Arranged by Percy
Aldridge Grainger, R.
Mark Rogers, and ed./arr.
Adolf Schmid. Full
Orchestra; Performance
Music Ensemble; Single
Titles. Kalmus
Masterworks Library.
Masterwork. Score and
Part(s). LudwigMasters
Publications #36-A936390.
Published by
LudwigMasters
Publications
(AP.36-A936390).
UPC:
659359535758.
English.
One of
Percy Aldridge Grainger's
most popular encores was
improvisations on English
Morris Dance tunes that
he programmed as Country
Gardens. An instant hit,
Grainger finalized this
setting in spring 1918,
and after publication in
1919, the sales of the
sheet music broke
publishing records and
brought in the sort of
steady income that is the
envy of composers
everywhere. While he used
the funds to subsidize
the careers of many
fellow artists, Grainger
became so identified with
this rather lightweight
piece that he came to
despise it. Publisher G.
Schirmer, wishing to
capitalize on the
popularity of Country
Gardens, assigned Adolf
Schmid, one of their
in-house writers, to
create this excellent
orchestral version
published in 1925. Schmid
was an Austrian-American
composer of some stature
who, as a staff writer
for the firm G. Schirmer,
created orchestral
versions of Grainger's
Irish Tune from County
Derry and Children's
March, as well as music
by numerous other
composers. Schmid's
orchestration served as
the source material for a
band version of Country
Gardens that appeared in
1931, attributed to Tom
Clark. The following note
appeared on the concert
band Synoptic Score (a
most un-Grainger-like
term): String-Bass and
Harp (or any other) parts
from Adolf Schmid's
Arrangement of this
number for orchestra
(Galaxy No. 269) may be
used with this band
arrangement, affirming
the relationship between
Schmid's orchestration
and Clark's band version.
This edition has been
revised and edited by R.
Mark Rogers.
Instrumentation: 2(2nd
dPicc).2.2.2: 4.2.3.1:
Timp.Perc(4-5):
Hp.Pno(opt.):
Str(9.8.7.6.5 in
set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Arranged by Percy
Aldridge Grainger, R.
Mark Rogers, and ed./arr.
Adolf Schmid. Full
Orchestra. Kalmus
Masterworks Library.
Masterwork. Score.
LudwigMasters
Publications #36-A936301.
Published by
LudwigMasters
Publications
(AP.36-A936301).
ISBN
9798892705585. UPC:
659359956157.
English.
One of
Percy Aldridge Grainger's
most popular encores was
improvisations on English
Morris Dance tunes that
he programmed as Country
Gardens. An instant hit,
Grainger finalized this
setting in spring 1918,
and after publication in
1919, the sales of the
sheet music broke
publishing records and
brought in the sort of
steady income that is the
envy of composers
everywhere. While he used
the funds to subsidize
the careers of many
fellow artists, Grainger
became so identified with
this rather lightweight
piece that he came to
despise it. Publisher G.
Schirmer, wishing to
capitalize on the
popularity of Country
Gardens, assigned Adolf
Schmid, one of their
in-house writers, to
create this excellent
orchestral version
published in 1925. Schmid
was an Austrian-American
composer of some stature
who, as a staff writer
for the firm G. Schirmer,
created orchestral
versions of Grainger's
Irish Tune from County
Derry and Children's
March, as well as music
by numerous other
composers. Schmid's
orchestration served as
the source material for a
band version of Country
Gardens that appeared in
1931, attributed to Tom
Clark. The following note
appeared on the concert
band Synoptic Score (a
most un-Grainger-like
term): String-Bass and
Harp (or any other) parts
from Adolf Schmid's
Arrangement of this
number for orchestra
(Galaxy No. 269) may be
used with this band
arrangement, affirming
the relationship between
Schmid's orchestration
and Clark's band version.
This edition has been
revised and edited by R.
Mark Rogers.
Instrumentation: 2(2nd
dPicc).2.2.2: 4.2.3.1:
Timp.Perc(4-5):
Hp.Pno(opt.):
Str(9.8.7.6.5 in
set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Arranged by Charles
Tomlinson Griffes and
ed./arr. by Gregory
Vaught. Full Orchestra,
Conductor Score & Parts.
Nieweg Performance
Editions. Score and
Part(s). LudwigMasters
Publications #36-A296302.
Published by
LudwigMasters
Publications
(AP.36-A296302).
UPC:
659359760488.
English.
