| A Spanish Lullaby Orchestre d'harmonie - Débutant Belwin
Concert Band - Grade 1 SKU: AP.42150 (Duérmete Mi Niño). Arr...(+)
Concert Band - Grade 1
SKU: AP.42150
(Duérmete Mi
Niño). Arranged by
Victor Lopez. Concert
Band; Performance Music
Ensemble; Single Titles.
Belwin Beginning Band.
Form: Ballade; Chorale.
Latin; Multicultural;
Traditional. Score and
Part(s). 132 pages.
Duration 2:00. Belwin
Music #00-42150.
Published by Belwin Music
(AP.42150). UPC:
038081485867. English.
Traditional Spanish
Melody. This
beautiful traditional
lullaby provides an
opportunity for the
beginning band to
experience a very
playable and lyrical
Spanish folk song with
introductory teaching
opportunities for triple
meter. (2:00). $50.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| A Spanish Lullaby Orchestre d'harmonie [Conducteur] - Débutant Belwin
Concert Band - Grade 1 SKU: AP.42150S (Duérmete Mi Niño). Ar...(+)
Concert Band - Grade 1
SKU: AP.42150S
(Duérmete Mi
Niño). Arranged by
Victor Lopez. Concert
Band; Performance Music
Ensemble; Single Titles.
Belwin Beginning Band.
Form: Ballade; Chorale.
Latin; Multicultural;
Traditional. Score. 20
pages. Duration 2:00.
Belwin Music #00-42150S.
Published by Belwin Music
(AP.42150S). UPC:
038081485874. English.
Traditional Spanish
Melody. This
beautiful traditional
lullaby provides an
opportunity for the
beginning band to
experience a very
playable and lyrical
Spanish folk song with
introductory teaching
opportunities for triple
meter. (2:00). $9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Piano Life - Lesboek 2 Piano seul [Partition + Accès audio] De Haske Publications
Piano SKU: BT.DHP-1145558-404 Complete methode voor lespraktijk of zel...(+)
Piano SKU:
BT.DHP-1145558-404
Complete methode voor
lespraktijk of zelfstudie
in eigentijdse
stijl!. Method. Book
with Online Audio.
Composed 2021. 64 pages.
De Haske Publications
#DHP 1145558-404.
Published by De Haske
Publications
(BT.DHP-1145558-404).
ISBN 9789043162050.
Dutch. PIANO LIFE:
de uitgekiende methode
voor pianoles én
zelfstudie! PIANO LIFE
is een kant en klaar
lesconcept voor de
moderne pianoles. Maar
ook wanneer je zonder
docent aan de slag wilt,
is dit boek uitermate
geschikt. De methodebevat
vele luister-, ritme-,
improvisatie- en
theorieoefeningen.
Daarnaast kom je diverse
traditionals tegen. Ook
schreef componist Michiel
Merkies nieuwe
composities in diverse
hedendaagse
muziekstijlen. Op de
online
beschikbareaudiotracks
worden veel van de
nummers voorgespeeld. Dat
is handig voor het
instuderen. Maar nog
leuker wordt het
natuurlijk wanneer je
meespeelt met de
meespeeltrack. Op deze
manier wordt pianospelen
helemaal een
swingendeaangelegenheid!<
P>Aanvullend
speelmateriaal Ben je
liefhebber van populaire
pianomuziek maar zijn de
boeken in deze stijl vaak
te moeilijk? De
aansluitende boeken PIANO
SOLOS Volume 1 en 2 zijn
de perfecte opstap. Met
dezeboeken ontwikkel je
je techniek en muzikale
voordracht in deze
pianostijl op een mooie
manier verder. $22.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| 150 of the Most Beautiful Songs Ever (4th Edition)
Piano, Voix et Guitare [Partition] - Intermédiaire Hal Leonard
Composed by Various. Traditional Pop, Broadway and Vocal Standards. Songbook (so...(+)
Composed by Various.
Traditional Pop, Broadway
and Vocal Standards.
Songbook (softcover).
With vocal melody, piano
accompaniment, lyrics,
chord names and guitar
chord diagrams. 576
pages. Published by Hal
Leonard
(137)$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Riu, Riu, Chiu Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba Eighth Note Publications
By Traditional Spanish Carol. Arranged by David Marlatt. For Brass Quintet. Bras...(+)
By Traditional Spanish
Carol. Arranged by David
Marlatt. For Brass
Quintet. Brass Ensemble -
Quintet. Sacred,
Christmas, Latin.
