Double bass (solos: vl.vc - 2.2.2.2. - 4.2.0.0. - timp - str)

SKU: BR.OB-16104-27

Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Johannes Brahms. Edited by Michael Struck. Stapled. Orchester-Bibliothek (Orchestral Library). The piano reduction and the study score (,,Studien-Edition) are available at G. Henle Verlag. Solo concerto; Romantic. Part. 12 pages. Duration 35'. Breitkopf and Haertel #OB 16104-27. Published by Breitkopf and Haertel (BR.OB-16104-27).

ISBN 9790004339459. 10 x 12.5 inches.

The publishers Henle and Breitkopf & Hartel are continuing their collaboration, now with Brahms, by publishing the performance material of the double concerto. Brahms's last work with orchestra was published in the new Brahms Complete Edition in 2002, whereby the editor was able to base himself on newly accessible sources. Of particular interest are the additional performance instructions for the solo violin and solo cello, which were gathered from the first edition of the solo parts. These indications were supplied by the soloists of the first performance, Joseph Joachim and Robert Hausmann. No doubt authorized by Brahms, they communicate valuable insights into the performance practice of the time. The new material also contains a part in which the solo violin and cello are notated one above the other. The trio edition for violin, violoncello and piano (EB 6040), which was made by Brahms himself, has proven itself for chamber performances; it continues to be available.The full score is a conductor's dream: big, bold, and beautifully laid out on glare-free bluff paper. (Strings).

Woodwinds (solos: vl.vc - 2.2.2.2. - 4.2.0.0. - timp - str)

SKU: BR.OB-16104-30

Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Johannes Brahms. Edited by Michael Struck. Folder. Orchester-Bibliothek (Orchestral Library). The piano reduction and the study score (,,Studien-Edition) are available at G. Henle Verlag. Solo concerto; Romantic. Set of parts. 100 pages. Duration 35'. Breitkopf and Haertel #OB 16104-30. Published by Breitkopf and Haertel (BR.OB-16104-30).

ISBN 9790004339466. 10 x 12.5 inches.

The publishers Henle and Breitkopf & Hartel are continuing their collaboration, now with Brahms, by publishing the performance material of the double concerto. Brahms's last work with orchestra was published in the new Brahms Complete Edition in 2002, whereby the editor was able to base himself on newly accessible sources. Of particular interest are the additional performance instructions for the solo violin and solo cello, which were gathered from the first edition of the solo parts. These indications were supplied by the soloists of the first performance, Joseph Joachim and Robert Hausmann. No doubt authorized by Brahms, they communicate valuable insights into the performance practice of the time. The new material also contains a part in which the solo violin and cello are notated one above the other. The trio edition for violin, violoncello and piano (EB 6040), which was made by Brahms himself, has proven itself for chamber performances; it continues to be available.The full score is a conductor's dream: big, bold, and beautifully laid out on glare-free bluff paper. (Strings).

Violin 2 (solos: vl.vc - 2.2.2.2. - 4.2.0.0. - timp - str)

SKU: BR.OB-16104-16

Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Johannes Brahms. Edited by Michael Struck. Stapled. Orchester-Bibliothek (Orchestral Library). The piano reduction and the study score (,,Studien-Edition) are available at G. Henle Verlag. Solo concerto; Romantic. Part. 12 pages. Duration 35'. Breitkopf and Haertel #OB 16104-16. Published by Breitkopf and Haertel (BR.OB-16104-16).

ISBN 9790004339428. 10 x 12.5 inches.

The publishers Henle and Breitkopf & Hartel are continuing their collaboration, now with Brahms, by publishing the performance material of the double concerto. Brahms's last work with orchestra was published in the new Brahms Complete Edition in 2002, whereby the editor was able to base himself on newly accessible sources. Of particular interest are the additional performance instructions for the solo violin and solo cello, which were gathered from the first edition of the solo parts. These indications were supplied by the soloists of the first performance, Joseph Joachim and Robert Hausmann. No doubt authorized by Brahms, they communicate valuable insights into the performance practice of the time. The new material also contains a part in which the solo violin and cello are notated one above the other. The trio edition for violin, violoncello and piano (EB 6040), which was made by Brahms himself, has proven itself for chamber performances; it continues to be available.The full score is a conductor's dream: big, bold, and beautifully laid out on glare-free bluff paper. (Strings).

Violoncello (solos: vl.vc - 2.2.2.2. - 4.2.0.0. - timp - str)

SKU: BR.OB-16104-23

Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Johannes Brahms. Edited by Michael Struck. Stapled. Orchester-Bibliothek (Orchestral Library). The piano reduction and the study score (,,Studien-Edition) are available at G. Henle Verlag. Solo concerto; Romantic. Part. 12 pages. Duration 35'. Breitkopf and Haertel #OB 16104-23. Published by Breitkopf and Haertel (BR.OB-16104-23).

ISBN 9790004339442. 10 x 12.5 inches.

