Organ SKU: VD.ED20499 Composed by Richard Wagner. Arranged by Otto Depenh...(+)
Organ
SKU:
VD.ED20499
Composed
by Richard Wagner.
Arranged by Otto
Depenheuer. Édition
bon(n)orgue Vol. 99.
Classical. Score. 6 S.
pages. Verlag Dohr
#ED20499. Published by
Verlag Dohr (VD.ED20499).
Cello and Organ Cello; Organ - advanced SKU: HL.49043995 Arranged for ...(+)
Cello and Organ Cello;
Organ - advanced
SKU:
HL.49043995
Arranged for Cello and
Organ. Composed by
Paul Hindemith. Arranged
by Heribert Breuer. This
edition: Saddle
stitching. Sheet music.
String. Classical.
Softcover. Composed
1938/2012. 8 pages.
Duration 4'. Schott Music
#CB263. Published by
Schott Music
(HL.49043995).
ISBN
9790001194051. UPC:
888680023928.
9.0x12.0x0.073
inches.
As is the
case with 'Trauermusik',
there now exists an organ
version of its sister
work. Heribert Breuer,
choir director and
professor in Berlin,
arranged the score for
the organ, thus opening
up further possibilities
for this expressive
piece. It is perfectly
suitable for church
concerts and can be
performed without great
difficulty.
Organ SKU: M7.DOHR-20486 Composed by Louis Vierne. Edited by Otto Depenhe...(+)
Organ
SKU:
M7.DOHR-20486
Composed by Louis Vierne.
Edited by Otto
Depenheuer. Arranged by
Thomas Schmoegner. Sheet
music. Édition
bon(n)orgue Vol. 86. Op.
24. 72 pages. MDS (Music
Distribution Services)
#DOHR 20486. Published by
MDS (Music Distribution
Services)
(M7.DOHR-20486).
ISBN
9790202044865.
Loui
s Vierne komponierte
seine Orchestersymphonie
im Sommer 1907 in
Juziers. Wie kaum ein
zweites Werk zeugt sie
von den
Schicksalsschlägen des
Komponisten: Von Geburt
an fast blind musste
Vierne nicht nur die
Trennung von seiner Frau,
sondern auch die Folgen
eines schweren
Verkehrsunfalles
verarbeiten. Der erste
Satz zählt mit seinen
600 Takten zu den
längsten
Sonatenhauptsatzformen,
die Vierne jemals
schrieb. Das Lamento ist
eine der berührendsten
musikalischen
Äußerungen des
Komponisten. Das Scherzo
- ein wenig an den
Zauberlehrling von Paul
Dukas erinnernd -
präsentiert sich am
Schluss als poesievolles
Fugato mit Anklängen
an das Hauptthema des
Finales. Das Finale wirkt
in seinem Optimismus wie
ein neuerliches Hinwenden
zum Leben - trotz allem.
(Thomas
Schmögner).
Organ SKU: SU.80101409 For Organ. Composed by Carson Cooman. Keybo...(+)
Organ
SKU:
SU.80101409
For
Organ. Composed by
Carson Cooman. Keyboard,
Organ. Score. Zimbel
Press #80101409.
Published by Zimbel Press
(SU.80101409).
Radegund
Variations (2017) was
written for and is
dedicated to Hartmut
Siebmanns, cantor and
organist in Possneck, in
the Thuringia region of
Germany. This work was
inspired by the life of
Radegund (ca. 520-587),
who was a Thuringian
princess (and later
Frankish queen) most
famous for founding the
Abbey of the Holy Cross
in Poitiers, France. The
piece begins with an
original theme: its
contemporary view of
ancient modality
represents looking back
from the present time
into Radegund's era. The
theme is followed by six
contrasting variations,
inspiration for which are
drawn from events in
Radegund's life: her
marriage and joining the
Frankish court (1st
variation); her flight
from the court (after the
murder of her brother) to
seek protection from the
church (2nd variation);
her devotion to the needy
(3rd variation); her
friendship with the poet
Venantius Fortunatus and
her commissioning of his
sacred poem Vexilla Regis
(4th variation); her
gifts of healing (5th
variation); and the
building of the abbey
(6th variation).
