Die Tageszeiten Soli, choeur mixte et accompagnement [Vocal Score] - Intermédiaire Carus Verlag
By Georg Philipp Telemann (1681-1767). Edited by Reipsch, Brit. For SATB Soli, S...(+)
By Georg Philipp Telemann
(1681-1767). Edited by
Reipsch, Brit. For SATB
Soli, SATB Choir, 2
Flute, 2 Oboe, Bassoon, 2
Violin, Viola, Viola da
gamba, Basso Continuo.
This edition: paperbound.
TVWV 20:39. Full score
available separately -
see item CA.3913700.
Cantatas. Level 3.
Piano/Vocal score.
Language: German. 52
pages. Duration 55 min
By George Frideric Handel (1685-1759). Edited by Ton Koopman / Jan Siemons. Arra...(+)
By George Frideric Handel
(1685-1759). Edited by
Ton Koopman / Jan
Siemons. Arranged by
Siegfried Petrenz. For
SATB soli, S(S0ATB choir,
2 oboes, 2 bassoons, 2
trumpets, timpani, 2
violins, viola, basso
continuo. This edition:
Paperbound. Stuttgart
Urtext Edition. German
title: Messiah kart
GA-Format. Oratorios.
Full score. Language:
English/German. Composed
1742. HWV 56. 328 pages.
Duration 150 minutes.
Published by Carus Verlag
Messiah Soli, choeur mixte et accompagnement Carus Verlag
Composed by George Frideric Handel (1685-1759). Edited by Ton Koopman, Jan Siemo...(+)
Composed by George
Frideric Handel
(1685-1759). Edited by
Ton Koopman, Jan Siemons.
Arranged by Siegfried
Petrenz. This edition:
urtext. Awards / Prizes:
Deutscher
Musikeditionspreis Best
Edition . Awards /
Prizes: Deutscher
Musikeditionspreis Best
Edition ; Carus sheet
music series: Vocal
scores XL. Messiah Kart
Ga-Format. Innovative
practice aids, Sacred
vocal music, Oratorios.
Vocal score. Composed
1742. HWV 56. 256 pages.
Duration 150 minutes.
Carus Verlag #CV
55.056/02. Published by
Carus Verlag
(CA.5505602).
(Te Deum For The Victory Of Dettingen) Composed by George Frideric Handel (1685-...(+)
(Te Deum For The Victory
Of Dettingen) Composed by
George Frideric Handel
(1685-1759), edited by
Carl Eberhardt. HWV 283.
For ATB solos, SSATB
choir and piano
accompaniment. Format:
vocal score. With choral
notation, piano reduction
and introductory text.
Baroque. Text language
German/English. 99 pages.
7.5x10.5 inches.
Published by C.F. Peters.
Messiah Soli, choeur mixte et accompagnement Carus Verlag
Composed by George Frideric Handel (1685-1759). Edited by Ton Koopman, Jan Siemo...(+)
Composed by George
Frideric Handel
(1685-1759). Edited by
Ton Koopman, Jan Siemons.
Arranged by Siegfried
Petrenz. This edition:
urtext. Awards / Prizes:
Deutscher
Musikeditionspreis Best
Edition . Awards /
Prizes: Deutscher
Musikeditionspreis Best
Edition ; Carus sheet
music series: Vocal
scores XL. Messiah Kart
Ga-Format. Innovative
practice aids
Blessed ist the man Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur d'étude / Miniature] Carus Verlag
(Cantata for the 2nd day of Christmas). Composed by Johann Sebastian Bach (1685-...(+)
(Cantata for the 2nd day
of Christmas). Composed
by Johann Sebastian Bach
(1685-1750). Edited by
Frieder Rempp. Arranged
by Paul Horn. For SB
vocal soli, SATB choir, 2
oboes, taille (oboe da
caccia, english horn), 2
violins, viola, basso
continuo. This edition:
paperback. Stuttgart
Urtext edition.
Christmas. Study score.
Text language:
German/English. Composed
1725. BWV 57. 36 pages.
Duration 28 minutes.
