Cyclone Ensemble de Percussions [Conducteur et Parties séparées] - Avancé Tapspace Publications
(for percussion ensemble). By Jim Casella. Percussion Ensemble. For 2 marimbas (...(+)
(for percussion
ensemble). By Jim
Casella. Percussion
Ensemble. For 2 marimbas
(low A), glockenspiel,
xylophone, crotales (2
octaves), vibraphone,
chimes, 4 timpani, piano,
6 different suspended
cymbals, thundersheet, 2
zil-bells (high and low),
bell plate, low tom,
floor tom, anvil, opera
gong, 2 snare drums, 3
cowbells, (12 players).
Advanced. Score and parts
on CD-ROM. 30 pages.
Duration 4'40 . Published
by Tapspace Publications
Guitar (classical and lute) SKU: MB.30105M Composed by Tom Bills. Saddle-...(+)
Guitar (classical and
lute)
SKU:
MB.30105M
Composed by
Tom Bills.
Saddle-stitched,
Contemporary, Technique,
Theory and Reference.
Style. Book and online
video. 56 pages. Mel Bay
Publications, Inc
#30105M. Published by Mel
Bay Publications, Inc
(MB.30105M).
ISBN
9780786691692. 8.75 x
11.75 inches.
The
Art Of Lutherie offers a
glimpse into the mind and
craft of luthier Tom
Bills, whom many consider
to be one of the most
talented luthiers today.
In this beautifully
written and enjoyable
read, Tom elegantly and
clearly shares his
best-kept secrets and
methods of custom guitar
making - those which make
his guitars favorites
among top collectors and
players. Toms unique
approach to The Art Of
Lutherie will empower and
inspire you to create
more than just a guitar,
but a truly unique work
of art. The information
that is generously shared
within this insightful
and timeless work is both
practical and applicable.
It contains the same
hard-won wisdom that only
comes from years of
experience and
experimentation that Tom
uses in creating his
inspiring instruments.
Over the years, he has
produced instruments
considered to be some of
the best sounding guitars
ever made. Learning the
steps of how to build a
guitar is important, but
understanding why master
luthiers take those steps
and make those decisions
can empower you to make
your own educated
choices. This will allow
you to create unique
guitars, and the world
needs your art, your
guitars - your important
contribution. The Art Of
Lutherie, a truly unique
and inspiring guide, can
prepare you to reach new
heights when designing
and creating unique
guitars.It is not often I
heap such lavish praise
on people; however, Tom
is in this case more than
deserving: I know of no
other luthier whose work
I respect more. Tom knows
his craft inside and out;
he pours his soul into
every guitar he makes; he
uses cutting-edge science
to guide his work, and it
shows...as head of Artist
Relations and Product
Development at Mel Bay,
it gives me great
pleasure to publish Toms
work, which will no doubt
take the art of lutherie
to a new level. I hope
youll spend some time
soaking in this book - it
will certainly augment
your musicality - Collin
Bay. Includes access to
online video.
A Complete Teach-Yourself Drum Set Course for Students of All Ages. Drum ...(+)
A Complete
Teach-Yourself Drum Set
Course for Students of
All Ages. Drum
Instruction. Instruction.
Softcover with CD. 200
pages. Published by Hal
Leonard (HL.6620128).
2.1
SATB Choir (Organ) SKU: HL.14021606 By Andrew Parker. By Tomas Luis de Vi...(+)
SATB Choir (Organ)
SKU: HL.14021606
By Andrew Parker. By
Tomas Luis de Victoria.
Edited by Andrew Parker.
Music Sales America.
Motet. Book [Softcover].
72 pages. Music Sales
#NOV020691. Published by
Music Sales
(HL.14021606).
ISBN
9781846091841. UPC:
884088434793.
6.75x10.0x0.222
inches.
This
beautifully presented
edition from Novello
offers a full Mass
setting alongside a
Motet, both for large
mixed chorus, by Tomas
Luis De Victoria.
Regarded by many as one
of the greatest composers
of Spanish renaissance
polyphony, this Mass
setting is rich in his
characteristic tonalities
and the textures of the
sacred choral tradition.
