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101 Disney Songs
23.90
101 Disney Songs
Alto seul
[Partition]
Hal Leonard
for Viola. If you play an instrument and you're a Disney fan, you'll love this c...
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for Viola. If you play an instrument and you're a Disney fan, you'll love this collection of 101 favorites to learn and play! Songs include: Beauty and the Beast - Can You Feel the Love Tonight - A Dream Is a Wish Your Heart Makes - Evermore - Go the Distance - He's a Pirate - I See the Light - Kiss the Girl - Let It Go - Mickey Mouse March - Reflection - A Spoonful of Sugar - True Love's Kiss - We're All in This Together - When You Wish upon a Star - A Whole New World - You've Got a Friend in Me - Zip-A-Dee-Doo-Dah - and more./ Recueil / Alto
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The Songs (LLOYD WEBBER ANDREW)
17.40
The Songs (LLOYD WEBBER ANDREW)
Alto seul
[Partition]
Hal Leonard
40 Of His Greatest Hits. Par LLOYD WEBBER ANDREW. 40 of the most memorable songs...
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40 Of His Greatest Hits. Par LLOYD WEBBER ANDREW. 40 of the most memorable songs composed by the inimitable Andrew Lloyd Webber are gathered in this value-packed instrumental solo collection. Songs include: Amigos Para Siempre (Friends for Life) - Any Dream Will Do - Don't Cry for Me Argentina - I Believe My Heart - I Don't Know How to Love Him - Learn to Be Lonely - Love Changes Everything - Memory - No Matter What - The Phantom of the Opera - Pie Jesu - Starlight Express - Stick It to the Man - Tell Me on a Sunday - 'Til I Hear You Sing - Whistle Down the Wind - With One Look - You Must Love Me - and many more./ Recueil / Alto
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10 Fugues For String Quartet - Book 2 (BACH JOHANN-SEBASTIAN)
31.60
10 Fugues For String Quartet - Book 2 (BACH JOHANN-SEBASTIAN)
Quatuor à cordes: 2 violons, alto, violoncelle
[Conducteur et Parties séparées]
Spartan Press
10 Fugues For String Quartet Vol. 2. Par BACH JOHANN-SEBASTIAN. The idea for the...
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10 Fugues For String Quartet Vol. 2. Par BACH JOHANN-SEBASTIAN. The idea for these arrangements came to me whilst listening to the Hagen Quartet's beautiful recording of the fugues that form part of Haydn's 'Sun Quartets', Op. 20. The spirit and influence of J.S. Bach, in particular his Well Tempered Clavier, Book II, courses through these three miraculous Haydn fugues. Like the viol consort, the string quartet suits this kind of composition (the fugue), with all four instruments sufficiently similar in character to each other to match the extraordinary unity and economy of the counterpoint. A string quartet playing Bach fugues is a good example of a harmonious relationship between form andcontent: just as there is a unifying principle behind the construction of the four string instruments, so there is (usually) a single theme or subject that unifies the construction of a four-part fugue. Thus the form enacts the content, telling you something about the text and message within. Apart from Haydn's and a handful of other composers' wondrous creations, there's little fugal writing for string quartet, at least in comparison with the abundance of other forms. This was another reason to make these arrangements. The quartet offers a melodic independence impossible to achieve on a single instrument. And I believe the technical and interpretative challenges posed by this repertoire and ndash - lightness of sound and rhythmic fluidity, for example - will be very valuable to quartets seeking the holy grail: a unified sound. Perhaps the simplest and most compelling reason for this work is that I just love this music more than I can say. These dazzling pieces, mostly fast, bright and in major keys, show Bach at his most playful, funny and mischievous, composing for an instrument rarely associated with these qualities. And so I'm very happy to offer string quartets these little know fugues, written by my favourite composer - a violinist and violist himself, but above all a master / Classique / Date parution : 2018-05-04/ Répertoire / Quatuor à Cordes
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10 Fugues (BACH JOHANN-SEBASTIAN)
31.60
10 Fugues (BACH JOHANN-SEBASTIAN)
Quatuor à cordes: 2 violons, alto, violoncelle
[Conducteur et Parties séparées]
Spartan Press
For String Quartet Volume 1. Par BACH JOHANN-SEBASTIAN. The idea for these arran...
