Bassoon; Piano Accompaniment (1 (auch Picc.) * 1 * 3 (3. auch Bassklar.) * 0 - 1 * 1 * 0 * 0 - P. S. (Xyl. * Trgl. * Beck. * Gong * kl. Tr. * gr. Tr. m. Beck.) (2 Spieler) - Hfe. * Cel. - Str. (4 * 4 * 3 * 2 * 1)) - difficult

SKU: HL.49019614

Bassoon with Piano Reduction. Composed by Bertold Hummel. This edition: Saddle stitching. Sheet music. Woodwind. Ein Stuck fur Fagott und Kammerorchester. Classical. Softcover. Composed 1957. Op. 13e. 16 pages. Duration 4'. Schott Music #FAG35. Published by Schott Music (HL.49019614).

ISBN 9790001192286. UPC: 888680014087. 9.0x12.0x0.071 inches.

Although Bertold Hummel composed this Scherzo for bassoon and chamber orchestra more than fifty years ago, the piece still captivates every listener with its youthful, carefree liveliness. Virtuoso and witty, it does justice to its title in every respect. It was created in 1957 upon commission of the Kleines Unterhaltungsorchester Sudwestfunk Baden-Baden. The solo part of the four-minute concert piece with the tempo indication 'allegro molto' was tailor-made by Hummel for the orchestra's principal bassoonist Helmut Boker.In addition to the hire material, a piano score with solo part is now available on sale.

By Antonio Vivaldi (1678-1741). Arranged by Albie Micklich. For Bassoon and Piano. Chamber music. Published by Potenza Music

By Johann Nepomuk Hummel. Bassoon and piano. Published by International Music Co.

By Johann Nepomuk Hummel. For bassoon, piano. Paperback. 52 pages. Published by Breitkopf and Haertel (German import).

Bassoon and Piano - easy

SKU: BT.AMP-307-400

Arranged by Philip Sparke. Anglo Music Play-Along Series. Classical. Book with CD. Composed 2013. 16 pages. Anglo Music Press #AMP 307-400. Published by Anglo Music Press (BT.AMP-307-400).

ISBN 9789043138154. 9x12 inches. English-German-French-Dut ch.

Part of the Anglo Music Play-along Series, Philip Sparkeâ??s 15 Easy Classical Solos is aimed at the young instrumentalist who can play just over an octave. Specifically tailored to suit the individual instrument, this book introduces the beginning player to the world of the classics by using simple yet attractive melodies that fit their limited range. The carefully selected pieces include music from the 16th to the 20th century and cover a wide variety of styles, from Bach to Grieg and from Purcell to Satie. This book will provide invaluable additional material to complement any teaching method and includes both piano accompaniment and a demo/play-along CD.

Philip Sparkeâ??s 15 Easy Classical Solos, onderdeel van de Anglo Music Play-Along Series, is bedoeld voor de jonge instrumentalist die iets meer dan een octaaf kan spelen. Het boek sluit qua instrumentaal bereik en gebruikte toonsoortenaan bij het Artist Level van Hal Leonards Essential Elements ®, maar kan ook los daarvan worden gebruikt.De zorgvuldig geselecteerde melodieën, die specifiek zijn toegesneden op elk instrument, beslaan een breed scala van klassieke stijlen:van Bach tot Grieg en van Purcell tot Satie.Het boek bevat waardevol materiaal ter aanvulling op elke lesmethode en wordt geleverd met pianobegeleiding en een cd met demo- en meespeeltracks.

15 Easy Classical Solos ist als Ergänzung zur bewährten Anglo Music Play-Along Reihe gedacht und richtet sich an Schüler, die ungefähr einen Tonumfang von einer Oktave beherrschen. Das Niveau entspricht dem des Artist Levels der Essential Elements ® Methode von Hal Leonard, kann aber auch unabhängig davon verwendet werden. Genau auf jedes Instrument zugeschnitten, ermöglicht die wohlüberlegte Stückeauswahl ein erstes Kennenlernen von Melodien aus verschiedenen Epochen der Klassik von Grieg über Purcell bis Satie. Jeder Band bietet wertvolles Ergänzungsmaterial, das zu jeder Instrumentalschule passt und enthält sowohl Klavier- als auch CD-Begleitungen.