A dream
inspired Charles
Tomlinson Griffes
(1884-1920) to compose
The Pleasure Dome of
Kubla Kahn, based on the
poem by Samuel Taylor
Coleridge. The composer
originally wrote it for
piano in 1912. Four years
later, at the
encouragement of
Ferruccio Busoni, he
expanded it into a
shimmering symphonic
poem. Following the first
performance in the autumn
of 1919 under the
direction of Pierre
Monteux, it achieved
great success and remains
one of his most
frequently-performed
works today. The work
reveals the influence of
French impressionism,
meandering through the
lush gardens of the
legendary palace. This
edition by Gregory Vaught
is part of the Nieweg
Performance Editions
series. Instrumentation:
3(3rd
dPicc).2+EH.2+BCl.3:
4.3.3.1: Timp.Perc(3):
Hp(2).Clst.Pno: Str
(9-8-7-6-5 in set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Arranged by Charles
Tomlinson Griffes and
ed./arr. by Gregory
Vaught. Full Orchestra,
Conductor Score. Nieweg
Performance Editions.
Score. LudwigMasters
Publications #36-A296301.
Published by
LudwigMasters
Publications
(AP.36-A296301).
ISBN
9798892702249. UPC:
659359924736.
English.
A dream
inspired Charles
Tomlinson Griffes
(1884-1920) to compose
The Pleasure Dome of
Kubla Kahn, based on the
poem by Samuel Taylor
Coleridge. The composer
originally wrote it for
piano in 1912. Four years
later, at the
encouragement of
Ferruccio Busoni, he
expanded it into a
shimmering symphonic
poem. Following the first
performance in the autumn
of 1919 under the
direction of Pierre
Monteux, it achieved
great success and remains
one of his most
frequently-performed
works today. The work
reveals the influence of
French impressionism,
meandering through the
lush gardens of the
legendary palace. This
edition by Gregory Vaught
is part of the Nieweg
Performance Editions
series. Instrumentation:
3(3rd
dPicc).2+EH.2+BCl.3:
4.3.3.1: Timp.Perc(3):
Hp(2).Clst.Pno: Str
(9-8-7-6-5 in set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Cantata
for the 3rd day of
Christmas. Composed
by Johann Sebastian Bach.
Edited by Tobias Rimek.
Arranged by Paul Horn.
This edition: urtext. 1x
31.133/21 oboe d'amore 1,
1x 31.133/22 oboe d'amore
2, 1x 31.133/31 cornett.
Stuttgart Urtext Edition:
Bach vocal. Harmony
parts. Sacred vocal
music, Christmas. Set of
Orchestra Parts. Composed
1724. BWV 133. Duration
20 minutes. Carus Verlag
#CV 31.133/09. Published
by Carus Verlag
(CA.3113309).
ISBN
9790007207977. Language:
German.
The cantata
Ich freue mich in dir was
first performed during
Bach's second year as
Thomaskantor, on the 3rd
day of Christmas, and
belongs to the so-called
annual cycle of chorale
cantatas. Here the focus
of the composition is the
hymn of the same name by
Philipp Ziegler, in which
the first and final
strophes were adopted,
word for word, in the
first and sixth movements
of the cantata. The
soprano, which carries
the chorale, is supported
by the conrnett (Zink),
which already at this
time had become a
seldom-used instrument.
The joyful, lively choral
movement with
instrumental interludes
directly follows the
first aria, and begins
with a marked, ascending
motive at the word
Getrost! (safely). The
oboes d'amore which
accompany the alto lend
the movement a special
color. In the second aria
(for soprano), Bach again
shows himself to be the
master of text
interpretation. The words
Wie lieblich klingt es in
den Ohren are emphasized
in an exchange between
open strings and
sixteenth note figures.
Score and parts available
separately - see item
CA.3113300.
Composed
by Chris Ferguson.
Beginning Band (BPS).
Full score. With Standard
notation. 16 pages. Carl
Fischer Music #BPS120F.
Published by Carl Fischer
Music (CF.BPS120F).
ISBN 9781491152744.
UPC:
680160910243.