Duration 00:03:27
$15.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Riu, Riu, Chiu Ensemble de Trompettes - Intermédiaire Eighth Note Publications
Arranged by David Marlatt. Traditional Spanish Carol. For 6 Trumpets. Brass - La...(+)
Arranged by David
Marlatt. Traditional
Spanish Carol. For 6
Trumpets. Brass - Large
Cornet (Trumpet)
Ensemble. Sacred,
Christmas. Level:
Medium-Difficult.
Published by Eighth Note
Publications.
$15.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Easy Clarinet Solos, Vol. II - Student Level Clarinette [Partition + CD] - Facile Music Minus One
Book/CD Pack Clarinet SKU: HL.400318 Composed by Various. Sheet music. Mu...(+)
Book/CD Pack Clarinet
SKU: HL.400318
Composed by Various.
Sheet music. Music Minus
One. Classical, Contest.
Softcover with CD. 32
pages. Music Minus One
#MMO3212. Published by
Music Minus One
(HL.400318). ISBN
9781596152397. UPC:
884088188283.
9.0x12.25x0.27
inches. A second
volume chock-full of
charming pieces drawn
from traditional and
classical repertoire for
clarinet and piano.
Suitable for first-year
through third-year
students, this album will
make practicing a true
joy! Includes a
high-quality printed
music score and a compact
disc featuring stereo
piano accompaniments to
each piece.
Accompaniment: Harriet
Wingreen, piano. $14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Marty Robbins: The Marty Robbins Songbook
Piano, Voix et Guitare [Partition] - Intermédiaire Hal Leonard
Performed by Marty Robbins. For voice, piano and guitar chords. Format: piano/vo...(+)
Performed by Marty
Robbins. For voice, piano
and guitar chords.
Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names and guitar
chord diagrams. Nashville
sound, country pop and
traditional country. 48
pages. 9x12 inches.
Published by Hal Leonard.
(5)$17.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Verbum Caro Carl Fischer
Choral TBB chorus SKU: CF.CM9588 Composed by Tomas Luis de Victoria. Arra...(+)
Choral TBB chorus SKU:
CF.CM9588 Composed by
Tomas Luis de Victoria.
Arranged by Jeb Mueller.
Fold. Performance Score.
8 pages. Duration 1
minute, 59 seconds. Carl
Fischer Music #CM9588.
Published by Carl Fischer
Music (CF.CM9588).
ISBN 9781491154106.
UPC: 680160912605. 6.875
x 10.5 inches. Key: Eb
major. Latin. Traditional
Latin. Tomas Luis
de Victoria (15481611) is
widely considered the
greatest Spanish
Renaissance composer and
one of the most
influential musicians of
his time. Included in his
oeuvre are two settings
of the Pange
lingua, both
produced in 1581. This
motet is excerpted from
the first of those and
incorporates the original
Roman melody, or cantus
firmus. (He composed his
second Pange
lingua based on a
Spanish melody.) The
baritones anchor the
motet by singing the tune
in augmentation. This
line should be intoned
with a flowing, legato
articulation that
incorporates subtle
phrasing and text
stresses. The more
rhythmic tenor and bass
lines complement the
melody and illustrate the
hopeful nature of its
text. Singing this piece
with two pulses per
measure will encourage a
steady and vital
performance. Composers
provided minimal
performance details in
their scores during this
period in music history,
so I added a time
signature, bar lines,
dynamics, and metronome
markings in order to
facilitate performances
that musicologists
believe mimic those of
Victorias time. It should
be noted that dynamics
are largely subjective,
so performers may make
alternative choices. Each
tenuto indicates
word stress; the most
musical performances will
incorporate gentle
crescendos and
decrescendos before and
after each of them.
Lastly, using minimal
vibrato, especially at
cadences, will imbue this
wonderful motet with
style and clarity.
