Schopfungsmesse.
Composed by Franz Joseph
Haydn. Edited by Armin
Kircher. Arranged by
Luigi Gatti. 1x 27.053/21
flute 1, 1x 27.053/22
flute 2, 1x 27.053/31
horn 1, 1x 27.053/32 horn
2, 1x 27.053/33 trumpet
1, 1x 27.053/34 trumpet
2, 1x 27.053/41 timpani.
Sacred music from
Salzburg. Harmony parts.
Sacred vocal music,
Masses, Latin. Set of
Orchestra Parts. 60
pages. Duration 35
minutes. Carus Verlag #CV
27.053/09. Published by
Carus Verlag
(CA.2705309).
ISBN
9790007199555. Key: A
major. Language:
Latin.
Since the
days of Renaissance
composers - beyond
accusations of plagiarism
- the admiration for a
fellow composer has taken
the form of quotations
from his works or even
new versions of his
works. No less a work
from the classical period
than Joseph Haydn's
oratorio The Creation
(first performed in
1798), was the basis for
the Schopfungsmesse
(Creation Mass) by the
Salzburg Court and
Cathedral Music Director,
Luigi Gatti. Gatti heard
the oratorio in Salzburg
performances conducted by
Johann Michael Haydn in
1800. With great skill
and sensitivity Gatti was
able to underlay the
choruses and arias of The
Creation with the text of
the Mass (at times he
reduced and adapted the
instrumentation), without
doing harm to the admired
original. Score and parts
available separately -
see item CA.2705300.
Saul Soli, choeur mixte et accompagnement [Vocal Score] Carus Verlag
Oratorio. Composed by George Frideric Handel (1685-1759). Edited by Felix...(+)
Oratorio. Composed
by George Frideric Handel
(1685-1759). Edited by
Felix Loy. This edition:
urtext. Stuttgart Urtext
Edition: Handel.
Oratorios. Vocal score.
Composed 1739. HWV 53.
216 pages. Published by
Carus Verlag
(CA.5505303).
Schopfungsmesse.
Composed by Franz Joseph
Haydn. Edited by Armin
Kircher. Arranged by
Luigi Gatti. Sacred music
from Salzburg. Sacred
vocal music, Masses,
Latin. Choral Score.
Duration 35 minutes.
Carus Verlag #CV
27.053/05. Published by
Carus Verlag
(CA.2705305).
ISBN
9790007113520. Key: A
major. Language:
Latin.
Since the
days of Renaissance
composers - beyond
accusations of plagiarism
- the admiration for a
fellow composer has taken
the form of quotations
from his works or even
new versions of his
works. No less a work
from the classical period
than Joseph Haydn's
oratorio The Creation
(first performed in
1798), was the basis for
the Schopfungsmesse
(Creation Mass) by the
Salzburg Court and
Cathedral Music Director,
Luigi Gatti. Gatti heard
the oratorio in Salzburg
performances conducted by
Johann Michael Haydn in
1800. With great skill
and sensitivity Gatti was
able to underlay the
choruses and arias of The
Creation with the text of
the Mass (at times he
reduced and adapted the
instrumentation), without
doing harm to the admired
original. Score available
separately - see item
CA.2705300.
Schopfungsmesse.
Composed by Franz Joseph
Haydn. Edited by Armin
Kircher. Arranged by
Luigi Gatti. Sacred music
from Salzburg. Viola 2.
Sacred vocal music,
Masses, Latin. Single
Part, Viola 2. 12 pages.
Duration 35 minutes.
Carus Verlag #CV
27.053/14. Published by
Carus Verlag
(CA.2705314).
ISBN
9790007199593. Key: A
major. Language:
Latin.