< I>15 Easy Classical Solos, de Philip Sparke, est un ouvrage qui sâ??adresse aux jeunes musiciens, maîtrisant un peu plus dâ??une octave. 15 Easy Classical Solos a été conçu pour être joué en corrélation avec les séries Artist et/ou Master Level de la collection Essential Elements ®, publiée par les éditions Hal Leonard. Mais il peut également être utilisé indépendamment.Spéc ifiquement adapté chaque instrument, ce volume rassemble quinze mélodies écrites par des compositeurs aussi variés que Bach, Purcell, Grieg et Satie.Comprenant les parties dâ??accompagnement de piano et une version dâ??accompagnement sur compact disc, ces ouvrages représentent une sourcecomplémentaire inestimable toute méthode pédagogique.

Il concetto della collana Anglo Music Play-Along Series è quello di integrare al più presto nel processo di apprendimento dei giovani strumentisti la possibilit di poter suonare accompagnati al piano o con lâ??ausilio di unâ??incisione su CD. Ilchiaro vantaggio di questo metodo è che gli allievi imparano da subito lâ??aspetto fondamentale del suonare insieme, vale a dire tenere il tempo in modo costante. 15 Easy Classical Solos consente agli allievi che hanno una conoscenza limitatadelle note di suonare brani di Bach, Schubert, Purcell, Grieg e altri, grazie alle versioni facilitate. Il livello di 15 Intermediate Classical Solos permette invece agli allievi che padroneggiano lâ??estensione superiore a unâ??ottava dicimentarsi nei â??primi concertiâ? con brani di Haendel, Clementi, Rameau, Glueck, Beethoven e altri. Il CD propone una traccia con lâ??incisione completa e una con il solo accompagnamento.

Bassoon (Bassoon)

SKU: HL.48183069

Composed by Amellé, André, and r. Leduc. Classical. Softcover. Alphonse Leduc #AL24996. Published by Alphonse Leduc (HL.48183069).

Andre Ameller: Gaspesie Op.185 (Bassoon & Piano).

Bassoon

SKU: HL.48181603

Composed by Eris Paul Stekel. Leduc. Classical. Softcover. 4 pages. Alphonse Leduc #AL21322. Published by Alphonse Leduc (HL.48181603).

UPC: 888680845025. 9x12.25 inches.

Eris Paul Stekel: Mélodie (Bassoon & Piano).

Bassoon

SKU: HL.48181520

Leduc. Classical. Softcover. 8 pages. Alphonse Leduc #AL21154. Published by Alphonse Leduc (HL.48181520).

UPC: 888680842147. 9.0x12.0x0.06 inches.

“Havi ng won many prizes at the Paris Conservatoire during the 1920s-1930s, Eugène Bozza went on to conduct the orchestra of the Opéra-Comique and to become Head of the Conservatoire in Valenciennes. As a major figure on the classical music frontline, Bozza's compositions were well-received by audiences, Récit, Sicilienne and Rondo for Bassoon and Piano being no exception. This Bozza piece for Bassoon is expressive and virtuosic, displaying the entire range of the instrument, accompanied by rhythmic quavers and spread chords in the Piano. As music educationalist, Paul Griffiths has written of Bozza's compositions, ”“his works reveal melodic fluency, elegance of structure and a consistenly sensitive concern of instrumental capabilities.Ӡœ Récit, Sicilienne and Rondo for Bassoon and Piano is a highly suitable and exciting addition to the advanced bassoonist's repertoire.”.

Bassoon (bassoon/piano)

SKU: HL.48181173

For Bassoon and Piano. Composed by Eugè and ne Bozza. Leduc. Classical. Softcover. 8 pages. Alphonse Leduc #AL20421. Published by Alphonse Leduc (HL.48181173).

UPC: 888680861698. 9.0x12.0x0.058 inches.

