Chamber Music English Horn, Oboe SKU: CF.WF229 15 Pieces for Oboe and ...(+)
Chamber Music English
Horn, Oboe
SKU:
CF.WF229
15 Pieces
for Oboe and English
Horn. Composed by
Gustave Vogt. Edited by
Kristin Jean Leitterman.
Collection - Performance.
32+8 pages. Carl Fischer
Music #WF229. Published
by Carl Fischer Music
(CF.WF229).
Book with Online Audio and Video Alto Sax The Best Step-by-Step Guide to Start...(+)
Book with Online Audio
and Video
Alto Sax
The Best Step-by-Step
Guide to
Start Playing. Do It
Yourself.
Instruction, Method.
Softcover
Media Online. 128 pages.
Published by Hal Leonard
Performed by Pat Metheny. For guitar (no tablature). Format: fake book. With lea...(+)
Performed by Pat Metheny.
For guitar (no
tablature). Format: fake
book. With leadsheet
notation and chord names.
Jazz and jazz fusion. 448
pages. 9x12 inches.
Published by Hal Leonard.
Duo Flûte traversière et Piano Theodore Presser Co.
Chamber Music flute, piano SKU: PR.114422710 Composed by Charles Gibb. Se...(+)
Chamber Music flute,
piano
SKU:
PR.114422710
Composed
by Charles Gibb. Set of
Score and Parts. 44+8
pages. Duration 24
minutes. Theodore Presser
Company #114-42271.
Published by Theodore
Presser Company
(PR.114422710).
ISBN
9781491136072. UPC:
680160688227.
DUOâ
€™s succinct movement
titles (I. Here, II.
Open, III. Stark, IV.
Ardent) tease at
revealing the grand and
heartfelt inspiration for
exuberant romanticism in
this sonata-like work of
symphonic proportions and
depth. Charles Gibb is
both an accomplished
pianist and an
award-winning flutist,
who has written of this
compelling major addition
to the literature:
“This work is a
journey. What journey and
whose journey does not
matter. It is my journey,
it is your journey. It is
the journey of those who
came before us, and of
those who will come after
us. I wrote this hoping
that we can find each
other along the road, so
we can realize that we
don’t need to go
on the journey
alone.â€
Gibb’s DUO is sure
to become a favorite
major work for flute
recitalists. This work
is a journey. What
journey and whose journey
does not matter. It is my
journey, it is your
journey. It is the
journey of those who came
before us, and of those
who will come after us. I
wrote this hoping that we
can find each other along
the road, so we can
realize that we
don’t need to go
on the journey
alone.“Hereâ€
begins with three notes
that shape the rhythmic
and harmonic content of
the entire work. Melodies
and harmonies including
the tonic, dominant, and
leading tone can be found
in each of the four
movements. The first
moments of this movement
introduce the melody,
offering itself
unencumbered and
uninhibited. It shows
itself as it is. The
melodies soar, the
harmonies become voiced
more intricately, and the
opening theme repeats in
full grandeur. The
momentum slows down, and
the movement ends with a
sense of completion, yet
remains unbalanced.A
striking piano gesture
launches
“Open,†the
idea of instability
reflected with the
flowing flute trills and
unclear meter patterns in
the piano. The sensation
of an unsteady grace in
5/8 time arrives with a
piano ostinato. The
melody is expressive, yet
insecure and unbalanced
due to changing meters.
After a grand pause, the
movement transitions to
4/4 time with the flute
switching between duplet
and triplet flourishes.
After a rapid descent in
the flute, the opening
gesture returns, changed
and abruptly
interrupted.The third
movement,
“Stark,†is
very static, beginning
plainly but markedly. The
falling fifth calls out
continually throughout
the movement, searching,
lost. Melodies appear in
pieces, some smooth and
flowing, others rather
disjunct. The piece
climaxes with a line of
mournfulness, yet
revealing a deeper
strength through intense
projection of tone in the
high register. However,
the static harmonies
return, this time
unsteady all the way to
its foundation. This
destabilization repeats,
and then quietly
recedes.“Ardentâ
is the longest of the
movements and spans a
wide range of musical
emotion. Part of the
movement is fast paced,
energetic, and balances
order and disarray.
