Composed by Roger Summers. For SATB choir. Sacred Anthem. Octavo. Laurel Press #10/2868LA. Published by Laurel Press

By Andy Beck and Ben Cohn. For Opt. Flute. (SATB). Choral Octavo. Jewish Heritage, Jewish. Choral Octavo. 12 pages. Published by Alfred Publishing.

(Celebration of Advent). By Don Besig and Nancy Price. For SATB choir. Choral book. Text language: English. 56 pages

Composed by Joseph M. Martin. For Choral (SATB). Daybreak Choral Series. 12 pages. Published by Daybreak Music

Composed by Debi Witt Jones. Arranged by Brad Nix. Shawnee Sacred. All Saints Day, General Worship, Revival. Octavo. 12 pages. Published by Shawnee Press

With Simple Gifts and Going Home. Composed by Anton Dvor�¡k and Traditional Shaker Melody. Arranged by Joseph M. Martin. Harold Flammer. Octavo. 12 pages. Published by Harold Flammer Music (HL.35030907).

From Anastasia. Composed by Lynn Ahrens and Stephen Flaherty. Arranged by Audrey Snyder. Broadway Choral. Octavo. 12 pages. Published by Hal Leonard

By Felix Bartholdy Mendelssohn (1809-1847). Edited by Alfred Dorffel. Arranged by August Horn. Choir and piano. For Solo voices, SATB Choir, Piano. This edition: Paperback. Oratorio (complete), Transcriptions, Original Works, Choral. Romantic Period; Sacr. Large Vocal Score. Romantic Period; Sacred/Hymns, German.

A Cantata for Christmas (SATB Choral Score). Composed by Mark Hayes (1953-) and Lloyd Larson. This edition: SATB Choral Score. Choral (Sacred); Choral Worship Cantata; Church Musicals; Performance Music Ensemble; Worship Resources. Jubilate Music. Christmas; Sacred. Choral score. Jubilate Music Group #00-47944. Published by Jubilate Music Group

A Cantata for Christmas (Preview Pack). Composed by Lloyd Larson and Mark Hayes (1953-). This edition: Preview Pack (SATB Choral Score & Listening CD). Choral (Sacred); Choral Worship Cantata; Church Musicals; Performance Music Ensemble; Worship Resources. Jubilate Music. Christmas; Sacred. CD; Score. Jubilate Music Group #00-47953. Published by Jubilate Music Group

Choral SATB choir

SKU: CF.CM9700

Composed by Hungarian Folk. Arranged by Stacy Garrop. 20 pages. Duration 4:44. Carl Fischer Music #CM9700. Published by Carl Fischer Music (CF.CM9700).

ISBN 9781491160008. UPC: 680160918607. Key: A minor. Hungarian. Hungarian Folk.