An
exceptionally clever
idea, to combine the
standard bugle calls into
an easy march for
beginning students.Â
It is something they
already know, and can be
successful on right
away. We are
delighted to welcome
composer/educator Chris
Ferguson to the Carl
Fischer catalog. He
brings a wealth of
experience working with
beginners that has
translated into this
wonderful new march for
young
students. Reveille
March is inspired by the
bugle calls found
throughout military
history.The “Rev
eille†call is the
signal used to awaken the
troops for morning roll
call and accompanies the
raising of the
flag. At the
conductor’s
discretion, the soli
sections (measures 29 and
37) may also be performed
as solos in reference to
the traditional solo
bugle call.“To the
Color†(measure 49)
is used to signal the end
of a soldier’s
day. It is also used when
a full band is not
available to render
honors and commands all
the same courtesies as
our National Anthem.
Solo Piano SKU: AP.36-M195091 Composed by Heitor Villa Lobos. Method/Inst...(+)
Solo Piano
SKU:
AP.36-M195091
Composed by Heitor Villa
Lobos.
Method/Instruction;
Piano, Solo,
Unaccompanied; Reference
Textbooks; Solo; Solo
Small Ensembles. Master
Piano Series. Book.
LudwigMasters
Publications #36-M195091.
Published by
LudwigMasters
Publications
(AP.36-M195091).
ISBN
9798888522202. UPC:
676737509934.
English.
In effort
to reform the music
educational system of
Brazil during his tenure
as Superindendência de
Educação Musical e
Artistica, Heitor
Villa-Lobos (1887-1959)
compiled folk songs from
various parts of the
country in a multi-album
series called Guia
prático. This
collection of piano
pieces is from that
collection. 1. O
pastorzinho (Le petit
berger), 2. João
Cambuête (Jean
Cambuete), 3. A freira
(La Religieuse), 4.
Garibaldi foi à missa
(Garibaldi a ete a la
messe), 5. O pião (La
Toupte).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
From
the New World -
Urtext. Composed by
Antonin Dvorak. Edited by
Christian R. Riedel.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
revised new edition of
score and orchestral
parts
Symphony;
Romantic. Part. 16 pages.
Duration 45'. Breitkopf
and Haertel #OB 5198-19.
Published by Breitkopf
and Haertel
(BR.OB-5198-19).
ISBN
9790004330494. 10 x 12.5
inches.
Dvorak's
masterpiece is now even
more practicalDvorak's
Symphony From the New
World, considered his
opus summum by many, is
one the most widely
performed of all
symphonies. The edition
already published in 1990
by Breitkopf & Hartel has
been established
internationally as an
authoritative edition not
least because it is based
on parts first used in
the 1893 New York
premiere. This very
revealing source had
until then been
considered lost.The new
edition now published in
large orchestral format
(25.0 x 32.0 cm), still
has in store, however,
quite a few further
additions and
improvements: The layout
of the string parts is
now more practically
oriented; the well-known
(ever repeated) problems
of page turns in the
earlier editions could
also finally be solved.
The trombone parts I/II
notated to date in the
alto clef (as done by
Dvorak) are reproduced
according to present-day
orchestral practice in
the tenor
clef.
Revised new
edition of score and
orchestral parts.
From
the New World -
Urtext. Composed by
Antonin Dvorak. Edited by
Christian R. Riedel.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
revised new edition of
score and orchestral
parts
Symphony;
Romantic. Part. 12 pages.
Duration 45'. Breitkopf
and Haertel #OB 5198-27.
Published by Breitkopf
and Haertel
(BR.OB-5198-27).
ISBN
9790004330517. 10 x 12.5
inches.
Dvorak's
masterpiece is now even
more practicalDvorak's
Symphony From the New
World, considered his
opus summum by many, is
one the most widely
performed of all
symphonies. The edition
already published in 1990
by Breitkopf & Hartel has
been established
internationally as an
authoritative edition not
least because it is based
on parts first used in
the 1893 New York
premiere. This very
revealing source had
until then been
considered lost.The new
edition now published in
large orchestral format
(25.0 x 32.0 cm), still
has in store, however,
quite a few further
additions and
improvements: The layout
of the string parts is
now more practically
oriented; the well-known
(ever repeated) problems
of page turns in the
earlier editions could
also finally be solved.
The trombone parts I/II
notated to date in the
alto clef (as done by
Dvorak) are reproduced
according to present-day
orchestral practice in
the tenor
clef.
Revised new
edition of score and
orchestral parts.
From
the New World -
Urtext. Composed by
Antonin Dvorak. Edited by
Christian R. Riedel.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
revised new edition of
score and orchestral
parts
Symphony;
Romantic. Part. 16 pages.
Duration 45'. Breitkopf
and Haertel #OB 5198-23.