Alongside this is the
original Motet upon which
the Mass setting is
based. Both are
transcribed and edited by
Andrew Parker. The
pairing of the two works
offers an exciting and
fascinating performance
opportunity, with the
devout grandeur of the
Mass set against the
modesty of the original
Motet. Missa Dum
Complerentur for SAATTB
voices. Motet: Dum
Complerentur Dies
Pentecostes for SSATB
voices.
Bottomless Pizz. Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Highland/Etling
Composed by Andrew H. Dabczynski. Performance Music Ensemble; Single Titles; Str...(+)
Composed by Andrew H.
Dabczynski. Performance
Music Ensemble; Single
Titles; String Orchestra.
Highland/Etling String
Explorer. Light Concert;
Novelty. Part(s); Score.
72 pages. Highland/Etling
#00-46709. Published by
Highland/Etling
(AP.46709).
Orchestra - Grade 1 SKU: AP.46709S Composed by Andrew H. Dabczynski. Perf...(+)
Orchestra - Grade 1
SKU: AP.46709S
Composed by Andrew H.
Dabczynski. Performance
Music Ensemble; Single
Titles; String Orchestra.
Highland/Etling String
Explorer. Light Concert;
Novelty. Score. 12 pages.
Highland/Etling
#00-46709S. Published by
Highland/Etling
(AP.46709S).
UPC:
038081535227.
English.
The
perfect grade 1 piece for
beginning string
students, Bottomless
Pizz. by Andrew H.
Dabczynski requires no
bows and uses only open
strings and the pitches
of a one-octave D scale.
Remarkably simple but
contemporary-sounding
rhythms, harmonies, and
techniques will captivate
students. Everyone will
delight in the humorous
musical quotes and cool
beat as they discover
what lies far down in the
Bottomless Pizz.
Correlated to String
Explorer Book 1, Unit
12.
Piano Solo SKU: AP.36-M321691 Composed by Robert Nathaniel Dett. Performa...(+)
Piano Solo
SKU:
AP.36-M321691
Composed by Robert
Nathaniel Dett.
Performance Music
Ensemble; Solo Piano.
Ludwig Masters. Score and
Part(s). LudwigMasters
Publications #36-M321691.
Published by
LudwigMasters
Publications
(AP.36-M321691).
UPC:
660355010828.
English.
"In
the Bottoms" is a
Suite of five numbers
giving pictures of moods
or scenes peculiar to
African-American life in
the river bottoms of the
South. It is
similar in its
expression, and in a way
continuation, of the
sentiments already set
forth in the
"Magnolia
Suite," but suggests
ideas incidental to life
in a more particular
geographic territory.
Movements: 1.
Prelude (Night) 2.
His Song 3. Honey
(Humoresque) 4.
Barcarolle (Morning)
5. Dance
(Juba).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Folk. Series: Hal
Leonard Fake Books. 536
pages. 9.6x12 inches.
Published by Hal Leonard.
By Tom Gilland. For Fiddle and Violin. Solos. Fiddle Tunes. Level: Beginning-Int...(+)
By Tom Gilland. For
Fiddle and Violin. Solos.
Fiddle Tunes. Level:
Beginning-Intermediate.
Book. Size 8.5x11. 40
pages. Published by Mel
Bay Publications, Inc.
By Jane Smisor Bastien. Edited by James Bastien. Bastien Piano. Bastien Piano Ba...(+)
By Jane Smisor Bastien.
Edited by James Bastien.
Bastien Piano. Bastien
Piano Basics. Level:
Level 1. Music Recording.
Published by Neil A. Kjos
Music Company.
Piano SKU: LM.23422D Classical. CD. Editions Henry Lemoine #23422D. Publi...(+)
Piano
SKU:
LM.23422D
Classical.
CD. Editions Henry
Lemoine #23422D.
Published by Editions
Henry Lemoine
(LM.23422D).
ISBN
9790231702361.
