / Omni
tempore. Vocal score. CG
56. 72 pages. Duration 45
minutes. Carus Verlag #CV
27.095/03. Published by
Carus Verlag
(CA.2709503).
ISBN
9790007186876. Language:
Latin.
Shining rays
stream from the 'Messe de
sainte Cecile'. At first
people were dazzled, then
bewitched, then overcome.
This is how the composer
Camille Saint-Saens
described his impression
of what was probably
Charles Gounod's
best-known setting of the
mass. The work written in
1855 in honor of the
patron saint of church
music, soon became
well-known beyond the
borders of France and
acquired a degree of
popularity like almost no
other sacred composition.
In the Messe de sainte
Cecile, Gounod combines
sublime simplicity with
operatic-dramatic
elements and a colorful,
effective orchestration.
Critical edition in
proven Carus quality.
Score available
separately - see item
CA.2709500.
Jazz Play-Along Series Volume 43. Performed by Gerry Mulligan. Jazz Play Along. ...(+)
Jazz Play-Along Series
Volume 43. Performed by
Gerry Mulligan. Jazz Play
Along. Play Along.
Softcover with CD. Size
9x12 inches. 80 pages.
Published by Hal Leonard.
Ancient Duel Orchestre d'harmonie RWS Music Company
Pre 1 SKU: AP.98-RWS221001 (Wood Versus Metal). Composed by Mekeal...(+)
Pre 1
SKU:
AP.98-RWS221001
(Wood Versus
Metal). Composed by
Mekealian. Young Concert
Band. Extra full score.
Composed 2022. RWS Music
Company #RWS-2210-01.
Published by RWS Music
Company
(AP.98-RWS221001).
Prepare for
musical combat! The
competitors? Metal
instruments vs. wooden
instruments. Sounds of
wooden swords battling
metal and stone set the
scene of an epic battle.
The contrasting musical
elements work together to
create a musical melee
that draws the audience
into the fray. Call and
response sections provide
a fun and exciting method
for reinforcing rhythmic
accuracy and tempo
discipline.
Dan Welcher’s most enduringly and frequently played orchestral work, Prai...(+)
Dan Welcher’s most
enduringly and frequently
played orchestral work,
Prairie Light is a
fascinating musical
companion to three of
Georgia
O’Keeffe’s
most unusual paintings,
Light Coming on the
Plains, Canyon with
Crows, and Starlight
Night. This work is ideal
for performances using
visual projections of the
paintings, and is
frequently programmed for
subscription concerts as
well as those for
educational settings.
Duration: 14’
Parts available on
rental. This work for
full orchestra was
inspired by three
paintings of the noted
Americanartist Georgia
O’Keeffe. These
three watercolors were
done in 1917 while the
artist was living in
Canyon, Texas (near
Amarillo), and deal
primarily with color and
shape. Consequently, the
music is primarily
concerned with broad
lines and shapes rather
than rhythms, with subtle
washes of color rather
than constant harmonic
movement, and with
arching melody instead of
linear counterpoint.The
first movement, Light
Coming on the Plains, is
an elliptical-shaped
painting, deep blue to
indigo with a
“horizon†at
the bottom that seems
flat and unchanging. The
sun hasn’t risen
yet, although it does in
the course of this
movement, but it seems
instead to be providing
light from behind the
canvas. The music is
unmoving in terms of
rhythm or harmony
(although there is a
modulation midway
through), a color-infused
mantra of sound that is
almost Eastern.At the
height of the sun, we
proceed to the second
movement, entitled Canyon
with Crows. The canyon is
red-orange, with black
crows circling above
friendly unfolding hills.
The music is gentle but
lively and more rhythmic,
with the birds
represented by solo oboe,
clarinet, and sometimes
flute. Halfway through,
the brass have a chorale
version of the opening
motive, played very
slowly, over the unending
triplets of woodwinds and
strings. At the end of
the movement, the
birds return for a
duo-cadenza, accompanied
by the dying rays of the
sun in muted strings and
the ongoing triplets of
the solo quartet.The
stage is set for the
final movement, Starlight
Night. In
O’Keeffe’s
painting, the stars are
represented by
regularly-spaced
rectangles of bright pale
yellow on a blue-black
sky, with the same shape
to the field of vision
and the horizon that is
found in Light Coming on
the Plains. The stars
become audible: harp,
celesta, glockenspiel,
and string pizzicati all
lend a sparkle while a
solo flute introduces a
slowly unfolding theme.
After this theme has been
heard twice and the sky
has begun to really
brighten, there is a
sudden interruption: a
xylophone and a piano
begin another
“mantra†in
brittle staccato chords.
This is the same
mechanical eternity as
O’Keeffe’s
regularly-spaced square
stars, and it continues
on its own as the night
progresses. The music
builds and grows as the
moon rises and arcs, then
falls as the pre-dawn
light that opened the
work returns to bring it
to a close. Acycle of
light, changing with the
movements of sun, moon,
and stars, appearing
differently from various
points of view
(16 Bar Audition Excerpts from Stage and Film, Specially Designed for Teen Singe...(+)
(16 Bar Audition Excerpts
from Stage and Film,
Specially Designed for
Teen Singers! Includes
Story Synopsis, Song
Set-up and Audition
Tips). Edited by Lisa
DeSpain. For Voice. Book;
CD; Vocal Collection.
Broadway. 224 pages
