Chinese Ritual Street Opera In 7 Parti (1997 - 99). Par LIM LIZA. Chinese Ritual Street Opera In 7 Parti (1997 - 99) / Musique contemporaine / Date parution : 1905-06-25/ Répertoire / Opéra

Opera in three acts. Libretto: April de Angelis. German singing translation by Ralf Nürnberger. / Opéra

Ed. Critica R. Strohm, Softcover. Par VIVALDI ANTONIO. / Opéra-opérette / Date parution : 1905-06-14/ Répertoire / Opéra

Par SIERRA F.. Metodología de Lenguaje Musical que abarca el Grado Elemental y Grado Medio. Adaptándose a las más modernas líneas pedagógicas, estos libros persiguen introducir al alumno progresivamente en el Lenguaje Musical de una manera completamente lúdica, utio para ello los más variados recursos, como canciones que combinan palmas, movimiento, improvisación, juegos de creatividad. Todo ello añadido a una atractiva presentación que incluye numerosos dibujos, ilustraciones y páginas a todo color. Cada cursta de dos volúmenes: A y B. Metodología de acuerdo con la LOGSE. / Pédagogie / Solfège/Formation Musicale / Opéra Théorique ou Didactique

Par PANETTA. / Date parution : 1905-06-06/ Solfège/Formation Musicale / Opéra Théorique ou Didactique

Nuova Edizione A Cura di Giorgio Guiot. Par GOITRE. SUVMU8Z07410 / Éducation musicale / Recueil / Opéra Théorique ou Didactique

Par HINDEMITH PAUL. SUVMU8Z01024 / Formation musicale / Répertoire / Opéra Théorique ou Didactique

Grands opéras et oratorios pour le piano - 4 mains Haydn, les saisons / Lortzing, Der Waffenschmied von Worms Zemlinsky organise de Haydn ' The Seasons, Schönberg organise 'Waffenschmied' du Lortzing, deux paires de compositeurs qui seraient difficilement être reliés à première vue. C'est d'autant plus intéressant de l'expérience de musique qui en résulte. / Opéra

Monteverdi's opera 'L'Orfeo', based on the legend of Thracian singer Orpheus and his love of Eurydice, is a masterpiece of musical declamation and ornamentation. It was first performed during the 1607 carnevale in the 'Palazzo Ducale' in Mantua.When an edition remains true to its sources, this certainly does not mean that it is not also practical to use, as is demonstrated in this Bärenreiter edition of Monteverdi's 'L'Orfeo'. Edited by Rinaldo Alessandrini, the new publication follows the Bärenreiter edition of Monteverdi's 'Il ritorno d'Ulisse in patria'.Two contemporary prints of 'L'Orfeo' from the years 1609 and 1615 have been passed down to us. Four copies of each of these prints still survive today in public libraries. The later print includes many corrections to the earlier edition and was accordingly used as the primary source for this Bärenreiter edition. However, when solving musical problems the editor frequently follows the more coherent style of the earlier print. The numerous interesting variants, not only between the two editions but also amongst the eight surviving copies, are listed in the critical commentary.This edition of 'L'Orfeo' offers in addition to Monteverdi's somewhat sparse original figures also figures added to the bass line by the editor. The continuo player should, however, feel free to follow his own judgment. The notation has been, when necessary, adapted to suit modern practice, for example with regard to the clefs. The sections that were originally written in 'chiavetta' have been transposed a fifth lower. In the appendix these sections also appear in their original notation in facsimile as well as transposed a fourth lower.- Detailed introduction by the editor (Ital/Eng/Ger) on the work's genesis and performance practice- Comprehensive critical commentary (Eng) in the score- Idiomatic piano reductionEdition no.: BA 8793-90ISMN: 9790006533121Composer / Author: Monteverdi, ClaudioTitle: L'Orfeo Favola in musica in one prologue and five actsDetailed instrumentation: Soprano solo (7), Tenor solo (4), Bass solo (3), Mixed choir: SSATTB, Male choir: TTBBB, OrchestraLibrettist: Striggio, Alessandro (junior)Editor: Alessandrini, RinaldoForeword / Introduction: Alessandrini, RinaldoProduct format: Piano reduction, Urtext editionLanguage(s) of work: ItalianLanguage(s) of text: German, Italian, EnglishPublisher: BärenreiterBinding: PaperbackPrint run: 1st printing 2012Pages / Format: XIV, 143 S. - 27,0 x 19,0 cmWeight: 428 g

Description W.A. Mozart: Cosi Fan Tutte (Vocal Score) Cosi Fan Tutte' (Thus do all Women) emerged from obscurity in the twentieth century to become regarded as one of Mozart's finest works. This is the Schirmer edition of the Vocal Score, with an English version by Ruth and Songlist Cosi Fan Tutte

Edition no.: BA 10700-90ISMN: 9790006542161Editor: Heinrich, ArtieArranger: Köhs, AndreasLanguage(s) of work: English, Italian, GermanLanguage(s) of text: German, EnglishProduct format: Piano reduction, Urtext editionHandel set the myth about the love of the shepherd Acis for the sea nymph Galatea from Ovid's 'Metamorphoses' a total of three times: in the cantata 'Aci, Galatea e Polifemo' HWV 72 (1708), the masque 'Acis and Galatea' HWV 49a (1718) and finally the pasticcio-like serenata 'Acis and Galatea' HWV 49b (1732) of which the original version is now made available in its complete form for the first time.A particular charm is provided by the use of two languages in the serenata. The work was originally conceived in English, as was required for the first performance. However, Handel's Italian singers were criticised for their poor command of English, ' so in the end, many numbers were sung in Italian.The extensive appendix to the vocal score includes the additional arias and newly composed movements for the versions used in the 1734 and 1736 performances.- Urtext edition based on the 'Halle Handel Edition'- English and Italian original text with singable German translation- Extensive foreword in two languages (Ger/Eng)- Clear, straightforward piano reduction