Islands Op.80 Orchestre [Conducteur] University Of York Music Press
Orchestra SKU: BT.MUSM570206117 Composed by Elisabeth Lutyens. Classical....(+)
Orchestra
SKU:
BT.MUSM570206117
Composed by Elisabeth
Lutyens. Classical. Score
Only. 54 pages.
University of York Music
Press #MUSM570206117.
Published by University
of York Music Press
(BT.MUSM570206117).
English.
For
Soprano, Tenor, Male
Narrator and Ensemble.
Published in 1970.
Soprano voice, Tenor
voice, Narrator,
Flute/Alto Flute/Piccolo,
Clarinet/Bass
Clarinet/Baritone
Saxophone, French Horn,
Piano/Cembalo, Violin,
Viola, and 2
Percussionists.
Score.
A Mass in Celebration of Mother Earth. By Paul Winter. Composed by Paul Halley, ...(+)
A Mass in Celebration of
Mother Earth. By Paul
Winter. Composed by Paul
Halley, Jim Scott, Oscar
Castro-Neves, Kim Oler,
Paul Winter. For Soprano
Saxophone, Oboe/English
Horn, Cello, Piano,
Organ, Guitar, Bass and
Percussion. (IPAKS).
Choral. Instrumental
Score and Parts.
Published by Hal Leonard.
Composed by Johann Strauss. Arranged by Richard Meyer. Orchestra. Full Orchestra...(+)
Composed by Johann
Strauss. Arranged by
Richard Meyer. Orchestra.
Full Orchestra;
Masterworks; Score;
SmartMusic. Highland
First Philharmonic. Form:
Overture; Transcription.
Masterwork Arrangement;
Romantic. Grade 2. 24
pages. Published by
Highland/Etling
By Johann Strauss. Arranged by Richard Meyer. Orchestra. Full Orchestra; Masterw...(+)
By Johann Strauss.
Arranged by Richard
Meyer. Orchestra. Full
Orchestra; Masterworks;
Part(s); Score;
SmartMusic. Highland
First Philharmonic. Form:
Overture; Transcription.
Masterwork Arrangement;
Romantic. Grade 2. 216
pages. Published by
Alfred Music (
Composed by David Shipps. For orchestra. Allegis. Medium. Orchestration, enhance...(+)
Composed by David Shipps.
For orchestra. Allegis.
Medium. Orchestration,
enhanced CD. Lillenas
Publishing Company
#765762213104. Published
by Lillenas Publishing
Company
Composed by Robert Lowry. Arranged by Tom Payne and Ed Hogan. For orchestra. All...(+)
Composed by Robert Lowry.
Arranged by Tom Payne and
Ed Hogan. For orchestra.
Allegis. Sacred, hymn.
Medium. Score and CD with
printable parts and
accompaniment tracks. 15
pages. Lillenas
Publishing Company
#765762213005. Published
by Lillenas Publishing
Company
Orchestra SKU: PR.11641867L Composed by William Kraft. Spiral. Large Scor...(+)
Orchestra
SKU:
PR.11641867L
Composed
by William Kraft. Spiral.
Large Score. Duration 16
minutes, 25 seconds.
Theodore Presser Company
#116-41867L. Published by
Theodore Presser Company
(PR.11641867L).
UPC:
680160683215.
Conte
xtures: Riots -Decade '60
was commissioned by Zubin
Mehta and the Southern
California Symphony
Association after the
successful premiere of
the Concerto for Four
Percussion Soloists and
Orchestra. It was written
during the spring and
summer months of 1967.
Riots stemming from
resentment against the
racial situation in the
United States and the war
in Vietnam were occurring
throughout the country
and inevitably invaded
the composer's creative
subconscious.
Contextures, as the title
implies, was intended to
exploit various and
varying textures. As the
work progressed the
correspondence between
the fabric of music and
the fabric of society
became apparent and the
allegory grew in
significance. So I found
myself translating social
aspects into musical
techniques. Social
stratification became a
polymetric situation
where disparate groups
function together. The
conflict between the
forces of expansion and
the forces of containment
is expressed through and
opposition of tonal
fluidity vs. rigidity.
This is epitomized in the
fourth movement, where
the brass is divided into
two groups - a muted
group, encircled by the
unmuted one, which does
its utmost to keep the
first group within a
restricted pitch area.