Published by Carus Verlag
Soloists, Mixed choir, Orchestra SKU: BA.BA10726-01 Oratorio in three ...(+)
Soloists, Mixed choir,
Orchestra
SKU:
BA.BA10726-01
Oratorio in three
parts. Composed by
George Frideric Handel.
Edited by Michael
Pacholke. This edition:
Complete edition. Linen.
Complete edition, Score.
HWV 46. Baerenreiter
Verlag #BA10726-01.
Published by Baerenreiter
Verlag (BA.BA10726-01).
ISBN 9790006575596. 33
x 26 cm inches. Text
Language: Italian.
Preface: Pacholke,
Michael.
In the
brief half-year period
from August 14, 1736, to
January 27, 1737, Georg
Friedrich Handel achieved
an unprecedented level of
productivity in his opera
compositions, creating
three operas.
Additionally, in March
1737, he also composed a
largely new oratorio
titled â??Il trionfo del
Tempo e della
Verità â? (â??The
Triumph of Time and
Truthâ?) HWV 46b. The
libretto of this oratorio
closely corresponds to
that of the oratorio
â??La Bellezza ravveduta
nel trionfo del Tempo e
del Disingannoâ?
(â??Beauty Reconciled in
the Triumph of Time and
Enlightenmentâ?) HWV
46a written in 1707. With
â??La Bellezza
ravvedutaâ?, Handel
composed an allegorical
and particularly dramatic
oratorio right at the
beginning of his oratorio
compositions. In this
work, there is no chorus
inclined towards
reflection. Not only do
the four allegorical
figures, Bellezza
(Beauty), Piacere
(Pleasure), Tempo (Time),
and Disinganno
(Enlightenment), listen
to each other and react
to the ideas presented by
the others, but this
prevailing dramatic
principle of dispute is
also found in the
recitatives.
In
1737, when reworking the
oratorio material as
â??Il trionfo del Tempo
e della Verità â?,
Handel approached the
task pragmatically. He
needed a new non-dramatic
work to fulfill the
eveningâ??s program for
his audience at the
Covent Garden Theatre
during the fasting season
when theatrical
performances were
prohibited. Although he
had excellent Italian
vocal soloists, notorious
for their pronunciation
in Handelâ??s English
oratorios and who
naturally preferred
singing in Italian,
Handel found a solution.
It was evident to Handel
that, in response to the
ban on performances of
his Italian operas during
the fasting season of
1737, he should promptly
create a new oratorio in
the Italian language but
following the three-part
â??Englishâ? oratorio
form that he had
developed in
â??Estherâ? HWV 50b
in 1732. Unlike in Rome
in 1707, he had access to
a chorus in London in
1737, and the English
oratorio, with its
substantial choral
sections, a preference
for concert-like rather
than dramatic
composition, and frequent
inclusion of organ
concertos loosely related
to the narrative, was
already
established.
The
new volume of the HHA
includes the original
version of the 1737
premiere as well as all
the surviving early and
later versions (the
latter being exceptional
highlights) of individual
musical pieces from
â??Il trionfo del Tempo
e della
Verità â?.
Semele, HWV 58 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Soloists, Mixed choir, Orchestra SKU: BA.BA04025-01 Composed by George Fr...(+)
Soloists, Mixed choir,
Orchestra
SKU:
BA.BA04025-01
Composed by George
Frideric Handel. Edited
by
Georg-Friedrich-Händel
-Gesellschaft e. V.
Risinger and Mark. This
edition: Complete
edition. Linen. Complete
edition, Score. HWV 58.
Baerenreiter Verlag
#BA04025-01. Published by
Baerenreiter Verlag
(BA.BA04025-01).
ISBN
9790006443222. 33 x 26 cm
inches. Text Language:
English.
Handelâ??
s â??Semeleâ?, which
premiered in February
1744, is based on an
adapted version of
William Congreveâ??s
opera libretto titled
â??The Story of
Semeleâ?, originally
published in 1706.
However, neither Handel
nor his librettist
referred to
â??Semeleâ? as an
opera or an oratorio,
which, according to the
understanding at the
time, would have required
a biblical and/or
Christian subject matter.