Since the
days of Renaissance
composers - beyond
accusations of plagiarism
- the admiration for a
fellow composer has taken
the form of quotations
from his works or even
new versions of his
works. No less a work
from the classical period
than Joseph Haydn's
oratorio The Creation
(first performed in
1798), was the basis for
the Schopfungsmesse
(Creation Mass) by the
Salzburg Court and
Cathedral Music Director,
Luigi Gatti. Gatti heard
the oratorio in Salzburg
performances conducted by
Johann Michael Haydn in
1800. With great skill
and sensitivity Gatti was
able to underlay the
choruses and arias of The
Creation with the text of
the Mass (at times he
reduced and adapted the
instrumentation), without
doing harm to the admired
original. Score and part
available separately -
see item CA.2705300.
Composed
by Franz Joseph Haydn.
Edited by Armin Kircher.
Arranged by Luigi Gatti.
Sacred music from
Salzburg. German title:
Schopfungsmesse. Sacred
vocal music, Masses,
Latin. Set of Orchestra
Parts. Duration 35
minutes. Carus Verlag #CV
27.053/19. Published by
Carus Verlag
(CA.2705319).
ISBN
9790007133887. Key: A
major. Language:
Latin.
Since the
days of Renaissance
composers - beyond
accusations of plagiarism
- the admiration for a
fellow composer has taken
the form of quotations
from his works or even
new versions of his
works. No less a work
from the classical period
than Joseph Haydn's
oratorio The Creation
(first performed in
1798), was the basis for
the Schopfungsmesse
(Creation Mass) by the
Salzburg Court and
Cathedral Music Director,
Luigi Gatti. Gatti heard
the oratorio in Salzburg
performances conducted by
Johann Michael Haydn in
1800. With great skill
and sensitivity Gatti was
able to underlay the
choruses and arias of The
Creation with the text of
the Mass (at times he
reduced and adapted the
instrumentation), without
doing harm to the admired
original. Score and parts
available separately -
see item CA.2705300.
Schopfungsmesse.
Composed by Franz Joseph
Haydn. Edited by Armin
Kircher. Arranged by
Luigi Gatti. Sacred music
from Salzburg. Organ.
Sacred vocal music,
Masses, Latin. Single
Part, Organ. 24 pages.
Duration 35 minutes.
Carus Verlag #CV
27.053/49. Published by
Carus Verlag
(CA.2705349).
ISBN
9790007199616. Key: A
major. Language:
Latin.
Since the
days of Renaissance
composers - beyond
accusations of plagiarism
- the admiration for a
fellow composer has taken
the form of quotations
from his works or even
new versions of his
works. No less a work
from the classical period
than Joseph Haydn's
oratorio The Creation
(first performed in
1798), was the basis for
the Schopfungsmesse
(Creation Mass) by the
Salzburg Court and
Cathedral Music Director,
Luigi Gatti. Gatti heard
the oratorio in Salzburg
performances conducted by
Johann Michael Haydn in
1800. With great skill
and sensitivity Gatti was
able to underlay the
choruses and arias of The
Creation with the text of
the Mass (at times he
reduced and adapted the
instrumentation), without
doing harm to the admired
original. Score and part
available separately -
see item CA.2705300.
Schopfungsmesse.
Composed by Franz Joseph
Haydn. Edited by Armin
Kircher. Arranged by
Luigi Gatti. Sacred music
from Salzburg. Viola.
Sacred vocal music,
Masses, Latin. Single
Part, Viola. 16 pages.
Duration 35 minutes.
Carus Verlag #CV
27.053/13. Published by
Carus Verlag
(CA.2705313).
ISBN
9790007199586. Key: A
major. Language:
Latin.
Since the
days of Renaissance
composers - beyond
accusations of plagiarism
- the admiration for a
fellow composer has taken
the form of quotations
from his works or even
new versions of his
works. No less a work
from the classical period
than Joseph Haydn's
oratorio The Creation
(first performed in
1798), was the basis for
the Schopfungsmesse
(Creation Mass) by the
Salzburg Court and
Cathedral Music Director,
Luigi Gatti. Gatti heard
the oratorio in Salzburg
performances conducted by
Johann Michael Haydn in
1800. With great skill
and sensitivity Gatti was
able to underlay the
choruses and arias of The
Creation with the text of
the Mass (at times he
reduced and adapted the
instrumentation), without
doing harm to the admired
original. Score and part
available separately -
see item CA.2705300.
