A Bach Quatuor à cordes: 2 violons, alto, violoncelle Editorial de Musica Boileau
String quartet SKU: BO.B.3388 Composed by Jordi Cervello. Instrumental Se...(+)
String quartet
SKU:
BO.B.3388
Composed by
Jordi Cervello.
Instrumental Sets.
Duration 10:12. Published
by Editorial de Musica
Boileau (BO.B.3388).
English
comments: A Bach for
string quartet is another
evocation of the past, in
this case of J.S. Bach's
works for violin. Written
in 2004, it is a
recreation of two of the
most important movements
in the series of Sonatas
and Partitas: The Adagio
of the third Sonata and
the Prelude of the third
Partita (BWV 1005 and
1006, respectively).
Jordi Cervello was a
violinist and, as such,
it should come as no
surprise that he once
again makes use of
compositions written for
his instrument. The
Adagio, here in common
time (the original by
Bach is in three-four
time), keeps up the
constant rhythmic figure
of the dotted quaver and
semi-quaver throughout
the movement, with a
calmness that is shrouded
in mystery. The second
movement, Preludiando,
retains the same lively
spirit as the original,
but explores different
moods. Moments of calm,
vigour and even some
dramatic points give it a
new dimension thanks to
the fact that it is
written for a quartet and
to Cervello's original
treatment of harmony and
counterpoint.
Co
mentarios del
Espanol: A Bach para
cuarteto de cuerda es
otra evocacion del
pasado, en este caso de
la obra para violin de
J.S. Bach. Escrita el ano
2004, se trata de una
recreacion de dos de los
movimientos mas
importantes de la serie
de Sonatas y Partitas: El
Adagio de la tercera
Sonata y el Preludio de
la tercera Partita (BWV
1005 y 1006
respectivamente). Jordi
Cervello fue violinista
y, como tal, no debe
sorprender que una vez
mas se sirva de material
compositivo procedente de
su instrumento. El
Adagio, aqui en compas de
cuatro (el original de
Bach es de tres) conserva
en todo el movimiento la
constante figura ritmica
de corchea con puntillo y
semicorchea, dentro de un
clima sereno pero rodeado
de misterio. El segundo
movimiento, Preludiando,
conserva el mismo
espiritu vivo del
original, pero
recorriendo diferentes
estados de animo.
Momentos de calma, de
vigor e incluso
dramaticos dan nueva
dimension gracias a la
escritura cuartetistica y
al original tratamiento
armonico y
contrapuntistico de
Cervello. A Bach se
estreno en La Pedrera de
Barcelona dentro del
ciclo Celebracions de la
Fundacio Caixa de
Catalunya en el ano 2006
con el Quarteto
Prometeo.
Gran Torso Quatuor à cordes: 2 violons, alto, violoncelle Breitkopf & Härtel
String Quartet (2vl,va,vc) SKU: BR.KM-2261 Music for String Quartet(+)
String Quartet
(2vl,va,vc)
SKU:
BR.KM-2261
Music
for String Quartet.
Composed by Helmut
Lachenmann. This edition:
2 Violins, Viola, Cello.
Chamber music; Folder.
Kammermusik-Bibliothek
(Chamber Music Library).
World premiere: Bremen
(pro musica nova), May 6,
1972Have a look into KM
2261. Music post-1945;
New music (post-2000).
Set of parts. Composed
1971/78/88. 112 pages.
Duration 23'. Breitkopf
and Haertel #KM 2261.
Published by Breitkopf
and Haertel (BR.KM-2261).
ISBN 9790004501658.
16.5 x 11.5
inches.
Gran Torso,
for string quartet, was
composed in 1971 and
revised in 1978. It
belongs to a series of
works, including Air,
Kontrakadenz, Pression
and Klangschatten, whose
concept of material
attempts to free itself
from convention. That is,
instead of using the
sound itself as a point
of departure, structural
and formal hierarchies
are derived from the
mechanical and physical
conditions present during
the process of sound
production. It is clear
that such a radical break
with tradition is not
easily achieved: the
instrument, the given
means, the resonating
body itself (as the
embodiment of convention)
all work against such
attempts (with the
extended performance
techniques representing
only the tip of the
iceberg of deep-seated
contradictions where the
bourgeois artist is
concerned). Implicit in
such a challenge,
however, is a claim to
aesthetic pregnance: an
offer, if one would have
it, of uncomprosing
beauty.(Helmut
Lachenmann,
1978)CDs/LPs:Berner
StreichquartettCD col
legno 0647 277Berner
StreichquartettLP col
legno 5504Societa
Cameristica ItalianaLP
ABT ERZ 1003Arditti
String QuartetCD KAIROS,
0012662KAIstadler
quartettCD NEOS 10806The
JACK QuartetCD mode
267Stadler Quartett, Rg.
