Composed by Tony Kime.
Performance Music
Ensemble; Quartet; String
Quartet. Latham Music.
Folk. Score. Latham Music
Enterprises #36-52703438.
Published by Latham Music
Enterprises
(AP.36-52703438).
ISBN
9781628760163. UPC:
746241222176.
English.
Here are
some of the best Scottish
fiddle tunes, along with
a few original
compositions, with
contemporary harmonic
twists and melodies for
all. Traditional tunes
are arranged in sets,
including: Flowers of
Edinburgh with Roxburgh
Castle; Lady Madelina
Palmer with Lassie Look
Before You, Soldier's
Joy, Miss Annie MacKinnon
and Mrs. Linley); Mrs.
Roy of Nenthorn's
Favorite with Teviot
Bridge and Lady Nelly
Wemyes's Jig; Skye Boat
Song; My Love Is Like a
Red, Red Rose; Kate
Dalrymple with The Old
Grey Cat, Staten Island,
Rachel Rae and De'il
Among the Tailors.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Kottarainen Chorale SATB SATB A Cappella Alliance Music Publications
Composed by Riika Pietilainenen-Caffrey. Edited by Lawrence Kaptein. Octavo. ...(+)
Composed by Riika
Pietilainenen-Caffrey.
Edited
by Lawrence Kaptein.
Octavo.
Alliance Music
Publications
#AMP 1072. Published by
Alliance Music
Publications
Composed
by Johann Ludwig Bach.
Edited by Hans Hornung,
Martin Gotthard
Schneider. German title:
Die mit Tranen saen.
Sacred vocal music,
Psalms, German, Peace and
justice, Mourning, death.
Single Part, Cello/Double
Bass. 8 pages. Duration
18 minutes. Carus Verlag
#CV 30.001/14. Published
by Carus Verlag
(CA.3000114).
ISBN
9790007039417. Language:
German/English.
Sco
re available separately -
see item CA.3000100.
Meine Liebe Orchestre d'harmonie [Conducteur et Parties séparées] De Haske Publications
Concert Band/Harmonie SKU: BT.DHP-1094771-010 Polka. Composed by C...(+)
Concert Band/Harmonie
SKU:
BT.DHP-1094771-010
Polka. Composed by
Christian Höcherl.
Arranged by Ernst Hutter.
Ernst Hutter und Die
Egerländer Musikanten.
Blasmusik. Set (Score &
Parts). Composed 2009. De
Haske Publications #DHP
1094771-010. Published by
De Haske Publications
(BT.DHP-1094771-010).
Eine typische
Polka der neuen
Egerländer-Generation:
virtuos, flott und mit
allen typischen
Egerländer-Merkmalen
ausgestattet - so
präsentiert sich
Meine Liebe aus
der Feder von Christian
Höcherl, einem
Flügelhornisten der
Egerländer Musikanten.
Im Arrangement von Ernst
Hutter ist diese Polka
ein konzertantes
Highlight, das bereits
mit Erfolg auf der
Ohne Grenzen-Tournee
2008/2009 erprobt
wurde.Die fett gedruckten
Stimmen in der Partitur
entsprechen der
Originalbesetzung von
Ernst Hutter & Die
Egerländer Musikanten.
Das Werk ist bereits in
dieser Besetzung
spielbar. Um auch
Blasorchestern die
Möglichkeit zu bieten,
dieses Werk zu
spielen,sind in dieser
Ausgabe weitere Stimmen
zur Vervollständigung
der
Blasorchester-Besetzung
mitgeliefert.
Keyboard SKU: GI.G-7280 An Anthology of New Hymns. Composed by Var...(+)
Keyboard
SKU:
GI.G-7280
An
Anthology of New
Hymns. Composed by
Various. Hymn Tune
Collection. Sacred. Hymn
tune collection. 126
pages. GIA Publications
#7280. Published by GIA
Publications (GI.G-7280).
ISBN 9781579998561.
English,
Spanish.
GIA
Publications, Inc., the
publisher of numerous
single-author and
single-composer
collections of hymn texts
and tunes, has put
together its first-ever
anthology of hymns. While
insufficient in number
for single-author or
single-composer editions,
these new texts and tunes
by a diverse group of
creative people are
worthy of having the
opportunity to
“find their
vocation.â€
Encompassing a variety of
styles, this collection
of 50 hymns includes new
texts by John Dalles,
Jacque Jones, Joy
Patterson, John
Thornburg, and new tunes
by John Karl Hirten, Ron
Krisman, and Leo Nestor.
Also included are texts
and tunes by John L.
Bell, Mary Louise
Bringle, Ruth Duck,
Delores Dufner OSB,
Sylvia Dunstan, Marty
Haugen, Sally Ann Morris,
Carl Schalk, and Adam
Tice.
