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Ritt, David
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Piano Trios on Stage (AUTEURS DIVERS / BROOKER DAVID (Arr)
26.40
Piano Trios on Stage (AUTEURS DIVERS / BROOKER DAVID (Arr)
Violon Ou Flûte, Violoncelle Et Piano
[Partition]
Universal Edition
Intermediate-level arrangements of well-known Classical and Romantic works. Par ...
(+)
Intermediate-level arrangements of well-known Classical and Romantic works. Par AUTEURS DIVERS / BROOKER DAVID (Arr.). In his preface to 'Piano Trios on Stage”, the arranger, David Brooker, reminds us that, just as the string quartet, the piano trio has always been one of the pillars of chamber music. In the 19th and early 20th century, it was almost like the later invention of the gramophone record, allowing larger works, in arrangement, as well as lighter pieces to be presented to small audiences, often as background music. David comments that string players have plenty of easy material to introduce them to the pleasure of making music with other instrumentalists but when it comes to piano parts these are usually written or arranged with a teacher or more advanced student in mind. David sets out to rectify that imbalance and his arrangements aim to put all three players on an equal footing. Of easy to intermediate standard, they are ideal for violinists, cellists and pianists who are now ready to try their hand at proper chamber music. The music is fun and instantly recognizable, drawing on Grieg's 'Peer Gynt”, Tchaikovsky's 'Nutcracker” and Leopold Mozart's 'Musical Sleigh Ride”./ Recueil / Violon Ou Flûte, Violoncelle Et Piano
26.40 EUR - vendu par LMI-partitions
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South Africa (LIEBMAN DAVID)
23.00
South Africa (LIEBMAN DAVID)
Advance Music
Par LIEBMAN DAVID. For Bb soprano saxophone or clarinet and viola or Eb alto sax...
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Par LIEBMAN DAVID. For Bb soprano saxophone or clarinet and viola or Eb alto sax South Africa was originally written to feature the texture of the soprano saxophone with viola, the performance can be adapted to other instruments as indicated on the score or others within the written range. Although the piece is not specifically by African music, it is dedicated to Nelson Mandela upon his release from prison. The writing alternates between counter and synchronized lines - the same is true for other pairings such as dissonance/consonance, changing tempos and dynamics. The challenge is to get the piece to flow through these many shifts of texture. Towards the conclusion there is some space (optional) for improvising using the suggested written notes and intervals as the source material for both instruments. Medium advanced/ Répertoire / Saxophone Soprano (Clarinette ou Violon) et Alto
23.00 EUR - vendu par LMI-partitions
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Relief IX (‘Scottish’) (KRZANOWSKI ANDRZEJ)
54.50
Relief IX (‘Scottish’) (KRZANOWSKI ANDRZEJ)
Quatuor à Cordes et Enregistrement
PWM (Polskie Wydawnictwo Muzyczne)
Par KRZANOWSKI ANDRZEJ. Despite the rich palette of colours and articulation, Re...
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Par KRZANOWSKI ANDRZEJ. Despite the rich palette of colours and articulation, Relief IX is a static work, and its slowed narrative creates the impression of being stretched out over time, thereby leading the listener into an unreal, unfamiliar world. This composition has often been described as a surrealistic and contemplative work. As Andrzej Chlopecki wrote: ‘[Relief IX] directs its expression towards sur-real realms, departing from the composer’s previous strategies’. This work was written to commission for the Polish Realities festival in Glasgow (hence its nickname: Relief IX (‘Scottish’). The tape component was recorded in collaboration with David MacKenzie of Glasgow University’s Electronic Music Studio. That is also where the work was first performed, by the Paragon Ensemble and BEAST group under the direction of David Davies, on 19 November 1988. The first Polish presentation of Relief IX was given by the Silesian Quartet on 16 September 1989 during the 32nd ‘Warsaw Autumn’ International Festival of Contemporary Music. Relief IX was dedicated to Józef Patkowski, who founded Polish Radio’s Experimental Studio, and to the ‘Warsaw Autumn’ festival. Grazyna Krzanowska translated by John Comber / Date parution : 2022-11-08/ Répertoire / Quatuor à Cordes et Enregistrement
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Sérénade En Ut Mineur KV 388 (MOZART / WALTER D)
61.30
Sérénade En Ut Mineur KV 388 (MOZART / WALTER D)
Quintette à vent
Notissimo
Par MOZART / WALTER D.. Wolfgang Amadeus Mozart 's (1756-1791) Serenade In C Min...
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Par MOZART / WALTER D.. Wolfgang Amadeus Mozart 's (1756-1791) Serenade In C Minor was written by the composer in 1782-83. The work remains widely performed by Wind Octets, making it one of the most significant, substantial works in the wind ensemble repertoire. David Walter 's transcription of Serenade In C Minor, also known as Serenade No. 12, is for Wind Quintet, making the popular work even more accessible and versatile. Serenade In C Minor comprises four movements; 1) Allegro, 2) Andante, 3) Menuet and Trio, and 4) Allegro. Thisedition of Mozart 's Serenade In C Minor for Wind Quintet is essential to all ensembles looking for exciting, yet traditional repertoire./ Répertoire / Quintette à vent
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Trittico (Fl. / Guit. / Cello)
32.40
Trittico (Fl. / Guit. / Cello)
En Français
Orchestre de chambre
Productions OZ
/ Musique De Chambre
32.40 EUR - vendu par LMI-partitions
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