For
St. Cecilia's Day
1694. Composed by
Henry Purcell. Edited by
Denis Arnold. Choir;
stapled. Eulenburg
Orchestral Series.
Cantata;
Renaissance/early
Baroque; Baroque. Set of
parts. 16 pages. Duration
20'. Breitkopf and
Haertel #EOS 1064-30.
Published by Breitkopf
and Haertel
(BR.EOS-1064-30).
ISBN
9790004785720. 8.5 x 11.5
inches.
St.
Cecilia's Day was
celebrated in England
during Restoration times
with a great festival of
music. The soloists were
among the best singers of
the day, and their music
was deliberately florid
to show their virtuosity.
It is in this tradition
that Purcell wrote his
festal ,Te Deum and
Jubilate'. It was
composed for St.
Cecilia's Day, 1694, and
shows the same ornate
style as he odes composed
in previous years. It was
the grand manner which
assured the popularity of
the work. After the
initial performance, it
was given annually on St.
Cecilia's day for many
years. This fame ensured
that the work was printed
in score. The present
edition has been prepared
from the second edition,
a copy of which is now in
the possession of Glasgow
University. (Denis
Arnold) Die einzige
bekannte Quelle befindet
sich in Heft 66 von Band
25 der
Meslanges-Autographen die
an die Bibliotheque
Royale (heute
Bibliotheque Nationale)
Paris verkauft wurde. Das
Manuskript ist sehr
sorgfaltig geschrieben.
Alle Zusatze des
Herausgebers stehen in
eckigen
Klammern. (Jean-Paul
Montagnier)
(Jean-Paul
Montagnier) The
present edition is based
on the manuscript from
the Bibliotheque
Nationale de France
(Paris). It it the oldest
known source of the work.
The very few errors have
been corrected.
(Jean-Paul
Montagnier) Vokalensemble
Stuttgart und den
Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur.
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Bathia Churgin.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
The study score
(Studien-Edition) is
available at G. Henle
Verlag.
Symphony;
Classical. Set of parts.
132 pages. Duration 28'.
Breitkopf and Haertel #OB
14614-30. Published by
Breitkopf and Haertel
(BR.OB-14614-30).
ISBN
9790004343609. 10 x 12.5
inches.
The genesis
of Beethoven's 4th
symphony came at an
extraordinary time for
the composer not only
regarding productivity:
Thus, in 1806 he
composed, among other
things, the 4th piano
concerto, the three
Rasumovsky string
quartets op. 59, the 32
piano variations in c
minor WoO 80, as well as
the violin concerto op.
61. The first performance
of the B-flat-major
symphony occurred in
March 1807 at one of the
two noteworthy
subscription concerts
conducted by Beethoven in
the Palais Lobkowitz in
Vienna. In the course of
time, this
intellectually-stimulatin
g work- so described by
one of the reviewers of
the Allgemeine
musikalische Zeitung -
found ever-increasing
appeal. Throughout the
entire 19th century this
symphony ranked with the
best-loved and most
frequently performed
works; its popularity
spread to England where
the London Philharmonic
Society played it at
least 25 times in the
period between 1813 and
1850.Extant are only a
few drafts of the 4th
symphony. The autograph
served as the main source
for the present edition
edited by Prof. Bathia
Churgin, likewise editor
of the 3rd symphony in
the new Beethoven
Complete Edition.
Consulted as reference
sources were copies of
the score and orchestral
parts as well as the
original edition of the
parts.
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by
Johannes Behr. Orchestra;
Folder.
Orchester-Bibliothek
(Orchestral Library). The
piano reduction and the
study score
(Studien-Edition) are
available at G. Henle
Verlag. Solo concerto;
Romantic. Set of parts.
102 pages. Duration 50'.
Breitkopf and Haertel #OB
16107-30. Published by
Breitkopf and Haertel
(BR.OB-16107-30).
ISBN
9790004342572. 10 x 12.5
inches.
