| Missa solemnis (BRUCKNER
ANTON) Soli, choeur mixte et accompagnement Carus Verlag
WAB 29. Par BRUCKNER ANTON. Anyone who is familiar with Bruckner?s symphonies an...(+)
WAB 29. Par BRUCKNER ANTON. Anyone who is familiar with Bruckner?s symphonies and great masses will probably be astonished upon hearing his Missa solemnis of 1854: can the tradition of the Viennese classics still be so clearly evident in a work by Bruckner' And yet, isn?t it also possible to hear much of Bruckner?s later style'With this edition, the earliest of Bruckner?s orchestral masses is now available as an Urtext edition. It reflects the latest scholarly research, and the complete performance material is available on sale. Compared with Bruckner?s late masses, the demands on chorus and soloists are considerably less. The horns play in just two movements and can be replaced by trombones. This rarely performed work offers many choirs an exciting alternative to the better-known masses ? not only for the Bruckner anniversary in 2024! / Date parution : 2023-03-11/ Répertoire / Soli [SATB], SATB et Orchestre
29.90 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Missa solemnis (BRUCKNER
ANTON) Soli, choeur mixte et accompagnement [Conducteur] Carus Verlag
WAB 29. Par BRUCKNER ANTON. Anyone who is familiar with Bruckner?s symphonies an...(+)
WAB 29. Par BRUCKNER ANTON. Anyone who is familiar with Bruckner?s symphonies and great masses will probably be astonished upon hearing his Missa solemnis of 1854: can the tradition of the Viennese classics still be so clearly evident in a work by Bruckner' And yet, isn?t it also possible to hear much of Bruckner?s later style'With this edition, the earliest of Bruckner?s orchestral masses is now available as an Urtext edition. It reflects the latest scholarly research, and the complete performance material is available on sale. Compared with Bruckner?s late masses, the demands on chorus and soloists are considerably less. The horns play in just two movements and can be replaced by trombones. This rarely performed work offers many choirs an exciting alternative to the better-known masses ? not only for the Bruckner anniversary in 2024! / Date parution : 2023-03-11/ Répertoire / Soli [SATB], SATB et Orchestre
107.50 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Missa solemnis (BRUCKNER
ANTON) Soli, choeur mixte et accompagnement Carus Verlag
B-Dur - WAB 29. Par BRUCKNER ANTON. / Date parution : 2023-03-11/ Répertoire /...(+)
B-Dur - WAB 29. Par BRUCKNER ANTON. / Date parution : 2023-03-11/ Répertoire / Solistes SATB, Choeur SATB et Orchestre
16.30 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Centenary Édition
1913-2013 Berliner
Philharmoniker CD [Coffret CDs]
Performer: Agnes Baltsa,
Antonia Fahberg, Audience
Applause, Barbara Hendricks...(+)
Performer: Agnes Baltsa,
Antonia Fahberg, Audience
Applause, Barbara Hendricks,
Berliner Philharmoniker, et
al.
Orchestra: Berliner
Philharmoniker, Orchestre
Philharmonique de Berlin
Conductor: Alfred Hertz,
Arthur Nikisch, Bruno Walter,
Carlo Maria Giulini, Claudio
Abbado, et al.
Compositeur: Alban Berg, Anton
Bruckner, Anton Webern,
Antonin Dvorak, Antonio
Vivaldi, et al.