Published by Breitkopf
and Haertel
(BR.OB-5198-23).
ISBN
9790004330500. 10 x 12.5
inches.
Dvorak's
masterpiece is now even
more practicalDvorak's
Symphony From the New
World, considered his
opus summum by many, is
one the most widely
performed of all
symphonies. The edition
already published in 1990
by Breitkopf & Hartel has
been established
internationally as an
authoritative edition not
least because it is based
on parts first used in
the 1893 New York
premiere. This very
revealing source had
until then been
considered lost.The new
edition now published in
large orchestral format
(25.0 x 32.0 cm), still
has in store, however,
quite a few further
additions and
improvements: The layout
of the string parts is
now more practically
oriented; the well-known
(ever repeated) problems
of page turns in the
earlier editions could
also finally be solved.
The trombone parts I/II
notated to date in the
alto clef (as done by
Dvorak) are reproduced
according to present-day
orchestral practice in
the tenor
clef.
Revised new
edition of score and
orchestral parts.
From
the New World -
Urtext. Composed by
Antonin Dvorak. Edited by
Christian R. Riedel.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
revised new edition of
score and orchestral
parts
Symphony;
Romantic. Set of parts.
230 pages. Duration 45'.
Breitkopf and Haertel #OB
5198-30. Published by
Breitkopf and Haertel
(BR.OB-5198-30).
ISBN
9790004330524. 10 x 12.5
inches.
Dvorak's
masterpiece is now even
more practicalDvorak's
Symphony From the New
World, considered his
opus summum by many, is
one the most widely
performed of all
symphonies. The edition
already published in 1990
by Breitkopf & Hartel has
been established
internationally as an
authoritative edition not
least because it is based
on parts first used in
the 1893 New York
premiere. This very
revealing source had
until then been
considered lost.The new
edition now published in
large orchestral format
(25.0 x 32.0 cm), still
has in store, however,
quite a few further
additions and
improvements: The layout
of the string parts is
now more practically
oriented; the well-known
(ever repeated) problems
of page turns in the
earlier editions could
also finally be solved.
The trombone parts I/II
notated to date in the
alto clef (as done by
Dvorak) are reproduced
according to present-day
orchestral practice in
the tenor
clef.
Revised new
edition of score and
orchestral parts.
For Orchestra.
Composed by Charles
Wuorinen. Score. Peters
Contemporary Library.
20th Century. Score.
Composed 1991. 182 pages.
Duration 00:30:00.
Edition Peters
#98-EP67394. Published by
Edition Peters
(PE.EP67394).
ISBN
9790300739311. 297 x
420mm inches.
This
product is Printed on
Demand and may take
several weeks to fulfill.
Please order from your
favorite retailer.
About Peters
Contemporary
Library
Ma
rk Andre Milton
Babbitt Daniel
Bjarnason Earle
Brown John
Cage Henry
Cowell James
Dillon Jonathan
Dove Brian
Ferneyhough Roxanna
Panufnik Rebecca
Saunders Erkki-Sven
Tuur Charles
Wuorinen
These
are just a few of the
composers whose most
adventurous scores are
now available to purchase
through the Peters
Contemporary Library. A
new global initiative of
the Edition Peters Group,
the Peters Contemporary
Library is a project
designed to put these
bold 20th- and
21st-century works, once
available only for
rental, into the
collections of libraries,
performers, scholars, and
conductors alike.
Kicked off in 2016,
the Peters Contemporary
Library already contains
many cutting-edge works
and is constantly
expanding. We are proud
to offer these bold new
scores for sale, for the
first time ever, to
modern musicians and
students of music all
around the world.
Composed by Nicholas
Palmer. Performance Music
Ensemble; Quartet; String
Quartet. Latham Music.
Christmas. Score and
Part(s). LudwigMasters
Publications
#36-52703587. Published
by LudwigMasters
Publications
(AP.36-52703587).
ISBN
9781628761917. UPC:
746241204967.
English.
From
ethereal and mystical to
virtuosic, these
arrangements evoke the
true Christmas spirit.
There are some tricky
rhythms and keys, so
individual practice is
recommended for these
tunes. You will find they
are well worth the
effort! Titles included:
Bring a Torch, Jeanette,
Isabella; Silent Night;
Joy to the World; Away in
a Manger; God Rest Ye
Merry, Gentlemen; Wexford
Carol and Pat-a-Pan.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
A Ballet. Composed
by Charles Wuorinen.