ABSI
L : Serenade -
Espieglerie - ALAIN :
Nous n'irons plus au bois
- AURIC : Danse francaise
- BERTHOMIEU : L'Ane
capricieux - BITSCH :
Clair matin - BOULNOIS :
Berceuse du petit negre -
CHAILLEY : Frere Jacques
- CLERGUE : Simplement -
Crepuscule -
CLIQUET-PLEYEL : La
Guitare de Ramon - DAMASE
: Pluie - DUTILLEUX :
Bergerie - FRAGGI : Les
Sabots de Cathy -
FRANCAIX : L'Oiseau tombe
du nid - FRANCK : Chant
de la Creuse -
NOEL-GALLON : Promenade
dans le parc - HUBEAU :
Chanson americaine -
JACOB : Blues - KOECHLIN
: Sicilienne - LANDOWSKI
: Les Cailloux du petit
poucet - LELEU : Melodie
- MEUNIER : Tendresse -
MICHAEL : Pour un rayon
de lune - Danse des
gardiens du temple -
PASCAL : Clarinette solo
- PLE : Le Chant du patre
- Devant l'Icone - SANCAN
: Premiere melancolie -
SAS : Pastoral - Ronda -
Cancion - SAUGUET : Le
Manege a vapeur -
TAILLEFERRE : Lavandin de
Haute-Provence - Rose
d'Anjou - THIRIET : Petit
conte - Plantation song -
WIENER : Spiritual.
Choral TBB chorus SKU: CF.CM9588 Composed by Tomas Luis de Victoria. Arra...(+)
Choral TBB chorus
SKU:
CF.CM9588
Composed by
Tomas Luis de Victoria.
Arranged by Jeb Mueller.
Fold. Performance Score.
8 pages. Duration 1
minute, 59 seconds. Carl
Fischer Music #CM9588.
Published by Carl Fischer
Music (CF.CM9588).
ISBN 9781491154106.
UPC: 680160912605. 6.875
x 10.5 inches. Key: Eb
major. Latin. Traditional
Latin.
Tomas Luis
de Victoria (15481611) is
widely considered the
greatest Spanish
Renaissance composer and
one of the most
influential musicians of
his time. Included in his
oeuvre are two settings
of the Pange
lingua, both
produced in 1581. This
motet is excerpted from
the first of those and
incorporates the original
Roman melody, or cantus
firmus. (He composed his
second Pange
lingua based on a
Spanish melody.) The
baritones anchor the
motet by singing the tune
in augmentation. This
line should be intoned
with a flowing, legato
articulation that
incorporates subtle
phrasing and text
stresses. The more
rhythmic tenor and bass
lines complement the
melody and illustrate the
hopeful nature of its
text. Singing this piece
with two pulses per
measure will encourage a
steady and vital
performance. Composers
provided minimal
performance details in
their scores during this
period in music history,
so I added a time
signature, bar lines,
dynamics, and metronome
markings in order to
facilitate performances
that musicologists
believe mimic those of
Victorias time. It should
be noted that dynamics
are largely subjective,
so performers may make
alternative choices. Each
tenuto indicates
word stress; the most
musical performances will
incorporate gentle
crescendos and
decrescendos before and
after each of them.
Lastly, using minimal
vibrato, especially at
cadences, will imbue this
wonderful motet with
style and clarity.
PRONUNCIATION GUIDE
Victoria received much of
his training in Italy,
therefore making
Italianate Latin most
appropriate. Pure vowels
are critical to correct
pronunciation, and those
phonemes remain constant
without exceptions. The
most problematic of the
vowels is o, which sounds
similar to the English
words bought and got. The
letter t should be
produced dentally: lift
the tongue to the top of
the mouth as in English,
but aspirate less on the
release. All occurrences
of s should be soft and
never hardened to [z],
such as in praise. Verbum
caro, panem verum,
[v??bum k??? p?n?m v?rum]
verbo carnem efficit:
fitque sanguis Christi
merum. [v??b? k??n?m
??fit?it fitkw? s??gwis
k?isti m??um] Et si
sensus deficit, ad
firmandum cor sin cerum.
[?t si s?nsus ?d?fit?it,
?d fi??m?ndum k?? sin
t???um] Jeb
Mueller. TomA!s Luis
de Victoria (1548a1611)
is widely considered the
greatest Spanish
Renaissance composer and
one of the most
influential musicians of
his time. Included in his
oeuvre are two settings
of the Pange
lingua, both
produced in 1581. This
motet is excerpted from
the first of those and
incorporates the original
Roman melody, or cantus
firmus. (He composed his
second Pange
lingua based on a
Spanish melody.) The
baritones anchor the
motet by singing the tune
in augmentation. This
line should be intoned
with a flowing, legato
articulation that
incorporates subtle
phrasing and text
stresses. The more
rhythmic tenor and bass
lines complement the
melody and illustrate the
hopeful nature of its
text. Singing this piece
with two pulses per
measure will encourage a
steady and vital
performance. Composers
provided minimal
performance details in
their scores during this
period in music history,
so I added a time
signature, bar lines,
dynamics, and metronome
markings in order to
facilitate performances
that musicologists
believe mimic those of
Victoriaas time. It
should be noted that
dynamics are largely
subjective, so performers
may make alternative
choices. Each
tenuto indicates
word stress; the most
musical performances will
incorporate gentle
crescendos and
decrescendos before and
after each of them.