PRONUNCIATION GUIDE
Victoria received much of
his training in Italy,
therefore making
Italianate Latin most
appropriate. Pure vowels
are critical to correct
pronunciation, and those
phonemes remain constant
without exceptions. The
most problematic of the
vowels is o, which sounds
similar to the English
words bought and got. The
letter t should be
produced dentally: lift
the tongue to the top of
the mouth as in English,
but aspirate less on the
release. All occurrences
of s should be soft and
never hardened to [z],
such as in praise. Verbum
caro, panem verum,
[v??bum k??? p?n?m v?rum]
verbo carnem efficit:
fitque sanguis Christi
merum. [v??b? k??n?m
??fit?it fitkw? s??gwis
k?isti m??um] Et si
sensus deficit, ad
firmandum cor sin cerum.
[?t si s?nsus ?d?fit?it,
?d fi??m?ndum k?? sin
t???um] Jeb
Mueller. TomA!s Luis
de Victoria (1548a1611)
is widely considered the
greatest Spanish
Renaissance composer and
one of the most
influential musicians of
his time. Included in his
oeuvre are two settings
of the Pange
lingua, both
produced in 1581. This
motet is excerpted from
the first of those and
incorporates the original
Roman melody, or cantus
firmus. (He composed his
second Pange
lingua based on a
Spanish melody.) The
baritones anchor the
motet by singing the tune
in augmentation. This
line should be intoned
with a flowing, legato
articulation that
incorporates subtle
phrasing and text
stresses. The more
rhythmic tenor and bass
lines complement the
melody and illustrate the
hopeful nature of its
text. Singing this piece
with two pulses per
measure will encourage a
steady and vital
performance. Composers
provided minimal
performance details in
their scores during this
period in music history,
so I added a time
signature, bar lines,
dynamics, and metronome
markings in order to
facilitate performances
that musicologists
believe mimic those of
Victoriaas time. It
should be noted that
dynamics are largely
subjective, so performers
may make alternative
choices. Each
tenuto indicates
word stress; the most
musical performances will
incorporate gentle
crescendos and
decrescendos before and
after each of them.
Lastly, using minimal
vibrato, especially at
cadences, will imbue this
wonderful motet with
style and clarity.
PRONUNCIATION GUIDE
Victoria received much of
his training in Italy,
therefore making
Italianate Latin most
appropriate. Pure vowels
are critical to correct
pronunciation, and those
phonemes remain constant
without exceptions. The
most problematic of the
vowels is ao,a which
sounds similar to the
English words bought and
got. The letter ata
should be produced
dentally: lift the tongue
to the top of the mouth
as in English, but
aspirate less on the
release. All occurrences
of asa should be soft and
never hardened to [z],
such as in praise. Verbum
caro, panem verum, [vEE
3/4 bum kEE 3/4 E pEnEm
vErum] verbo carnem
efficit: fitque sanguis
Christi merum. [vEE 3/4
bE kEE 3/4 nEm EEfitEit
fitkwE sEAgwis kE 3/4
isti mEE 3/4 um] Et si
sensus deficit, ad
firmandum cor sin cerum.
[Et si sEnsus EdEfitEit,
Ed fiE 3/4 EmEndum kEE
3/4 sin tEEE 3/4 um] Jeb
Mueller. Tomas Luis de
Victoria (1548-1611) is
widely considered the
greatest Spanish
Renaissance composer and
one of the most
influential musicians of
his time. Included in his
oeuvre are two settings
of the Pange
lingua, both
produced in 1581. This
motet is excerpted from
the first of those and
incorporates the original
Roman melody, or cantus
firmus. (He composed his
second Pange
lingua based on a
Spanish melody.) The
baritones anchor the
motet by singing the tune
in augmentation. This
line should be intoned
with a flowing, legato
articulation that
incorporates subtle
phrasing and text
stresses. The more
rhythmic tenor and bass
lines complement the
melody and illustrate the
hopeful nature of its
text. Singing this piece
with two pulses per
measure will encourage a
steady and vital
performance. Composers
provided minimal
performance details in
their scores during this
period in music history,
so I added a time
signature, bar lines,
dynamics, and metronome
markings in order to
facilitate performances
that musicologists
believe mimic those of
Victoria's time. It
should be noted that
dynamics are largely
subjective, so performers
may make alternative
choices. Each
tenuto indicates
word stress; the most
musical performances will
incorporate gentle
crescendos and
decrescendos before and
after each of them.
Lastly, using minimal
vibrato, especially at
cadences, will imbue this
wonderful motet with
style and clarity.