However, once the chaos
dies down, a gentle,
expressive theme comes
in. The theme itself is
very resolute; it is
order appearing from the
pandemonium. Conflict
returns, and order and
chaos become less
distinguishable from one
another, and soon fuse
together. However, order
returns with new meaning,
synthesized with previous
musical content, creating
a truer, deeper sense of
awareness or
understanding. A moment
of ambiguity arises, but
the flute persists,
supported by the
sensitive but firm
figuration in the piano,
and resoundingly comes to
a close, unburdened and
at ease.
For guitar. Transcribed by Ernie Hawkins, Historical notes by William L. Ell...(+)
For guitar. Transcribed
by
Ernie Hawkins, Historical
notes by William L.
Ellis.
Guitar: Fingerpicking,
Blues, Ragtime.
Intermediate-Advanced.
Book/CD Set. 108 pages.
Published by Mel Bay
Publications, Inc
Choral (SSA Choir) SKU: HL.1427836 By Billy Joel. Arranged by Mac Huff. P...(+)
Choral (SSA Choir)
SKU: HL.1427836
By
Billy Joel. Arranged by
Mac Huff. Pop Choral
Series. Pop. Octavo. 12
pages. Published by Hal
Leonard (HL.1427836).
UPC: 196288201878.
6.75x10.5
inches.
Billy Joel
fans have waited
â??for the longest
timeâ? for a new
song from their favorite
piano man! With this
power ballad, the wait is
over. Wonderfully set for
vocal groups, your
singers can be a part of
the magic!
Choral (SAB Choir) SKU: HL.1427835 By Billy Joel. Arranged by Mac Huff. P...(+)
Choral (SAB Choir)
SKU: HL.1427835
By
Billy Joel. Arranged by
Mac Huff. Pop Choral
Series. Pop. Octavo. 12
pages. Published by Hal
Leonard (HL.1427835).
UPC: 196288201861.
6.75x10.5
inches.
Billy Joel
fans have waited
â??for the longest
timeâ? for a new
song from their favorite
piano man! With this
power ballad, the wait is
over. Wonderfully set for
vocal groups, your
singers can be a part of
the magic!
Choral (SATB) SKU: HL.1427834 By Billy Joel. Arranged by Mac Huff. Pop Ch...(+)
Choral (SATB)
SKU:
HL.1427834
By Billy
Joel. Arranged by Mac
Huff. Pop Choral Series.
Pop. Octavo. 12 pages.
Published by Hal Leonard
(HL.1427834).
UPC:
196288201847. 6.75x10.5
inches.
Billy Joel
fans have waited
â??for the longest
timeâ? for a new
song from their favorite
piano man! With this
power ballad, the wait is
over. Wonderfully set for
vocal groups, your
singers can be a part of
the magic!
Piano - Grade 7-8 SKU: ST.C463 Composed by Federico Ruiz. Edited by Clara...(+)
Piano - Grade 7-8
SKU:
ST.C463
Composed by
Federico Ruiz. Edited by
Clara Rodriguez. Piano
and keyboard music.
Collection. Clifton
Edition #C463. Published
by Clifton Edition
(ST.C463).
ISBN
9790570814633.
This
volume contains
contrasting works by
Federico Ruiz spanning
quite a large and rich
period of his
compositional output that
goes from his early
Micro-Suite (1971), to
lilting, sweet and
rhythmic Venezuelan
waltzes passing by the
mysterious, intimate, and
intense Nocturno (1994)
plus pieces originally
composed for film, and
theatre. Real eclecticism
in styles, moods and
atmospheres that show
Ruizâ??s talents and
scope.