Lastly, using minimal
vibrato, especially at
cadences, will imbue this
wonderful motet with
style and clarity.
PRONUNCIATION GUIDE
Victoria received much of
his training in Italy,
therefore making
Italianate Latin most
appropriate. Pure vowels
are critical to correct
pronunciation, and those
phonemes remain constant
without exceptions. The
most problematic of the
vowels is ao,a which
sounds similar to the
English words bought and
got. The letter ata
should be produced
dentally: lift the tongue
to the top of the mouth
as in English, but
aspirate less on the
release. All occurrences
of asa should be soft and
never hardened to [z],
such as in praise. Verbum
caro, panem verum, [vEE
3/4 bum kEE 3/4 E pEnEm
vErum] verbo carnem
efficit: fitque sanguis
Christi merum. [vEE 3/4
bE kEE 3/4 nEm EEfitEit
fitkwE sEAgwis kE 3/4
isti mEE 3/4 um] Et si
sensus deficit, ad
firmandum cor sin cerum.
[Et si sEnsus EdEfitEit,
Ed fiE 3/4 EmEndum kEE
3/4 sin tEEE 3/4 um] Jeb
Mueller. Tomas Luis de
Victoria (1548-1611) is
widely considered the
greatest Spanish
Renaissance composer and
one of the most
influential musicians of
his time. Included in his
oeuvre are two settings
of the Pange
lingua, both
produced in 1581. This
motet is excerpted from
the first of those and
incorporates the original
Roman melody, or cantus
firmus. (He composed his
second Pange
lingua based on a
Spanish melody.) The
baritones anchor the
motet by singing the tune
in augmentation. This
line should be intoned
with a flowing, legato
articulation that
incorporates subtle
phrasing and text
stresses. The more
rhythmic tenor and bass
lines complement the
melody and illustrate the
hopeful nature of its
text. Singing this piece
with two pulses per
measure will encourage a
steady and vital
performance. Composers
provided minimal
performance details in
their scores during this
period in music history,
so I added a time
signature, bar lines,
dynamics, and metronome
markings in order to
facilitate performances
that musicologists
believe mimic those of
Victoria's time. It
should be noted that
dynamics are largely
subjective, so performers
may make alternative
choices. Each
tenuto indicates
word stress; the most
musical performances will
incorporate gentle
crescendos and
decrescendos before and
after each of them.
Lastly, using minimal
vibrato, especially at
cadences, will imbue this
wonderful motet with
style and clarity.
PRONUNCIATION GUIDE
Victoria received much of
his training in Italy,
therefore making
Italianate Latin most
appropriate. Pure vowels
are critical to correct
pronunciation, and those
phonemes remain constant
without exceptions. The
most problematic of the
vowels is o, which sounds
similar to the English
words bought and got. The
letter t should be
produced dentally: lift
the tongue to the top of
the mouth as in English,
but aspirate less on the
release. All occurrences
of s should be soft and
never hardened to [z],
such as in praise. Verbum
caro, panem verum,
[verbum karo panem verum]
verbo carnem efficit:
fitque sanguis Christi
merum. [verbo karnem
'efitSit fitkwe saNGgwis
kristi merum] Et si
sensus deficit, ad
firmandum cor sin cerum.
