Voici une des nombreuses partitions de Wolfgang Amadeus Mozart. Ce génie, mort à l'âge de 35 ans, a révolutionné la musique classique. Vous retrouverez à travers la partition CANTOLOPERA: ARIE PER BARITONO E BASSO + CD tout le talent de Mozart. Cette partition a été composée pour Voix Et Piano. C'est l'éditeur Ricordi qui a publiée cette oeuvre. / Voix Et Piano / Partition + Cd

En Trois Parties Avec Choeurs Soprani Contralti Ténors Basses. Par PIERNE GABRIEL. / Répertoire / Chant et Piano

Chandons Te Deum HWV 281. Par HAENDEL GEORG FRIEDRICH. Handel composed the 'Te Deum” in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum”. Here it is called 'Te Deum for Cannons” after the Duke's stately home named Cannons where the first performance took place. The unusual scoring for flute, oboe, bassoon, trumpet, two violins and basso continuo plus a choir (one soprano, three tenors and a bass) probably reflects the musicians which were available at Cannons, bearing in mind that three tenors were used also in 'Acis and Galatea”, the masque which was composed at almost the same time. Though in many respects this 'Te Deum” is reminiscent of the 'Utrecht Te Deum”, its smaller forces tend to give it more the character of chamber music. This edition is based on the Urtext from the 'Halle Handel Edition” (BA 10708), which offers the first complete scholarly text of the music for the 'Te Deum”./ Répertoire / Chant et Piano

Par PURCELL HENRY. This new edition by Bruce Wood of the University of Wales, is intended to directly compliment the full score included in Purcell Society Volume 24. The piece is an ode to the birthday of Queen Mary, 1694, and is set for Soprano, 2 Counter-Tenor (Alto) and Bass soloists, with SATB and Orchestra. This vocal score features a piano/organ reduction of the orchestral score which also functions as a realisation of the original basso continuo. / Rép Classique / Répertoire / Chant et Piano

Zum Nahmensfest des Bonapart produciret. Par HAYDN FRANZ JOSEF. For the first time this work ascribed earlier to Joseph Haydn will be edited here under the name of his brother, Johann Michael Haydn, and based on the most reliable source from 1765 from the Benedictine monastery Göttwieg. There, in the course of a century the work was heard forty times for opening of the solemn High Mass, as also in 1809 on the name day of Emperor Napoleon, who spent a short time at the monastery following the battle of Aspern and Eßling. According to late baroque custom, the scoring consists of a soprano, alto, tenor, bass [each soli and tutti], two violins, two trumpets with timpani [ad libitum, corresponding to the purpose of the particular performance] and basso continuo. / Date parution : 2019-12-12/ Répertoire / Chant et Piano

Par PURCELL HENRY. Orpheus Brittanicus contains thirteen exemplary songs for High Voice with Piano accompaniment, by the master of English Baroque, Henry Purcell. These have been carefully arranged with the figured bass parts realised by Benjamin Britten, and the vocal parts edited by Peter Pears./ Répertoire / Voix Elevées et Piano

For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind. Titles: Green Finch and Linnet Bird (Sweeney Todd) * How Could I Ever Know? (Secret Garden) * The Lady Is a Tramp (Babes in Arms) * Look to the Rainbow (Finian's Rainbow) * Someone to Watch Over Me (Oh, Kay!) * Summertime (Porgy and Bess?+?) and more. / Instrumental Music, Miscellaneous, Songbooks, Voca / Recueil / Voix et Piano

For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind. Titles: I'm Not That Smart (The 25th Annual Putnam County Spelling Bee) * My Unfortunate Erection (Chip's Lament) (The 25th Annual Putnam County Spelling Bee) * Dames (42nd Street) * Radames' Letter (Elton John and Tim Rice's 'Aida') * The Gypsy in Me Anything Goes (1988 Revival)) * Ballad of Booth (Part III) (Assassins) * What Am I Doin'? (Closer Than Ever) * Broadway Baby (Dames At Sea) * Blah, Blah, Blah (Delicious) * When the Earth Stopped Turning (Elegies) * You Gotta Die Sometime (Falsettos) * I Want to Make Magic (Fame: The Musical) * Sandy (Grease) * Donna (Hair) * Different (Honk!) * The Phone Call (Lucky Stiff) * Knowing Me, Knowing You (Mamma Mia) * To Each His Dulcinea (Man of La Mancha) * Larger Than Life (My Favorite Year) * I'm Falling in Love with Someone (Naughty Marrietta) * And They're Off (A New Brain) * Stouthearted Men (The New Moon) * Lucky to Be Me (On the Town) * A New Town Is a Blue Town (The Pajama Game) * Extraordinary (Pippin) * There's a Boat Dat's Leavin' Soon for New York (Porgy / Instrumental Music, Miscellaneous, Songbooks, Voca / Recueil / Voix et Piano

For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind. Titles: My Own Best Friend (Chicago) * Back on Base (Closer Than Ever) * That Mister Man of Mine (Dames At Sea) * A Little Brains, A Little Talent (Damn Yankees) * Something of My Own (Dessa Rose) * Ladies (Destry Rides Again) * I Know the Truth (Elton John and Tim Rice's 'Aida') * Holding to the Ground (Falsettos) * Think of Meryl Streep (Fame: The Musical) * A Little Girl From Little Rock (Gentlemen Prefer Blondes) * Lazy Afternoon (The Golden Apple) * What Is a Woman? I Do, I Do) * Old Friend (I'm Getting My Act Together and Taking It on the Road) * Last Midnight (Into The Woods) * Moments in the Woods (Into The Woods) * Somewhere That's Green (Little hop of Horrors) * West End Avenue (The Magic Show) * Tell Me Why (A Man of No Importance) * Take It on the Chin (Me and My Girl) * Like It Was (Merrily We Roll Along) * The Music Still Plays On A New Brain) * Mad About the Boy (Oh! Coward) * It's a Fine Life (Oliver!) * How Can I Wait? (Paint Your Wagon) * Zip (Pal Joey) * My Cousin in Milwaukee (Pardon My Eng / Instrumental Music, Miscellaneous, Songbooks, Voca / Recueil / Voix et Piano

Fantastic heart-on-the-sleeve American standards in new arrangements designed to flatter any singer, with interesting harmonies and accompaniments. The arrangements are in the spirit of the performance tradition established by singers such as Judy Garland, Peggy Lee and others. The keys have been carefully chosen and will be comfortable for most voices. The book contains arrangements for voice and piano accompaniment, plus a section of ''fake book''-style arrangements convenient for performing. The accompanying CD includes great performances of each song by a singer backed by piano, bass and drums, as well as trio acompaniment tracks only for practice or performance.

Passio secundum Johannem. Urtext of the New Bach Edition (Vocal Score and Chorus Parts English/German) Edition : Piano Reduction/Vocal Score Editor : Mendel, Arthur Binding : paperbound Instrumentation : Soprano solo, Alto solo, 2 Tenor solo, 2 Bass solo, Mixed Choir-SATB, Orchestra

This anthem, alternatively known as the Bell Anthem , appears as edited by Edward J. Dent. For SATB Choir and Organ with Alto, Tenor and Bass verse solos. Text: Philippians IV 4-7 / Chant Et Piano