CD (16 septembre 2013)
Nombre de disques: 50
Format : Coffret, CD
Label: Deutsche Grammophon
106.00 EUR - vendu par Amazon | |
| 14 Motetten (BRUCKNER
ANTON / DOSS THOMAS (Arr) Orchestre d'harmonie Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruck...(+)
Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn?t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie
406.80 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| 5 Tantum Ergo (BRUCKNER
ANTON / DOSS THOMAS (Arr) Orchestre d'harmonie Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruck...(+)
Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn?t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Hymns for four-part mixed choir a cappella (1846, St. Florian) No. 1 in E flat major (WAB 41/3): Quite Slow No. 2 in C major (WAB 41/4): Andante No. 3 in B flat major (WAB 41/1): Slow No. 4 in A flat major (WAB 41/2): Slow Hymn for five-part (2 S, A, T, B) mixed choir and organ No. 5 in D major: Solemnly They are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie
152.60 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| 3 Letzte Motetten Concert Band/Harmonie [Conducteur] Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ans...(+)
Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn’t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
50.90 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| 3 Letzte Motetten Concert Band/Harmonie [Conducteur et Parties séparées] Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ans...(+)
Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn’t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
195.80 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Missa Solemnis B-Moll
(1854) Chorale Doblinger 25.60 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Missa Solemnis B-Moll Voix seule Doblinger 3.80 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Missa Solemnis B-Moll Voix seule Doblinger 3.80 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Missa Solemnis B-Moll Voix seule Doblinger 3.80 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Missa Solemnis B-Moll Voix seule Doblinger 3.80 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
|
|
| Adagio Orchestre d'harmonie [Conducteur] - Intermédiaire Baton Music
(Agnus Dei from Missa Solemnis). By Anton Bruckner (1824-1896). Arranged by Jos ...(+)
(Agnus Dei from Missa
Solemnis). By Anton
Bruckner (1824-1896).
Arranged by Jos van de
Braak. For Concert Band.
Grade 3. Score. Duration
3:30
$21.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Missa solemnis - Facile Carus Verlag
Orchestra solo voices, SATB chorus, 2 Ob, 2 Fg, [2 Cor], 2 Tr, 3 Trb, Timp, 2 Vl...(+)
Orchestra solo voices,
SATB chorus, 2 Ob, 2 Fg,
[2 Cor], 2 Tr, 3 Trb,
Timp, 2 Vl, Va, Vc, Cb,
Org - Grade 3 SKU:
CA.2790113 Composed
by Anton Bruckner. Edited
by Uwe Wolf. Single Part,
viola. WAB 29. Duration
31 minutes. Carus Verlag
#2790113. Published by
Carus Verlag
(CA.2790113). ISBN
9790007304003. Key: B
flat major.
Latin. Anyone who
is familiar with
Bruckner’s
symphonies and great
masses will probably be
astonished upon hearing
his Missa solemnis of
1854: can the tradition
of the Viennese classics
still be so clearly
evident in a work by
Bruckner? And yet,
isn’t it also
possible to hear much of
Bruckner’s later
style?With this
edition, the earliest of
Bruckner’s
orchestral masses is now
available as an Urtext
edition. It reflects the
latest scholarly
research, and the
complete performance
material is available on
sale. Compared with
Bruckner’s late
masses, the demands on
chorus and soloists are
considerably less. The
horns play in just two
movements and can be
replaced by trombones.
This rarely performed
work offers many choirs
an exciting alternative
to the better-known
masses – not only
for the Bruckner
anniversary in 2024!
Score and part available
separately - see item
CA.2790100. $8.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa solemnis - Facile Carus Verlag
Orchestra solo voices, SATB chorus, 2 Ob, 2 Fg, [2 Cor], 2 Tr, 3 Trb, Timp, 2 Vl...(+)
Orchestra solo voices,
SATB chorus, 2 Ob, 2 Fg,
[2 Cor], 2 Tr, 3 Trb,
Timp, 2 Vl, Va, Vc, Cb,
Org - Grade 3 SKU:
CA.2790105 Composed
by Anton Bruckner. Edited
by Uwe Wolf. Choral
Score. WAB 29. Duration
31 minutes. Carus Verlag
#2790105. Published by
Carus Verlag
(CA.2790105). ISBN
9790007293994. Key: B
flat major.