The playful jazzy bits
(one between the first
and second movements and
one at the end of the
piece) are simply saying
that somehow in this age
of turmoil and anxiety
ways of having fun are
found even though that
fun may seem
inappropriate. The piece
is in five movements,
with an interlude between
the first and second
movements. It is scored
for a large orchestra,
supplemented by six
groups of percussion,
including newly created
roto-toms (small tunable
drums) and some original
devices, such as muted
gongs and muted
vibraphone. There is also
an offstage jazz quartet:
bass, drums, soprano
saxophone and trumpet.
The first movement begins
with a solo by the first
clarinetist which is
interrupted by
intermittent heckling
from his colleagues
leading to a
configuration of large
disparate elements. The
interlude of solo violin
and snare-drum follows
without pause. The second
movement, Prestissimo, is
a display piece of
virtuosity for the entire
orchestra. The third
movement marks a period
of repose and reflection
and calls for some
expressive solos,
particularly by the horn
and alto saxophone. The
fourth movement opens
with a rather lengthy
oboe solo, which is
threatened by large
blocks of sound from the
orchestra, against an
underlying current of
agitated energy in the
piano and percussion.
This leads to a section
in which large orchestral
forces oppose one
another, ultimately
bringing the work to a
climax, if not to a
denouement. Various
thematic elements are
strewn all over the
orchestra, resulting in
the formation of a
general haze of sound. A
transition leads to the
fifth movement without
pause. The musical haze
is pierced gently by the
offstage jazz group as if
they were attempting to
ignore and even dispel
the gloom, but a legato
bell sound enters and
hovers over both the jazz
group and the orchestra,
the latter making
statements of disquieting
finality. Two films were
conceived to accompany
portions of Contextures.
The first done by Herbert
Kosowar, was a
chemography film
(painting directly into
the film using dyes and
various implements) with
fast clips of riot
photographs. The second
was a film collage made
by photographically
abstracting details from
paintings of Reginald
Pollack. The purpose was
to invoke a non-specific
response - as in music -
but at the same time to
define the subject matter
of the piece. The films
were constructed to
correspond with certain
developments in the piece
and in no way affect the
independence and musical
flow of the piece, having
been made after the piece
was completed.
Contextures: Riots -
Decade '60 is dedicated
to Mehta, the Southern
California Symphony
Association and the Los
Angeles Philharmonic
Orchestra. The news of
the assassination of Dr.
Martin Luther King came
the afternoon of the
premiere, April 4, 1968.
That evening's
performances, and also
the succeeding ones, were
dedicated to him and a
special dedication to Dr.
King has been inserted
into he score. All the
music that follows the
jazz group - beginning
with the legato bell
sound playing the first 2
notes to We shall
overcome constitutes a
new ending to commemorate
Dr. King's death.
Orchestra SKU: PR.11641867S Composed by William Kraft. Full score. Durati...(+)
Orchestra
SKU:
PR.11641867S
Composed
by William Kraft. Full
score. Duration 16
minutes, 25 seconds.
Theodore Presser Company
#116-41867S. Published by
Theodore Presser Company
(PR.11641867S).
UPC:
680160683208.
Conte
xtures: Riots -Decade '60
was commissioned by Zubin
Mehta and the Southern
California Symphony
Association after the
successful premiere of
the Concerto for Four
Percussion Soloists and
Orchestra. It was written
during the spring and
summer months of 1967.
Riots stemming from
resentment against the
racial situation in the
United States and the war
in Vietnam were occurring
throughout the country
and inevitably invaded
the composer's creative
subconscious.
Contextures, as the title
implies, was intended to
exploit various and
varying textures. As the
work progressed the
correspondence between
the fabric of music and
the fabric of society
became apparent and the
allegory grew in
significance. So I found
myself translating social
aspects into musical
techniques. Social
stratification became a
polymetric situation
where disparate groups
function together. The
conflict between the
forces of expansion and
the forces of containment
is expressed through and
opposition of tonal
fluidity vs. rigidity.
This is epitomized in the
fourth movement, where
the brass is divided into
two groups - a muted
group, encircled by the
unmuted one, which does
its utmost to keep the
first group within a
restricted pitch area.