Score. Peters
Contemporary Library.
20th Century. Score and
Part(s). Composed 1993.
160 pages. Duration
00:25:00. Edition Peters
#98-EP67545. Published by
Edition Peters
(PE.EP67545).
ISBN
9790300741475. 297 x
420mm inches.
This
product is Printed on
Demand and may take
several weeks to fulfill.
Please order from your
favorite retailer.
About Peters
Contemporary
Library
Ma
rk Andre Milton
Babbitt Daniel
Bjarnason Earle
Brown John
Cage Henry
Cowell James
Dillon Jonathan
Dove Brian
Ferneyhough Roxanna
Panufnik Rebecca
Saunders Erkki-Sven
Tuur Charles
Wuorinen
These
are just a few of the
composers whose most
adventurous scores are
now available to purchase
through the Peters
Contemporary Library. A
new global initiative of
the Edition Peters Group,
the Peters Contemporary
Library is a project
designed to put these
bold 20th- and
21st-century works, once
available only for
rental, into the
collections of libraries,
performers, scholars, and
conductors alike.
Kicked off in 2016,
the Peters Contemporary
Library already contains
many cutting-edge works
and is constantly
expanding. We are proud
to offer these bold new
scores for sale, for the
first time ever, to
modern musicians and
students of music all
around the world.
Violin 1 (3(3.picc).2.cor ang.2.2.dble bsn - 4.3.3.1 - timp - perc - hp - str) <...(+)
Violin 1 (3(3.picc).2.cor
ang.2.2.dble bsn -
4.3.3.1 - timp - perc -
hp - str)
SKU:
BR.OB-5709-15
Tone
Poem for Large Orchestra
after N. Lenau -
Urtext. Composed by
Richard Strauss. Edited
by Nick Pfefferkorn.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Symphonic poem; Early
modern. Part. 12 pages.
Duration 19'. Breitkopf
and Haertel #OB 5709-15.
Published by Breitkopf
and Haertel
(BR.OB-5709-15).
ISBN
9790004348321. 10 x 12.5
inches.
Strauss
third tone poem Don Juan
was composed in spring
1888. This work is
already an impressive
demonstration of the
composer's newly acquired
confidence in mastering
the orchestral apparatus.
Already completed in the
fall, it took over a year
until its premiere in
Weimar on November 11,
1889. Breitkopf &
Hartel's new Urtext
edition assesses not only
the autograph and the
first edition, but also
for the first time the
parts used under the
composer's direction,
resulting in some
surprisingly new
readings. An extensive
preface, facsimile pages,
and a detailed critical
report round off this
authoritative Urtext
edition.
First
Urtext edition since the
first edition. Evaluation
of all available sources,
including some orchestral
parts used by Strauss. A
detailed critical report.
Complete orchestral
material available for
purchase.
Concert Band; Orchestra
2.1+EH.2+BCl.2: Asax:
4.0.3.0: Timp: Hp: Str
(4-4-3-3-3 in set): Solo
Tenor
SKU:
AP.36-A289701
Composed by Georges
Hartmann (pseudonym Henri
Grémont) after Die
Leiden des jungen
Werthers by Johann
Wolfgang von Goethe,
Jules Massenet/ Libretto
by Édouard Blau, and
Paul Milliet. Serious
Opera, Orchestra
Accompaniment, Conductor
Score. Kalmus Opera
Library. Score.
LudwigMasters
Publications #36-A289701.
Published by
LudwigMasters
Publications
(AP.36-A289701).
ISBN
9798892702232. UPC:
659359552748.
English.
WERTHER,
an opera in four acts by
Jules Massenet
(1842-1912), found its
inspiration in a novel by
Goethe, The Sorrows of
Young Werther, which in
turn based its story on
the actual suicide of a
young man haunted with
adoration for a married
woman. First performed on
February 16, 1892 in
Vienna, it quickly
reached the stage of the
Theatre Lyrique in Paris
but faltered due to its
serious subject matter.
The growing success of
Massenet's opera Manon
allowed it to be
introduced to Germany.
From there, it achieved
fame in opera houses
across the world. In the
third act, Werther sings
Pourquoi me réveiller?
