(HWV 57). By George Frideric Handel (1685-1759). Edited by Hans Dieter Clausen. Arranged by Andreas Koehs. For Soprano voice solo, Alto voice solo, Tenor voice solo, Bass voice solo, Mixed choir (SATB), Oboe (2), Bassoon (2), Horn (2), Trumpet (2), Kettledrum, Violin (2), Viola, Bassi (Violoncello, Contrabass, Bassoon, Bass lute, Harpsichord, Organ). This edition: Urtext. Oratorio. Vocal score. Language: English, Text language: German/English. 432 pages. Published by Baerenreiter Verlag

ATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo

SKU: CA.3115621

Cantata for the 3rd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Oboe. Sacred vocal music, Cantatas, Epiphany. Single Part, Oboe. Composed 1729. BWV 156. 4 pages. Duration 17 minutes. Carus Verlag #CV 31.156/21. Published by Carus Verlag (CA.3115621).

Text language: German/English.

Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. Score and part available separately - see item CA.3115600.

ATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo

SKU: CA.3115611

Cantata for the 3rd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas, Epiphany. Single Part, Violin 1. Composed 1729. BWV 156. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.156/11. Published by Carus Verlag (CA.3115611).

ISBN 9790007208776. Text language: German/English.

Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. Score and part available separately - see item CA.3115600.

ATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo

SKU: CA.3115614

Cantata for the 3rd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Cantatas, Epiphany. Single Part, basso continuo. Composed 1729. BWV 156. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.156/14. Published by Carus Verlag (CA.3115614).

ISBN 9790007208806. Text language: German/English.

Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. Score and part available separately - see item CA.3115600.

ATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo

SKU: CA.3115612

Cantata for the 3rd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas, Epiphany. Single Part, Violin 2. Composed 1729. BWV 156. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.156/12. Published by Carus Verlag (CA.3115612).

ISBN 9790007208783. Text language: German/English.

Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. Score and part available separately - see item CA.3115600.

ATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo

SKU: CA.3115613

Cantata for the 3rd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Epiphany. Single Part, Viola. Composed 1729. BWV 156. 4 pages. Duration 17 minutes. Carus Verlag #CV 31.156/13. Published by Carus Verlag (CA.3115613).

ISBN 9790007208790. Text language: German/English.

Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. Score and part available separately - see item CA.3115600.

Opera in tre atti. By George Frideric Handel. Edited by Burrows, Donald. For 2 Soprano solo, 1 Mezzo-Soprano solo, 1 Alto solo, 2 Tenor solo, 1 Bass solo, SATB Chorus, Flute I, II, Recorder I, II, Oboe I, II, Bassoon I, II, Horn I, II, Trumpet I, II, Violin I-III, Viola, Bassi (Cello, Contrabass, Lute, Harpsichord). (SATB). This edition: Complete Edition; Urtext Edition. Hallische Handel-Ausgabe, Serie II Band 32. Piano Reduction/Vocal Score. 235 pages. Published by Baerenreiter Verlag (German import).

By George Frideric Handel (1685-1759). Arranged by Clifford Bartlett. For SATB choir and keyboard/orchestra (2 oboes, 2 trumpets, bassoon, timpani, strings, harpsichord or organ). Mixed Voices. Oxford Choral Classics Octavos. Christmas, Choral Leaflet. Vocal score. 8 pages. Duration 2'. Published by Oxford University Press

SATB choir, soprano voice solo, tenor voice solo, bass voice solo, violin I-II, viola, organ/harpsichord, cello/double bass, bassoon ad lib, oboe ad lib

SKU: GH.CG-6204K

Kantat Nr. 61. Composed by Johann Sebastian Bach. Arranged by Anders Ohrwall. Nun komm, der Heiden Heiland - Cantata No. 61. Choral score. With Language: Swedish, German. 16 pages. Gehrmans Musikforlag #CG 6204K. Published by Gehrmans Musikforlag (GH.CG-6204K).

ISBN 9790070004039. A4 inches. Text: Ingemar von Heijne / Jan Arvid Hellstrom (Swedish).

For soli, mixed chorus, strings and basso continuo with bassoon and oboe/oboi ad lib. Edited by Anders Ohrwall, Swedish and German lyrics.

Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc

SKU: CA.3118809

Cantata for the 21st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Pieter Dirksen. 1x 31.188/21 oboe 1, 1x 31.188/22 oboe 2, 1x 31.188/23 taille. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, End of the church year, Trinity. Set of Orchestra Parts. Composed 1728. BWV 188. Duration 25 minutes. Carus Verlag #CV 31.188/09. Published by Carus Verlag (CA.3118809).