The playful jazzy bits
(one between the first
and second movements and
one at the end of the
piece) are simply saying
that somehow in this age
of turmoil and anxiety
ways of having fun are
found even though that
fun may seem
inappropriate. The piece
is in five movements,
with an interlude between
the first and second
movements. It is scored
for a large orchestra,
supplemented by six
groups of percussion,
including newly created
roto-toms (small tunable
drums) and some original
devices, such as muted
gongs and muted
vibraphone. There is also
an offstage jazz quartet:
bass, drums, soprano
saxophone and trumpet.
The first movement begins
with a solo by the first
clarinetist which is
interrupted by
intermittent heckling
from his colleagues
leading to a
configuration of large
disparate elements. The
interlude of solo violin
and snare-drum follows
without pause. The second
movement, Prestissimo, is
a display piece of
virtuosity for the entire
orchestra. The third
movement marks a period
of repose and reflection
and calls for some
expressive solos,
particularly by the horn
and alto saxophone. The
fourth movement opens
with a rather lengthy
oboe solo, which is
threatened by large
blocks of sound from the
orchestra, against an
underlying current of
agitated energy in the
piano and percussion.
This leads to a section
in which large orchestral
forces oppose one
another, ultimately
bringing the work to a
climax, if not to a
denouement. Various
thematic elements are
strewn all over the
orchestra, resulting in
the formation of a
general haze of sound. A
transition leads to the
fifth movement without
pause. The musical haze
is pierced gently by the
offstage jazz group as if
they were attempting to
ignore and even dispel
the gloom, but a legato
bell sound enters and
hovers over both the jazz
group and the orchestra,
the latter making
statements of disquieting
finality. Two films were
conceived to accompany
portions of Contextures.
The first done by Herbert
Kosowar, was a
chemography film
(painting directly into
the film using dyes and
various implements) with
fast clips of riot
photographs. The second
was a film collage made
by photographically
abstracting details from
paintings of Reginald
Pollack. The purpose was
to invoke a non-specific
response - as in music -
but at the same time to
define the subject matter
of the piece. The films
were constructed to
correspond with certain
developments in the piece
and in no way affect the
independence and musical
flow of the piece, having
been made after the piece
was completed.
Contextures: Riots -
Decade '60 is dedicated
to Mehta, the Southern
California Symphony
Association and the Los
Angeles Philharmonic
Orchestra. The news of
the assassination of Dr.
Martin Luther King came
the afternoon of the
premiere, April 4, 1968.
That evening's
performances, and also
the succeeding ones, were
dedicated to him and a
special dedication to Dr.
King has been inserted
into he score. All the
music that follows the
jazz group - beginning
with the legato bell
sound playing the first 2
notes to We shall
overcome constitutes a
new ending to commemorate
Dr. King's death.
Composed by Larry Shackley. For alto saxophone, tenor saxophone, 2 trumpets, 2 t...(+)
Composed by Larry
Shackley. For alto
saxophone, tenor
saxophone, 2 trumpets, 2
trombones, rhythm, piano.
Sacred Anthem, Christ the
King, General, Lent,
Thanksgiving.
Instrumental score and
parts. Lorenz Publishing
Company #30/3179L.
Published by Lorenz
Publishing Company
By Charlie Parker. Edited by Jeffrey Sultanof. Arranged by Joe Lippman. For stud...(+)
By Charlie Parker. Edited
by Jeffrey Sultanof.
Arranged by Joe Lippman.
For studio ensemble with
alto saxophone soloist
(Solo Alto Saxophone,
Oboe, French Horn, 4
Violins, 2 Violas, Cello,
Harp, Guitar (Optional),
Piano, Bass, Drums).
Ballad. Difficult.
Published by Jazz Lines
Publications
Composed by Pepper Choplin. Arranged by Michael Lawrence. Cantatas. Christmas, S...(+)
Composed by Pepper
Choplin. Arranged by
Michael Lawrence.
Cantatas. Christmas,
Sacred. Instrumental
parts, condensed score,
CD-ROM. Lorenz Publishing
Company #30/2826L.