(Why do you awaken me, oh
breath of spring?),
contrasting his blissful
realization that
Charlotte has accepted
his love with the
impending realization
that their happiness
cannot last. Reprint
edition. Instrumentation:
2.1+EH.2+BCl.2: Asax:
4.0.3.0: Timp: Hp: Str
(4-4-3-3-3 in set): Solo
Tenor.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra
2.1+EH.2+BCl.2: Asax:
4.0.3.0: Timp: Hp: Str
(4-4-3-3-3 in set): Solo
Tenor
SKU:
AP.36-A289702
Composed by Georges
Hartmann (pseudonym Henri
Grémont) after Die
Leiden des jungen
Werthers by Johann
Wolfgang von Goethe,
Jules Massenet/ Libretto
by Édouard Blau, and
Paul Milliet. Serious
Opera, Orchestra
Accompaniment, Conductor
Score & Parts. Kalmus
Opera Library. Score and
Part(s). LudwigMasters
Publications #36-A289702.
Published by
LudwigMasters
Publications
(AP.36-A289702).
UPC:
659359961236.
English.
WERTHER,
an opera in four acts by
Jules Massenet
(1842-1912), found its
inspiration in a novel by
Goethe, The Sorrows of
Young Werther, which in
turn based its story on
the actual suicide of a
young man haunted with
adoration for a married
woman. First performed on
February 16, 1892 in
Vienna, it quickly
reached the stage of the
Theatre Lyrique in Paris
but faltered due to its
serious subject matter.
The growing success of
Massenet's opera Manon
allowed it to be
introduced to Germany.
From there, it achieved
fame in opera houses
across the world. In the
third act, Werther sings
Pourquoi me réveiller?
(Why do you awaken me, oh
breath of spring?),
contrasting his blissful
realization that
Charlotte has accepted
his love with the
impending realization
that their happiness
cannot last. Reprint
edition. Instrumentation:
2.1+EH.2+BCl.2: Asax:
4.0.3.0: Timp: Hp: Str
(4-4-3-3-3 in set): Solo
Tenor.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Vio...(+)
Concert Band; Orchestra
2.2.2.2: 4.2.0.0: Timp:
Str (9-8-7-6-5 in set):
Solo Violin in set
SKU: AP.36-A134702
Composed by Johannes
Brahms. Full Orchestra,
Solo Strings with
Ensemble, Conductor Score
& Parts. Kalmus Orchestra
Library. Score and
Part(s). LudwigMasters
Publications #36-A134702.
Published by
LudwigMasters
Publications
(AP.36-A134702).
UPC:
659359985690.
English.
Johannes
Brahms (1833-1897) wrote
his Violin Concerto in D
major, Op. 77, in 1878.
He composed the work for
his longtime friend,
famed violinist Joseph
Joachim, who premiered it
in Leipzig with the
Gewandhaussaal on January
1, 1879, Brahms himself
conducting. The program
also included, at
Joachim's insistence,
Beethoven's Violin
Concerto in D major, Op.
61, on which Brahms
modeled his own concerto.
While the critical
reception of the time was
mixed, the audiences at
the various early
performances received the
work well. Most
complaints directed at
the concerto addressed
the role of the solo
violin, noting that the
soloist does not offer
much of the melodic
material or include much
in the way virtuosic
passages, a consequence
of looking more towards
Beethoven's serious
aesthetic rather than
Paganini's flashy one.
Joachim himself, before a
falling out with the
composer over personal
reasons, included Brahms'
concerto among the best
German offered, saying:
The Germans have four
violin concertos. The
greatest, most
uncompromising is
Beethoven's. The one by
Brahms vies with it in
seriousness. The richest,
the most seductive, was
written by Max Bruch. But
the most inward, the
heart's jewel, is
Mendelssohn's.
Instrumentation: 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Violin in set.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Vio...(+)
Concert Band; Orchestra
2.2.2.2: 4.2.0.0: Timp:
Str (9-8-7-6-5 in set):
Solo Violin in set
SKU: AP.36-A134748
Composed by Johannes
Brahms. Full Orchestra,
Solo Strings with
Ensemble, Solo Violin
Part. Kalmus Orchestra
Library. Part(s).
LudwigMasters
Publications #36-A134748.
Published by
LudwigMasters
Publications
(AP.36-A134748).
ISBN
9798888529850. UPC:
659359935244.
English.
Johannes
Brahms (1833-1897) wrote
his Violin Concerto in D
major, Op. 77, in 1878.
He composed the work for
his longtime friend,
famed violinist Joseph
Joachim, who premiered it
in Leipzig with the
Gewandhaussaal on January
1, 1879, Brahms himself
conducting. The program
also included, at
Joachim's insistence,
Beethoven's Violin
Concerto in D major, Op.
