Arranged by Bert Ligon,
Bud Caputo, Martin
Norgaard, Matt Turner,
and Thom Sharp.
Performance Music
Ensemble; String Quartet.
Ludwig Masters. Score.
LudwigMasters
Publications
#36-52703303. Published
by LudwigMasters
Publications
(AP.36-52703303).
ISBN
9781621567455. UPC:
660355097294.
English.
Arrangers
Bud Caputo, Bert Ligon,
Martin Norgaard, Matt
Turner and Thom Sharp
bring you jazz in the
string quartet world!
These seven standards are
ideal for students and
professionals alike.
Includes: It's Only A
Paper Moon (Ligon); It
Had To Be You (Norgaard);
Bye Bye Blackbird
(Caputo); Blue Moon
(Turner); Take Five
(Ligon); How High The
Moon (Sharp); and A Day
In The Life Of A Fool
(Ligon).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
String Quartet SKU: HL.14037520 String Quartet. Composed by Variou...(+)
String Quartet
SKU:
HL.14037520
String
Quartet. Composed by
Various. Music Sales
America. Jazz. Softcover.
88 pages. Chester Music
#CH61146. Published by
Chester Music
(HL.14037520).
ISBN
9780711946866. UPC:
884088579593.
9.25x12.0x0.31
inches.
A series of
popular music for working
string quartets. Light
enjoyable repertoire
pieces and entertaining
encores. Contents:
Chelsea Bridge * Fly Me
to the Moon (In Other
Words) * Satin Dol * Take
the 'A' Train * The Girl
from Ipanema.
Jazz Classics Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] Alfred Publishing
Arranged by Tony Esposito and Jeff Sultanof. String Quartet. Classic String Quar...(+)
Arranged by Tony Esposito
and Jeff Sultanof. String
Quartet. Classic String
Quartets. Jazz. Full
Score & Parts. 108 pages.
Published by Alfred
Publishing.
Tango Quatuor à cordes: 2 violons, alto, violoncelle Schott
Score and Parts String Quartet (Score & Parts) SKU: HL.49045929 No. 7 ...(+)
Score and Parts String
Quartet (Score & Parts)
SKU: HL.49045929
No. 7 from:
“Jazz-like. Partita
for Piano†String
Quartet Score and
Parts. Composed by
Erwin Schulhoff. Arranged
by Wolfgang Birtel.
String Ensemble.
Classical. Softcover. 12
pages. Schott Music
#ED22607. Published by
Schott Music
(HL.49045929).
9.0x12.0x0.057
inches.
The
Austro-Hungarian composer
Erwin Schulhoff
(1894-1942) was musically
precocious: At the
suggestion of AntonÃn
Dvorák, he
receivedpiano lessons at
the age of seven, and at
the age of ten became a
student at the Prague
Conservatory. Further
piano studies in Vienna,
Cologne and Leipzig as
well as composition
lessons with Max Reger
supplemented his
education. His Jewish
heritage, which defamed
his music as
“degenerateâ€,
and his sympathy for
communism, however, cost
him his life. In Prague
and finally interned in
Wülzburg near
Weissenburg in Bavaria,
he died of tuberculosis.
Schulhoff's musical
significance lies in the
integration of jazz into
art music, for example in
his oratorio H.M.S. Royal
Oak or in his Hot Sonata
for alto saxophone and
piano. He earned his
living as a jazz pianist
for a long time. In
August 1922 he wrote four
short piano pieces, his
Rag Music, to which he
added four more phrases
in November: released as
Partita, also known as
Jazz-like Partita - with
the fashion dances
Ragtime, Foxtrott,
Shimmy, Boston and - as
No. 7 - a tango. From a
piano to a string quartet
movement, the arrangement
presents itself as a
delicate and smart,
technically not too
difficult sweet, suitable
as a diversion or
addition in a quartet
program.
Special Import
titles are specialty
titles that are not
generally offered for
sale by US based
retailers. These items
must be obtained from our
overseas suppliers. When
you order a special
import title, it will be
shipped from our overseas
warehouse. The shipment
time will be slower than
items shipped directly
from our US warehouse and
may be subject to
delays.
String Quartet No. 2 Quatuor à cordes: 2 violons, alto, violoncelle Merion Music
Chamber Music String Quartet SKU: PR.14440265S Composed by Sydney F. Hodk...(+)
Chamber Music String
Quartet
SKU:
PR.14440265S
Composed
by Sydney F. Hodkinson.
Large Score. With
Standard notation.
Duration 25 minutes.
Merion Music #144-40265S.
Published by Merion Music
(PR.14440265S).
UPC:
680160027910.