In 2014, Chanticleer commissioned me to make a new arrangement of the Hungarian-Romani folk song Jarba, Mare Jarba for their 2014 touring program. Passed down orally through the Romani communities, this beautiful folk song, with text in a language called Beas (beh-osh), speaks of a deep longing to visit one's homeland, a place where the singer can never return. Chanticleer consists of twelve men whose vocal ranges span from low bass to high soprano, equivalent to the range of a mixed choir of women and men. I composed slow sections of original material to represent the singers' longing to return home; these are interspersed with the folk song's traditional fast sections. The incorporated shouts and calls in the score are typically found in the performance of Central European folk songs. I hope you enjoy singing this new version of Jarba, Mare Jarba that contains all of the vigor and excitement of the Chanticleer version. PERFORMANCE NOTES All spoken sounds (indicated by x noteheads) should be performed by individuals. Feel free to elaborate with more sounds of your own in the tradition of Eastern European folk music. If the piece is memorized, feel free to experiment with clapping on the off-beats of m. 93 to the end. TEXT Transliteration Jarba, mare jarba mas duce a casa, da nu pot ca am jurat, Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Mare jarba, verde jarba nu me pot duce a casa. Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. O mers mama de pe sat, O lasat coliba goala, Infrunzitu, ingurzitu da plina de saracie, da plina de saracie. Mare jarba, verde jarba nu me pot duce a casa. Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Translation Green grass, tall grass, I would like to go home, but I cannot, because I have sworn not to. Tall grass, green grass - oh, that I cannot go home! My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty. Tall grass, green grass - oh, that I cannot go home! Tall grass, green grass - I would like to go home. but I cannot, because I have sworn not to. Stacy Garrop's music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys - some simple and beautiful, while others are complicated and dark - depending on the needs and dramatic shape of the story. Garrop served as the first Emerging Opera Composer of Chicago Opera Theater's Vanguard Program. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra, funded by New Music USA and the League of American Orchestras. She has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. She is a Cedille Records artist; her works are commercially available on more than ten additional labels. Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments. Notable commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, The Transformation of Jane Doe for Chicago Opera Theater, The Battle for the Ballot for the Cabrillo Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, and Terra Nostra: an oratorio about our planet, commissioned by the San Francisco Choral Society and Piedmont East Bay Children's Chorus. Garrop previously served as composer-in-residence with the Albany Symphony and Skaneateles Festival, and as well as on faculty of the Fresh Inc Festival (2012-2017). She taught composition and orchestration full-time at Roosevelt University 2000-2016) before leaving to launch her freelance career. She earned degrees in music composition at the University of Michigan-Ann Arbor (B.M.), University of Chicago (M.A.), and Indiana University-Bloomington (D.M.).
In 2014, Chanticleer commissioned me to make a new arrangement of the Hungarian-Romani folk song Jarba, Mare Jarba for their 2014 touring program. Passed down orally through the Romani communities, this beautiful folk song, with text in a language called Beas (beh-osh), speaks of a deep longing to visit one’s homeland, a place where the singer can never return. Chanticleer consists of twelve men whose vocal ranges span from low bass to high soprano, equivalent to the range of a mixed choir of women and men. I composed slow sections of original material to represent the singers’ longing to return home; these are interspersed with the folk song’s traditional fast sections. The incorporated shouts and calls in the score are typically found in the performance of Central European folk songs. I hope you enjoy singing this new version of Jarba, Mare Jarba that contains all of the vigor and excitement of the Chanticleer version.PERFORMANCE NOTESAll spoken sounds (indicated by x noteheads) should be performed by individuals. Feel free to elaborate with more sounds of your own in the tradition of Eastern European folk music.If the piece is memorized, feel free to experiment with clapping on the off-beats of m. 93 to the end.TEXTTransliterationJa rba, mare jarba mas duce a casa, da nu pot ca am jurat, Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Mare jarba, verde jarba nu me pot duce a casa.Jarba, mare jarba mas duce a casa, da nu pot ca am jurat.O mers mama de pe sat, O lasat coliba goala,Infrunzitu, ingurzitu da plina de saracie, da plina de saracie. Mare jarba, verde jarba nu me pot duce a casa.Jarba, mare jarba mas duce a casa, da nu pot ca am jurat.TranslationGreen grass, tall grass, I would like to go home, but I cannot, because I have sworn not to.Tall grass, green grass – oh, that I cannot go home!My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty.Tall grass, green grass – oh, that I cannot go home! Tall grass, green grass – I would like to go home.but I cannot, because I have sworn not to.Stacy Garrop’s music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys – some simple and beautiful, while others are complicated and dark – depending on the needs and dramatic shape of the story.Garrop served as the first Emerging Opera Composer of Chicago Opera Theater’s Vanguard Program. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra, funded by New Music USA and the League of American Orchestras. She has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. She is a Cedille Records artist; her works are commercially available on more than ten additional labels.Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments. Notable commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, The Transformation of Jane Doe for Chicago Opera Theater, The Battle for the Ballot for the Cabrillo Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, and Terra Nostra: an oratorio about our planet, commissioned by the San Francisco Choral Society and Piedmont East Bay Children’s Chorus.Garrop previously served as composer-in-residence with the Albany Symphony and Skaneateles Festival, and as well as on faculty of the Fresh Inc Festival (2012-2017). She taught composition and orchestration full-time at Roosevelt University 2000-2016) before leaving to launch her freelance career. She earned degrees in music composition at the University of Michigan-Ann Arbor (B.M.), University of Chicago (M.A.), and Indiana University-Bloomington (D.M.).­­.

Mixed choir

SKU: ST.B891

Composed by Andrew Pratt. Hymns & Relgious Drama. Hymns from a Spiritual Journey. Choral Score. Stainer & Bell Ltd. #B891. Published by Stainer & Bell Ltd. (ST.B891).

ISBN 9780852498910.