PRONUNCIATION GUIDE
Victoria received much of
his training in Italy,
therefore making
Italianate Latin most
appropriate. Pure vowels
are critical to correct
pronunciation, and those
phonemes remain constant
without exceptions. The
most problematic of the
vowels is o, which sounds
similar to the English
words bought and got. The
letter t should be
produced dentally: lift
the tongue to the top of
the mouth as in English,
but aspirate less on the
release. All occurrences
of s should be soft and
never hardened to [z],
such as in praise. Verbum
caro, panem verum,
[verbum karo panem verum]
verbo carnem efficit:
fitque sanguis Christi
merum. [verbo karnem
'efitSit fitkwe saNGgwis
kristi merum] Et si
sensus deficit, ad
firmandum cor sin cerum.
[et si sensus 'defitSit,
ad fir'mandum kor sin
tSerum] Jeb
Mueller. Tomas Luis de
Victoria (1548-1611) is
widely considered the
greatest Spanish
Renaissance composer and
one of the most
influential musicians of
his time. Included in his
oeuvre are two settings
of the Pange lingua, both
produced in 1581. This
motet is excerpted from
the first of those and
incorporates the original
Roman melody, or cantus
firmus. (He composed his
second Pange lingua based
on a Spanish melody.) The
baritones anchor the
motet by singing the tune
in augmentation. This
line should be intoned
with a flowing, legato
articulation that
incorporates subtle
phrasing and text
stresses. The more
rhythmic tenor and bass
lines complement the
melody and illustrate the
hopeful nature of its
text. Singing this piece
with two pulses per
measure will encourage a
steady and vital
performance. Composers
provided minimal
performance details in
their scores during this
period in music history,
so I added a time
signature, bar lines,
dynamics, and metronome
markings in order to
facilitate performances
that musicologists
believe mimic those of
Victoria's time. It
should be noted that
dynamics are largely
subjective, so performers
may make alternative
choices. Each tenuto
indicates word stress;
the most musical
performances will
incorporate gentle
crescendos and
decrescendos before and
after each of them.
Lastly, using minimal
vibrato, especially at
cadences, will imbue this
wonderful motet with
style and clarity.
PRONUNCIATION GUIDE
Victoria received much of
his training in Italy,
therefore making
Italianate Latin most
appropriate. Pure vowels
are critical to correct
pronunciation, and those
phonemes remain constant
without exceptions. The
most problematic of the
vowels is o, which sounds
similar to the English
words bought and got. The
letter t should be
produced dentally: lift
the tongue to the top of
the mouth as in English,
but aspirate less on the
release. All occurrences
of s should be soft and
never hardened to [z],
such as in praise. Verbum
caro, panem verum,
[verbum karo panem verum]
verbo carnem efficit:
fitque sanguis Christi
merum. [verbo karnem
'efitSit fitkwe saNGgwis
kristi merum] Et si
sensus deficit, ad
firmandum cor sin cerum.
[et si sensus 'defitSit,
ad fir'mandum kor sin
tSerum] Jeb
Mueller. Tomas Luis de
Victoria (1548-1611) is
widely considered the
greatest Spanish
Renaissance composer and
one of the most
influential musicians of
his time. Included in his
oeuvre are two settings
of the Pange lingua, both
produced in 1581. This
motet is excerpted from
Pange lingua more
hisapano. The baritones
anchor the motet by
singing the tune in
augmentation. This line
should be intoned with a
flowing, legato
articulation that
incorporates subtle
phrasing and text
stresses. The more
rhythmic tenor and bass
lines complement the
melody and illustrate the
hopeful nature of its
text. Singing this piece
with two pulses per
measure will encourage a
steady and vital
performance. Composers
provided minimal
performance details in
their scores during this
period in music history,
so I added a time
signature, bar lines,
dynamics, and metronome
markings in order to
facilitate performances
that musicologists
believe mimic those of
Victoria's time. It
should be noted that
dynamics are largely
subjective, so performers
may make alternative
choices. Each tenuto
indicates word stress;
the most musical
performances will
incorporate gentle
crescendos and
decrescendos before and
after each of them.
Lastly, using minimal
vibrato, especially at
cadences, will imbue this
wonderful motet with
style and clarity.
