First Edition. Par KORNGOLD ERICH WOLFGANG. Erich Wolfgang Korngold was one of the greatest child prodigies in the history of music. His early songs, now published for the first time, reveal the young composer's extraordinary talent. Based on the musical language of the late Romantic period, he created a unique world of sounds for Eichendorff's poems: full of melodic expanse, refined harmony and sparkling inventive genius. For the first time, this edition shows the early work of a composer who later became one of Hollywood's most successful composers of film scores./ Répertoire / Voix Moyenne et Piano

Par CASTELNUOVO-TEDESCO MARIO. Born into a family that had lived in Florence since the expulsion of the Jews from Spain in 1492, Mario Castelnuovo-Tedesco (1895-1968) entertained only a distant relationship with the music he heard at synagogue. It was only when he discovered Schelemo, a rhapsody for cello and orchestra written in 1916 by Ernest Bloch, that he began to understand what ' Jewish music” could be. In the mid-1920s, the young composer found a collection of prayers set to music among his maternal grandfather' s papers. Something clicked, and from then on, Jewish tradition would become a source of inspiration for Castelnuovo-Tedesco. In 1928, two years after publishing the Dances of King David, he wrote this Vocalise-E tude for medium voice and piano at the request of vocal teacher Amédée-Landély Hettich, who wanted to include it in the Répertoire moderne de Vocalises-E tudes published by Leduc. The piece became so popular that several instrumental adaptations were soon created, published under the title Chant hébraïque (for violin and piano: AL17 713- for cello and piano: AL 17196). Divided into three sections, this wordless melody opens with a ' sad and impassioned” chant that appears to grieve the tragic fate of the Jewish people. A folk dance follows, in which a ' lively and stubborn” movement has great panache. The third section returns to the initial poignant theme before briefly reiterating the dance motif, allowing the piece to conclude on a hopeful note. The composer himself would adopt this proactive stance, refusing to yield to resignation when, fleeing Mussolini' s anti-Semitic laws, he decided to emigrate in 1939 to the United States, a land of refuge to which he would remain faithful until his death some thirty years later./ Etude / Voix Moyenne et Piano

Par IBERT JACQUES. 1. Romance; 2. Melancolie; 3. Familière; 4. Fête nationale/ Répertoire / Voix Moyenne et Piano

aus Pelleas und Melisande. Par SIBELIUS JEAN. A Partir De Pelleas Et Melisande Op. 46/ Répertoire / Voix Moyennes et Piano

Par FAURE GABRIEL. 1. Une Sainte et son Aureole; 2. Puisque l'Aube grandit; 3. La Lune blanche luit dans le Bois; 4. J'allais par les Chemins perfides; 5. J'ai presque Peur en Verite; 6. Avant que tu t'en ailles; 7. Donc ce sera par un clair Jour; 8. N'est ce pas?; 9. L'Hiver a cesse/ Répertoire / Voix Moyennes et Piano