Published by Lorenz
Publishing Company
East Of The Sun Orchestre [Conducteur et Parties séparées] Jazz Lines Publications
By Charlie Parker With Strings. Edited by Rob Duboff and Jeffrey Sultanof. Arran...(+)
By Charlie Parker With
Strings. Edited by Rob
Duboff and Jeffrey
Sultanof. Arranged by Joe
Lipman. For studio
orchestra (Alto
Saxophone, Oboe/English
Horn, Horn in F, 4
Violins, 2 Violas, Cello,
Harp, Guitar,
Piano/Celeste, Bass,
Drums). Recorded by
Charlie Parker with
Strings. Swing. Medium.
Score and parts.
Published by Jazz Lines
Publications
Composed by Camp Kirkland. Allegis. Christmas. Conductor's score and instrumenta...(+)
Composed by Camp
Kirkland. Allegis.
Christmas. Conductor's
score and instrumental
parts. Allegis
#765762134300. Published
by Allegis
(LO.765762134300).
Aragonaise from Carmen Orchestre [Conducteur et Parties séparées] - Facile Alfred Publishing
By Georges Bizet (1838-1875). Arranged by Richard Meyer. Orchestra. Full Orchest...(+)
By Georges Bizet
(1838-1875). Arranged by
Richard Meyer. Orchestra.
Full Orchestra;
Masterworks; Part(s);
Score; SmartMusic.
Highland First
Philharmonic. Form:
Dance; Transcription.
Latin; Masterwork
Arrangement; Romantic.
Grade 2. 184 pages.
Published by Alfred Music
Publishing
Score and Parts Orchestra SKU: HL.48030033 From the Symphonic Suite Li...(+)
Score and Parts Orchestra
SKU: HL.48030033
From the Symphonic
Suite Lieutenant Kije
Score and Parts.
Composed by Sergei
Prokofiev. Edited by
David Lloyd-Jones. Boosey
& Hawkes Orchestra.
Classical. Softcover. 158
pages. Boosey & Hawkes
#M060833786. Published by
Boosey & Hawkes
(HL.48030033).
UPC:
840126911916.
9.25x12.0x0.459
inches.
Instrumenta
tion: piccolo, flute,
oboe, clarinet I,
clarinet II, bassoon,
tenor saxophone, horn in
F I, horn in F II,
trumpet in Bb I, trumpet
in Bb II, trombone I,
trombone II, bass
trombone, violin I,
violin II, viola, cello,
double bass, harp, piano,
timpani, percussion (bass
drum, triangle, sleigh
bells, tambourine). Year
of composition: 1934.
By Georges Bizet (1838-1875). Arranged by Richard Meyer. Orchestra. Full Orchest...(+)
By Georges Bizet
(1838-1875). Arranged by
Richard Meyer. Orchestra.
Full Orchestra;
Masterworks; Score.
Highland First
Philharmonic. Form:
Dance; Transcription.
Latin; Masterwork
Arrangement; Romantic.
Grade 2. 24 pages.
Published by Alfred Music
Publishing
Orchestra SKU: LO.30-3097L Composed by Lloyd Larson. Choral, cantatas. Ea...(+)
Orchestra
SKU:
LO.30-3097L
Composed
by Lloyd Larson. Choral,
cantatas. Eastertide,
Holy Week. Full score and
parts, plus CD with
printable parts. Lorenz
Publishing Company
#30/3097L. Published by
Lorenz Publishing Company
(LO.30-3097L).
UPC:
000308137941.
This
product includes the full
orchestral score, printed
parts, and digital parts
(delivered on a CD) for
Witness. The parts
include 2 Flutes, Oboe, 2
Clarinets, Bassoon,
(substitute Bass
Clarinet), 2 Horns
(substitute 2 Alto
Saxophones), 3 Trumpets,
2 Trombones (substitute 2
Tenor Saxophones/Baritone
TC), Tuba, 2 Percussion,
Timpani, Harp, Piano, 2
Violins, Viola, Cello,
Bass, and Keyboard String
Reduction.
Orchestra SKU: CF.PO192S On We Wish You a Merry Christmas. Compose...(+)
Orchestra
SKU:
CF.PO192S
On We
Wish You a Merry
Christmas. Composed
by Robert B. Brown.
Condensed score. Carl
Fischer Music #PO192S.
Published by Carl Fischer
Music (CF.PO192S).
ISBN 9781491157367.
UPC:
680160915927.