PRONUNCIATION GUIDE
Victoria received much of
his training in Italy,
therefore making
Italianate Latin most
appropriate. Pure vowels
are critical to correct
pronunciation, and those
phonemes remain constant
without exceptions. The
most problematic of the
vowels is o, which sounds
similar to the English
words bought and got. The
letter t should be
produced dentally: lift
the tongue to the top of
the mouth as in English,
but aspirate less on the
release. All occurrences
of s should be soft and
never hardened to [z],
such as in praise. Verbum
caro, panem verum,
[verbum karo panem verum]
verbo carnem efficit:
fitque sanguis Christi
merum. [verbo karnem
'efitSit fitkwe saNGgwis
kristi merum] Et si
sensus deficit, ad
firmandum cor sin cerum.
[et si sensus 'defitSit,
ad fir'mandum kor sin
tSerum] Jeb
Mueller. Tomás Luis
de Victoria
(1548–1611) is
widely considered the
greatest Spanish
Renaissance composer and
one of the most
influential musicians of
his time. Included in his
oeuvre are two settings
of the Pange lingua, both
produced in 1581. This
motet is excerpted from
Pange lingua more
hisapano.The baritones
anchor the motet by
singing the tune in
augmentation. This line
should be intoned with a
flowing, legato
articulation that
incorporates subtle
phrasing and text
stresses. The more
rhythmic tenor and bass
lines complement the
melody and illustrate the
hopeful nature of its
text. Singing this piece
with two pulses per
measure will encourage a
steady and vital
performance.Composers
provided minimal
performance details in
their scores during this
period in music history,
so I added a time
signature, bar lines,
dynamics, and metronome
markings in order to
facilitate performances
that musicologists
believe mimic those of
Victoria’s time.
It should be noted that
dynamics are largely
subjective, so performers
may make alternative
choices. Each tenuto
indicates word stress;
the most musical
performances will
incorporate gentle
crescendos and
decrescendos before and
after each of them.
Lastly, using minimal
vibrato, especially at
cadences, will imbue this
wonderful motet with
style and
clarity.PRONUNCIATION
GUIDEVictoria received
much of his training in
Italy, therefore making
Italianate Latin most
appropriate. Pure vowels
are critical to correct
pronunciation, and those
phonemes remain constant
without exceptions. The
most problematic of the
vowels is
“o,†which
sounds similar to the
English words bought and
got. The letter
“t†should be
produced dentally: lift
the tongue to the top of
the mouth as in English,
but aspirate less on the
release. All occurrences
of “s†should
be soft and never
hardened to [z], such as
in praise.Verbum caro,
panem
verum,[vɛɾbum
kɑɾɔ
pɑnɛm
vɛrum]verbo carnem
efficit: fitque sanguis
Christi
merum.[vɛɾbɔ
kɑɾnɛm
ˈɛfitʃit
fitkwÉ›
sɑŋgwis kɾisti
mɛɾum]Et si sensus
deficit, ad firmandum cor
sin cerum.[ɛt si
sɛnsus
ˈdɛfitʃit,
É‘d
fiɾˈmɑndum
kɔɾ sin
tʃɛɾum]Jeb
Mueller. $2.25 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Santo, Santo, Santo Chorale 2 parties 2 parties, Piano [Octavo] Choristers Guild
By Mary Kay Parrish. For 2-part voices and piano (with optional 3-5 octave handb...(+)
By Mary Kay Parrish. For
2-part voices and piano
(with optional 3-5 octave
handbells). We Sing the
World Round. Sacred.
Sacred Anthem
$1.95 $1.8525 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sacred Marimbist, The (Volume 1) Marimba C. Alan Publications
By David R. Gillingham. Percussion Ensemble. For Marimba (4-mallet) (marimba (5-...(+)
By David R. Gillingham.
Percussion Ensemble. For
Marimba (4-mallet)
(marimba (5-octave)).
Medium to difficult.
Duration 20:00. Published
by C. Alan Publications
$20.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Guitarra Liturgia Guitare [Conducteur] - Intermédiaire OR-TAV Music Publications
Guitar - Intermediate SKU: OT.26114 Composed by Ariel Lazarus. A short su...(+)
Guitar - Intermediate
SKU: OT.26114
Composed by Ariel
Lazarus. A short suite
for classical guitar
based on themes from the
Spanish and Portuguese
tradition. Classical.
Score. OR-TAV Music
Publications #26114.
Published by OR-TAV Music
Publications (OT.26114).
ISBN 9789655051049.