Brahms'
Piano Symphony in the
Urtext of the complete
editionJohannes Brahms
enjoyed a bit of
understatement every now
and then, and whenever
his second piano concerto
was the object of
discussion, he called it
his little concerto -
although it was more than
clear that, with its four
movements (including
Scherzo), he was giving
his contemporaries
something truly symphonic
to chew on. The press
didn't hesitate long:
soon it was being
derisively called piano
symphony, which, however,
did nothing to prevent
its popularity. Brahms
himself and other
pianists played the work
everywhere in the 1880s,
and the piano reduction
was so successful that it
had to be reprinted three
times within three months
after its first
printing.The Urtext
edition follows the text
of the respective volume
in the Brahms Complete
Edition published in
2013. It takes the first
printing of the score as
the main source;
moreover, both the
autograph as well as the
printed reduction
provided further
information with which
engraving errors of the
first edition could be
corrected.
Urtext. Composed
by Edvard Grieg. Edited
by Emil-Gunter Heinemann.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Romantic. Set
of parts. 144 pages.
Duration 30'. Breitkopf
and Haertel #OB 15152-30.
Published by Breitkopf
and Haertel
(BR.OB-15152-30).
ISBN
9790004344101. 10 x 12.5
inches.
The piano
concerto in a minor
stands out in Edvard
Grieg's oeuvre. Besides
this famous concerto, he
composed only a few other
large orchestral works.
Because of its popularity
even in Grieg's lifetime,
it was often performed,
not least by the composer
himself. So it is not
surprising that Grieg
made many changes to the
score up to 1907. But at
the same time, the
concerto's size, form and
substance remained
completely unaltered.
Interventions in the
piano part basically
involved subtleties of
nuance, and only a very
few places in the music
text were altered. The
situation was different
with the orchestration.
Here Grieg was keen to
experiment and kept
filing away at the
orchestra sound right up
to the last. Melodies
were moved to other
instruments, accompanying
string chords were
reconstructed, and above
all the list of scored
instruments was changed.
The main source of the
Urtext edition by
Ernst-Gunter Heinemann is
the new edition of the
score originally
published in 1907 by C.
F. Peters, thus several
years after the first
edition of 1872. Taken
into account in the
present edition are the
changes that Grieg made
up to the time of his
death. Piano reduction
and fingering by Einar
Steen-Nokleberg.
Peace, Peace Chorale 2 parties 2 parties Fred Bock Music Company
By Sylvia Powell, Rick Powell. Arranged by Fred Bock. (2 part). Fred Bock Publi...(+)
By Sylvia Powell, Rick
Powell. Arranged by Fred
Bock. (2 part). Fred
Bock Publications. Size
7x10.5 inches. 4 pages.
Published by Fred Bock
Music Company.
Tempest Rising Orchestre d'harmonie [Conducteur] - Facile C.L. Barnhouse
Grade 2.5 SKU: CL.011-3266-01 Composed by Shaffer. Young Concert Band. Co...(+)
Grade 2.5
SKU:
CL.011-3266-01
Composed by Shaffer.
Young Concert Band.
Command Series. Audio
recording available
separately (items
CL.WFR330 & CL.WFR344).
Extra full score.
Composed 2003. Duration 4
minutes, 48 seconds. C.L.
Barnhouse #011-3266-01.
Published by C.L.
Barnhouse
(CL.011-3266-01).
Popular
composer David Shaffer's
new composition for
Middle School and Jr.
High Bands is full of the
bright and forceful
rhythms, memorable
melodies and tight
harmonies that make
Shaffer's music so
appealing. A great choice
for smaller high school
bands. Includes multiple
percussion parts to keep
even the largest
percussion section
involved and has an
impressive slow flowing
section that really lets
the woodwinds shine.
Exceptional choice for
any contest or concert
performance! CAN'T BE
BEAT!
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Volume 2. An
All-Purpose Marching
Band/Pep Band Book for
Stands, Time-Outs, Pep
Rallies and a Host of
Other Uses. Arranged
by Victor Lopez.
Collections; Marching
Band Collection;
Performance Music
Ensemble. Book. 12 pages.
Alfred Music #00-42761.
Published by Alfred Music
(AP.42761).