Latin. Anyone who
is familiar with
Bruckner’s
symphonies and great
masses will probably be
astonished upon hearing
his Missa solemnis of
1854: can the tradition
of the Viennese classics
still be so clearly
evident in a work by
Bruckner? And yet,
isn’t it also
possible to hear much of
Bruckner’s later
style?With this
edition, the earliest of
Bruckner’s
orchestral masses is now
available as an Urtext
edition. It reflects the
latest scholarly
research, and the
complete performance
material is available on
sale. Compared with
Bruckner’s late
masses, the demands on
chorus and soloists are
considerably less. The
horns play in just two
movements and can be
replaced by trombones.
This rarely performed
work offers many choirs
an exciting alternative
to the better-known
masses – not only
for the Bruckner
anniversary in 2024!
Score available
separately - see item
CA.2790100. $15.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa solemnis b-moll ( 1854 ) [Vocal Score] Doblinger
By Anton Bruckner. Mass. For soli, mixed choir, orchestra and organ. Vocal score...(+)
By Anton Bruckner. Mass.
For soli, mixed choir,
orchestra and organ.
Vocal score/piano
reduction. 48 pages.
Published by Doblinger
(Austrian import).
$25.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Missa solemnis b-Moll Chorale SATB SATB Doblinger
(For Soli, Choir, Orchestra and Organ). By Anton Bruckner (1824-1896). Various S...(+)
(For Soli, Choir,
Orchestra and Organ). By
Anton Bruckner
(1824-1896). Various
Sacred. For choir. Alto
choral part
$3.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Mass No. 3 in F minor Orchestre [Set de Parties séparées] LudwigMasters Publications
Orchestra 2.2.2.2: 2.2.3.0: Timp: Org (ad libitum)*: Str (4-4-3-3-3 in set): Sol...(+)
Orchestra 2.2.2.2:
2.2.3.0: Timp: Org (ad
libitum)*: Str (4-4-3-3-3
in set): Solo SATB: Mix
Chor. *Organ ad limitum
absent from Haas edition
SKU: AP.36-A258196
Arranged by Anton
Bruckner and ed./arr. by
Robert Maria Haas. Mass,
Orchestra Accompaniment,
Bass Part. Critical
Editions. Part(s).
LudwigMasters
Publications #36-A258196.
Published by
LudwigMasters
Publications
(AP.36-A258196). ISBN
9798892701891. UPC:
659359762505.
English. Anton
Bruckner (1824-1896)
completed the 1st version
of his Mass No. 3 in F
minor in 1863, as Otto
Kitzler was introducing
him to the music of
Richard Wagner, the
composer he would emulate
for the rest of his life.
John Herbeck, who
conducted the initial
rehearsals for its
premiere at the
Augustinerkirch on June
16, 1872, warmly declared
that it stood beside
Beethoven's Missa
Solemnis in greatness.
Bruckner, often
self-critical as a
composer, went on to
revise the work no less
than four times until it
was finally published it
in 1894. More often heard
today in the concert hall
than in the church, the
sprawling, hour-long work
is admired today for its
powerful directness. This
critical edition was
created in 1944 for the
Bruckner Gesamtausgabe by
Robert Maria Haas.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $2.25 - Voir plus => Acheter | | |
| Mass No. 3 in F minor Orchestre [Set de Parties séparées] LudwigMasters Publications
Orchestra 2.2.2.2: 2.2.3.0: Timp: Org (ad libitum)*: Str (4-4-3-3-3 in set): Sol...(+)
Orchestra 2.2.2.2:
2.2.3.0: Timp: Org (ad
libitum)*: Str (4-4-3-3-3
in set): Solo SATB: Mix
Chor. *Organ ad limitum
absent from Haas edition
SKU: AP.36-A258195
Arranged by Anton
Bruckner and ed./arr. by
Robert Maria Haas. Mass,
Orchestra Accompaniment,
Tenor Part. Critical
Editions. Part(s).
LudwigMasters
Publications #36-A258195.
Published by
LudwigMasters
Publications
(AP.36-A258195). ISBN
9798892701884. UPC:
659359625268.
English. Anton
Bruckner (1824-1896)
completed the 1st version
of his Mass No. 3 in F
minor in 1863, as Otto
Kitzler was introducing
him to the music of
Richard Wagner, the
composer he would emulate
for the rest of his life.