Schopfungsmesse.
Composed by Franz Joseph
Haydn. Edited by Armin
Kircher. Arranged by
Luigi Gatti. Sacred music
from Salzburg.
Violoncello/double bass.
Sacred vocal music,
Masses, Latin. Single
Part, Cello/Double Bass.
16 pages. Duration 35
minutes. Carus Verlag #CV
27.053/15. Published by
Carus Verlag
(CA.2705315).
ISBN
9790007199609. Key: A
major. Language:
Latin.
Since the
days of Renaissance
composers - beyond
accusations of plagiarism
- the admiration for a
fellow composer has taken
the form of quotations
from his works or even
new versions of his
works. No less a work
from the classical period
than Joseph Haydn's
oratorio The Creation
(first performed in
1798), was the basis for
the Schopfungsmesse
(Creation Mass) by the
Salzburg Court and
Cathedral Music Director,
Luigi Gatti. Gatti heard
the oratorio in Salzburg
performances conducted by
Johann Michael Haydn in
1800. With great skill
and sensitivity Gatti was
able to underlay the
choruses and arias of The
Creation with the text of
the Mass (at times he
reduced and adapted the
instrumentation), without
doing harm to the admired
original. Score and part
available separately -
see item CA.2705300.
Schopfungsmesse.
Composed by Franz Joseph
Haydn. Edited by Armin
Kircher. Arranged by
Luigi Gatti. Sacred music
from Salzburg. Violin 1.
Sacred vocal music,
Masses, Latin. Single
Part, Violin 1. 20 pages.
Duration 35 minutes.
Carus Verlag #CV
27.053/11. Published by
Carus Verlag
(CA.2705311).
ISBN
9790007199562. Key: A
major. Language:
Latin.
Since the
days of Renaissance
composers - beyond
accusations of plagiarism
- the admiration for a
fellow composer has taken
the form of quotations
from his works or even
new versions of his
works. No less a work
from the classical period
than Joseph Haydn's
oratorio The Creation
(first performed in
1798), was the basis for
the Schopfungsmesse
(Creation Mass) by the
Salzburg Court and
Cathedral Music Director,
Luigi Gatti. Gatti heard
the oratorio in Salzburg
performances conducted by
Johann Michael Haydn in
1800. With great skill
and sensitivity Gatti was
able to underlay the
choruses and arias of The
Creation with the text of
the Mass (at times he
reduced and adapted the
instrumentation), without
doing harm to the admired
original. Score and part
available separately -
see item CA.2705300.
Schopfungsmesse.
Composed by Franz Joseph
Haydn. Edited by Armin
Kircher. Arranged by
Luigi Gatti. Sacred music
from Salzburg. Violin 2.
Sacred vocal music,
Masses, Latin. Single
Part, Violin 2. 20 pages.
Duration 35 minutes.
Carus Verlag #CV
27.053/12. Published by
Carus Verlag
(CA.2705312).
ISBN
9790007199579. Key: A
major. Language:
Latin.
Since the
days of Renaissance
composers - beyond
accusations of plagiarism
- the admiration for a
fellow composer has taken
the form of quotations
from his works or even
new versions of his
works. No less a work
from the classical period
than Joseph Haydn's
oratorio The Creation
(first performed in
1798), was the basis for
the Schopfungsmesse
(Creation Mass) by the
Salzburg Court and
Cathedral Music Director,
Luigi Gatti. Gatti heard
the oratorio in Salzburg
performances conducted by
Johann Michael Haydn in
1800. With great skill
and sensitivity Gatti was
able to underlay the
choruses and arias of The
Creation with the text of
the Mass (at times he
reduced and adapted the
instrumentation), without
doing harm to the admired
original. Score and part
available separately -
see item CA.2705300.
Composed
by Johann Adolf Hasse.
Edited by Wolfgang
Hochstein. Arranged by
Paul Horn. This edition:
Complete edition.