8.27 x 11.69
inches. Ariel
Lazarus Guitarra
Liturgia Two pieces
based on music from the
Spanish and Portuguese
tradition.
Contents: Jerusalem
de Sefarad - Suite for
Guitar Contrapunto
Sefardi The composer
writes: For many
years I wanted to compose
a piece for guitar which
would inspire interested
students to expand their
repertoire in the
direction of Jewish
music. The most natural
thing for me was to write
a suite based on themes
from the synagogue in
which I grew up –
the Spanish and
Portuguese synagogue of
Gibraltar. My beloved
grandfather served all
his life as hazzan
(cantor) of this
synagogue, and I always
felt as a composer and
educator that I had a
special obligation to
continue his tradition
and pass it on to a new
generation. In this
composition, I let the
guitar echo the piyyutim
(semi-liturgical poems)
that were part of my
childhood: Adon Olam,
Sh'charchoret, Achot
K'tana, Yigdal, Borei ad
Ana, all of which are
sung in the Spanish and
Portuguese tradition from
Gibraltar to London, and
from New York to
Jerusalem. I let myself
dream the piyyutim, take
them apart and
reconstruct them as a
short suite for guitar,
the results of which you
are invited to hear here.
As a conceptual idea for
the suite, I choose to
suggest about the
cultural continuation
between the Diaspora and
the land of Israel by way
of referencing the
well-known melody of
Naomi Shemer, which is
also popular among the
hazzanim. Dr. Ariel
Lazarus is a unique voice
among Israeli
composer-performers
today. Brought up in a
family with Jewish
musical roots both in
Gibraltar and Westphalia,
he began composing and
playing the guitar in his
teens, and has been
committed to developing
his own compositional
language ever since,
always maintaining an
open dialogue with his
traditions. Lazarus
received his BMus and
MMus degrees from
Oklahoma City University
in classical guitar
performance and
composition where he
studied with American
composer Dr. Edward
Knight. He earned his PhD
from Bar Ilan University,
studying composition with
Prof. Betty Olivero and
Prof. Gideon Lewensohn
and conducting research
under the supervision of
Prof. Edwin Seroussi from
the Hebrew University.
His symphonic works have
been premiered by the
Raanana Symphonette
Orchestra, and his
chamber works have been
performed by various
ensembles in the United
States, Central Europe,
Portugal, Gibraltar,
Scandinavia and Israel.
Lazarus performs
regularly as Art
Ambassador on behalf of
the Israeli Ministry of
Diaspora affairs Amiel
BaKehila program. His
solo album A Hebrew
Capriccio was released by
the German boutique label
SmoothFactor and was
awarded critical acclaim,
among others, in Haaretz,
and Neue Westfalishe.
Dr. Lazarus is the
musical director and
co-founder of the Israeli
Ladino Orchestra. His
work with the orchestra
has been recognized by
the official Carta de
España. He teaches at
the Academic College for
Education Givat
Washington, and the Rimon
School of Music.
Lazarus’s work has
been awarded by the
Israeli Pais Art council
and ACUM. $12.44 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Compatible String Ensembles: Easy Concert Duets (Bass) Carl Fischer
Chamber Music Double Bass SKU: CF.BF157 30 Easy Level Arrangements for...(+)
Chamber Music Double Bass
SKU: CF.BF157
30 Easy Level
Arrangements for Any
Combination of String
Instruments. Composed
by Antonin Dvorak, Clara
Wieck-Schumann, Czech
Folk Song, Edvard Grieg,
French Folk Song, George
Frideric Handel, Isabella
Leonarda, Korean
Folksong, Lowell Mason,
Scottish Folk Song,
Spanish Folk, Thomas
Bayly, Traditional,
Wolfgang Amadeus Mozart,
and etc. Arranged by
Kathryn Griesinger.
Collection - Part. 28
pages. Carl Fischer Music
#BF157. Published by Carl
Fischer Music (CF.BF157).
ISBN 9781491162095.
UPC:
680160920839. Learn
ing to play chamber music
is an important milestone
in the music
student’s journey.
Playing with a teacher or
friend helps develop
rhythmic independence,
intonation, listening
skills, and sense of
pulse that are vital to
playing in an ensemble.