To this day, Eugene Bozza (1905-1991) remains one of the most prolific composers for wind instruments, despite being a violinist himself. His Fantasy for bassoon and piano is no exception to the composer's success. During his studies at the Paris Conservatoire, Bozza won prizes for violin, conducting and composition, as well as the Grand Prix de Rome. He then conducted the orchestra of the Opera-Comique and became Head of the Conservatoire in Valenciennes, whilst remaining a prominent composer. Composed in 1945, Bozza's Fantasy for bassoon and piano is a virtuosic work, addressing advanced features including complex rhythms, chromaticism, a wide range and articulation. As music educationalist, Paul Griffiths has written of Bozza's compositions, his works reveal melodic fluency, elegance of structure and a consistently sensitive concern of instrumental capabilities..

Bassoon and Piano

SKU: ST.C181

Composed by Graham Sheen. Wind & brass music. Clifton Edition #C181. Published by Clifton Edition (ST.C181).

ISBN 9790570811816.

Polka-dotsThere are three contrasting types of expression for the bassoonist here. The opening phrase is staccato which is followed (at bar 11) by a sustained counter melody. Finally (at bar 19) both these effects are combined in a second melody which needs very clear dynamic playing.

M onkey Puzzle
Sustai ning the sound while rearticulating the notes is important in this piece. In other words, the opening should be played almost slurred. Be aware of the changing harmonies underneath the held notes in the bassoon part.

Seri ous Song
Long but separate notes contrast with real legato. The main theme is marked tenuto, so full value for each note, especially ending notes. Even the quavers aren’t very short at this speed. Try to make the richest sound you can like, for example, a fine Russian baritone.
Three Pieces for Bassoon and Piano

Grade 1
Former Spartan Press Cat. No.: SP1161.

Bassoon, piano

SKU: FG.55011-586-6

Composed by Heikki Sarmanto. Fennica Gehrman #55011-586-6. Published by Fennica Gehrman (FG.55011-586-6).

ISBN 9790550115866.

A pioneer of Finnish modern jazz, Heikki Sarmanto (1939-) is renowned for his renderings of jazz numbers. No wonder, therefore, that broken chords and familiar keys resonate and sit well under the hand in the piano part of this Northern Dreams suite. The solo passages for the piano are like stylised improvisations. In addition to jazz idioms, the suite features Chopin-style arpeggios. His music is melodic and communicative, painting feelings, situations and events. Northern Dreams was originally composed with the tenor sax of Juhani Aaltonen in mind, and the solo part is a transcription of his improvisation. The solo part is also available in arrangements for alto sax, flute, clarinet, bassoon and trumpet.

By Daniel Baldwin. For contrabassoon and piano. Level 5. Duration 5 minutes. Published by Imagine Music

Bassoon and Piano. Composed by Naji Hakim (1955-). Woodwind Solo. Classical. Softcover. Schott Music #FAG38. Published by Schott Music

Bassoon and piano - Intermediate-Advanced

SKU: FT.FM1005

Composed by Richard Lambert. Slow and melodic pieces. Score and Part. Forton Music #FM1005. Published by Forton Music (FT.FM1005).

ISBN 9790570489046.

Bassoon and Piano - Grade 2

SKU: HL.14005434

Composed by John Burness. Music Sales America. Exam Material. Book [Softcover]. Composed 2005. 8 pages. Music Sales #PAT60019. Published by Music Sales (HL.14005434).

ISBN 9781844499830. 8.25x11.75x0.045 inches. English.

A set of four short and simple but wonderfully melodic pieces for the intermediate Bassoon soloist. Ideally suited to be performed as a set of four, the pieces can be played individually, making them perfect for early concerts, festivals and recitals, or just as a satisfying addition to your first repertoire.

(Bassoon and Piano). Composed by Elena Kats-Chernin (1957-). For Bassoon, Piano. Boosey and Hawkes Chamber Music. Softcover. 26 pages. Bote and Bock #M202533123. Published by Bote and Bock

Bassoon solo with piano accompaniment - Grade 3

SKU: CL.CTS-7960-17

Composed by Claude T. Smith. Solo. Composed 2021. Claude T. Smith Publications #CTS-7960-17. Published by Claude T. Smith Publications (CL.CTS-7960-17).