Contemporary audiences
also disagreed on the
genre. The problematic
classification as an
oratorio has persisted
into the present day,
likely due to the edition
labeled as such by
Chrysander. The â??Halle
Handel Editionâ? (HHA)
distances itself from
this classification and,
considering the available
sources, refrains from
assigning a genre
label.
Congreve
deviates from the
mythological source
multiple times in order
to create tensions among
the characters. The
desired marriage between
Semele and Athamas, whom
she does not love, is an
addition by Congreve to
provoke the envy of her
sister Ino, who desires
Athamas herself.
Therefore, Ino sees her
own advantage in
Semeleâ??s abduction by
Jupiter. While
Jupiterâ??s wife Juno
decides to destroy Semele
out of jealousy for his
relationship with her,
Jupiter brings Ino to his
palace to console Semele.
The vengeful Juno takes
advantage of Inoâ??s
presence and transforms
into her likeness,
persuading Semele to
carry out a plan that
later proves fatal. In
the end, Ino emerges as
the winner, as she is
able to convince their
father, Cadmus, to marry
her to Athamas. The
appearance of Apollo in
the final scene to
announce that Semeleâ??s
immortal son Bacchus was
saved from her ashes
provides little
consolation. However,
this twist allows the
drama to conclude with
exuberant joy and a
magnificent final chorus
after the tragic scenes
in the third act,
culminating in the death
of the
protagonist.
Hande
lâ??s autograph score
shows significant
deviations from and
numerous revisions of the
original version
premiered. All surviving
early versions, the
musical movements deleted
before the premiere, and
the version of the
December 1744, are given
in the appendix to the
HHA.
Cantatas from the
first Advent to the
Sunday after
Christmas. Composed
by Georg Philipp
Telemann. Edited by Ute
Poetzsch. This edition:
Edition of selected
works, Urtext edition.
Linen. Telemann Musical
Works. Volume 39.
Continuo realization by
Andreas Kohs. Edition of
selected works, Score,
anthology. Baerenreiter
Verlag #BA05858_00.
Published by Baerenreiter
Verlag (BA.BA05858).
ISBN 9790006497973. 33
x 27 cm inches. Language:
German. Preface: Ute
Poetzsch.
Continuo-
Aussetzung von Andreas
Kohs.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Come thou of man the saviour Soli, choeur mixte et accompagnement Soli, chœur mixte et piano [Vocal Score] Barenreiter
Cantata for the First Sunday of Advent. By Georg Philipp Telemann. Edited by Poe...(+)
Cantata for the First
Sunday of Advent. By
Georg Philipp Telemann.
Edited by Poetzsch, Ute.
Arranged by Kohs,
Andreas. For Soprano
solo, Alto solo, Bass
solo, Mixed Choir-SATB,
Piano. Piano
Reduction/Vocal Score;
Urtext Edition. TWV
1:1174. Published by
Baerenreiter-Ausgaben
(German import). (BA7677
90)
Dixit Dominus Soli, choeur mixte et accompagnement Soli, chœur mixte et piano [Conducteur] Barenreiter
By Georg Friedrich Handel. Edited by Eberhard Wenzel. For Soprano solo (2), Alto...(+)
By Georg Friedrich
Handel. Edited by
Eberhard Wenzel. For
Soprano solo (2), Alto
solo, Tenor solo, Bass
solo, gemCh-SSATB,
Strings, Basso continuo.
Score; Urtext Edition.
HWV 232. Duration 40'.
Published by
Baerenreiter-Ausgaben
(German import). ISBN
M006498574.
Geistliche Kantate - Sacred Cantata. By Georg Philipp Telemann. Edited by Hobohm...(+)
Geistliche Kantate -
Sacred Cantata. By Georg
Philipp Telemann. Edited
by Hobohm, Wolfgang.