Complete editions /
Selected works: Johann
Adolf Hasse. Selected
Works. Missa In G (1783).
Sacred vocal music,
Masses, Latin. Single
Part, Violin 1. 32 pages.
Duration 63 minutes.
Carus Verlag #CV
50.705/11. Published by
Carus Verlag
(CA.5070511).
ISBN
9790007224431. Language:
Latin.
After Johann
Adolf Hasse had ended his
career as a composer for
the opera stage and
finally settled down in
Venice, he wrote a number
of sacred works. Since he
had long been obligated
to the Saxon Court, where
he served as a composer
for three decades until
1763, these works were
originally intended for
the Catholic Court Church
in Dresden. The
solemn-pathetic Missa in
G minor (1783), with the
inserted movement Ad te
levavi, is Hasse's final
work: a crowning
conclusion to an oeuvre
whose significance in
music history has only
recently begun to be
recognized and has now
received the fitting
acknowledgement it
deserves. Score and part
available separately -
see item CA.5070500.
Composed
by Johann Adolf Hasse.
Edited by Wolfgang
Hochstein. Arranged by
Paul Horn. This edition:
Complete edition.
Complete editions /
Selected works: Johann
Adolf Hasse. Selected
Works. Missa In G (1783).
Sacred vocal music,
Masses, Latin. Single
Part, Viola. 28 pages.
Duration 63 minutes.
Carus Verlag #CV
50.705/13. Published by
Carus Verlag
(CA.5070513).
ISBN
9790007224455. Language:
Latin.
After Johann
Adolf Hasse had ended his
career as a composer for
the opera stage and
finally settled down in
Venice, he wrote a number
of sacred works. Since he
had long been obligated
to the Saxon Court, where
he served as a composer
for three decades until
1763, these works were
originally intended for
the Catholic Court Church
in Dresden. The
solemn-pathetic Missa in
G minor (1783), with the
inserted movement Ad te
levavi, is Hasse's final
work: a crowning
conclusion to an oeuvre
whose significance in
music history has only
recently begun to be
recognized and has now
received the fitting
acknowledgement it
deserves. Score and part
available separately -
see item CA.5070500.
Composed
by Johann Adolf Hasse.
Edited by Wolfgang
Hochstein. Arranged by
Paul Horn. This edition:
Complete edition.
Complete editions /
Selected works: Johann
Adolf Hasse. Selected
Works. Missa In G (1783).
Sacred vocal music,
Masses, Latin. Single
Part, basso continuo. 28
pages. Duration 63
minutes. Carus Verlag #CV
50.705/14. Published by
Carus Verlag
(CA.5070514).
ISBN
9790007224462. Language:
Latin.
After Johann
Adolf Hasse had ended his
career as a composer for
the opera stage and
finally settled down in
Venice, he wrote a number
of sacred works. Since he
had long been obligated
to the Saxon Court, where
he served as a composer
for three decades until
1763, these works were
originally intended for
the Catholic Court Church
in Dresden. The
solemn-pathetic Missa in
G minor (1783), with the
inserted movement Ad te
levavi, is Hasse's final
work: a crowning
conclusion to an oeuvre
whose significance in
music history has only
recently begun to be
recognized and has now
received the fitting
acknowledgement it
deserves. Score and part
available separately -
see item CA.5070500.
Composed
by Johann Adolf Hasse.
Edited by Wolfgang
Hochstein. Arranged by
Paul Horn. This edition:
Complete edition.
Complete editions /
Selected works: Johann
Adolf Hasse. Selected
Works. Missa In G (1783).
Sacred vocal music,
Masses, Latin. Single
Part, Violin 2. 32 pages.
Duration 63 minutes.
Carus Verlag #CV
50.705/12. Published by
Carus Verlag
(CA.5070512).
ISBN
9790007224448. Language:
Latin.