UPC:
038081485416.
English.
Here is a
terrific compilation of
some of the very best
from the popular Shorties
series by Victor
López. This collection
contains 18 short,
time-out length charts
perfect for any occasion.
Keyboard, electric bass,
and drumset parts make
these charts perfect for
pep band too! Titles: All
Star * Any Way You Want
It * Batman Theme *
Blitzkrieg Bop *
Celebration * Conga *
Dynamite * Gonna Fly Now
* Gonna Make You Sweat *
Heavy Action (Theme from
Monday Night Football) *
Hey! Baby! * Hips Don't
Lie * Jungle Boogie *
Shake, Rattle and Roll *
Sing, Sing, Sing * The
Star-Spangled Banner *
Sweet Georgia Brown * We
Are Family.
Composed
by Steven R. Janco.
Sacred. Full score. With
guitar chord names. GIA
Publications #018040.
Published by GIA
Publications
(GI.G-018040).
What has made
this Mass rise to the top
in popularity in parishes
across the
English-speaking world?
Its adaptability. From
parishes with keyboard
and/or guitar and cantor
to cathedrals with a
large SATB choir and
multiple instruments
(organ, brass quartet,
timpani, handbells), Mass
of Wisdom has proven
itself as a “Mass
for the masses.â€
Its step-wise melodic
patterns make it easy to
learn without sounding
musically trite in any
way. Music directors
agree that the
through-composed Gloria
is one of the most
finely crafted of all
the new musical settings
of the prayer. That fine
crafting extends to all
components of this Mass,
especially the
acclamations sung during
the Eucharistic Prayer.
The multi-layered
Hosannas in the Sanctus
will delight the members
of the choir as well as
the singing assembly.
This is a Mass setting
that simply soars. It
is a perfect setting for
Ordinary Time, but music
directors tell us that
the Christmas and Easter
seasons are made more
glorious and joyful when
this setting is sung,
especially when the
additional
instrumentation is added.
Dioceses and parishes
that employed Mass of
Wisdom as the first
setting during the
implementation of the new
translation have found
themselves returning to
it time and time again.
It truly has become part
of the “Catholic
musical DNA†across
the United States and
beyond.
3rd
Sunday after Trinity -
for Every Time.
Composed by Johann
Sebastian Bach. Choir;
Folder.
Orchester-Bibliothek
(Orchestral Library).
Bach's great
,,Heaviness Cantata - Now
with a new piano-vocal
score by Matthias
Grunert.
Cantata;
Baroque. Set of parts. 32
pages. Duration 45'.
Breitkopf and Haertel #OB
4521-30. Published by
Breitkopf and Haertel
(BR.OB-4521-30).
ISBN
9790004313145. 9 x 12
inches.
The cantata
I had great heaviness of
heart BWV 21 is one of
the most popular and
beloved vocal works of
Johann Sebastian Bach.
Intended for a
performance on the third
Sunday after Trinity as
well as in ogni tempo
(for any occasion), this
work occupies a special
place within Bach's
cantata oeuvre.
Particularly unusual is
not only its approx.
40-minute duration, but
also the work's wealth of
forms and sounds.
Matthias Grunert, cantor
of the Dresden
Frauenkirche, put
together an entirely new
piano-vocal score to this
main work from
Breitkopf's Bach Cantata
series. His work is
supplemented by a revised
new engraving of the
continuo
part.
Bach's great
,,Heaviness Cantata - Now
with a new piano-vocal
score by Matthias
Grunert.
O Come, O Come, Emmanuel Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Claude T. Smith Publications
Grade 3 SKU: CL.CTS-8042-00 (A Christmas Prelude) for Flexible Ensembl...(+)
Grade 3
SKU:
CL.CTS-8042-00
(A
Christmas Prelude) for
Flexible Ensemble.
Composed by Claude T.
Smith. Arranged by Earp.
Concert Band. Score and
set of parts. Composed
2023. Claude T. Smith
Publications
#CTS-8042-00. Published
by Claude T. Smith
Publications
(CL.CTS-8042-00).