Caroline SiegersDVD NEOS
51001Bibliography:Alberma
n, David: Abnormal
Playing Techniques in the
String Quartets of Helmut
Lachenmann, in: Helmut
Lachenmann Music with
matches, hrsg. von Dan
Albertson, Contemporary
Music Review 24 (2005),
Vol. 1, pp.
39-51.Dulaney, Maxwell:
Continuing the Tradition
Untraditionally: Helmut
Lachenmann's
Restructuring of Musical
Dialectic through an
Analysis of his Three
String Quartets, and an
Original Composition,
Harmonic Concerto, Diss.
Brandeis University, MI
2013.Egger, Elisabeth:
Kontinuitat, Verdichtung,
Synchronizitat. Zu den
grossformalen Funktionen
des gepressten
Bogenstrichs in Helmut
Lachenmanns
Streichquartetten, in:
Musik als
Wahrnehmungskunst.
Untersuchungen zu
Kompositionsmethodik und
Horasthetik bei Helmut
Lachenmann, hrsg. von
Christian Utz und Clemens
Gadenstatter (=
musik.theorien der
gegenwart 2),
Saarbrucken: Pfau 2008,
pp. 155-171.Hermann,
Matthias: Helmut
Lachenmann - Gran Torso,
in: Analyse Musik XX.
Jahrhundert (2).
Postserielle Konzepte
Klangflachen Aleatorik (=
Materialien zur
Musiktheorie 4),
Saarbrucken: Pfau 2002,
pp. 134-152.Hiekel, Jorn
Peter: Die
Streichquartett Gran
Torso und Grido von
Helmut Lachenmann, in:
Lucerne Festival, Sommer
2005 Neuland,
Konzertprogramm 6, pp.
65-69.Houben, Eva-Maria:
Helmut Lachenmann: Gran
Torso ..., in: dies.,
Musikalische Praxis als
Lebensform (= Musik und
Klangkultur 27),
Bielefeld: Transcript
2018, S. 208-212Lehmann,
Harry: Erhabenheit -
Ereignis - Ambivalenz.
Zur Asthetik der Neuen
Musik, in: Neue
Zeitschrift fur Musik 176
(2015), Heft 5, pp.
22-27.Mosch, Ulrich:
Kunst als Medium der
Ungeborgenheit.
Streichquartette und
soziale Funktion des
Komponierens bei Helmut
Lachenmann, in:
Positionen 81 (November
2009), pp. 37-39.ders.:
Was heisst Interpretation
bei Helmut Lachenmanns
Streichquartett ,,Gran
Torso?, in: Wessen
Klange? Uber Autorschaft
in neue Musik, hrsg. Von
Hermann Danuser und
Matthias Kassel (=
Veroffentlichungen der
Paul Sacher Stiftung 12),
Mainz u.a.: Schott 2017,
S. 163-186Nonnenmann,
Rainer: Werke als
Schlussel zu Werken? Zur
umstrittenen Kategorie
,,Schlusselwerke der
neuen Musik, in:
MusikTexte, Heft 147
(November 2015), pp.
35-46.Stork, Astrid:
Materialbegriff und
Strukturdenken.
Untersuchungen zu den
Streichquartetten von
Helmut Lachenmann,
Magisterarbeit
Ruhr-Universitat Bochum
1992Tsao, Ming: Helmut
Lachenmann's Sound Types,
in: Perspectives of New
Music 52 (2014), Heft 1,
pp. 217-238.Velazquez,
Rossana Lara: Composicion
y escucha burguesa:
Principios de continuidad
y ruptura en el cuarteto
Gran Torso de Helmut
Lachenmann, Diss.
Universidad Nacional
Autonoma de Mexico
2011.Zenck, Martin: Die
mehrfache Codierung der
Figur: Ihr defigurativer
und torsohafter Modus bei
Johann Sebastian Bach,
Helmut Lachenmann und
Auguste Rodin, in: de
figura. Rhetorik Bewegung
Gestalt, Text und Bild,
hrsg. von Gabriele
Brandstetter und Sibylle
Peters, Munchen 2003, pp.
265-288.
World
premiere: Bremen (pro
musica nova), May 6,
1972.
La Mort I La Donzella Quatuor à cordes: 2 violons, alto, violoncelle Editorial de Musica Boileau
Violin and string quartet/quintet SKU: BO.B.2678 Composed by Jordi Cervel...(+)
Violin and string
quartet/quintet
SKU:
BO.B.2678
Composed by
Jordi Cervello.
Instrumental Sets.
Duration 6:00. Published
by Editorial de Musica
Boileau (BO.B.2678).
English
comments: Death and
the Maiden.This is a
Catalan folk song that
captivated me the very
first time I heard it. In
1974 I decided to indulge
myself by using this song
for a composition for
violin and string
orchestra (and solo
violin with a quartet).
The popular theme takes
the form of a long violin
solo based on triplets
with a background of soft
harmonies played by the
rest of the musicians.