The publishers Henle and Breitkopf & Hartel are continuing their collaboration, now with Brahms, by publishing the performance material of the double concerto. Brahms's last work with orchestra was published in the new Brahms Complete Edition in 2002, whereby the editor was able to base himself on newly accessible sources. Of particular interest are the additional performance instructions for the solo violin and solo cello, which were gathered from the first edition of the solo parts. These indications were supplied by the soloists of the first performance, Joseph Joachim and Robert Hausmann. No doubt authorized by Brahms, they communicate valuable insights into the performance practice of the time. The new material also contains a part in which the solo violin and cello are notated one above the other. The trio edition for violin, violoncello and piano (EB 6040), which was made by Brahms himself, has proven itself for chamber performances; it continues to be available.The full score is a conductor's dream: big, bold, and beautifully laid out on glare-free bluff paper. (Strings).

50 Popular Classics in Easy Arrangements. Composed by Various. Arranged by Barrie Carson Turner. String. Softcover Audio Online. 56 pages. Schott Music #ED13862. Published by Schott Music (HL.49045387).

Cello, piano

SKU: PR.ZM11961

Nr. 1 Lied. Composed by Hugo Schlemueller. With Standard notation. Zimmermann #ZM11961. Published by Zimmermann (PR.ZM11961).

Violin, Cello and Piano

SKU: HL.50571617

Composed by Johannes Brahms. Editions Durand. Score Only. Composed 2001. Editions Durand #DC11952. Published by Editions Durand (HL.50571617).

Cello, Piano - Grade 2

SKU: FL.FX071927

Composed by Alain Lopez. Classical, Educational. Score and Set of Parts. FLEX Editions #FX071927. Published by FLEX Editions (FL.FX071927).

The wind carries away the yellow leaves fallen on the pavement, the cafes put tables and chairs in... I evoke here a fall tour that is difficult to do quietly in Paris. How to take your time in this city with so many streets to cross (musical phrases of 3 measures), cars or buses to avoid (musical phrases starts on the second time). While the chestnut vendors are on subway entrances, how not to hurry like others (theme B) to 'catch' the subway...

SKU: HL.50490569

String. 88 pages. Hal Leonard #ZN336110. Published by Hal Leonard (HL.50490569).

ISBN 9784113361104. 9.0x12.0x0.243 inches.

Violoncello and Piano - Grade 3

SKU: HL.50510696

MM-22. Composed by Jean-Marie Leclair. Arranged by Fitzenhagen Pejtsik. Baroque. EMB. Book Only. Editio Musica Budapest #Z13633. Published by Editio Musica Budapest (HL.50510696).

ISBN 9790080136331. UPC: 073999264388. Bach (23 x 30,2 cm) inches. Cadet) (le Jean-Marie Leclair; T. Nachez; Arpad Pejtsik.

The series Moments Musicaux contains popular and well-known short masterpieces and transcriptions. An admitted aim of the publisher was to release high-standard editions of these popular pieces for a moderate price. Each piece of the series may be performed on violoncello solo with piano accompaniment.

Violoncello and Piano - Grade 3

SKU: HL.50510692

M-29. Composed by Ferenc Vecsey. 20th Century. EMB. Book Only. Editio Musica Budapest #Z13888. Published by Editio Musica Budapest (HL.50510692).

ISBN 9790080138885. UPC: 073999636239. Bach (23 x 30,2 cm) inches. Ferenc Vecsey; Arpad Pejtsik.

The series Moments Musicaux contains popular and well-known short masterpieces and transcriptions. An admitted aim of the publisher was to release high-standard editions of these popular pieces for a moderate price. Each piece of the series may be performed on violoncello solo with piano accompaniment.

Arrangement for Violoncello and Piano by the Composer. By Edward Elgar. Edited by Jonathan Del Mar. For Cello Solo, piano. Piano Reduction/Vocal Score; Urtext Edition. Op. 85. Duration 25'. Published by Baerenreiter-Ausgaben (German import). (BA9040 90)

By Ferruccio Busoni (1866-1924). For Cello and Piano. Masterworks; Part(s); Score; Solo; String - Cello and Piano. Faber Edition. 20th Century; Masterwork. Published by Faber Music

Violoncello and Piano (Organ) CD Play Back / Play Along - Grade 2, Grade 3

SKU: MA.EMR-33834

Les Anges Dans Nos Campagnes / Jericho / Old Folks At Home / La Cucaracha / The Monastery Garden / Happy-Go-Lucky / Halloween / Ragtime / Study In Thirds / Toreador's Song / Lullaby / La ci darem la mano / Minuet / Largo. Composed by John G. Mortimer. Violoncello and CD Playback (Play Along). 14 Titles. Score and parts. Duration 22'03. Editions Marc Reift #EMR 33834. Published by Editions Marc Reift (MA.EMR-33834).