Arranged by Focke,
Martin. For Soprano solo,
Alto solo, Tenor solo,
Bass solo (2), Mixed
Choir-SATB, Piano. Piano
Reduction/Vocal Score;
Urtext Edition. TWV
1:797. Published by
Baerenreiter-Ausgaben
(German import). (BA5852
90)
Deidamia Soli, choeur mixte et accompagnement Soli, chœur mixte et piano [Vocal Score] Barenreiter
Opera in tre atti. By Georg Friedrich Handel. Edited by Terence Best. Arranged b...(+)
Opera in tre atti. By
Georg Friedrich Handel.
Edited by Terence Best.
Arranged by Pacholke,
Michael. For Soprano solo
(3), Mezzo-soprano solo,
Bass solo (2), Mixed
Choir-SATB, Piano. Piano
Reduction/Vocal Score;
Urtext Edition; Complete
Edition (paperbound). HWV
42. Published by
Baerenreiter-Ausgaben
(German import). ISBN
M006507436.
Singspiel in three
acts. Composed by
Georg Philipp Telemann.
Edited by Brit Reipsch.
This edition: Edition of
selected works, Urtext
edition. Linen. Telemann
Musical Works. Volume 38.
Edition of selected
works, Score. TWV 21.
Baerenreiter Verlag
#BA05854_00. Published by
Baerenreiter Verlag
(BA.BA05854).
ISBN
9790006497935. 33 x 25.9
cm inches. Text:
Müller, Johann
Samuel.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
(Chorale cantata). Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited b...(+)
(Chorale cantata).
Composed by Felix
Bartholdy Mendelssohn
(1809-1847). Edited by
Thomas Christian Schmidt.
For soprano voice solo,
SATB choir, 2 violins,
viola, cello/contrabass.
Stuttgart Urtext Edition.
German title: Wer nur den
lieben Gott lasst walten.
Cantatas. Level 3. Choral
score. Language:
German/English. Composed
1829. A 7. Duration 12
minutes. Published by
Carus Verlag
Composed by Georg Philipp
Telemann. Edited by Brit
Reipsch. This edition:
Paperbound. Die
Tageszeiten Neuausgabe
Reipsch. Sacred vocal
music, Cantatas. Study
score. TVWV 20:39.
Duration 55 minutes.
Carus Verlag #CV
39.137/07. Published by
Carus Verlag
(CA.3913707).
ISBN
9790007135652. Language:
German.
The cantata
cycle Die Tageszeiten,
which was composed in
Hamburg in 1757, is one
of the outstanding late
works of Georg Philipp
Telemann. A Symphonie and
four cantatas (each of
which consists of an
aria, accompagnato, aria,
and chorus) portray, in a
richly sensitive manner,
the course of a day,
beginning with the
awakening of nature to
the sunset. The poetry of
Friedrich Wilhelm
Zachariae and Telemann's
music herald the beauty
of nature, as well as the
greatness of God revealed
within it. Colorful
instrumentation and
pictures in sound
corresponding to each
time of the day, delicate
compositional structure,
and an ingenious
realization of the text
characterize this work,
whose musical idiom is at
times reminiscent of
Haydn. Score available
separately - see item
CA.3913700.
Composed by Georg Philipp
Telemann. Edited by Brit
Reipsch. Die Tageszeiten
Neuausgabe Reipsch.
Sacred vocal music,
Cantatas. Set of
Orchestra Parts. Composed
1729. TVWV 20:39.
Duration 55 minutes.
Carus Verlag #CV
39.137/19. Published by
Carus Verlag
(CA.3913719).
ISBN
9790007133115. Language:
German.
The cantata
cycle Die Tageszeiten,
which was composed in
Hamburg in 1757, is one
of the outstanding late
works of Georg Philipp
Telemann. A Symphonie and
four cantatas (each of
which consists of an
aria, accompagnato, aria,
and chorus) portray, in a
richly sensitive manner,
the course of a day,
beginning with the
awakening of nature to
the sunset. The poetry of
Friedrich Wilhelm
Zachariae and Telemann's
music herald the beauty
of nature, as well as the
greatness of God revealed
within it. Colorful
instrumentation and
pictures in sound
corresponding to each
time of the day, delicate
compositional structure,
and an ingenious
realization of the text
characterize this work,
whose musical idiom is at
times reminiscent of
Haydn. Score and parts
available separately -
see item CA.3913700.
