Performance material available for hire.With ?Rusalka? one of the best-loved and most frequently performed works in the Czech operatic repertoire Dvorak reached an exceptional level of lyrical depth and dramatic effectiveness. The opera portrays the fairy tale-like drama around the unhappy love of the nymph Rusalka for a human.So that she can love and be loved she has to renounce her watery kingdom. Through the magical powers of a witch she is transformed into a human at the price of losing her speech.The Prince soon grows tired of her silent cold beauty and his heart turns towards a foreign princess. The despairing Rusalkawants to return to her watery kingdom. The disappointed Prince once more feels attracted to Rusalka?s magic. He returns to her by the forest lake. Rusalka?s deathly kiss brings him the release he longs for.The vocal score by Karel Solc based on the Complete Edition is published for the first time with a German singing translation of the text by Eberhard Schmidt. One of the best-known Czech operas Vocal score by Karel Solc Newly underlaid with German singing translation by Eberhard Schmidt

Edizione Critica A Cura Di Claudio Toscani. Par PERGOLESI GIOVANNI BATTISTA. EDIZIONE NAZIONALE DELLE OPERE DI GIOVANNI BATTISTA PERGOLESI (Casa Ricordi in collaborazione con la Fondazione Pergolesi Spontini di Jesi) Based on the anonymous recasting of a libretto derived in turn from La fede tradita e vendicata by Francesco Silvani (1705), Il prigionier superbo by Giovanni Battista Pergolesi was first performed on 5 September 1733 at the Teatro di San Bartolomeo in Naples. With this opera – his second dramma serio for San Bartolomeo in less than two years – the young composer (who had already acquired considerable professional stature in the city’s theatres, churches, and aristocratic circles) reprised a perennially popular subject centered aroundthe dramatic conflict between filial piety and devotion to one’s betrothed. Inserted between the opera’s three acts were the intermezzi of La serva padrona, which would soon go on to take all of Europe by storm. The primary source for this edition is a manuscript copy of the score currently housed in the Conservatorio di Musica “San Pietro a Majella” in Naples and prepared by Giuseppe Sigismondo, who was quite probably working from the now-lost autograph. Two other significant manuscript copies of the score also housed in Naples (respectively in the Biblioteca Oratoriana dei Girolamini and the aforementioned conservatory) were consulted, along with a number of manuscript copies of individual arias. The edition is furnished with a historical introduction, which traces the libretto’s complicated literary lineage and illustrates the circumstances of the opera’s commission, genesis, premiere, and subsequent history: and a critical apparatus containing detailed source descriptions and critical notes for both the text and the music. An earlier version of the last movement of the Sinfonia, and an aria for the third act whose text does not appear in the original printed libretto, are provided as appendices. / Date parution : 1905-07-09/ Répertoire / Solistes, Choeur et Orchestre

Kantate Zum Sonntag Estomihi. Par TELEMANN GEORG PHILIPP. Kubik, Reinhold (Arr.) - Pringsheim, Anthony (Trad.) - TVWV 1:1320/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Violons,

Kantate Zum Sonntag Estomihi. Par TELEMANN GEORG PHILIPP. Kubik, Reinhold (Arr.) - Pringsheim, Anthony (Trad.) - TVWV 1:1320/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Violons,

Kantate Zum Sonntag Estomihi. Par TELEMANN GEORG PHILIPP. Kubik, Reinhold (Arr.) - Pringsheim, Anthony (Trad.) - TVWV 1:1320/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Violons,

Kantate Zum Sonntag Estomihi. Par TELEMANN GEORG PHILIPP. Kubik, Reinhold (Arr.) - Pringsheim, Anthony (Trad.) - TVWV 1:1320/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Violons,

BR-CPEB D 3 (Wq 240) - Oratorio. Par BACH CARL PHILIPP EMMANUEL. Of the three oratorios which Carl Philipp Emanuel Bach composed when he was music director in Hamburg, Die Auferstehung und Himmelfahrt Jesu is particularly intended to create splendor and effect with its use of magnificent-sounding trumpets and timpani. Bach liked this work very much and had it published in 1787, the year before his death. The following year the oratorio was performed by Mozart in Vienna.The text of the oratorio by Carl Wilhelm Ramler (1725?1798; better known as the poet of the frequently-set ?Der Tod Jesu?) covers the Easter story of the disciples at Emmaus and the doubting Thomas, up to the image of Jesus ascending to heaven.The score is published as Vol. IV,2 of the C.P.E. Bach Complete Edition, edited by the Packard Humanities Institute. Carus publishes the vocal score and choral score for this work. The full score and parts can also be obtained from Carus. / Date parution : 2023-03-11/ Répertoire / Soli [STB], SATB et Piano

WAB 29. Par BRUCKNER ANTON. Anyone who is familiar with Bruckner?s symphonies and great masses will probably be astonished upon hearing his Missa solemnis of 1854: can the tradition of the Viennese classics still be so clearly evident in a work by Bruckner' And yet, isn?t it also possible to hear much of Bruckner?s later style'With this edition, the earliest of Bruckner?s orchestral masses is now available as an Urtext edition. It reflects the latest scholarly research, and the complete performance material is available on sale. Compared with Bruckner?s late masses, the demands on chorus and soloists are considerably less. The horns play in just two movements and can be replaced by trombones. This rarely performed work offers many choirs an exciting alternative to the better-known masses ? not only for the Bruckner anniversary in 2024! / Date parution : 2023-03-11/ Répertoire / Soli [SATB], SATB et Orchestre

BR-CPEB D 3 (Wq 240) - Oratorio. Par BACH CARL PHILIPP EMMANUEL. Of the three oratorios which Carl Philipp Emanuel Bach composed when he was music director in Hamburg, Die Auferstehung und Himmelfahrt Jesu is particularly intended to create splendor and effect with its use of magnificent-sounding trumpets and timpani. Bach liked this work very much and had it published in 1787, the year before his death. The following year the oratorio was performed by Mozart in Vienna.The text of the oratorio by Carl Wilhelm Ramler (1725?1798; better known as the poet of the frequently-set ?Der Tod Jesu?) covers the Easter story of the disciples at Emmaus and the doubting Thomas, up to the image of Jesus ascending to heaven.The score is published as Vol. IV,2 of the C.P.E. Bach Complete Edition, edited by the Packard Humanities Institute. Carus publishes the vocal score and choral score for this work. The full score and parts can also be obtained from Carus. / Date parution : 2023-03-11/ Répertoire / Soli [STB], SATB

Par BACH JOHANN SEBASTIAN. Editeur(s) d'origine: Todt, Bernhard/ Répertoire / Soliste, Choeur Mixte et Orchestre