[et si sensus 'defitSit,
ad fir'mandum kor sin
tSerum] Jeb
Mueller. Tomas Luis de
Victoria (1548-1611) is
widely considered the
greatest Spanish
Renaissance composer and
one of the most
influential musicians of
his time. Included in his
oeuvre are two settings
of the Pange lingua, both
produced in 1581. This
motet is excerpted from
the first of those and
incorporates the original
Roman melody, or cantus
firmus. (He composed his
second Pange lingua based
on a Spanish melody.) The
baritones anchor the
motet by singing the tune
in augmentation. This
line should be intoned
with a flowing, legato
articulation that
incorporates subtle
phrasing and text
stresses. The more
rhythmic tenor and bass
lines complement the
melody and illustrate the
hopeful nature of its
text. Singing this piece
with two pulses per
measure will encourage a
steady and vital
performance. Composers
provided minimal
performance details in
their scores during this
period in music history,
so I added a time
signature, bar lines,
dynamics, and metronome
markings in order to
facilitate performances
that musicologists
believe mimic those of
Victoria's time. It
should be noted that
dynamics are largely
subjective, so performers
may make alternative
choices. Each tenuto
indicates word stress;
the most musical
performances will
incorporate gentle
crescendos and
decrescendos before and
after each of them.
Lastly, using minimal
vibrato, especially at
cadences, will imbue this
wonderful motet with
style and clarity.
PRONUNCIATION GUIDE
Victoria received much of
his training in Italy,
therefore making
Italianate Latin most
appropriate. Pure vowels
are critical to correct
pronunciation, and those
phonemes remain constant
without exceptions. The
most problematic of the
vowels is o, which sounds
similar to the English
words bought and got. The
letter t should be
produced dentally: lift
the tongue to the top of
the mouth as in English,
but aspirate less on the
release. All occurrences
of s should be soft and
never hardened to [z],
such as in praise. Verbum
caro, panem verum,
[verbum karo panem verum]
verbo carnem efficit:
fitque sanguis Christi
merum. [verbo karnem
'efitSit fitkwe saNGgwis
kristi merum] Et si
sensus deficit, ad
firmandum cor sin cerum.
[et si sensus 'defitSit,
ad fir'mandum kor sin
tSerum] Jeb
Mueller. Tomas Luis de
Victoria (1548-1611) is
widely considered the
greatest Spanish
Renaissance composer and
one of the most
influential musicians of
his time. Included in his
oeuvre are two settings
of the Pange lingua, both
produced in 1581. This
motet is excerpted from
Pange lingua more
hisapano. The baritones
anchor the motet by
singing the tune in
augmentation. This line
should be intoned with a
flowing, legato
articulation that
incorporates subtle
phrasing and text
stresses. The more
rhythmic tenor and bass
lines complement the
melody and illustrate the
hopeful nature of its
text. Singing this piece
with two pulses per
measure will encourage a
steady and vital
performance. Composers
provided minimal
performance details in
their scores during this
period in music history,
so I added a time
signature, bar lines,
dynamics, and metronome
markings in order to
facilitate performances
that musicologists
believe mimic those of
Victoria's time. It
should be noted that
dynamics are largely
subjective, so performers
may make alternative
choices. Each tenuto
indicates word stress;
the most musical
performances will
incorporate gentle
crescendos and
decrescendos before and
after each of them.
Lastly, using minimal
vibrato, especially at
cadences, will imbue this
wonderful motet with
style and clarity.
PRONUNCIATION GUIDE
Victoria received much of
his training in Italy,
therefore making
Italianate Latin most
appropriate. Pure vowels
are critical to correct
pronunciation, and those
phonemes remain constant
without exceptions. The
most problematic of the
vowels is o, which sounds
similar to the English
words bought and got. The
letter t should be
produced dentally: lift
the tongue to the top of
the mouth as in English,
but aspirate less on the
release. All occurrences
of s should be soft and
never hardened to [z],
such as in praise. Verbum
caro, panem verum,
[verbum karo panem verum]
verbo carnem efficit:
fitque sanguis Christi
merum. [verbo karnem
'efitSit fitkwe saNGgwis
kristi merum] Et si
sensus deficit, ad
firmandum cor sin cerum.
[et si sensus 'defitSit,
ad fir'mandum kor sin
tSerum] Jeb
Mueller. Tomás Luis
de Victoria
(1548–1611) is
widely considered the
greatest Spanish
Renaissance composer and
one of the most
influential musicians of
his time. Included in his
oeuvre are two settings
of the Pange lingua, both
produced in 1581. This
motet is excerpted from
Pange lingua more
hisapano.The baritones
anchor the motet by
singing the tune in
augmentation. This line
should be intoned with a
flowing, legato
articulation that
incorporates subtle
phrasing and text
stresses. The more
rhythmic tenor and bass
lines complement the
melody and illustrate the
hopeful nature of its
text. Singing this piece
with two pulses per
measure will encourage a
steady and vital
performance.Composers
provided minimal
performance details in
their scores during this
period in music history,
so I added a time
signature, bar lines,
dynamics, and metronome
markings in order to
facilitate performances
that musicologists
believe mimic those of
Victoria’s time.