The
Nocturno is a deep,
intriguing, substantial
piece presenting a
satisfying length which
moves from different
paths of the mind and the
heart written in an
abstract, chromatic
idiom, that does not
dissociate itself from
the Venezuelan waltz and
the joropo. One could
perhaps say that there is
a deconstruction of the
latter. For the
interpretation, the
composer has suggested to
me that it is allowed to
have some flexibility in
the tempo. Ruiz kindly
dedicated it to me, and I
have had the pleasure of
performing it in many
concerts.
Although
all highly expressive,
the Three Venezuelan
Waltzes present in this
collection as well as the
piece titled Aliseo, are
works that are close to
the colourful Venezuelan
folk tradition. Federico
Ruiz had given me two of
them when we first met:
â??Tu Presenciaâ??
(1981) and
â??EloÃsaâ?? (1989)
and then I attended a
performance of the play
â??Office Number Oneâ??
by Miguel Otero Silva
with a fantastic actor,
Elba Escobar in the role
of Carmen Rosa and, I
just fell in love and was
very moved by the
incidental music that I
later discovered, by
reading the programme,
had been written by
Federico Ruiz. Later that
evening, I called him and
asked to please make a
piano score of the
composition, so I could
have the desired piece in
my hands. That is how
â??Carmen Rosaâ?
waltz (1987) came to
exist in a piano
version.
â??Elois
aâ?? is another
Venezuelan waltz with
more jazzy harmonies
where precision in the
rhythm and elegant
playing is also
essential, as it is in
most of his
pieces.
â??Tu
Presenciaâ?? was
dedicated to his mother,
Margarita. It is written
with the structure of the
Venezuelan waltz, which
consists of a nostalgic
subject that leads to a
faster, happier middle
section where the typical
graceful rhythm is given
by the left-hand
accompaniment figure of a
dotted crotchet followed
by a quaver and a
crotchet.
The
craft and magic found in
the five movements of the
Micro-Suite is based on a
dodecaphonic row by Ernst
Krenek. They remind us of
the idiom of the Second
Viennese School. These
real miniatures seem to
tell short stories. The
â??Preludioâ?? is full
of humour. I imagine
dancing figures given by
the jumps all over the
keyboard and extreme
dynamics; the phrases
give the impression of a
conversation with many
questions and answers.
The â??Invenciónâ??
is a kaleidoscopic piece
where the hands mirror
each other. The
â??Passacagliaâ?? is
the longest movement, at
just over a minute where
the prime motif is
repeated three times on
the bass line. For its
construction Federico
Ruiz uses as well the
retrograde and the
retrograde inversion of
the twelve-tone series.
It must be played
expressively with dynamic
contrasts between
pianissimo and louder
events. The
â??Scherzoâ?? has
repetitive motifs of a
minor third in both hands
and the â??Finalâ??
displays virtuosic
passages for the
pianist.
The Longest Time Quatuor à cordes: 2 violons, alto, violoncelle - Facile De Haske Publications
As performed by Billy Joel. Composed by Billy Joel. Arranged by Nico Dezaire. ...(+)
As performed by Billy
Joel.
Composed by Billy Joel.
Arranged by Nico Dezaire.
De
Haske Pops for String
Quartet. Pop and Rock.
Set
(Score and Parts).
Composed
2020. De Haske
Publications
#DHP 1206256-070.
Published
by De Haske Publications
Piano SKU: HL.50600925 For Piano. Composed by Bright Sheng. Piano....(+)
Piano
SKU:
HL.50600925
For
Piano. Composed by
Bright Sheng. Piano.
Classical. Softcover. 32
pages. G. Schirmer
#ED4625. Published by G.
Schirmer (HL.50600925).
ISBN 9781495095320.
UPC: 888680688592. 9x12
inches.