John Herbeck, who
conducted the initial
rehearsals for its
premiere at the
Augustinerkirch on June
16, 1872, warmly declared
that it stood beside
Beethoven's Missa
Solemnis in greatness.
Bruckner, often
self-critical as a
composer, went on to
revise the work no less
than four times until it
was finally published it
in 1894. More often heard
today in the concert hall
than in the church, the
sprawling, hour-long work
is admired today for its
powerful directness. This
critical edition was
created in 1944 for the
Bruckner Gesamtausgabe by
Robert Maria Haas.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $2.25 - Voir plus => Acheter | | |
| Mass No. 3 in F minor Orchestre [Set de Parties séparées] LudwigMasters Publications
Orchestra 2.2.2.2: 2.2.3.0: Timp: Org (ad libitum)*: Str (4-4-3-3-3 in set): Sol...(+)
Orchestra 2.2.2.2:
2.2.3.0: Timp: Org (ad
libitum)*: Str (4-4-3-3-3
in set): Solo SATB: Mix
Chor. *Organ ad limitum
absent from Haas edition
SKU: AP.36-A258193
Arranged by Anton
Bruckner and ed./arr. by
Robert Maria Haas. Mass,
Orchestra Accompaniment,
Soprano Part. Critical
Editions. Part(s).
LudwigMasters
Publications #36-A258193.
Published by
LudwigMasters
Publications
(AP.36-A258193). ISBN
9798892701860. UPC:
659359564956.
English. Anton
Bruckner (1824-1896)
completed the 1st version
of his Mass No. 3 in F
minor in 1863, as Otto
Kitzler was introducing
him to the music of
Richard Wagner, the
composer he would emulate
for the rest of his life.
John Herbeck, who
conducted the initial
rehearsals for its
premiere at the
Augustinerkirch on June
16, 1872, warmly declared
that it stood beside
Beethoven's Missa
Solemnis in greatness.
Bruckner, often
self-critical as a
composer, went on to
revise the work no less
than four times until it
was finally published it
in 1894. More often heard
today in the concert hall
than in the church, the
sprawling, hour-long work
is admired today for its
powerful directness. This
critical edition was
created in 1944 for the
Bruckner Gesamtausgabe by
Robert Maria Haas.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $2.25 - Voir plus => Acheter | | |
| Mass No. 3 in F minor Orchestre [Conducteur] LudwigMasters Publications
Orchestra 2.2.2.2: 2.2.3.0: Timp: Org (ad libitum)*: Str (4-4-3-3-3 in set): Sol...(+)
Orchestra 2.2.2.2:
2.2.3.0: Timp: Org (ad
libitum)*: Str (4-4-3-3-3
in set): Solo SATB: Mix
Chor. *Organ ad limitum
absent from Haas edition
SKU: AP.36-A258101
Arranged by Anton
Bruckner and ed./arr. by
Robert Maria Haas. Mass,
Orchestra Accompaniment,
Conductor Score. Critical
Editions. Score.
LudwigMasters
Publications #36-A258101.
Published by
LudwigMasters
Publications
(AP.36-A258101). ISBN
9798892701853. UPC:
659359980039.
English. Anton
Bruckner (1824-1896)
completed the 1st version
of his Mass No. 3 in F
minor in 1863, as Otto
Kitzler was introducing
him to the music of
Richard Wagner, the
composer he would emulate
for the rest of his life.
John Herbeck, who
conducted the initial
rehearsals for its
premiere at the
Augustinerkirch on June
16, 1872, warmly declared
that it stood beside
Beethoven's Missa
Solemnis in greatness.
Bruckner, often
self-critical as a
composer, went on to
revise the work no less
than four times until it
was finally published it
in 1894. More often heard
today in the concert hall
than in the church, the
sprawling, hour-long work
is admired today for its
powerful directness. This
critical edition was
created in 1944 for the
Bruckner Gesamtausgabe by
Robert Maria Haas.
