SATB choir & organ (SATB) - easy SKU: OU.9780193954069 Composed by Willia...(+)
SATB choir & organ (SATB)
- easy
SKU:
OU.9780193954069
Composed by William Denis
Browne. Sacred choral -
mixed voices. Church
Music Society
Publications. Sacred.
Vocal score. 16 pages.
Duration 5.5'. Oxford
University Press
#9780193954069. Published
by Oxford University
Press (OU.9780193954069).
ISBN 9780193954069. 10
x 7 inches.
For
SATB and organ Written in
1911, this work is mainly
homophonic. Tenors and
basses sing four phrases
in unison and a soprano
solo takes the phrase 'He
rememb'ring his mercy'.
The Gloria returns to the
music of the opening and
builds to a fine climax,
as does the Nunc
dimittis.
Hawkes
Pocket Scores 1538.
Composed by Gerald Finzi.
Boosey & Hawkes
Scores/Books. Classical.
Softcover. 120 pages.
Boosey & Hawkes
#M060130410. Published by
Boosey & Hawkes
(HL.48024085).
ISBN
9781784541224. UPC:
888680712150.
8.25x11.75x0.398 inches.
Hawkes Pocket Scores
1538.
First
publication of Finzi's
orchestral versions of:
Lo, the full, final
sacrifice op 26 -
festival anthem for
chorus & orchestra
(14 minutes); Magnificat
op 36 - for soloists (ad
lib), chorus &
orchestra (9 minutes);
God is gone up op 27 -
anthem for chorus, string
orchestra & organ (4
minutes); Let us now
praise famous men op 35 -
choral song for tenors
& basses (or sopranos
& altos), string
orchestra & piano (3
minutes). The first three
works as listed are, in
their original organ
versions, established in
the English cathedral
repertoire. Lo, the full,
final sacrifice was
orchestrated for the 1947
Gloucester Three Choirs
Festival, thus bringing
the work into the
mainstream British choral
society repertoire. The
preface by Andrew Burn
(Finzi Trust) gives
details of the
commission, composition
and orchestration of each
work.
Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc SKU: CA.3810219 Composed b...(+)
Soli SATB, Coro SATB,
2Vl, Va, 2 Ob, 2 Cor, Bc
SKU: CA.3810219
Composed by Johann
Christian Bach. Edited by
Gunter Graulich.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts. Sacred
vocal music. Set of
Orchestra Parts. Warb E
22. Duration 12 minutes.
Carus Verlag #CV
38.102/19. Published by
Carus Verlag
(CA.3810219).
ISBN
M-007-24974-8.
Latin.
At less than
20 years of age, the
youngest son of the
Leipzig cantor of St.
Thomas, Johann Sebastian
Bach, withdrew from the
Lutheran musical
tradition of his family:
Johann Christian Bach
went to Italy, converted
to Catholicism there and
composed mainly Latin
church music between 1757
and 1760. His great
successes with operas for
Turin, Milan and Naples
from 1761 onwards led him
all the way to London.
Bach's church music
comprises a number of
vespers compositions,
some of them large-scale,
including this
Magnificat a 4
(1760) for soloists,
choir and orchestra. The
very diversified
work gets its additional
attraction from
distinctively led oboes
and horns.
Soprano voice solo, flute (recorder f1), organ (harpsichord) SKU: CA.1010600<...(+)
Soprano voice solo, flute
(recorder f1), organ
(harpsichord)
SKU:
CA.1010600
Composed
by Ernst Arfken. German
title: Magnificat. Sacred
vocal music, Magnificats,
Advent, Christmas, Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary, Daily
hours. Full score. 12
pages. Carus Verlag #CV
10.106/00. Published by
Carus Verlag
(CA.1010600).
The Oxford Book of Flexible Anthems composed by Alan Bullard (1947-). For flexib...(+)
The Oxford Book of
Flexible Anthems composed
by Alan Bullard (1947-).
For flexible
instrumentation. Mixed
Voices. Sacred.
Spiral-bound paperback.
296 pages. Published by
Oxford University Press
Consolations Piano seul EMB (Editio Musica Budapest)
Piano SKU: BT.EMBZ14505 Grand solo de concert (earl. vers.) and Other ...(+)
Piano
SKU:
BT.EMBZ14505
Grand
solo de concert (earl.
vers.) and Other Works
(Suppl. B 10). By
Adrienne
Kaczmarczyk_Ãgnes Sas.