Impromptu for Bassoon and Piano is an energetic, lyrical solo, written for Smith's daughter, Pam, and easily accessible for a high school or college bassoonist. Based on a lighthearted melody, the solo has some technical passages based on arpeggios, challenging rhythmic passages in Smith's signature 7/8 and 9/8 bars and a complementary piano accompaniment. Bassoonists will enjoy performing this work which explores the entire range of the instrument, challenging the bassoonist to portray both expressive and spirited styles.

Bassoon and Piano

SKU: ST.C182

Composed by Graham Sheen. Wind & brass music. Clifton Edition #C182. Published by Clifton Edition (ST.C182).

ISBN 9790570811823.

Bodhán
T he melody here is very broken up, so breathe and be ready for the next entry in good time. Don’t drag behind the drum in the piano part. Notice that only some of the notes are marked staccato.

À la Modal
Modes are scales based on the white notes of the piano, say, so you won’t find a single accidental in this piece. It shows that expression in music depends on more than just the dynamics, that is, how loudly and softly you play. We also need to observe the articulation markings such as staccato, tenuto and the accents on both long and short notes.

Sch ubert’s Ghost
Schuber t is one of my favourite composers. I hope you enjoy the swing of the dotted rhythms and accents in this little Viennese impression. There are three musical quotations: one from Schubert himself, one from a later Viennese composer, Gustav Mahler and, near the end, the Dies Irae tune which has been used by many composers.
Three Pieces for Bassoon and Piano

Grade 2
Former Spartan Press Cat. No.: SP1162.

Bassoon and Piano. By Carol Barratt. (Bassoon). Boosey and Hawkes Chamber Music. Size 9x12 inches. 53 pages. Published by Boosey and Hawkes.

Bassoon - Grade 1

SKU: RM.DUHA02726

Composed by Duhamel. Bassoon and piano. Instrumental music. Editions Robert Martin #DUHA02726. Published by Editions Robert Martin (RM.DUHA02726).

ISBN 9790231027266.

Bassoon and Piano

SKU: ST.C183

Composed by Graham Sheen. Wind & brass music. Clifton Edition #C183. Published by Clifton Edition (ST.C183).

ISBN 9790570811830.

Drunken Sailor — the sequel
This needs a plaintive tone especially in the upper register where the dynamics are particularly important. To capture the mood of the piece those slurs in bars 35 and 36, for example, might even be close to a glissando. Use your imagination to recreate the sailor’s state of health!

Th e Vulgar Boatman
Not only more hidden melodies but more appalling puns! (Volga Boatman for those not versed in Russian folksongs). This is like a waltz: it is written in 3/4 time but played so as to give the impression of one beat in bar. The melodies need to be well sustained so that we hear four, eight or even more bars as a single phrase. Clues for the musical detective:- in addition to the Volga Boatman, you might spot just a hint of Sailing down the River on a Sunday Afternoon, We Sail the Ocean Blue (H.M.S. Pinafore), The Eton Boating Song and even Wagner’s Flying Dutchman.

Last Tango in Harris
Everyo ne must surely know these thinly disguised Scottish tunes, but can you make them sound like a tango? Bear in mind that tangos are not jazz: the rhythm is quite strict, but the tango character is in the tone and the phrasing. Notice how expressive the occasional shorter note value can be, as in bars 4 and 5 in the bassoon part.

Rheu manian Stretches
Or was that Rumanian Sketches? This is a chance to play the main melody in two registers of the bassoon. Try to make a good even sound in both octaves. This piece requires careful counting since the phrases in the bassoon part don’t always begin where you might expect. Think of this piece as a song.
Four Pieces for Bassoon and Piano

Grade 3
Former Spartan Press Cat. No.: SP1163.

Bassoon, Piano - Grade 4

SKU: FL.FX072280

Composed by Pascal Saint-Leger. Classical, Educational. Score and Set of Parts. FLEX Editions #FX072280. Published by FLEX Editions (FL.FX072280).

A composition with a nice melody, from 6 years of instrument practice.