Composer
Note: In 1990, after
eight years in the United
States, I wrote my first
work for solo piano,
titled My Song,
commissioned for Peter
Serkin. At the time, my
primary compositional
concentration was to
develop a melodic and
harmonic style within the
boundaries of Chinese
folk music, which are
mostly in pentatonic
modes, and contemporary
Western Classical music.
As a result, all the four
movements in My
Song were either
based on existing Chinese
folk tunes or written in
their style. I was asked
recently by another
virtuoso pianist friend,
Yefim Bronfman, to write
a work for solo piano.
After the passing of 17
years, I wonder if there
is any change in my
writing. I therefore
titled the new suite
My Other
Song.
There
are four movements in the
composition, the first
three of which are brief
and provide contrast in
character. The theme of
the last movement, the
longest, is based on a
Buddhist chant heard at
the wake for my mother in
February
2005.–Bright
Sheng.
Chamber Music trombone SKU: CF.W2687 For Trombone. Composed by Jea...(+)
Chamber Music trombone
SKU: CF.W2687
For Trombone.
Composed by Jean-Baptiste
Arban. Edited by Alan
Raph. SWS. Collection -
Performance. With
Standard notation. 32
pages. Carl Fischer Music
#W2687. Published by Carl
Fischer Music (CF.W2687).
ISBN 9781491150955.
UPC: 680160908455. 9x12
inches.
This new
edition of Jean Baptiste
Arban's Fourteen
Characteristic Studies
for Trombone, edited by
Alan Raph, was
specifically written to
provide the student with
suitable material with
which to test his powers
of endurance, according
to Arban himself. The
following fourteen
studies have been
specifically written to
provide the student
withsuitable material
with which to test his
powers of endurance. In
taking up these studies,
he willdoubtless be
fatigued, especially at
the outset, by those
numbers requiring an
unusual length ofbreath.
However, through careful
study and experience he
will learn to overcome
the difficultiesand will
acquire the resources
which will enable him to
master this particular
phase of playingwith
ease. As a means to this
end, attention is drawn
to cantabile passages in
particular, whichshould
be played with the utmost
expression, yet at the
same time with as much
modified toneas possible.
On the cornet, as with
the voice, clear tones
may be obtained by
widening thelips and
veiled tones by
contracting them. This
happy circumstance allows
the performer
anopportunity to rest
while still continuing to
play, and at the same
time enables him to
introduceeffective
contrasts into the
execution. It should be
noted that by little
artifices of this kind,
andby skillfully
conserving his resources,
the player will reach the
end of the longest and
mostfatiguing pieces, not
only without difficulty,
but even with a reserve
of strength and
power,which, when brought
to bear on the final
measures of a
performance, never fails
to impress anaudience.At
this point my task as
professor (using the
written instead of the
spoken word) willend.
There are things which
appear clear enough when
stated verbally but which
when writtendown on paper
cause confusion, seem
obscure, and even
sometimes appear
trivial.There are other
things of such an
elevated and subtle
nature that neither
speech norword can
clearly explain them.
They are felt, they are
conceived, but they are
not to be explained;and
yet these things
constitute the elevated
style, the grand ecole,
which it is my ambition
toestablish for the
cornet, just as they
already exist for singing
and for the various kinds
of otherinstruments.Those
of my readers who are
ambitious and who want to
attain this high level
ofperfection, should
above all things, always
try to hear good music
well interpreted.
Theymust seek out, among
singers and
instrumentalists, the
most illustrious models,
and by doingthis purify
their taste, develop
their sentiments, and
bring themselves as near
as possible tothat which
is beautiful. Perhaps
then the innate spark
which may someday be
destined todemonstrate
their own talent, will
reveal itself and render
them worthy of being, in
their turn,cited and
imitated in the
future.
Chamber Music Trumpet SKU: CF.W2686 For Trumpet in B-flat. Compose...(+)
Chamber Music Trumpet
SKU: CF.W2686
For Trumpet in
B-flat. Composed by
Jean-Baptiste Arban.
Edited by Thomas Hooten
Jennifer Marotta. SWS.