After Johann
Adolf Hasse had ended his
career as a composer for
the opera stage and
finally settled down in
Venice, he wrote a number
of sacred works. Since he
had long been obligated
to the Saxon Court, where
he served as a composer
for three decades until
1763, these works were
originally intended for
the Catholic Court Church
in Dresden. The
solemn-pathetic Missa in
G minor (1783), with the
inserted movement Ad te
levavi, is Hasse's final
work: a crowning
conclusion to an oeuvre
whose significance in
music history has only
recently begun to be
recognized and has now
received the fitting
acknowledgement it
deserves. Score and part
available separately -
see item CA.5070500.
Composed by Johann Adolf
Hasse. Edited by Wolfgang
Hochstein. Arranged by
Paul Horn. This edition:
Complete edition.
Complete editions /
Selected works: Johann
Adolf Hasse. Selected
Works. Missa In G (1783).
Sacred vocal music,
Masses, Latin. Single
Part, Organ. 44 pages.
Duration 63 minutes.
Carus Verlag #CV
50.705/49. Published by
Carus Verlag
(CA.5070549).
ISBN
9790007224479. Language:
Latin.
After Johann
Adolf Hasse had ended his
career as a composer for
the opera stage and
finally settled down in
Venice, he wrote a number
of sacred works. Since he
had long been obligated
to the Saxon Court, where
he served as a composer
for three decades until
1763, these works were
originally intended for
the Catholic Court Church
in Dresden. The
solemn-pathetic Missa in
G minor (1783), with the
inserted movement Ad te
levavi, is Hasse's final
work: a crowning
conclusion to an oeuvre
whose significance in
music history has only
recently begun to be
recognized and has now
received the fitting
acknowledgement it
deserves. Score and part
available separately -
see item CA.5070500.
Composed
by Johann Adolf Hasse.
Edited by Wolfgang
Hochstein. Arranged by
Paul Horn. This edition:
Complete edition.
Complete editions /
Selected works: Johann
Adolf Hasse. Selected
Works. Missa In G (1783).
Sacred vocal music,
Masses, Latin. Choral
Score. Duration 63
minutes. Carus Verlag #CV
50.705/05. Published by
Carus Verlag
(CA.5070505).
ISBN
9790007162597. Language:
Latin.
After Johann
Adolf Hasse had ended his
career as a composer for
the opera stage and
finally settled down in
Venice, he wrote a number
of sacred works. Since he
had long been obligated
to the Saxon Court, where
he served as a composer
for three decades until
1763, these works were
originally intended for
the Catholic Court Church
in Dresden. The
solemn-pathetic Missa in
G minor (1783), with the
inserted movement Ad te
levavi, is Hasse's final
work: a crowning
conclusion to an oeuvre
whose significance in
music history has only
recently begun to be
recognized and has now
received the fitting
acknowledgement it
deserves. Score available
separately - see item
CA.5070500.
Composed by Johann Adolf
Hasse. Edited by Wolfgang
Hochstein. Arranged by
Paul Horn. 1x 50.705/21
flute 1, 1x 50.705/22
flute 2, 1x 50.705/23
oboe 1, 1x 50.705/24 oboe
2, 2x 50.705/25 bassoon
1, 1x 50.705/31 horn 1,
1x 50.705/32 horn 2, 1x
50.705/33 trumpet 1, 1x
50.705/34 trumpet 2, 1x
50.705/41 timpani.
Complete editions /
Selected works: Johann
Adolf Hasse. Selected
Works. Missa In G (1783).
Sacred vocal music,
Masses, Latin. Set of
Orchestra Parts. Duration
63 minutes. Carus Verlag
#CV 50.705/09. Published
by Carus Verlag
(CA.5070509).
ISBN
9790007224424. Text
language:
Latin.
After Johann
Adolf Hasse had ended his
career as a composer for
the opera stage and
finally settled down in
Venice, he wrote a number
of sacred works. Since he
had long been obligated
to the Saxon Court, where
he served as a composer
for three decades until
1763, these works were
originally intended for
the Catholic Court Church
in Dresden. The
solemn-pathetic Missa in
G minor (1783), with the
inserted movement Ad te
levavi, is Hasse's final
work: a crowning
conclusion to an oeuvre
whose significance in
music history has only
recently begun to be
recognized and has now
received the fitting
acknowledgement it
deserves. Score and parts
available separately -
see item CA.5070500.