O Come, O Come,
Emmanuel is a Christmas
prelude originally
commissioned by the
Papillion, Nebraska
Junior High School
Symphonic Band under the
direction of Kenneth A.
Molzer. This widely
popular song relates to
Advent and Christmas.
Claude T. Smith expanded
upon the original hymn
adding deeper musical
interest to this already
timeless classic. This
flexible arrangement
allows ensembles to
perform the work with as
few as twelve musicians
providing accessibility
and flexibility for
numerous instrumentation
needs, while still
allowing a full ensemble
sound. *The posted
recording is based on the
full band scoring but
aligns with the suggested
preferences for either
woodwinds/strings or
brass suggested in the
score.
Urtext. Composed
by Johann Baptist Vanhal.
Edited by Tobias
Glockler. Orchestra;
Folder.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag. Solo concerto;
Early classical;
Classical. Set of parts.
16 pages. Duration 20'.
Breitkopf and Haertel #OB
15143-30. Published by
Breitkopf and Haertel
(BR.OB-15143-30).
ISBN
9790004342046. 10 x 12.5
inches.
The
unbroken popularity of
Vanhal's sole double bass
concerto in competitions
and for practice and
concert purposes is
reason enough for us to
publish the work in
Breitkopf Urtext. The
edition profits from
Tobias Glockler's
experience of many years.
As with the other great
double-bass concertos of
the classical Viennese
repertoire (Dittersdorf,
Hoffmeister), Glockler
arrives at convincing
solutions. He began by
filtering out a solid
musical text from the
source (which was not
always free of
contradictions) that was
supplied with many
additions. The
disposition of the solo
part required detailed
knowledge of performance
practice, since the work
was written in the
historical Viennese
double bass tuning, and a
few passages cannot be
played without difficulty
on a modern instrument.
As with Dittersdorf and
Hoffmeister, the piano
reduction makes it
possible to use three
different double-bass
tunings (solo, orchestral
and Viennese). Moreover,
it contains the editor's
virtuoso cadenzas as
well.I have performed the
Vanhal in Viennese tuning
and it was my thesis
topic so I am thrilled to
see an edition that makes
this tuning so
accessible. I highly
recommend this
all-encompassing edition.
(Marian Heckenburg,
Stringendo).
Volume 2. An
All-Purpose Marching
Band/Pep Band Book for
Stands, Time-Outs, Pep
Rallies and a Host of
Other Uses. Arranged
by Victor Lopez.
Collections; Marching
Band Collection;
Performance Music
Ensemble. Book. 12 pages.
Alfred Music #00-42763.
Published by Alfred Music
(AP.42763).
UPC:
038081485430.
English.
Here is a
terrific compilation of
some of the very best
from the popular Shorties
series by Victor
López. This collection
contains 18 short,
time-out length charts
perfect for any occasion.
Keyboard, electric bass,
and drumset parts make
these charts perfect for
pep band too! Titles: All
Star * Any Way You Want
It * Batman Theme *
Blitzkrieg Bop *
Celebration * Conga *
Dynamite * Gonna Fly Now
* Gonna Make You Sweat *
Heavy Action (Theme from
Monday Night Football) *
Hey! Baby! * Hips Don't
Lie * Jungle Boogie *
Shake, Rattle and Roll *
Sing, Sing, Sing * The
Star-Spangled Banner *
Sweet Georgia Brown * We
Are Family.
Flute and Guitar SKU: AY.FG20 Arranged by Camerata Amistad. Woodwinds - F...(+)
Flute and Guitar
SKU:
AY.FG20
Arranged by
Camerata Amistad.
Woodwinds - Flute. Alry
Publications #FG20.
Published by Alry
Publications (AY.FG20).
ISBN
9790302114314.
Five
selections from the
repertoire of Camerata
Amistad, a versatile
ensemble of orchestral
musicians who are
dedicated to the
performance of art, folk,
and popular culture music
from the Hispanic world.
Included in this second
volume are: Los ejes de
mi carreta, El Condór
Pasa, Cielito Lindo,
Alborozo Colla, and El
CoquÃ.