Hymn s from a Spiritual Journey
In Reclaiming Praise, Andrew Pratt has charted a spiritual journey of hope and renewal that will inspire all those who sing his hymns to re-examine the roots of their faith or doubt.

Following on from his two previous collections, Blinded by the Dazzle and Whatever Name or Creed, the 150 new texts gathered here bring a personal and 21st-century perspective to a range of themes including covenant, creativity, faith and science, justice, lament and persecution, enfolding time past and time future in a pertinent message for the present.

(Following the Path of Salvation Through Hymns). By Mary Mcdonald. Arranged by Jean Anne Shafferman. For SATB choir, piano (with optional orchestration). Cantatas. Holy Week, Eastertide, Sacred. Choral score and performance CD. Published by Lorenz Publishing Company

By Andrea Ramsey. For SATB choir, piano. Octavo. Published by Alliance Music Publications

SATB Choir, Piano - Level 3

SKU: CA.925600

Composed by Hugo Wolf. Arranged by Denis Rouger. Separate edition to the CD. Lieder, Secular choral music. Full Score. Duration 3 minutes. Carus Verlag #CV 09.256/00. Published by Carus Verlag (CA.925600).

ISBN M-007-24918-2. Key: D major. German. Text: Morike, Eduard.

Hugo Wolf set a total of 53 songs by Eduard Morike, all in the year 1888. The composer wrote in a letter: Once you have heard this song, it can only inspire one wish - to die. In the artistic-metaphysical milieu of the late 19th century this was regarded as the highest ideal, especially for Hugo Wolf, who believed in the body as a wretched piano case from which the soul can only break free like harmonies dying away. And yet Fussreise (Journey on Foot) begins as a simple, happy, elated song of travel, revolving around the key of D major over an ostinato piano rhythm. Old Adam believes he senses the bliss of paradise in this, but he continues to be caught in the tension between earthly suffering and eternal longing, as the rest of Hugo Wolf's setting clearly shows: it remains a pious hope that a whole life would be such a morning journey bathed in gentle perspiration. These art songs were originally composed not for chamber choir, but for solo voice and piano. Denis Rouger has carefully adapted them to suit the requirements and expressive possibilities offered by a larger ensemble, without losing the any of the qualities of the original in the process. Each part in the choir has a melodic line drawn from the harmonic and rhythmic framework. In the process, the variety and refinement of the choral language combines with an enormous flexibility in form and expression, as French melodies or German art song demand from a soloist and pianist. The songs have been recorded by the figure humaine chamber choir on the CD Kennst du das Land ... (Carus 83.495).

By David Lantz. For Choral, Flute, Handbells (SATB, FLUTE and HANDBELLS). Shawnee Press. Sacred, Epiphany, Christmas concert. 16 pages. Shawnee Press #A8844. Published by Shawnee Press . Sacred, Epiphany, Christmas concert.

Composed by Patrick Rooney. For SATB choir, a cappella. Pathways Series. Octavo. Duration 4 minutes. Published by Imagine Music

Arranged by Joel Raney. For SATB choir with optional Rhythm. Scripture References: Psalm 40:30 -- Revelation 15:3 -- Revelation 21:21 -- Ephesians:1:7. Blues, Gospel, Spirituals, Hymntune, Sacred. Choral octavo. 16 pages

SSATBB choir

SKU: C4.9790902260459

Composed by Brooke Shelley. Classical. Score. Crescendo Music Publications #9790902260459. Published by Crescendo Music Publications (C4.9790902260459).

ISBN 9790902260459. 8.27 x 11.7 inches.

Australian poet James McAuley's visceral text is joined here in perfect marriage with Brooke Shelley's imaginative and shapely setting. The work was commissioned by St James’ Church, King Street, Sydney for the concert Gul Gul Dja Mardji: Long is the Journey, 9 December, 2017.

Composed by David Conte (1955-). 20th Century, Creation/Nature. Piano/choral score. E.C. Schirmer Publishing #7928. Published by E.C. Schirmer Publishing

Composed by Victor C Johnson. Choral. Sacred Anthem, Advent, Christmas, Epiphany. Octavo. Lorenz Publishing Company #10/5508L. Published by Lorenz Publishing Company

Choral Score. By Benjamin Britten. (SATB). Boosey and Hawkes Large Choral. Size 7x10.5 inches. 34 pages. Published by Boosey and Hawkes.