These progressive duets
offer beginning and
developing players the
opportunity to play along
with others, or with the
helpful support of the
teacher in a lesson. Each
duet adds new techniques
and challenges that align
with the natural
advancement of lessons,
moving from easy rhythms
and keys to staccato bow
strokes, slurs,
accidentals (low or
extended finger
patterns), and more
complex or independent
rhythms. While the melody
remains in the top line,
musicians can alternate
playing the melody as all
efforts have been made to
keep both parts at a
similar difficulty level.
This book features
familiar melodies from
traditional, folk, and
Classical repertoire
including tunes that many
string teachers will
recognize from Suzuki
books. Appropriate for
recitals or even small
group concerts, there are
30 selections of
different tempi, styles,
and keys for variety,
while remaining in
string-friendly ranges.
Each duet is one page or
less in length, ensuring
an immediate sense of
success for young
players. The perfect
supplement to method book
exercises and solo
repertoire. $12.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Compatible String Ensembles: Easy Concert Duets (Violin) Violon Carl Fischer
Chamber Music Violin SKU: CF.BF154 30 Easy Level Arrangements for Any ...(+)
Chamber Music Violin
SKU: CF.BF154
30 Easy Level
Arrangements for Any
Combination of String
Instruments. Composed
by Antonin Dvorak, Clara
Wieck-Schumann, Czech
Folk Song, Edvard Grieg,
French Folk Song, George
Frideric Handel, Isabella
Leonarda, Korean
Folksong, Lowell Mason,
Scottish Folk Song,
Spanish Folk, Thomas
Bayly, Traditional,
Wolfgang Amadeus Mozart,
and etc. Arranged by
Kathryn Griesinger.
Collection - Part. 28
pages. Carl Fischer Music
#BF154. Published by Carl
Fischer Music (CF.BF154).
ISBN 9781491162064.
UPC:
680160920808. Learn
ing to play chamber music
is an important milestone
in the music
studentââ¬â¢s
journey. Playing with a
teacher or friend helps
develop rhythmic
independence, intonation,
listening skills, and
sense of pulse that are
vital to playing in an
ensemble. These
progressive duets offer
beginning and developing
players the opportunity
to play along with
others, or with the
helpful support of the
teacher in a lesson. Each
duet adds new techniques
and challenges that align
with the natural
advancement of lessons,
moving from easy rhythms
and keys to staccato bow
strokes, slurs,
accidentals (low or
extended finger
patterns), and more
complex or independent
rhythms. While the melody
remains in the top line,
musicians can alternate
playing the melody as all
efforts have been made to
keep both parts at a
similar difficulty level.
This book features
familiar melodies from
traditional, folk, and
Classical repertoire
including tunes that many
string teachers will
recognize from Suzuki
books. Appropriate for
recitals or even small
group concerts, there are
30 selections of
different tempi, styles,
and keys for variety,
while remaining in
string-friendly ranges.
Each duet is one page or
less in length, ensuring
an immediate sense of
success for young
players. The perfect
supplement to method book
exercises and solo
repertoire. $12.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Compatible String Ensembles: Easy Concert Duets (Viola) Alto seul Carl Fischer
Chamber Music solo viola SKU: CF.BF155 30 Easy Level Arrangements for ...(+)
Chamber Music solo viola
SKU: CF.BF155
30 Easy Level
Arrangements for Any
Combination of String
Instruments. Composed
by Antonin Dvorak, Clara
Wieck-Schumann, Czech
Folk Song, Edvard Grieg,
French Folk Song, George
Frideric Handel, Isabella
Leonarda, Korean
Folksong, Lowell Mason,
Scottish Folk Song,
Spanish Folk, Thomas
Bayly, Traditional,
Wolfgang Amadeus Mozart,
and etc. Arranged by
Kathryn Griesinger.
Collection - Part. 28
pages. Carl Fischer Music
#BF155. Published by Carl
Fischer Music (CF.BF155).
ISBN 9781491162071.
UPC:
680160920815. Learn
ing to play chamber music
is an important milestone
in the music
studentââ¬â¢s
journey. Playing with a
teacher or friend helps
develop rhythmic
independence, intonation,
listening skills, and
sense of pulse that are
vital to playing in an
ensemble. These
progressive duets offer
beginning and developing
players the opportunity
to play along with
others, or with the
helpful support of the
teacher in a lesson. Each
duet adds new techniques
and challenges that align
with the natural
advancement of lessons,
moving from easy rhythms
and keys to staccato bow
strokes, slurs,
accidentals (low or
extended finger
patterns), and more
complex or independent
rhythms. While the melody
remains in the top line,
musicians can alternate
playing the melody as all
efforts have been made to
keep both parts at a
similar difficulty level.