Possible instrumentations:

Violoncello and CD Play Back / Play Along
Violoncello and Organ ( Play Back / Play Along CD optional)
Violoncello and Piano ( Play Back / Play Along CD optional).

(Cello and Piano). By Gabriel Fauré and Gabriel Faur. Arranged by Wolfgang Birtel. For Cello, Piano Accompaniment. String. Softcover. 10 pages. Schott Music #ED09916. Published by Schott Music

Composed by Antonin Dvorak (1841-1904). Masterworks; Solo; Solo Small Ensembles; String - Cello and Piano. Kalmus Edition. Masterwork; Romantic. Book. 64 pages. Kalmus Classic Edition #00-K03421. Published by Kalmus Classic Edition

Composed by Edvard Grieg (1843-1907). Masterworks; String - Cello and Piano. Kalmus Edition. Masterwork; Romantic. Book. 12 pages. Kalmus Classic Edition #00-K09117. Published by Kalmus Classic Edition

Cello and Piano - advanced

SKU: ST.R2178

Composed by Ludwig van Beethoven. String music. The Donald Tovey edition with recent minor revisions. Score and part. Stainer & Bell Ltd. #R2178. Published by Stainer & Bell Ltd. (ST.R2178).

ISBN 9790220201059.

The Donald Tovey edition with recent minor revisions.. Advanced.

(Cello Part And Piano Score)

SKU: HL.133295

Composed by K. Szymanowski. PWM. Classical. 48 pages. Polskie Wydawnictwo Muzyczne #8613999. Published by Polskie Wydawnictwo Muzyczne (HL.133295).

UPC: 884088981297. 8.25x11.75x0.155 inches.

By Giovanni Sgambati (1841-1914). Edited by Leonard Rose. For Cello and piano. Cello and piano

(Violoncello and Piano). By Sergei Prokofiev (1891-1953). For Cello, Piano Accompaniment. String. Softcover. 8 pages. Sikorski #SIK6161. Published by Sikorski

(Book with Online Audio). Composed by Ludovico Einaudi. For Cello, Piano Accompaniment. Music Sales America. Softcover Audio Online. 56 pages. Chester Music #CH82357. Published by Chester Music

Cello and piano (VC/PF) - difficult

SKU: HL.49007557

Composed by Wilhelm Killmayer. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Composed 1989. 41 pages. Duration 20'. Schott Music #ED 7829. Published by Schott Music (HL.49007557).

ISBN 9790001081214. UPC: 196288050568. 9.0x12.0x0.125 inches.

'Humour plays a role, and my pieces are also an attempt to entertain people.' Words not often associated with contemporary music, but Wilhelm Killmayer wants to place fun and seriousness side by side. Different tonal spheres are found in the 'Impromptu' and the jaunty 'Scherzo lento' which uses tap tones for example. The 'Chorale' that follows allows the music to drift seamlessly into atonality. In the fourth romance 'Im Schumannschen Ton' ('The Schumann Sound'), a diatonic melody is complicated so much that the ending distorts to the beginning, 'just like man combines many different qualities'.In the concluding 'Capriccio', shifting time signatures and dynamic fluctuations are combined in a virtuoso manner. A humourous piece which demands the purest concentration from the players.

Soprano voice, cor anglais, viola, cello and piano (P/ST) - difficult

SKU: HL.49033261

Composed by Ekkehard Jost. This edition: Saddle stitching. Sheet music. Edition Schott. Score and Parts. Composed 1999. 50 pages. Duration 12'. Schott Music #ED 9740. Published by Schott Music (HL.49033261).

ISBN 9790001136679. German.

Ein Liebespaar, unter deren Gier der Boden nachgibt und deren Lust zu Treibholz wird: dies ist das Herz von Hans Thills Gedicht Paradox und stellt den ersten Moment der Inspiration fur Christian Jost dar, diesem Text musikalische Gestalt zu verleihen. Die reduzierte Sprache des Gedichts, seine surreale erotische Welt, eroffnet Raume, in denen Satze zu Romanen und einzelne Worter zu endlosen Linien werden. Kompositorisch hat dies fur Jost nicht nur die Moglichkeit geschaffen, eine Geschichte hinter der Geschichte zu erzahlen, sondern auch jedes einzelen Wort in Klange einzuschweissen, deren Richtung er bestimmt. Folgerichtig ist demnach im Text und nicht an ihm entlang komponiert worden. Was bedeutet: der ohnehin zerschnittenen Sprache wurde eine weitere Ebene hinzugefugt, indem die jeweiligen Textschwerpunkte in verschiedene Klangbilder gefasst wurden, deren Summe dann die Dramaturgie des Ganzen bestimmt hat. Dadurch haben sich grossere atmosplarische Unterschiede und Spannungen ergeben, als das sehr lyrische Gedicht vermuten liesse. So aber konnte der Komponist eine Dichte an Ausdruck und Intensitat entwickeln, die bereits im Text enthalten sind, auch wenn er sich in ein lyrisches Gewand verkleidet hat.