Progr
am note: Christmas Fugue,
like the charming English
folk tune on which it is
based, is full of the
spirit and fun that is
Christmas. After a slow
shimmering introduction
which imparts an
impression of Christmas
morning, the fugue
subject is abruptly
introduced. The fugue
subject: We Wish You a
Merry Christmas. The work
develops through a series
of playful musical
episodes which afford
satisfying opportunities
for the various sections
of the orchestra. The
fugue culminates in a
combination of motifs
which find the brass
heralding the
unmistakable arrival of
Christmas. The Composer:
Dr. Robert Bennett Brown
has devoted much of his
professional teaching
career to musical
compositions and
arrangements for young
orchestral enthusiasts.
Christmas Fugue, like
other of Dr. Drown's
published works, was
written in and for the
actual teaching
situation. At the present
time, Robert Bennett
Brown is District
Supervisor of Music for
the Levittown, N.Y.
Public Schools.
Previously, for some
nineteen years, he taught
in Bronxville, N.Y.
where, as Chairman of
Music, he brought about
an extremely high level
of school orchestral
achievement. he was
educated at New York
University and Teachers
College, Columbia
University. He has served
as a field supervisor of
student teaching for New
York University and as a
general music consultant.
For the past two years he
has been a member of the
New York State Music
Regents Committee. To the
Conductor: You will find
this work to be the
conductor's dream. Parts
are easy but impressive
sounding. The total
effect will give your
orchestra that typical
classical sound so
satisfying to performer
and listener alike. Full
or exact instrumentation
is not a must; cross-cues
will carry critical areas
where a specified
instrument may be
lacking. Piano, tuba, and
saxophone parts are
written to accommodate
those players where they
exist. These parts are
not essential to the
instrumentation. Though
Christmas Fugue is well
suited to the interests
of high school orchestra
pursuits, its grade of
difficulty is easily
handled by any junior
high school group of
average ability.
 . Program
note:Christmas Fugue,
like the charming English
folk tune on which it is
based, is full of the
spirit and fun that is
Christmas. After a slow
shimmering introduction
which imparts an
impression of Christmas
morning, the fugue
subject is abruptly
introduced. The fugue
subject: We Wish You a
Merry Christmas. The work
develops through a series
of playful musical
episodes which afford
satisfying opportunities
for the various sections
of the orchestra. The
fugue culminates in a
combination of motifs
which find the brass
heralding the
unmistakable arrival of
Christmas.The
Composer:Dr. Robert
Bennett Brown has devoted
much of his professional
teaching career to
musical compositions and
arrangements for young
orchestral enthusiasts.
Christmas Fugue, like
other of Dr. Drown's
published works, was
written in and for the
actual teaching
situation.At the present
time, Robert Bennett
Brown is District
Supervisor of Music for
the Levittown, N.Y.
Public Schools.
Previously, for some
nineteen years, he taught
in Bronxville, N.Y.
where, as Chairman of
Music, he brought about
an extremely high level
of school orchestral
achievement. he was
educated at New York
University and Teachers
College, Columbia
University. He has served
as a field supervisor of
student teaching for New
York University and as a
general music consultant.
For the past two years he
has been a member of the
New York State Music
Regents Committee.To the
Conductor:You will find
this work to be the
conductor's dream. Parts
are easy but impressive
sounding. The total
effect will give your
orchestra that typical
classical sound so
satisfying to performer
and listener alike. Full
or exact instrumentation
is not a must; cross-cues
will carry critical areas
where a specified
instrument may be
lacking. Piano, tuba, and
saxophone parts are
written to accommodate
those players where they
exist. These parts are
not essential to the
instrumentation. Though
Christmas Fugue is well
suited to the interests
of high school orchestra
pursuits, its grade of
difficulty is easily
handled by any junior
high school group of
average ability. .
Orchestra SKU: CF.PO192F On We Wish You a Merry Christmas. Compose...(+)
Orchestra
SKU:
CF.PO192F
On We
Wish You a Merry
Christmas. Composed
by Robert B. Brown. Full
score. Carl Fischer Music
#PO192F. Published by
Carl Fischer Music
(CF.PO192F).
ISBN
9781491157374. UPC:
680160915934.