It should be noted that
dynamics are largely
subjective, so performers
may make alternative
choices. Each tenuto
indicates word stress;
the most musical
performances will
incorporate gentle
crescendos and
decrescendos before and
after each of them.
Lastly, using minimal
vibrato, especially at
cadences, will imbue this
wonderful motet with
style and
clarity.PRONUNCIATION
GUIDEVictoria received
much of his training in
Italy, therefore making
Italianate Latin most
appropriate. Pure vowels
are critical to correct
pronunciation, and those
phonemes remain constant
without exceptions. The
most problematic of the
vowels is
“o,†which
sounds similar to the
English words bought and
got. The letter
“t†should be
produced dentally: lift
the tongue to the top of
the mouth as in English,
but aspirate less on the
release. All occurrences
of “s†should
be soft and never
hardened to [z], such as
in praise.Verbum caro,
panem
verum,[vɛɾbum
kɑɾɔ
pɑnɛm
vɛrum]verbo carnem
efficit: fitque sanguis
Christi
merum.[vɛɾbɔ
kɑɾnɛm
ˈɛfitʃit
fitkwÉ›
sɑŋgwis kɾisti
mɛɾum]Et si sensus
deficit, ad firmandum cor
sin cerum.[ɛt si
sɛnsus
ˈdɛfitʃit,
É‘d
fiɾˈmɑndum
kɔɾ sin
tʃɛɾum]Jeb
Mueller.
Flute and Piano - Intermediate - Advanced SKU: YM.GTW01101671 Composed by...(+)
Flute and Piano -
Intermediate - Advanced
SKU:
YM.GTW01101671
Composed by
Joseph-Maurice Ravel
Claude Achille Debussy.
Classical Repertories for
Concerts. Arranged
Classic. Book Set(Solo
Part Piano Score). Yamaha
Music Media #GTW01101671.
Published by Yamaha Music
Media (YM.GTW01101671).
ISBN 9784636113457. 12
x 9 inches.
Debussy
and Ravel are the most
famous impressionist
composers. This book
contains a selection of
pieces from their piano
compositions, arranged
for flute and piano
ensemble. We hope that
this new arrangement will
enable a wider audience
to enjoy the exquisite
melodies of these songs!
*Both the video of the
model performance and the
video of the performance
commentary can be viewed
at the URL given in this
book. Performers in the
video: Flute - Ayako
Takagi / Piano - Takuya
Uchikado.
Alto Saxophone and Piano - Intermediate - Advanced SKU: YM.GTW01101670 Co...(+)
Alto Saxophone and Piano
- Intermediate - Advanced
SKU:
YM.GTW01101670
Composed by
Joseph-Maurice Ravel
Claude Achille Debussy.
Classical Repertories for
Concerts. Arranged
Classic. Book Set(Solo
Part Piano Score). Yamaha
Music Media #GTW01101670.
Published by Yamaha Music
Media (YM.GTW01101670).
ISBN 9784636113440. 12
x 9 inches.
Debussy
and Ravel are the most
famous impressionist
composers. This book
contains a selection of
pieces from their piano
compositions, arranged
for alto saxophone and
piano ensemble. We hope
that this new arrangement
will enable a wider
audience to enjoy the
exquisite melodies of
these songs! *Both the
video of the model
performance and the video
of the performance
commentary can be viewed
at the URL given in this
book. Performers in the
video: Alto Saxophone -
Kohei Ueno / Piano -
Takuya Uchikado.
Music Minus One Bb or Eb Instruments. Composed by Various. Edited by Todd...(+)
Music Minus One Bb or
Eb Instruments.
Composed by Various.
Edited by Todd Anderson.
Sheet music with CD.
Music Minus One. Jazz.
Softcover with CD. 56
pages. Music Minus One
#MMO4215. Published by
Music Minus One
(HL.190543).