The
Second and Third Quartets
were conceived at the
same time; indeed, their
composition intermingled,
over half of No. 3 being
sketched before No. 2 was
completed. Accordingly,
they share similar
material but, like the
intertwining blood of
cousins, their natures
differ: No. 2 being
somewhat acerbic and
declamatory, No. 3 more
lyric and gentler. An
annunicatory 'leaping
motive' (derived from a
motto generated by my
name) opens Quartet No. 2
and inhabits the course
of the piece as a
cyclical binding-force. A
five-note motive, usually
very deliberate, also
keeps recurring like an
insistent caller. All
three movements are based
on tonal centers (I on B
and E, II on D, III on C)
and the harmonic
'grammar' spoken tends to
recall the jazz world of
my youth. To hopefully
achieve a certain
classical ambience was
one of the goals of this
piece, and all three
movements have
traditional forms. The
first movement is a
modified Sonata-Allegro
design, with a
severely-truncated
recapitulation balanced
by a lengthy, and
decaying Coda. The second
movement is a set of
strophic variants and an
epilogue interspersed
with both solo ritornelli
and first-movement
material (the motto and
the five-note motive) in
the nature of a
fantasia-like
'call-and-response.' It
is dedicated to the
memory of the American
mezzo-soprano Jan
DeGaetani. The third
movement is a modified
Rondo (ABACBA) which
evolves out of the
opening motto. All three
movements make much use
of canonic stretti,
similar gestures, and
repetition. For example,
the climax of movement
III's Rondo throws the
first movement back at us
again, as if the players
were reluctant to let it
go, so that the entire
piece could perhaps be
viewed as a single large,
extended, Sonata
movement, with
introduction and
Coda. The Second and
Third Quartets were
conceived at the same
time; indeed, their
composition intermingled,
over half of No. 3 being
sketched before No. 2 was
completed.Â
Accordingly, they share
similar material but,
like the intertwining
blood of cousins, their
natures differ: No. 2
being somewhat acerbic
and declamatory, No. 3
more lyric and gentler.An
annunicatory
‘leaping
motive’ (derived
from a motto generated by
my name) opens Quartet
No. 2 and inhabits the
course of the piece as a
cyclical
binding-force. A
five-note motive, usually
very deliberate, also
keeps recurring like an
insistent caller. All
three movements are based
on tonal centers (I on B
and E, II on D, III on C)
and the harmonic
‘grammar’
spoken tends to recall
the jazz world of my
youth.To hopefully
achieve a certain
classical ambience was
one of the goals of this
piece, and all three
movements have
traditional forms.Â
The first movement is a
modified Sonata-Allegro
design, with a
severely-truncated
recapitulation balanced
by a lengthy, and
decaying Coda. The
second movement is a set
of strophic variants and
an epilogue interspersed
with both solo ritornelli
and first-movement
material (the motto and
the five-note motive) in
the nature of a
fantasia-like
‘call-and-response.
’ It is
dedicated to the memory
of the American
mezzo-soprano Jan
DeGaetani. The third
movement is a modified
Rondo (ABACBA) which
evolves out of the
opening motto.All three
movements make much use
of canonic stretti,
similar gestures, and
repetition. For
example, the climax of
movement III’s
Rondo throws the first
movement back at us
again, as if the players
were reluctant to let it
go, so that the entire
piece could perhaps be
viewed as a single large,
extended, Sonata
movement, with
introduction and
Coda.
Quatuor à cordes: 2 violons, alto, violoncelle [Partie séparée] Belwin
Composed by Leroy Anderson (1908-1975), arranged by William Zinn, edited by Thom...(+)
Composed by Leroy
Anderson (1908-1975),
arranged by William Zinn,
edited by Thom Proctor.
String orchestra part for
violin 2. Series:
Orchestra (Violin). 40
pages. Published by
Belwin.
By Manfred Schmitz. For Strings. Ensemble (mixed). AMA Verlag. All Styles. Level...(+)
By Manfred Schmitz. For
Strings. Ensemble
(mixed). AMA Verlag. All
Styles. Level:
Intermediate. Book. Size
9x12. 20 pages. Published
by AMA Verlag. ISBN
393258743X.
Quatuor à cordes: 2 violons, alto, violoncelle [Partie séparée] Belwin
Composed by Leroy Anderson (1908-1975), arranged by William Zinn, edited by Thom...(+)
Composed by Leroy
Anderson (1908-1975),
arranged by William Zinn,
edited by Thom Proctor.
String orchestra part for
viola. Series: Orchestra
(Viola). 36 pages.
Published by Belwin.
Quatuor à cordes: 2 violons, alto, violoncelle [Partie séparée] Belwin
Composed by Leroy Anderson (1908-1975), arranged by William Zinn, edited by Thom...(+)
Composed by Leroy
Anderson (1908-1975),
arranged by William Zinn,
edited by Thom Proctor.
String orchestra part for
cello. Series: Orchestra
(Cello). 32 pages.
Published by Belwin.
Quatuor à cordes: 2 violons, alto, violoncelle [Partie séparée] Belwin
Composed by Leroy Anderson (1908-1975), arranged by William Zinn, edited by Thom...(+)
Composed by Leroy
Anderson (1908-1975),
arranged by William Zinn,
edited by Thom Proctor.
String orchestra part for
violiin 1. Series:
Orchestra (Violin). 40
pages. Published by
Belwin.