By Franz Liszt. EMB Liszt
Works. Book Only.
Composed 2014. 208 pages.
Editio Musica Budapest
#EMBZ14505. Published by
Editio Musica Budapest
(BT.EMBZ14505).
English-German-Hungari
an.
Of the early
versions of works
included in this volume
the first versions of the
notably popular
Consolations cycle and
Grand solo de concert
(published in 1850) are
of particular interest.
In the first version of
Consolations the third
movement was a style
hongrois piece whose
thematic material was
later used by Liszt in
his Hungarian Rhapsody
No. 1 (published in
1851). The first version
of Grand solo de concert
shows that the work did
not originally include a
slow middle section to be
recapitulated towards the
end as seen in the final
version. This is a
characteristically
Lisztian feature that
would reappear a few
years later in his Sonata
in B minor. A detailed
preface inHungarian,
English, and German,
including new research
results, numerous
manuscript facsimiles,
and critical notes, makes
this volume of the New
Liszt Edition an
important publication of
immense scholarly value.
Along with the
cloth-bound Complete
Edition, a paperback
version for practical use
has also been published.
This edition's contents
are identical to those of
the hardcover edition
with the exception that
the critical notes are
not included.
Of
the early versions of
works included in
Supplementary Volume 10,
particular interest is
expected in the first
versions of the notably
popular Consolations
cycle and the monumental
Grand solo de concert of
1850. In the first
version of
Consolationsthe third
movement was a style
hongrois piece whose
thematic material Liszt
used again later in the
first piece of the
Hungarian Rhapsodies
published in 1851. The
first version of the
Grand solo de concert
shows that the original
concept did notinclude
the slow
“movementâ€
that would be placed in
the middle of the work
and recapitulated towards
the end in the final
version - a
characteristically
Lisztian feature that
would reappear a few
years later in the Sonata
in B flat minor.A
detailed preface in
Hungarian, English and
German, including new
research result and,
numerous manuscript
facsimiles make the
practical paperback
version of this volume of
the New Liszt Edition a
specially important
publication of scholarly
value.
Von den im
vorliegenden Band
veröffentlichten
Werkversionen dürften
der außerordentlich
populäre
Consolations-Zyklus sowie
die Erstfassung des 1850
entstandenen Grand solo
de concert (Großes
Konzertsolo) auf
besonderes Interesse
stoßen. In der ersten
Fassung der Consolations
stand an dritter Stelle
noch ein Stück im
ungarischen Stil, dessen
Thematik Liszt später
im 1851 herausgegebenen
1. Stück der
Ungarischen Rhapsodien
verwendete. Die erste
Version des Großen
Konzertsolos belegt, dass
der in der Mitte der
Komposition angelegte und
kurz vor Ende
rekapitulierte langsame
Teil, welcher zum typisch
Lisztschen Element der
endgültigen Fassung
des Konzertsolos - und
einige Jahre
späterauch der
H-Moll-Sonate - wird,
noch kein Bestandteil der
ursprünglichen
Konzeption war.
Piano SKU: BT.EMBZ14505A Suppl. 10. By Adrienne Kaczmarczyk_Ãgn...(+)
Piano
SKU:
BT.EMBZ14505A
Suppl. 10. By
Adrienne
Kaczmarczyk_Ãgnes Sas.
By Franz Liszt. EMB New
Listz Edition. Book
Hardcover. Composed 2014.
224 pages. Editio Musica
Budapest #EMBZ14505A.
Published by Editio
Musica Budapest
(BT.EMBZ14505A).
English-German-Hungari
an.
Of the early
versions of works
included in this volume
the first versions of the
notably popular
Consolations cycle and
Grand solo de concert
(published in 1850) are
of particular interest.
In the first version of
Consolations the third
movement was a style
hongrois piece whose
thematic material was
later used by Liszt in
his Hungarian Rhapsody
No. 1 (published in
1851). The first version
of Grand solo de concert
shows that the work did
not originally include a
slow middle section to be
recapitulated towards the
end as seen in the final
version. This is a
characteristically
Lisztian feature that
would reappear a few
years later in his Sonata
in B minor. A detailed
preface inHungarian,
English, and German,
including new research
results, numerous
manuscript facsimiles,
and critical notes, makes
this volume of the New
Liszt Edition an
important publication of
immense scholarly value.