ISBN 9790007210021. Language: German/English.

The cantata Ich habe meine Zuversicht BWV 188 comes from the so-called Picander cycle and was written for the 21st Sunday after Trinity in 1728 or 1729. There are some particular problems associated with its transmission. The original set of parts was lost, and the manuscript score only survives in fragmentary form. Probably as early as the 18th century the score was divided up into numerous separate parts in order to make more money, or to be able to provide as many Bach relics as possible for posterity. The first movement, an instrumental sinfonia, is missing apart from the final bars. We simply know that this sinfonia is based on the 3rd movement of the Harpsichord Concerto BWV 1052 in D minor and that instead of the harpsichord, an obbligato organ was envisaged. Its successful reconstruction by the baroque specialist and organist Pieter Dirksen now makes it possible to perform the cantata again complete with the introductory sinfonia. Score and parts available separately - see item CA.3118800.

SSATB choir, violin, flute, oboe, harpsichord/organ, cello/double bass

SKU: GH.CG-6206P

Composed by Johann Sebastian Bach. Arranged by Anders Ohrwall. Choral score. With Language: Latin. 12 pages. Gehrmans Musikforlag #CG 6206P. Published by Gehrmans Musikforlag (GH.CG-6206P).

ISBN 9790070039567. A4 inches.

SATB choir & orchestra (violin I-II (oboe/flute), cello, double bass, harpsichord/organ)

SKU: GH.CG-6207P

Composed by Johann Sebastian Bach. Arranged by Anders Ohrwall. Choral score. With Language: Swedish. 8 pages. Gehrmans Musikforlag #CG 6207P. Published by Gehrmans Musikforlag (GH.CG-6207P).

ISBN 9790070039581. A4 inches. Text: Eva Norberg.

SATB choir & orchestra (bass, cello, harpsichord, double bass, oboe, organ, viola, violin)

SKU: GH.CG-6211U

Composed by George Frideric Handel. Choral score. With Language: Swedish. 8 pages. Gehrmans Musikforlag #CG 6211U. Published by Gehrmans Musikforlag (GH.CG-6211U).

ISBN 9790070039697. A4 inches.

SATB choir & orchestra (bass, cello, harpsichord, double bass, oboe, organ, viola, violin)

SKU: GH.CG-6211S

Composed by George Frideric Handel. Parts. With Language: Swedish. Gehrmans Musikforlag #CG 6211S. Published by Gehrmans Musikforlag (GH.CG-6211S).

ISBN 9790070039680.

Soprano voice solo/2 alto voice solos/2 tenor voice solos/2 bass voice solo/SATB choir/2 oboes/2 violins/viola/basso continuo (cello/violone/bassoon/ha rpsichord) (Soprano Voice Solo, 2 Alto Voice Solo, 2 Tenor Voice Solo, 2 Bass Voice Solo, SATB Choir, 2 Ob, 2 V, Va, Continuo(Vc, Vo, bassoon, harpisc.)) - Level 4

SKU: BA.BA04021-04

Composed by George Frideric Handel. Edited by Felix Schroeder. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series I, Volume 7. Complete edition, Score. HWV 48. Baerenreiter Verlag #BA04021_04. Published by Baerenreiter Verlag (BA.BA04021-04).

ISBN 9790006562091. 33 x 26.5 cm inches. Language: German. Preface: Felix Schroeder. Text: Barthold Heinrich Brockes.

3 soprano voice solos/mezzo-soprano voice solo/tenor voice solo/3 bass voice solos/SATB choir/2 oboes/bassoon/2 trumpet/2 violins/2 viola/basso continuo (cello/violone/bassoon/ha rpsichord) (3Soprano Voice Solo, Mezzo Voice Solo, Tenor Voice Solo, 3Bass Voice Solo, SATB Choir, 2 Ob, bassoon, 2 Trp, 2 V, 2 Va, Continuo(Vc, Vo, bassoon, harpisc.)) - Level 4

SKU: BA.BA04013-04

Dramatic oratorio in three acts. Composed by George Frideric Handel. Edited by Bernard Rose. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series I, Volume 28. Complete edition, Score. HWV 66. Duration 240 minutes. Baerenreiter Verlag #BA04013_04. Published by Baerenreiter Verlag (BA.BA04013-04).

ISBN 9790006562077. 33 x 26.5 cm inches. Text Language: English, German. Preface: Bernard Rose. Anonymus.