Instrumentation: Organ
Duration: 11' Composed:
2017 Published by: Zimbel
Press.
Organ - easy to intermediate SKU: HL.49019879 Chorale Settings/Free Or...(+)
Organ - easy to
intermediate
SKU:
HL.49019879
Chorale Settings/Free
Organ Works. Composed
by Matthias Weckmann.
Edited by Klaus Beckmann.
This edition:
Paperback/Soft Cover.
Sheet music. Organ
Collection. Softcover.
Schott Music #ED21009-01.
Published by Schott Music
(HL.49019879).
ISBN
9790001196642. UPC:
888680885854.
12.0x8.75x0.462
inches.
Matthias
Weckmann, born in
Niederdorla near
Muhlhausen (Thuringia) in
1616 and died in Hamburg
in 1674, was trained as a
musician by Heinrich
Schutz in Dresden among
others. He worked as an
organist in Dresden
(Schlosskirche) and
Hamburg (St. Jakobi). It
is particularly for the
Jakobi organ that he
wrote his elaborate and
virtuoso organ works. Our
new edition in the
renowned series 'Masters
of the North German Organ
School' faithfully
transfers the works which
survived in letter
tablature, providing a
reliably edited urtext.
Volume 1 contains the
cantus firmus-based
works, 8 authentic verse
cycles with 2-7 movements
each in which chorale
melodies such as 'Es ist
das Heil uns kommen her',
'Gelobet seist du, Jesu
Christ)' or the
'Magnificat' are varied,
as well as a cycle on
'Ach wir armen Sunder'
attributed to Weckmann.
Volume 2 proves him to a
master of concertante
organ music, containing 3
works with pedal
(Fantasia, Fuga and
Praeambulum in D) as well
as several moderately
difficult works to be
played on manuals only (6
toccatas, 5 canzonas).
Reliable standard edition
of the music by one of
the great (North) German
organ masters.
(Organ Masters of the North German School, Vol. 23). By Matthias Weckmann. Edite...(+)
(Organ Masters of the
North German School, Vol.
23). By Matthias
Weckmann. Edited by Klaus
Beckmann. For Organ.
Organ Collection.
Softcover. 112 pages.
Schott Music #ED21009.
Published by Schott Music
SSTBar choir, organ - Level 2 SKU: CA.2044305 Osterdialog. Compose...(+)
SSTBar choir, organ -
Level 2
SKU:
CA.2044305
Osterdialog.
Composed by Heinrich
Schutz. Edited by Helmut
Lauterwasser. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Schutz. German
title: Osterdialog Weib,
Was Weinest Du. Sacred
vocal music, Easter and
Eastertide. Choral Score.
Composed 1625 (terminus
post quem). SWV 443. 12
pages. Carus Verlag #CV
20.443/05. Published by
Carus Verlag
(CA.2044305).
ISBN
9790007036416. Key: D
dorian. Language:
German.
Heinrich
Schutz's Osterdialog
(Dialogo per la Pascua)
SWV 443 for four voices
and basso continuo is
based on an episode from
the Gospel of St John, in
which the risen Jesus
appears before Mary
Magdalene in front of the
empty grave. Schutz had
also composed a setting
of this scene shortly
before in 1623 in his
Auferstehungshistorie
[Resurrection History].
For the first time this
edition contains an
attempt to reconstruct
the extensive final
chorus of the work, which
is missing except for the
basso continuo part, by
Helmut Lauterwasser. This
musical jewel by Schutz
represents a valuable
addition to the musical
repertoire for Easter,
which is smaller than the
Passiontide repertoire.
20.443/05: full score
without cover and without
final chorus 20.443/06:
choral score, only final
chorus. Score available
separately - see item
CA.2044300.