--Jordi
Cervello
Comenta
rios del Espanol: La
muerte y la doncella. Se
trata de una melodia
popular catalana que
desde su primer momento
me cautivo. Fue en 1974
cuando me decidi a
recrearme con ella a
traves de una composicion
para violin y orquesta de
cuerda (tambien violin
solista con cuarteto). El
tema popular encuadra un
largo solo del solista a
base de tresillos
inspirados en el
Coral-Preludio de una
cantata de J. S. Bach.
--Jordi Cervello.
Rera el mur Quatuor à cordes: 2 violons, alto, violoncelle Editorial de Musica Boileau
Voice and String Quartet SKU: BO.B.2980 Composed by Xavier Turull. Instru...(+)
Voice and String Quartet
SKU: BO.B.2980
Composed by Xavier
Turull. Instrumental
Sets. Duration 15:00.
Published by Editorial de
Musica Boileau
(BO.B.2980).
ISBN
9788480201285.
Come
ntarios del
Espanol: Obra para
voz y cuarteto de cuerda
galardonada por la
Generalitat de Catalunya
el ano 1983 con el premio
Eduard Toldra. Consta de
tres movimientos y los
textos son tres poemas de
Rosa Leveroni.
String Quartet No. 1 Quatuor à cordes: 2 violons, alto, violoncelle Subito Music
String Quartet SKU: SU.90840081 Composed by Nancy Galbraith. Chamber Musi...(+)
String Quartet
SKU:
SU.90840081
Composed
by Nancy Galbraith.
Chamber Music, String
Trio/Quartet/Quintet. Set
of Parts. Composed 1996.
Duration 17'. Subito
Music Corporation
#90840081. Published by
Subito Music Corporation
(SU.90840081).
2 Violins,
Viola, Cello Duration:
17' Composed: 1996
Published by: Subito
Music Publishing ... an
exciting three-movement
work... Motoric rhythms,
jazzy motives, and plenty
of rustic quintal harmony
supply the action for the
outer movements; the
Night Music-like slow
movement finds a romantic
cello solo accompanied by
suspiciously Glass-y
arpeggiations. Call it
Ginastera Lite, but the
work makes a joyful noise
and deserves to be heard.
—American Record
Guide
String Quartet No. 1 Quatuor à cordes: 2 violons, alto, violoncelle Subito Music
String Quartet SKU: SU.90840080 Composed by Nancy Galbraith. Chamber Musi...(+)
String Quartet
SKU:
SU.90840080
Composed
by Nancy Galbraith.
Chamber Music, String
Trio/Quartet/Quintet.
String Quartet. Score.
Composed 1996. Duration
17'. Subito Music
Corporation #90840080.
Published by Subito Music
Corporation
(SU.90840080).
2 Violins,
Viola, Cello Duration:
17' Set of Parts:
available for sale
(#90840081) Composed:
1996 Published by: Subito
Music Publishing ... an
exciting three-movement
work... Motoric rhythms,
jazzy motives, and plenty
of rustic quintal harmony
supply the action for the
outer movements; the
Night Music-like slow
movement finds a romantic
cello solo accompanied by
suspiciously Glass-y
arpeggiations. Call it
Ginastera Lite, but the
work makes a joyful noise
and deserves to be heard.
—American Record
Guide.
Volume 1. For
String Quartet.
Composed by Gene Milford.
This edition: Latham
Music. Quartet; Solo
Small Ensembles; String -
Quartet. LudwigMasters -
Latham Music. Book.
LudwigMasters
Publications
#36-52703614. Published
by LudwigMasters
Publications
(AP.36-52703614).
ISBN
9781581069761. UPC:
654690687517.
English.
This
collection of folk songs
from Latin America
(Mexico, Costa Rica and
Guatemala) are meant to
expand young player's
knowledge of music from
other cultures or give
them pride in the music
of their own heritage.
The music is mostly in
1st position with only
Violin 1 and Violoncello
wandering briefly into
other positions. Players
will use pizzicato and a
variety of bowing
styles.
Naci en la Cumbre (I
was Born on the Mountain)
is a traditional
Guatemalan folk
song.
Vuela,
suspiro (Fly, My Sighs)
is a traditional Costa
Rican folk song.
Ay! Tituy is a
traditional folk song
from Costa Rica.
La Cucaracha (The
Cockroach) is a
traditional Spanish song,
also trendy in Latin
America. It is about a
cockroach who can't walk.
The song came to
symbolize the Mexican
Revolution (1910-20) and
Pancho
Villa.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
By Vicente Martin y Soler (1754-1806). Edited by Luis Llacer. For String quartet...(+)
By Vicente Martin y Soler
(1754-1806). Edited by
Luis Llacer. For String
quartet. Classical.
Chamber music. Full Score
and Set of Parts. 60
pages. Published by Trito
Ediciones