Instrumentation: 2.2.2.2:
2.2.3.0: Timp: Org (ad
libitum): Str (4-4-3-3-3
in set): Solo SATB: Mix
Chor. The organ ad
libitum is absent from
the Haas edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $110.00 - Voir plus => Acheter | | |
| Mass No. 3 in F minor Orchestre [Set de Parties séparées] LudwigMasters Publications
Orchestra 2.2.2.2: 2.2.3.0: Timp: Org (ad libitum)*: Str (4-4-3-3-3 in set): Sol...(+)
Orchestra 2.2.2.2:
2.2.3.0: Timp: Org (ad
libitum)*: Str (4-4-3-3-3
in set): Solo SATB: Mix
Chor. *Organ ad limitum
absent from Haas edition
SKU: AP.36-A258194
Arranged by Anton
Bruckner and ed./arr. by
Robert Maria Haas. Mass,
Orchestra Accompaniment,
Alto Part. Critical
Editions. Part(s).
LudwigMasters
Publications #36-A258194.
Published by
LudwigMasters
Publications
(AP.36-A258194). ISBN
9798892701877. UPC:
659359823619.
English. Anton
Bruckner (1824-1896)
completed the 1st version
of his Mass No. 3 in F
minor in 1863, as Otto
Kitzler was introducing
him to the music of
Richard Wagner, the
composer he would emulate
for the rest of his life.
John Herbeck, who
conducted the initial
rehearsals for its
premiere at the
Augustinerkirch on June
16, 1872, warmly declared
that it stood beside
Beethoven's Missa
Solemnis in greatness.
Bruckner, often
self-critical as a
composer, went on to
revise the work no less
than four times until it
was finally published it
in 1894. More often heard
today in the concert hall
than in the church, the
sprawling, hour-long work
is admired today for its
powerful directness. This
critical edition was
created in 1944 for the
Bruckner Gesamtausgabe by
Robert Maria Haas.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $2.25 - Voir plus => Acheter | | |
| Mass No. 3 in F minor Orchestre [Conducteur et Parties séparées] LudwigMasters Publications
Orchestra 2.2.2.2: 2.2.3.0: Timp: Org (ad libitum)*: Str (4-4-3-3-3 in set): Sol...(+)
Orchestra 2.2.2.2:
2.2.3.0: Timp: Org (ad
libitum)*: Str (4-4-3-3-3
in set): Solo SATB: Mix
Chor. *Organ ad limitum
absent from Haas edition
SKU: AP.36-A258102
Arranged by Anton
Bruckner and ed./arr. by
Robert Maria Haas. Mass,
Orchestra Accompaniment,
Conductor Score & Parts.
Critical Editions. Score
and Part(s).
LudwigMasters
Publications #36-A258102.
Published by
LudwigMasters
Publications
(AP.36-A258102). UPC:
659359527715.
English. Anton
Bruckner (1824-1896)
completed the 1st version
of his Mass No. 3 in F
minor in 1863, as Otto
Kitzler was introducing
him to the music of
Richard Wagner, the
composer he would emulate
for the rest of his life.
John Herbeck, who
conducted the initial
rehearsals for its
premiere at the
Augustinerkirch on June
16, 1872, warmly declared
that it stood beside
Beethoven's Missa
Solemnis in greatness.
Bruckner, often
self-critical as a
composer, went on to
revise the work no less
than four times until it
was finally published it
in 1894. More often heard
today in the concert hall
than in the church, the
sprawling, hour-long work
is admired today for its
powerful directness. This
critical edition was
created in 1944 for the
Bruckner Gesamtausgabe by
Robert Maria Haas.
Instrumentation: 2.2.2.2:
2.2.3.0: Timp: Org (ad
libitum): Str (4-4-3-3-3
in set): Solo SATB: Mix
Chor. The organ ad
libitum is absent from
the Haas edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $300.00 - Voir plus => Acheter | | |
|
|