Composed
by Johann Adolf Hasse.
Edited by Wolfgang
Hochstein. Arranged by
Paul Horn. This edition:
Complete edition, linen
cover. Complete editions
/ Selected works: Johann
Adolf Hasse. Selected
Works. Missa In G (1783).
Sacred vocal music,
Masses, Latin. Full score
(complete edition /
selected edition).
Duration 63 minutes.
Carus Verlag #CV
50.705/00. Published by
Carus Verlag
(CA.5070500).
ISBN
9790007144951. Language:
Latin.
After Johann
Adolf Hasse had ended his
career as a composer for
the opera stage and
finally settled down in
Venice, he wrote a number
of sacred works. Since he
had long been obligated
to the Saxon Court, where
he served as a composer
for three decades until
1763, these works were
originally intended for
the Catholic Court Church
in Dresden. The
solemn-pathetic Missa in
G minor (1783), with the
inserted movement Ad te
levavi, is Hasse's final
work: a crowning
conclusion to an oeuvre
whose significance in
music history has only
recently begun to be
recognized and has now
received the fitting
acknowledgement it
deserves.
Composed
by Johann Adolf Hasse.
Edited by Wolfgang
Hochstein. Arranged by
Paul Horn. This edition:
Paperbound, Complete
edition. Complete
editions / Selected
works: Johann Adolf
Hasse. Selected Works.
Missa In G (1783). Sacred
vocal music, Masses,
Latin. Vocal score.
Duration 63 minutes.
Carus Verlag #CV
50.705/03. Published by
Carus Verlag
(CA.5070503).
ISBN
9790007145194. Language:
Latin.
After Johann
Adolf Hasse had ended his
career as a composer for
the opera stage and
finally settled down in
Venice, he wrote a number
of sacred works. Since he
had long been obligated
to the Saxon Court, where
he served as a composer
for three decades until
1763, these works were
originally intended for
the Catholic Court Church
in Dresden. The
solemn-pathetic Missa in
G minor (1783), with the
inserted movement Ad te
levavi, is Hasse's final
work: a crowning
conclusion to an oeuvre
whose significance in
music history has only
recently begun to be
recognized and has now
received the fitting
acknowledgement it
deserves. Score available
separately - see item
CA.5070500.
Composed by Johann Adolf
Hasse. Edited by Wolfgang
Hochstein. Arranged by
Paul Horn. This edition:
Complete edition.
Complete editions /
Selected works: Johann
Adolf Hasse. Selected
Works. Missa In G (1783).
Sacred vocal music,
Masses, Latin. Set of
Orchestra Parts. Duration
63 minutes. Carus Verlag
#CV 50.705/19. Published
by Carus Verlag
(CA.5070519).
ISBN
9790007145798. Language:
Latin.
After Johann
Adolf Hasse had ended his
career as a composer for
the opera stage and
finally settled down in
Venice, he wrote a number
of sacred works. Since he
had long been obligated
to the Saxon Court, where
he served as a composer
for three decades until
1763, these works were
originally intended for
the Catholic Court Church
in Dresden. The
solemn-pathetic Missa in
G minor (1783), with the
inserted movement Ad te
levavi, is Hasse's final
work: a crowning
conclusion to an oeuvre
whose significance in
music history has only
recently begun to be
recognized and has now
received the fitting
acknowledgement it
deserves. Score and parts
available separately -
see item CA.5070500.
Stabat Mater (Srnka, Kachlik) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier [Reduction] Barenreiter
Piano reduction by Antonin Dvorak. Composed by Antonin Dvorak (1841-1904). Edite...(+)
Piano reduction by
Antonin Dvorak. Composed
by Antonin Dvorak
(1841-1904). Edited by
Jan Kachlik / Miroslav
Srnka. This edition:
urtext edition.