Urtext. Composed
by Edouard Lalo. Edited
by Peter Jost. Folder.
Orchester-Bibliothek
(Orchestral Library). The
first definitive author's
version - In Cooperation
with G. Henle Verlag.
Solo concerto; Romantic.
Set of parts. 144 pages.
Breitkopf and Haertel #OB
15100-30. Published by
Breitkopf and Haertel
(BR.OB-15100-30).
ISBN
9790004339695. 10 x 12.5
inches.
In the past
years, French music has
become a focal point of
Breitkopf's orchestral
library. With Edouard
Lalo's popular
violoncello concerto,
these new editions of
French music now bring
publishers Breitkopf and
G. Henle together once
again in another example
of their proven
cooperation. Peter Jost,
an expert on French music
who established his claim
to expertise through his
Debussy, Franck and
Saint-Saens editions,
ensures a flawless Urtext
edition which is based
for the first time on the
autograph piano
reduction. This
piano-cello score shows
traces of several layers
of arrangements, the last
two of which were
obviously not taken into
account in the first
edition. The new edition
thus offers a wealth of
new, authentic readings.A
carefully researched text
with clear and spacious
printing highlights this
sympathetic collaboration
of two esteemed
publishing houses,
Breitkopf & Hartel and
Henle. (Mary Nemet,
Strings)
Classical,
Saddle-stitched. World.
Book. 44 pages. Mel Bay
Publications, Inc #30965.
Published by Mel Bay
Publications, Inc
(MB.30965).
ISBN
9781513470849. 8.75x11.75
inches.
Recorder
specialist Marcia Diehl
presents 41 favorite
melodies from the
Renaissance and early
Baroque periods, each
with suggested
accompaniment chords.
This era of music is
particularly attractive
on the recorder not only
because of its lyrical
qualities but also
because the recorder was
already one of the most
popular, accessible
instruments of the
day.
The
collection features many
dance tunes by
Praetorius, Susato,
Gervaise and John
Playford plus familiar
themes like
â??Greensleeves,â?
â??Drive the Cold Winter
Away,â? and Thomas
Morleyâ??s â??It Was a
Lover and His Lass,â?
which may have been used
contemporarily onstage
with William
Shakespeareâ??s As
You Like It. The
book closes with two
pieces by Beatrice de
Dia, a
trobairitz or
female troubadour who
wrote songs of
courtly
love.
Urtext. Composed
by Georges Bizet. Edited
by Lesley A. Wright.
Orchestra; Folder.
Eulenburg Orchestral
Series. Suite; Romantic.
Set of parts. 148 pages.
Duration 18'. Breitkopf
and Haertel #EOS
20829-30. Published by
Breitkopf and Haertel
(BR.EOS-20829-30).
ISBN 9790004785553. 10
x 12.5
inches.
From Stage Flop to
Concert
Favorite
The story of Alphonse
Daudet's drama
L'Arlesienne to
which Georges Bizet
composed several pieces
in 1872 focuses on the
story of love and suicide
and was inspired by true
events. The musical drama
had flopped at its
premiere, but the suite
that Bizet arranged
shortly afterwards from
its stage music enjoys
great popularity to this
very day. After Bizet's
death, his friend Ernest
Guiraud put together four
more movements of themes
and motives by Bizet for
a second suite
establishing a musical
connection to Provence
und Arles especially in
the outer movements, the
Pastorale and the
effective Fandarole. With
this edition, Breitkopf &
Hartel continues its
successful collaboration
with Eulenburg.
Volume 2. An
All-Purpose Marching
Band/Pep Band Book for
Stands, Time-Outs, Pep
Rallies and a Host of
Other Uses. Arranged
by Victor Lopez.
Collections; Marching
Band Collection;
Performance Music
Ensemble. Book. 12 pages.
Alfred Music #00-42760.
Published by Alfred Music
(AP.42760).
UPC:
038081485409.
English.
Here is a
terrific compilation of
some of the very best
from the popular Shorties
series by Victor
López. This collection
contains 18 short,
time-out length charts
perfect for any occasion.