This book features
familiar melodies from
traditional, folk, and
Classical repertoire
including tunes that many
string teachers will
recognize from Suzuki
books. Appropriate for
recitals or even small
group concerts, there are
30 selections of
different tempi, styles,
and keys for variety,
while remaining in
string-friendly ranges.
Each duet is one page or
less in length, ensuring
an immediate sense of
success for young
players. The perfect
supplement to method book
exercises and solo
repertoire. $12.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Compatible String Ensembles: Easy Concert Duets (Cello) 2 Violoncelles (duo) Carl Fischer
Chamber Music Cello SKU: CF.BF156 30 Easy Level Arrangements for Any C...(+)
Chamber Music Cello
SKU: CF.BF156
30 Easy Level
Arrangements for Any
Combination of String
Instruments. Composed
by Antonin Dvorak, Clara
Wieck-Schumann, Czech
Folk Song, Edvard Grieg,
French Folk Song, George
Frideric Handel, Isabella
Leonarda, Korean
Folksong, Lowell Mason,
Scottish Folk Song,
Spanish Folk, Thomas
Bayly, Traditional,
Wolfgang Amadeus Mozart,
and etc. Arranged by
Kathryn Griesinger.
Collection - Part. 28
pages. Carl Fischer Music
#BF156. Published by Carl
Fischer Music (CF.BF156).
ISBN 9781491162088.
UPC:
680160920822. Learn
ing to play chamber music
is an important milestone
in the music
studentââ¬â¢s
journey. Playing with a
teacher or friend helps
develop rhythmic
independence, intonation,
listening skills, and
sense of pulse that are
vital to playing in an
ensemble. These
progressive duets offer
beginning and developing
players the opportunity
to play along with
others, or with the
helpful support of the
teacher in a lesson. Each
duet adds new techniques
and challenges that align
with the natural
advancement of lessons,
moving from easy rhythms
and keys to staccato bow
strokes, slurs,
accidentals (low or
extended finger
patterns), and more
complex or independent
rhythms. While the melody
remains in the top line,
musicians can alternate
playing the melody as all
efforts have been made to
keep both parts at a
similar difficulty level.
This book features
familiar melodies from
traditional, folk, and
Classical repertoire
including tunes that many
string teachers will
recognize from Suzuki
books. Appropriate for
recitals or even small
group concerts, there are
30 selections of
different tempi, styles,
and keys for variety,
while remaining in
string-friendly ranges.
Each duet is one page or
less in length, ensuring
an immediate sense of
success for young
players. The perfect
supplement to method book
exercises and solo
repertoire. $12.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| All the Beautiful Colors (2-part choir) Chorale 2 parties [Octavo] Choristers Guild
Arranged by Mary Donnelly and George L. O. Strid. For 2-part choir. Sing!. Octav...(+)
Arranged by Mary Donnelly
and George L. O. Strid.
For 2-part choir. Sing!.
Octavo. Published by
Chorister's Guild
$1.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Santo, Holy Jubal House Publications
Choral (brass/percussion parts) SKU: HL.119698 Composed by Edwin M. Willm...(+)
Choral (brass/percussion
parts) SKU:
HL.119698 Composed by
Edwin M. Willmington.
Fred Bock Publications.
Anthem, General Worship,
Hymn, Sacred, Spanish. CD
only. Jubal House
Publications #JH-1065.
Published by Jubal House
Publications (HL.119698).
UPC: 884088911584.
5.5x5
inches. Featuring a
stunning choral introit
in Spanish, this
composition pairs a new
melody along with the
traditional hymn,
“Holy, Holy,
Holy.” There's room
for congregational
singing, as well. $35.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Pictures From Spain Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Scomegna Edizioni Musicali
Composed by Daniele Carnevali. For Concert band. 1.Jota 2.Habanera 3.Paso doble....(+)
Composed by Daniele
Carnevali. For Concert
band. 1.Jota 2.Habanera
3.Paso doble. Original
Work, Suite. Grade 3.
Score and set of parts.
Duration 6:20. Published
by Scomegna Edizioni
Musical srl
$135.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
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