Paperback. Barenreiter
Urtext. Version in 10
movements. Classical.
Vocal score. With
Language: Latin, Text
Language:
Czech/English/German.
Opus 58. Duration 1 hour,
27 minutes. Editio
Baerenreiter Praha
#H07920. Published by
Editio Baerenreiter Praha
O God, what glut of care and pain Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Vocal Score] Carus Verlag
(2nd Sunday after Epiphany). Composed by Johann Sebastian Bach (1685-1750). Edit...(+)
(2nd Sunday after
Epiphany). Composed by
Johann Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. For
SATB vocal soli, SATB
choir, 2 oboe d'amore,
[horn, trombone], 2
violins, viola, basso
continuo. This edition:
Paperbound. A-Dur (A
major). German title: Ach
Gott, wie manches
Herzeleid. Cantatas,
Epiphany. Level 4. Vocal
score. Language:
German/English. Composed
1725. BWV 3. Duration 27
minutes. Published by
Carus Verlag
Dettingen Te Deum Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur] Carus Verlag
(Dettinger Te Deum). By George Frideric Handel (1685-1759). Edited by Benedikt P...(+)
(Dettinger Te Deum). By
George Frideric Handel
(1685-1759). Edited by
Benedikt Poensgen. For
Soli ATB, SSATB choir, 2
oboes, bassoon, 3
trumpets, timpani, 2
violin, viola, basso
continuo. This edition:
Paperbound. Praise and
thanks. Full score.
Language: English/German.
Composed 1743. HWV 283.
144 pages. Duration 40
min. Published by Carus
Verlag
St. Mark Passion Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur] Carus Verlag
(Version Hellmann/Glockner). Composed by Johann Sebastian Bach (1685-1750). Edit...(+)
(Version
Hellmann/Glockner).
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Andreas Glockner.
Arranged by Diethard
Hellmann. For SAT vocal
soli, SATB choir, 2
flutes, 2 oboes/2 oboe
d'amore, 2 violins,
viola, 2 viola da gamba,
basso continuo, [2
lutes]. This edition:
Paperbound. Stuttgart
Urtext Edition. German
title: Markuspassion
Glockner. Oratorios,
Passions, Lent and
Passiontide, Holy Week.
Full score. Language:
German. Composed
1723/1964/2001. BWV 247.
Duration 75 minutes.
Published by Carus Verlag
Dramma per musica in
three Acts. Composed
by Wolfgang Amadeus
Mozart. Edited by
Kathleen Kuzmick Hansell.
This edition: complete
edition, urtext edition.
Linen. Edition in 2
volumes. Complete
edition, Score. K. 135.
Duration 4 hours.
Baerenreiter Verlag
#BA04590_01. Published by
Baerenreiter Verlag
(BA.BA04590-01).
ISBN
9790006451296. 33 x 26 cm
inches. Text Language:
Italian. Text: Giovanni
de Gamerra.
On 13
December 1769 Leopold
Mozart and his son
Wolfgang set out on their
first tour of Italy. It
was not until 28 March
1771 that they finally
returned to Salzburg. The
trip brought the young
composer two commissions
for opere serie. In March
1770 he was commissioned
to write Mitridate, K.87
(74a), for the 1770-71
Carneval season at the
Regio Ducal Teatro in
Milan. Mozart started
work on the opera in
Bologna on 29 September
1770, and the premiere
duly took place on the
Feast of St. Stephen (26
December) in 1770. The
second, Lucio Silla (K.
135), again commissioned
for the 1771-72 Carneval
season in Milan,
doubtless resulted from
the success of Mitridate.
News of the commission
reached the Mozarts in
March 1771 in Verona,
where they had stopped on
their return to Salzburg.
(At roughly the same time
Wolfgang received an
invitation from Vienna to
supply a serenata
teatrale for the wedding
of Archduke Ferdinand,
the third son of Maria
Theresia, scheduled to
take place in Milan in
October 1771. This
invitation ultimately
resulted in Ascanio in
Alba, K. 111.)
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