Progr
am note: Christmas Fugue,
like the charming English
folk tune on which it is
based, is full of the
spirit and fun that is
Christmas. After a slow
shimmering introduction
which imparts an
impression of Christmas
morning, the fugue
subject is abruptly
introduced. The fugue
subject: We Wish You a
Merry Christmas. The work
develops through a series
of playful musical
episodes which afford
satisfying opportunities
for the various sections
of the orchestra. The
fugue culminates in a
combination of motifs
which find the brass
heralding the
unmistakable arrival of
Christmas. The Composer:
Dr. Robert Bennett Brown
has devoted much of his
professional teaching
career to musical
compositions and
arrangements for young
orchestral enthusiasts.
Christmas Fugue, like
other of Dr. Drown's
published works, was
written in and for the
actual teaching
situation. At the present
time, Robert Bennett
Brown is District
Supervisor of Music for
the Levittown, N.Y.
Public Schools.
Previously, for some
nineteen years, he taught
in Bronxville, N.Y.
where, as Chairman of
Music, he brought about
an extremely high level
of school orchestral
achievement. he was
educated at New York
University and Teachers
College, Columbia
University. He has served
as a field supervisor of
student teaching for New
York University and as a
general music consultant.
For the past two years he
has been a member of the
New York State Music
Regents Committee. To the
Conductor: You will find
this work to be the
conductor's dream. Parts
are easy but impressive
sounding. The total
effect will give your
orchestra that typical
classical sound so
satisfying to performer
and listener alike. Full
or exact instrumentation
is not a must; cross-cues
will carry critical areas
where a specified
instrument may be
lacking. Piano, tuba, and
saxophone parts are
written to accommodate
those players where they
exist. These parts are
not essential to the
instrumentation. Though
Christmas Fugue is well
suited to the interests
of high school orchestra
pursuits, its grade of
difficulty is easily
handled by any junior
high school group of
average ability.
 . Program
note:Christmas Fugue,
like the charming English
folk tune on which it is
based, is full of the
spirit and fun that is
Christmas. After a slow
shimmering introduction
which imparts an
impression of Christmas
morning, the fugue
subject is abruptly
introduced. The fugue
subject: We Wish You a
Merry Christmas. The work
develops through a series
of playful musical
episodes which afford
satisfying opportunities
for the various sections
of the orchestra. The
fugue culminates in a
combination of motifs
which find the brass
heralding the
unmistakable arrival of
Christmas.The
Composer:Dr. Robert
Bennett Brown has devoted
much of his professional
teaching career to
musical compositions and
arrangements for young
orchestral enthusiasts.
Christmas Fugue, like
other of Dr. Drown's
published works, was
written in and for the
actual teaching
situation.At the present
time, Robert Bennett
Brown is District
Supervisor of Music for
the Levittown, N.Y.
Public Schools.
Previously, for some
nineteen years, he taught
in Bronxville, N.Y.
where, as Chairman of
Music, he brought about
an extremely high level
of school orchestral
achievement. he was
educated at New York
University and Teachers
College, Columbia
University. He has served
as a field supervisor of
student teaching for New
York University and as a
general music consultant.
For the past two years he
has been a member of the
New York State Music
Regents Committee.To the
Conductor:You will find
this work to be the
conductor's dream. Parts
are easy but impressive
sounding. The total
effect will give your
orchestra that typical
classical sound so
satisfying to performer
and listener alike. Full
or exact instrumentation
is not a must; cross-cues
will carry critical areas
where a specified
instrument may be
lacking. Piano, tuba, and
saxophone parts are
written to accommodate
those players where they
exist. These parts are
not essential to the
instrumentation. Though
Christmas Fugue is well
suited to the interests
of high school orchestra
pursuits, its grade of
difficulty is easily
handled by any junior
high school group of
average ability. .
Wind Band Score Orchestra (Score) SKU: HL.49006362 Music from the Last...(+)
Wind Band Score Orchestra
(Score)
SKU:
HL.49006362
Music
from the Last Movement of
the Ninth Symphony Wind
Band Score. Composed
by Ludwig van Beethoven.
Arranged by Herbert von
Karajan. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. Score. 12
pages. Duration 2' 15''.
Schott Music #ED6489.
Published by Schott Music
(HL.49006362).
ISBN
9790001068932. UPC:
073999352177.
10.5x13.25x0.099
inches.