Collection - Performance.
With Standard notation.
32 pages. Carl Fischer
Music #W2686. Published
by Carl Fischer Music
(CF.W2686).
ISBN
9781491150948. UPC:
680160908448. 9x12
inches.
This new
edition of Jean Baptiste
Arban's Fourteen
Characteristic Studies
for Trumpet in Bb, edited
by Thomas Hooten and
Jennifer Marotta, was
specifically written to
provide the student with
suitable material with
which to test his powers
of endurance, according
to Arban himself. The
following fourteen
studies have been
specifically written to
provide the student
withsuitable material
with which to test his
powers of endurance. In
taking up these studies,
he willdoubtless be
fatigued, especially at
the outset, by those
numbers requiring an
unusual length ofbreath.
However, through careful
study and experience he
will learn to overcome
the difficultiesand will
acquire the resources
which will enable him to
master this particular
phase of playingwith
ease. As a means to this
end, attention is drawn
to cantabile passages in
particular, whichshould
be played with the utmost
expression, yet at the
same time with as much
modified toneas possible.
On the cornet, as with
the voice, clear tones
may be obtained by
widening thelips and
veiled tones by
contracting them. This
happy circumstance allows
the performer
anopportunity to rest
while still continuing to
play, and at the same
time enables him to
introduceeffective
contrasts into the
execution. It should be
noted that by little
artifices of this kind,
andby skillfully
conserving his resources,
the player will reach the
end of the longest and
mostfatiguing pieces, not
only without difficulty,
but even with a reserve
of strength and
power,which, when brought
to bear on the final
measures of a
performance, never fails
to impress anaudience.At
this point my task as
professor (using the
written instead of the
spoken word) will
end.There are things
which appear clear enough
when stated verbally but
which when written downon
paper cause confusion,
seem obscure, and even
sometimes appear
trivial.There are other
things of such an
elevated and subtle
nature that neither
speech nor wordcan
clearly explain them.
They are felt, they are
conceived, but they are
not to be explained;and
yet these things
constitute the elevated
style, the grand ecole,
which it is my ambition
toestablish for the
cornet, just as they
already exist for singing
and for the various kinds
of otherinstruments.Those
of my readers who are
ambitious and who want to
attain this high level of
perfection,should above
all things, always try to
hear good music well
interpreted. They must
seek out,among singers
and instrumentalists, the
most illustrious models,
and by doing this
purifytheir taste,
develop their sentiments,
and bring themselves as
near as possible to that
which isbeautiful.
Perhaps then the innate
spark which may someday
be destined to
demonstrate theirown
talent, will reveal
itself and render them
worthy of being, in their
turn, cited and
imitatedin the
future.
Based on
the Anti-Play CANTATRICE
CHAUVE by Eugene
Ionesco. Composed by
Martin Kalmanoff. Spiral.
Score. With Standard
notation. 132 pages. Carl
Fischer Music #CY4019.
Published by Carl Fischer
Music (CF.CY4019).
ISBN 9781491149270.
UPC: 680160906772. 9 x 12
inches.
The
Piano/Vocal Score for
Kalmanoff's 1962
production The Bald Prima
Donna (a.k.a. The Bald
Soprano) is now available
as custom print.
Ionesco's play is a prime
example of what critic
Martin Esslin termed in
1962 Theater of the
Absurd, and holds the
distinction of having
been staged continuously
at the same theater for
the longest time on
record. Kalmanoff's opera
setting was perfect for
the Center for
Contemporary Opera's
celebration of the 50th
anniversary of the
play.
StudioTrax CD (accompaniment only) Choral (Studiotrax CD) SKU: HL.35031585(+)
StudioTrax CD
(accompaniment only)
Choral (Studiotrax CD)
SKU: HL.35031585
A Winter Service of
Hope and Healing.
Composed by Joseph M.
Martin. Shawnee Sacred.