Along with the
cloth-bound Complete
Edition, a paperback
version for practical use
has also been published.
This edition's contents
are identical to those of
the hardcover edition
with the exception that
the critical notes are
not included.
Of
the early versions of
works included in
Supplementary Volume 10,
particular interest is
expected in the first
versions of the notably
popular Consolations
cycle and the monumental
Grand solo de concert of
1850. In the first
version of
Consolationsthe third
movement was a style
hongrois piece whose
thematic material Liszt
used again later in the
first piece of the
Hungarian Rhapsodies
published in 1851. The
first version of the
Grand solo de concert
shows that the original
concept did notinclude
the slow
“movementâ€
that would be placed in
the middle of the work
and recapitulated towards
the end in the final
version - a
characteristically
Lisztian feature that
would reappear a few
years later in the Sonata
in B flat minor.A
detailed preface in
Hungarian, English and
German, including new
research results,
numerous manuscript
facsimiles and critical
notes make this volume of
the New Liszt Edition a
specially important
publication of scholarly
value. Simultaneously
withthe Complete Edition
volume in colth-bound,
its paperback for
practical purposes is
also published, the
contents of which, except
for the critical notes,
is identical with the
Complete Edition
volume.
Von den im
vorliegenden Band
veröffentlichten
Werkversionen dürften
der außerordentlich
populäre
Consolations-Zyklus sowie
die Erstfassung des 1850
entstandenen Grand solo
de concert (Großes
Konzertsolo) auf
besonderes Interesse
stoßen. In der ersten
Fassung der Consolations
stand an dritter Stelle
noch ein Stück im
ungarischen Stil, dessen
Thematik Liszt später
im 1851 herausgegebenen
1. Stück der
Ungarischen Rhapsodien
verwendete. Die erste
Version des Großen
Konzertsolos belegt, dass
der in der Mitte der
Komposition angelegte und
kurz vor Ende
rekapitulierte langsame
Teil, welcher zum typisch
Lisztschen Element der
endgültigen Fassung
des Konzertsolos - und
einige Jahre
späterauch der
H-Moll-Sonate - wird,
noch kein Bestandteil der
ursprünglichen
Konzeption war.
Composed by Michael Wise. Edited by Geoffrey Webber. For SATB choir and organ. M...(+)
Composed by Michael Wise.
Edited by Geoffrey
Webber. For SATB choir
and organ. Mixed Voices.
Church Music Society
publications. Sacred,
Choral Leaflet. Level B
(easy). Vocal score. 12
pages. Duration 5'.
Published by Oxford
University Press
SSAATTBB Chorus & Organ SKU: SU.80400620 For SSAATTBB Chorus & Organ(+)
SSAATTBB Chorus & Organ
SKU: SU.80400620
For SSAATTBB Chorus &
Organ. Composed by
Stephen Paulus.
Vocal/Choral, Sacred
Choral. Choral Octavo.
Subito Music Corporation
#80400620. Published by
Subito Music Corporation
(SU.80400620).
SSAATTBB Chorus
& OrganDuration: 5:00
Commissioned by: Donald
RunniclesDedication: In
Honor of The Very
Reverend Alan Jones,
seventh Dean of Grace
Cathedral San Francisco,
1985-2009Premiered by:
The Grace Cathedral
ServiceCopyright 2008Text
author: Luke 1: 45-55
Published by: Paulus
Publications (SP514)
Minimum order quantity: 8
copies. To order
quantities fewer than
8.
The Selwyn Service Chorale SATB SATB, Orgue [Vocal Score] Oxford University Press
By Alan Bullard (1947-). For SATB choir and optional organ. Mixed Voices. Sacred...(+)
By Alan Bullard (1947-).
For SATB choir and
optional organ. Mixed
Voices. Sacred, Choral
Leaflet. Vocal score. 16
pages. Duration 5'.
Published by Oxford
University Press
Composed by Arvo Part (1935-). Bible, St Luke 3, 23-38. In Hallgrimskirkja Cathe...(+)
Composed by Arvo Part
(1935-). Bible, St Luke
3, 23-38. In
Hallgrimskirkja Cathedral
Reykjavik / Iceland by
the Voices of Europe 2000
conducted by Thorgerdur
Ing?lfsd?ttir. Choral
part(s). With Standard
notation. Composed 2000.