Keyboard, electric bass,
and drumset parts make
these charts perfect for
pep band too! Titles: All
Star * Any Way You Want
It * Batman Theme *
Blitzkrieg Bop *
Celebration * Conga *
Dynamite * Gonna Fly Now
* Gonna Make You Sweat *
Heavy Action (Theme from
Monday Night Football) *
Hey! Baby! * Hips Don't
Lie * Jungle Boogie *
Shake, Rattle and Roll *
Sing, Sing, Sing * The
Star-Spangled Banner *
Sweet Georgia Brown * We
Are Family.
Woodwinds (solo: db - 0.2.2.2.(bsn ad lib.) - 2.2.0.0 - timp(ad lib.) - hps - st...(+)
Woodwinds (solo: db -
0.2.2.2.(bsn ad lib.) -
2.2.0.0 - timp(ad lib.) -
hps - str(vl obl))
SKU:
BR.OB-15114-30
With violino obbligato
- Urtext. Composed by
Franz Anton Hoffmeister.
Edited by Tobias
Glockler. Folder.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Classical. Set
of parts. 22 pages.
Duration 18'. Breitkopf
and Haertel #OB 15114-30.
Published by Breitkopf
and Haertel
(BR.OB-15114-30).
ISBN
9790004339824. 10 x 12.5
inches.
Thanks to
its imaginative richness
and sterling writing,
Hoffmeister's Double Bass
Concerto No. 1 has
advanced to the rank of a
popular audition
concerto. But when
compared with the
transmitted sources, the
previously available
first edition of 1966
proved to be filled with
errors. Tobias Glockler,
double-bass player of the
Dresdner Philharmonie,
now presents a reliable
Urtext in this edition.
Through his competence as
an instrumentalist, he
even goes considerably
further and offers
various performance
possibilities: the solo
part can be played not
only in solo and
orchestral tuning, but
also in the historical
Viennese tuning. The
C-major version, which is
offered on hire, allows
performances in
orchestral tuning. The
orchestral material in D
major (sales material) is
suited to the other two
tunings. A beautiful and
easy to read score,
elegantly laid-out and
with illuminating and
informative preface
notes. This concerto is
among our most beautiful
classical concerti,
lyrical and inventive. It
is a great pleasure to
see our classical
repertoire appear in such
critical editions. (Rob
Nairn in Bass World).
Clarinet Choir SKU: IS.CC6340EM Composed by Johann Sebastian Bach. Arrang...(+)
Clarinet Choir
SKU:
IS.CC6340EM
Composed
by Johann Sebastian Bach.
Arranged by Hideaki Iwai.
Woodwinds - Clarinet.
Kansai Clarinet Society.
Metropolis Music
Publishers #CC6340EM.
Published by Metropolis
Music Publishers
(IS.CC6340EM).
ISBN
9790365063406.
Jesu
, Joy of Man's Desiring
is the most common
English title of the 10th
and last movement of the
cantata 'Herz und Mund
und Tat und Leben', BWV
147 (Heart and Mouth and
Deed and Life), composed
by Johann Sebastian Bach
in 1716 and 1723. Today,
it is often performed at
wedding ceremonies as
well as during Christian
festive seasons like
Christmas and Easter,
slowly and reverently.
This is, however, in
contrast to the effect
suggested by Bach in his
original scoring for
voices with trumpet,
oboes, strings, and
continuo. The music's
wide popularity has led
to numerous arrangements
and transcriptions such
as the present one for
clarinet octet or choir
by Prof. Hideaki
Iwai.
Marche Militaire Orchestre Symphonique [Conducteur et Parties séparées] - Facile Alfred Publishing
By Franz Schubert (1797-1828). Concert Band. Concert Band; Masterworks; Part(s);...(+)
By Franz Schubert
(1797-1828). Concert
Band. Concert Band;
Masterworks; Part(s);
Score. Young Symphonic.
Form: March;
Transcription. Classical;
Masterwork Arrangement;
Romantic. Grade 2. 126
pages. Published by
Alfred Music Publishing