61, on which Brahms
modeled his own concerto.
While the critical
reception of the time was
mixed, the audiences at
the various early
performances received the
work well. Most
complaints directed at
the concerto addressed
the role of the solo
violin, noting that the
soloist does not offer
much of the melodic
material or include much
in the way virtuosic
passages, a consequence
of looking more towards
Beethoven's serious
aesthetic rather than
Paganini's flashy one.
Joachim himself, before a
falling out with the
composer over personal
reasons, included Brahms'
concerto among the best
German offered, saying:
The Germans have four
violin concertos. The
greatest, most
uncompromising is
Beethoven's. The one by
Brahms vies with it in
seriousness. The richest,
the most seductive, was
written by Max Bruch. But
the most inward, the
heart's jewel, is
Mendelssohn's.
Instrumentation: 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Violin in set.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Vio...(+)
Concert Band; Orchestra
2.2.2.2: 4.2.0.0: Timp:
Str (9-8-7-6-5 in set):
Solo Violin in set
SKU: AP.36-A134701
Composed by Johannes
Brahms. Full Orchestra,
Solo Strings with
Ensemble, Conductor
Score. Kalmus Orchestra
Library. Score.
LudwigMasters
Publications #36-A134701.
Published by
LudwigMasters
Publications
(AP.36-A134701).
ISBN
9798888529843. UPC:
659359537080.
English.
Johannes
Brahms (1833-1897) wrote
his Violin Concerto in D
major, Op. 77, in 1878.
He composed the work for
his longtime friend,
famed violinist Joseph
Joachim, who premiered it
in Leipzig with the
Gewandhaussaal on January
1, 1879, Brahms himself
conducting. The program
also included, at
Joachim's insistence,
Beethoven's Violin
Concerto in D major, Op.
61, on which Brahms
modeled his own concerto.
While the critical
reception of the time was
mixed, the audiences at
the various early
performances received the
work well. Most
complaints directed at
the concerto addressed
the role of the solo
violin, noting that the
soloist does not offer
much of the melodic
material or include much
in the way virtuosic
passages, a consequence
of looking more towards
Beethoven's serious
aesthetic rather than
Paganini's flashy one.
Joachim himself, before a
falling out with the
composer over personal
reasons, included Brahms'
concerto among the best
German offered, saying:
The Germans have four
violin concertos. The
greatest, most
uncompromising is
Beethoven's. The one by
Brahms vies with it in
seriousness. The richest,
the most seductive, was
written by Max Bruch. But
the most inward, the
heart's jewel, is
Mendelssohn's.
Instrumentation: 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Violin in set.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Chamber Music Bass Flute, Piano SKU: PR.114418900 Composed by Daniel Dorf...(+)
Chamber Music Bass Flute,
Piano
SKU:
PR.114418900
Composed
by Daniel Dorff. Set of
Score and Parts. 24+8
pages. Duration 14
minutes. Theodore Presser
Company #114-41890.
Published by Theodore
Presser Company
(PR.114418900).
ISBN
9781491129517. UPC:
680160668632.
A
welcome addition to the
bass flute repertoire,
Dorff’s 14-minute
sonata is designed as two
pairs of slow-fast
movements. While composed
as a complete 4-movement
sonata, either half may
be performed alone as a
7-minute recital work.
The movement titles are:
I. Sprawling, burbling;
II. Sparkling,
glistening; III. Under
Winter; and IV. Spring
Spirits. When Peter
Sheridan commissioned me
to write a piece for bass
flute and piano, his only
requests were a
sonata-like
multi-movement work, and
some kind of reference to
New York, where we both
grew up. Just the thought
of a bass flute, with its
broad and mighty
airstream, already
reminded me of the mighty
Hudson River: from the
dense woods of upstate
New York, through the
beautiful landscapes of
New Paltz and
Poughkeepsie, down
through the celebrated
Manhattan waterway.As I
daydreamed how to build a
sonata inspired by the
Hudson, I thought of its
deep primal nature carved
by the Ice Age, and the
life within the river and
on its shores long before
humans arrived. I thought
of how the river’s
magnetism drew Native
Americans who honored and
built their lives around
it. I thought of
beautiful trees and
wildlife, the annual
cycles of ecosystems, and
the natural symbiosis
between the river itself,
the life within, and the
life on land spawned by
the river’s
resources.I wondered what
if Thoreau had sat by the
Hudson rather than by
Walden Pond; I wondered
what if Hesse had set
Siddhartha in the Hudson
Valley with this river as
his metaphor for the flow
of life and time.I
wondered whether the
sonata should flow from
north to south, or have
chronological references.