Duration 7 minutes.
Universal Edition
#UE31507. Published by
Universal Edition
(Optional Keyboard Part). By Various. Arranged by Joel Lish. For Keyboard. 36 ar...(+)
(Optional Keyboard Part).
By Various. Arranged by
Joel Lish. For Keyboard.
36 arrangements of the
most requested wedding
and ceremony music.
Wedding / Ceremony.
Advanced. Part
Chorus a cappella SKU: BR.DV-7963-02 In 11 Pieces with 1 Supplement of...(+)
Chorus a cappella
SKU:
BR.DV-7963-02
In
11 Pieces with 1
Supplement of Psalm 100
and a German Magnificat
SWV 482-494 - Urtext.
Composed by Heinrich
Schutz. Edited by Wolfram
Steude. Choir; stapled.
Deutscher Verlag. Psalm;
Renaissance/early
Baroque; Baroque. Choral
score. 24 pages.
Deutscher Verlag fur
Musik #DV 7963-02.
Published by Deutscher
Verlag fur Musik
(BR.DV-7963-02).
Cantata for Christmas
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque;
Renaissance/early
Baroque. Part. 8 pages.
Duration 15'. Breitkopf
and Haertel #OB 32119-15.
Published by Breitkopf
and Haertel
(BR.OB-32119-15).
ISBN
9790004349465. 10 x 12.5
inches.
The cantata
O heilige Zeit [O Holy
Time] of the former St.
Thomas cantor Johann
Kuhnau is the ideal
baroque festive music for
small scorings. Even
though this is the larger
of two cantatas with this
text underlay, it can be
performed by four
soloists (SATB), single
or double strings, and
continuo organ. The
participation of a choir
in non-soloistic passages
is optional, for
historically unproven.
The cantata was composed
in the years 1704/05 and
can therefore be placed
in Kuhnau's term as St.
Thomas cantor in Leipzig.
A contemporary text by
Erdmann Neumeister is
fitted with a modern
musical garb here while
keeping unconditional
adherence to it. Using a
structural artifice as
simple as it is
effective, he provides a
ritornello-like musical
equivalent to the
repeatedly recurring line
of text O heilige Zeit!.
This edition continues
the series of works by
Kuhnau started in the
Pfefferkorn Musikverlag.
Another festive music by
Kuhnau with larger
scoring is found in the
Magnificat in C major,
deemed a direct
predecessor of Bach's
Magnificat.
By Wolfgang Amadeus Mozart (1756-1791). Edited by Gustav Fellerer; Felix Schroed...(+)
By Wolfgang Amadeus
Mozart (1756-1791).
Edited by Gustav
Fellerer; Felix
Schroeder. For Soprano
Solo, Alto Solo, Tenor
Solo, Bass Solo, Mixed
Choir (SATB). Chorus
Score. KV 193 (186g)
Choral; Organ (SATB, Organ) SKU: HL.49019546 SATB Choir and Organ....(+)
Choral; Organ (SATB,
Organ)
SKU:
HL.49019546
SATB
Choir and Organ.
Composed by Joe Duddell.
This edition: Saddle
stitching. Sheet music.
Choral. Classical,
Contemporary, General
Worship, Sacred.
Softcover. Composed 2011.
24 pages. Duration 9'.
Schott Music #ED13430.
Published by Schott Music
(HL.49019546).
ISBN
9790220133251. UPC:
884088924171.
8.25x11.75x0.134 inches.
Latin. Choral Music of
Our Time.
Joe
Duddell's Magnificat and
Nunc Dimtis was
commissioned by
Presteigne Festival of
Music and the Arts with
funding from Kevin Jones
and Laura Woodside-Jones
and received its first
performance by the Choir
of Royal Holloway
conducted by Rupert Gough
at the 2011 Presteigne
Festival. Duddell has
acknowledged in the past
that whilst composing any
piece of music, problems
arise that require
solutions and this new
setting of the Mag and
Nunc is no different. The
main challenge for a
composer who is openly
agnostic is the
historical weight behind
the liturgical text but
taking both musical and
philosophical inspiration
from composers such as
Holst and Tippett,
Duddell's setting is a
joyous and uplifting one.
The work is dedicated to
George Vass.