Advent, Cantata,
Christmas,
Christmas/Advent Sacred,
General Worship, Sacred,
Winter. CD. Duration 2100
seconds. Published by
Shawnee Press
(HL.35031585).
ISBN
9781495091841. UPC:
888680675370. 5.0x5.0x0.2
inches.
The Longest
Night is a unique winter
service of devotion that
has a very special
ministry focus. This
introspective smaller
work is intended to be a
worship experience that
encourages those going
through times of sorrow
and grief during the
holidays. Inspired by the
solstice, winter's
longest night, this
service of music,
scripture and prayer
brings light into the
darkness and offers hope
to those in deepest need.
A small consort
orchestration adds a
fragile intimacy and
brings a healing ambience
to this singular service
of song. Songs include:
Prelude (In the Bleak
Midwinter); Be Still and
Know; The Winter Weeps in
Snowfall; He Shall Feed
His Flock; The Healing
Place; I Thank My God for
You; In the Bleak
Midwinter. Score and
Parts (fl, ob/eng hn, fr
hn, vibes, pno, vn, vc)
available as a Printed
Edition and as a digital
download.
Choral (Listening CD) SKU: HL.35031587 A Winter Service of Hope and He...(+)
Choral (Listening CD)
SKU: HL.35031587
A Winter Service of
Hope and Healing.
Composed by Joseph M.
Martin. Shawnee Sacred.
Advent, Cantata,
Christmas,
Christmas/Advent Sacred,
General Worship, Sacred,
Winter. CD. Duration 2100
seconds. Published by
Shawnee Press
(HL.35031587).
ISBN
9781495091865. UPC:
888680675394.
5.0x5.0x0.092
inches.
The Longest
Night is a unique winter
service of devotion that
has a very special
ministry focus. This
introspective smaller
work is intended to be a
worship experience that
encourages those going
through times of sorrow
and grief during the
holidays. Inspired by the
solstice, winter's
longest night, this
service of music,
scripture and prayer
brings light into the
darkness and offers hope
to those in deepest need.
A small consort
orchestration adds a
fragile intimacy and
brings a healing ambience
to this singular service
of song. Songs include:
Prelude (In the Bleak
Midwinter); Be Still and
Know; The Winter Weeps in
Snowfall; He Shall Feed
His Flock; The Healing
Place; I Thank My God for
You; In the Bleak
Midwinter. Score and
Parts (fl, ob/eng hn, fr
hn, vibes, pno, vn, vc)
available as a Printed
Edition and as a digital
download.
Consort (Print) Choral (Instrumental Consort) SKU: HL.35031583 A Winte...(+)
Consort (Print) Choral
(Instrumental Consort)
SKU: HL.35031583
A Winter Service of
Hope and Healing.
Composed by Joseph M.
Martin. Shawnee Sacred.
Advent, Cantata,
Christmas,
Christmas/Advent Sacred,
General Worship, Sacred,
Winter. Softcover.
Duration 2100 seconds.
Published by Shawnee
Press (HL.35031583).
ISBN 9781495091827.
UPC: 888680675356.
8.5x11.0x0.693
inches.
The Longest
Night is a unique winter
service of devotion that
has a very special
ministry focus. This
introspective smaller
work is intended to be a
worship experience that
encourages those going
through times of sorrow
and grief during the
holidays. Inspired by the
solstice, winter's
longest night, this
service of music,
scripture and prayer
brings light into the
darkness and offers hope
to those in deepest need.
A small consort
orchestration adds a
fragile intimacy and
brings a healing ambience
to this singular service
of song. Songs include:
Prelude (In the Bleak
Midwinter); Be Still and
Know; The Winter Weeps in
Snowfall; He Shall Feed
His Flock; The Healing
Place; I Thank My God for
You; In the Bleak
Midwinter. Score and
Parts (fl, ob/eng hn, fr
hn, vibes, pno, vn, vc)
available as a Printed
Edition and as a digital
download.