I wondered if I should
allude to the many poets
and painters who have
drawn inspiration from
the mighty Hudson. Every
thought led to the
river’s essence,
its own spirit and life
— flowing through
raw nature, from skinny
trickles to mightiness
spawning cities;
supporting subtle life,
and becoming a central
commons for human
societies.The subtitle
Spirit of the Hudson
brings it all together.*
* *The sonata is built in
4 movements, with formal
inspiration from the
Baroque: A slow Mvt. 1
“Sprawling,
burbling†leads
directly to the rapid
Mvt. 2 “Sparkling,
glistening,â€
followed by another
slow-fast pair: Mvt. 3
“Under
Winter†which leads
directly into Mvt. 4
“Spring
Spirits.†In
addition to performances
of the complete sonata,
either pair of movements
may be performed on its
own for a shorter concert
segment.SONATA (SPIRIT OF
THE HUDSON) was premiered
at the International Low
Flutes Festival in April
2018 by its commissioner,
bass flutist Peter
Sheridan, with Hyeeun
Hahm as pianist.
Violin 2 (3(3.picc).2.cor ang.2.2.dble bsn - 4.3.3.1 - timp - perc - hp - str) <...(+)
Violin 2 (3(3.picc).2.cor
ang.2.2.dble bsn -
4.3.3.1 - timp - perc -
hp - str)
SKU:
BR.OB-5709-16
Tone
Poem for Large Orchestra
after N. Lenau -
Urtext. Composed by
Richard Strauss. Edited
by Nick Pfefferkorn.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Symphonic poem; Early
modern. Part. 12 pages.
Duration 19'. Breitkopf
and Haertel #OB 5709-16.
Published by Breitkopf
and Haertel
(BR.OB-5709-16).
ISBN
9790004348338. 10 x 12.5
inches.
Strauss
third tone poem Don Juan
was composed in spring
1888. This work is
already an impressive
demonstration of the
composer's newly acquired
confidence in mastering
the orchestral apparatus.
Already completed in the
fall, it took over a year
until its premiere in
Weimar on November 11,
1889. Breitkopf &
Hartel's new Urtext
edition assesses not only
the autograph and the
first edition, but also
for the first time the
parts used under the
composer's direction,
resulting in some
surprisingly new
readings. An extensive
preface, facsimile pages,
and a detailed critical
report round off this
authoritative Urtext
edition.
First
Urtext edition since the
first edition. Evaluation
of all available sources,
including some orchestral
parts used by Strauss. A
detailed critical report.
Complete orchestral
material available for
purchase.
Orchestra Soli SATBB,
SATB Choir, 2 Fl, 2 Ob
(auch 1 Obda), Fg, 2 Cor,
3 Tr, Timp, 2 Vl, Va, Vc,
Bc
SKU: CA.3914209
Composed by Georg Philipp
Telemann. Edited by Silja
Reidemeister. Arranged by
Sven Hiemke. 1x 39.142/21
flute 1, 1x 39.142/22
flute 2, 1x 39.142/23
Oboe/ Oboe da caccia, 1x
39.142/24 oboe 2, 1x
39.142/25 bassoon, 1x
39.142/31 horn, 4x
39.142/32 3 trumpets and
timpani. Stuttgart Urtext
Edition: Telemann-Archiv.
Harmony parts. Sacred
vocal music. Set of
Orchestra Parts. Composed
1756/1760. TVWV 6:3.
Duration 40 minutes.
Carus Verlag #CV
39.142/09. Published by
Carus Verlag
(CA.3914209).
ISBN
9790007216269. Language:
German.
The
ambitious late work of
Georg Philipp Telemann,
consciously dedicated to
vocal composition, begins
with the Donner-Ode
(1756/1760). As a symbol
thunder represents the
forces of nature, here in
close connection to the
traumatic earthquake of
Lisbon in 1755. The
characteristic
arrangement of the vocal
parts and the scoring
with three trumpets, the
soloistic use of the
timpani and instrumental
ensemble made this
avant-garde work popular
and well known already
during the composer's
lifetime. The new edition
presented here takes into
consideration important,
newly discovered sources
such as the autograph of
the first part. Score and
parts available
separately - see item
CA.3914200.