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For String Quartet Volume 1. Par BACH JOHANN-SEBASTIAN. The idea for these arrangements came to me whilst listening to the Hagen Quartet's beautiful recording of the fugues that form part of Haydn's 'Sun Quartets', Op. 20. The spirit and influence of J.S. Bach, in particular his Well Tempered Clavier, Book II, courses through these three miraculous Haydn fugues. Like the viol consort, the string quartet suits this kind of composition (the fugue), with all four instruments sufficiently similar in character to each other to match the extraordinary unity and economy of the counterpoint. A string quartet playing Bach fugues is a good example of a harmonious relationship between form andcontent: just as there is a unifying principle behind the construction of the four string instruments, so there is (usually) a single theme or subject that unifies the construction of a four-part fugue. Thus the form enacts the content, telling you something about the text and message within. Apart from Haydn's and a handful of other composers' wondrous creations, there's little fugal writing for string quartet, at least in comparison with the abundance of other forms. This was another reason to make these arrangements. The quartet offers a melodic independence impossible to achieve on a single instrument. And I believe the technical and interpretative challenges posed by this repertoire and ndash - lightness of sound and rhythmic fluidity, for example - will be very valuable to quartets seeking the holy grail: a unified sound. Perhaps the simplest and most compelling reason for this work is that I just love this music more than I can say. These dazzling pieces, mostly fast, bright and in major keys, show Bach at his most playful, funny and mischievous, composing for an instrument rarely associated with these qualities. And so I'm very happy to offer string quartets these little know fugues, written by my favourite composer - a violinist and violist himself, but above all a / Classique / Date parution : 2018-05-04/ Répertoire / Quatuor à Cordes
31.60 EUR - vendu par LMI-partitions
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101 JAZZ SONGS FOR VIOLA
23.90
101 JAZZ SONGS FOR VIOLA
Alto seul
[Partition]
Hal Leonard
Par . / Date parution : 2022-11-04/ Recueil / Alto
23.90 EUR - vendu par LMI-partitions
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Billie Eilish For Viola (EILISH BILLIE)
20.60
Billie Eilish For Viola (EILISH BILLIE)
Alto seul
[Partition + Accès audio]
Hal Leonard
Par EILISH BILLIE. Les plus grands tubes de Billie Eilish maintenant disponibles...
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Par EILISH BILLIE. Les plus grands tubes de Billie Eilish maintenant disponibles pour une variété d’instruments. Sommaire : Bad Guy Lovely • Everything I Wanted • No Time to Die • Ocean Eyes et plus. 9 des plus grands succès de Billie Eilish dans des arrangements pour instruments à cordes et à vent solo avec les accompagnements audio./ Recueil / Alto
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101 Most Beautiful Songs
27.10
101 Most Beautiful Songs
Alto seul
[Partition]
Hal Leonard
for Viola. Instrumentalists will love this jam-packed collection of 101 timeless...
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for Viola. Instrumentalists will love this jam-packed collection of 101 timeless pop hits and favorite standards/ Recueil / Alto
27.10 EUR - vendu par LMI-partitions
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Arcadiana (ADES THOMAS)
28.20
Arcadiana (ADES THOMAS)
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Faber Music Limited
Par ADES THOMAS. Composed in 1994 and now firmly established as part of the cont...
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Par ADES THOMAS. Composed in 1994 and now firmly established as part of the contemporary string quartet repertoire, Arcadiana is one of Thomas Adès’s early masterpieces. Six of its seven movements evoke various vanished or vanishing idylls. The odd-numbered movements are all aquatic. I might be the ballad of some lugubrious gondolier; III takes a title and a figuration from a Schubert Lied; in V a ship is seen swirling away to L’Isle Joyeuse; VII is the River of Oblivion. The second and sixth movements inhabit pastoral Arcadias, respectively: Mozart’s ‘Kingdom of Night’, and more local fields. The joker in this pack is the fourth movement, the literal dead centre: Poussin’s tomb bearing the inscription ‘Even in Arcady am I’. / Ensemble Music / Répertoire / Quatuor à Cordes
28.20 EUR - vendu par LMI-partitions
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