The
European Hymn is the hymn
not only of the European
Union but of Europe in a
broader sense. The melody
has been taken from the
Ninth Symphony by Ludwig
van Beethoven from
1823.In the last movement
of this symphony
Beethoven set music to
the 'Ode to Joy' by
Friedrich von Schiller
from 1785. This poem
sprang from Schiller's
idealistic vision of men
who become brothers - a
vision Beethoven shared
with him.In 1972 the
Council of Europe adopted
Beethoven's 'Ode to Joy'
as its anthem. The
well-known conductor
Herbert von Karajan was
commissioned to arrange
three instrumental
versions - for solo
piano, wind orchestra and
symphony orchestra.
Without words, in the
universal language of
music, the anthem is an
expression of the
idealistic values of
freedom, peace and
solidarity which Europe
stands for.In 1985 the
heads of state and
government adopted the
hymn as the EU's official
anthem. It does not
replace the national
anthems of the member
states, but rather
celebrates common values
as well as unity in
diversity.The score of
this offical anthem is
exclusively available
from the Schott
publishing
house.
(1
Piccolo-Flote, 2 Floten,
2 Oboen, 2 Fagotte, 1
Kontrafagott, 1
Klarinette in Es, 3
Klarinetten in B, 1
Bass-Klarinette in B, 2
Alt-Saxophone in Es, 1
Tenor-Saxophon in B, 1
Bariton-Saxophon in Es, 3
Trompeten in B, 2
Kornette in B, 2 Horner
in F, 3 Posaunen, 2
Flugelhorner in B, 3
Tenorhorner in B, 1
Bariton, 2 Tuben, Pauken,
Kontrabass).
Pachelbel's Canon Orchestre [Conducteur et Parties séparées] Theodore Presser Co.
(For Orchestra). By Johann Pachelbel (1653-1706). Arranged by Philip Gordon. Orc...(+)
(For Orchestra). By
Johann Pachelbel
(1653-1706). Arranged by
Philip Gordon. Orchestra.
For Flute, Oboe, Clarinet
I, Clarinet II, Alto
Saxophone, Tenor
Saxophone, Bassoon, Horn
I, Horn II, Trumpet I,
Trumpet II, Tenor, Tuba,
Timpani, Piano and
Conductor, Flute, Oboe,
Clarinet I, Clarinet II,
Alto Saxophone, Tenor
Saxophone, Bassoon, Horn
I, Horn I. Baroque. Score
and parts. Standard
notation. 12 pages.
Duration 2:45
(For Theater Or Chamber Orchestra). Composed by Charles Ives (1874-1954). For ch...(+)
(For Theater Or Chamber
Orchestra). Composed by
Charles Ives (1874-1954).
For chamber orchestra
(oboe, flute, or clarinet
ad lib., english horn or
cornet, 2 Bb clarinets,
bassoon (or Eb baritone
saxophone), or trombone,
horn/trombone solo
(e.h./a cl. for smaller
strings), trombone,
tympani, bells (high and
low), piano (4 hands),
harps/violins at a di).
Contemporary. Full score
- study. Standard
notation. 24 pages.
Duration 7 minutes, 30
seconds. Theodore Presser
Company #446-41262.
Published by Theodore
Presser Company
(Full Score, Piano-Conductor Score, and Parts). By Arcangelo Corelli (1653-1713)...(+)
(Full Score,
Piano-Conductor Score,
and Parts). By Arcangelo
Corelli (1653-1713).
Arranged by Philip
Gordon. Orchestra. For
Violin I, Violin II,
Viola, Cello, Contrabass,
Flute I, Oboe, Clarinet
I, Clarinet II, Bassoon,
Alto Saxophone, Tenor
Saxophone, Horn I, Horn
II, Trumpet I, Trumpet
II, Tenor, Tuba, Timpani,
Percussion, Piano. Score
and part(s). Standard
notation. 20 pages.
Published by Carl Fischer
(Scores from the Original Parts) Performed by Miles Davis. For alto saxophone, b...(+)
(Scores from the Original
Parts) Performed by Miles
Davis. For alto
saxophone, baritone
saxophone, trumpet, horn,
trombone, tuba, piano,
bass and drum set.
Format: full score
(multiple copies needed
for performance). With
full score notation and
introductory text. Jazz.
Series: Hal Leonard
Transcribed Scores. 168
pages. 9x12 inches.
Published by Hal Leonard.