Orchestra Violine 2 SKU: CA.2300312 Oratorio. Composed by Louis Sp...(+)
Orchestra Violine 2
SKU: CA.2300312
Oratorio. Composed
by Louis Spohr. Edited by
Dieter Zeh, Irene
Schallhorn. Awards /
Prizes: Deutscher
Musikeditionspreis Best
Edition. Awards / Prizes:
Deutscher
Musikeditionspreis Best
Edition. German title:
Die Letzten Dinge
(Oratorium). Sacred vocal
music, Oratorios.
Individual part. Op. 61.
32 pages. Duration 80
minutes. Carus Verlag #CV
23.003/12. Published by
Carus Verlag
(CA.2300312).
ISBN
9790007198602. Language:
German/English.
In
honor of the 150th
anniversary of the death
of Louis Spohr, for the
first time Carus is
publishing a critical
edition of The Last
Judgment, the most
important of his four
oratorios. It was first
performed on Good Friday,
1826 in Kassel. It is
based on the
theologically most
significant portions of
the Revelations of John
in the New Testament,
whose visions of death
and eternity Spohr
vividly portrayed in
music. The work
represents an important
enrichment to the
repertoire of the
oratorio, especially
suitable for the end of
the church year. It is
captivating on account of
its masterful
instrumentation,
excellent use of
chromaticism, large-scale
solo recitatives and
accessible choral
passages filled with
heartfelt sensitivity on
the one hand, and
exciting drama on the
other. Score and part
available separately -
see item CA.2300300.
Tirol Terra Fortis Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1094734-140 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1094734-140
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2009. 40
pages. De Haske
Publications #DHP
1094734-140. Published by
De Haske Publications
(BT.DHP-1094734-140).
9x12 inches.
English-German-French-Dut
ch.
The
Stadtmusikkapelle
Wilten-Innsbruck
(Austria) invited Belgian
composer Jan Van der
Roost to write a work to
mark the bicentenary of
the Tyrolean fight for
freedom, which was
settled in 1809. Various
musical elements reflect
this historical event.
First, a hymn-like
section rings out, based
on melodic fragments from
the ‘Tiroler
Landeshymne’ (by
Leopold Knebelsberger),
which intertwine in a
counterpoint-like
arrangement. The second
passage is more bellicose
in character, and mirrors
the fight of the
Tyroleans - under the
inspiring leadership of
freedom fighter Andreas
Hofer (1767-1810) -
against Bavarian, French
and Italian troops. Next,
a broad, chorale-style
melodyappears again:
here, the imposing beauty
of nature in Tyrol, and
the amiable, lively
temperament of the people
who live in this
mountainous region, are
glorified.This is neither
a programmatic work
around an historical
reconstruction, nor a
politically inspired
work: it is a combination
of factual and cultural
components, with an
artistic and sonorous
character. The use of the
flugelhorn in particular
gives Tirol Terra
Fortis its
‘couleur
locale’: for this
beautiful instrument can
invariably be found in
the Austrian wind band.
The commissioning music
society had therefore
specifically asked the
composer to incorporate
the instrument in this
work. It certainly
enhances the already
extensive colour palette
of the modern concert
band!
Een hymne
bestaand uit fragmenten
van het Tiroolse
volkslied. Strijdlustige
klanken in het tweede
deel. Tot slot een
melodie in koraalstijl
die de bewoners van Tirol
en de indrukwekkende
schoonheid van de natuur
beschrijft. Hebt ual een
idee? Tirol Terra
Fortis is een
programmatisch werk
rondom de geschiedenis
van Andreas Hofer en de
vrijheidsstrijd van Tirol
200 jaar geleden. De
bugel geeft dit
kunstzinnige en
klankvolle werk zijn
bijzondere
‘couleurlocaleâ€
™.
Eine Hymne
aus Fragmenten der
Tiroler Landeshymne,
kämpferische Klänge
im zweiten Teil und
schließlich eine
Melodie im Choralstil,
welche die eindrucksvolle
Schönheit der Natur
und die Menschen in Tirol
beschreibt. Sie haben es
erraten? Tirol Terra
Fortis ist ein
programmatisches Werk
rund um die Geschichte
Andreas Hofers und den
Freiheitskampf Tirols vor
200 Jahren. Der Einsatz
des Flügelhorns
verleiht diesem
künstlerischen und
klangvollen Werk ein
besonderes
Lokalkolorit.
La
Stadtmusikkapelle
Wilten-Innsbruck
(Austria) ha invitato il
compositore belga Jan Van
der Roost a scrivere
un'opera per celebrare il
bicentenario
dell’Insorgenza
tirolese, che ebbe luogo
nel 1809. L'uso del
flicorno, in particolare,
conferisce al Tirol
Terra Fortis il suo
colore locale: questo
bellissimo strumento si
può sempre trovare
nelle bande
austriache.
Salute to the Victor Orchestre d'harmonie [Conducteur et Parties séparées] Anglo Music
For Concert Band (Score/Parts). Composed by Philip Sparke (1951-). Anglo M...(+)
For Concert Band
(Score/Parts). Composed
by
Philip Sparke (1951-).
Anglo
Music Concert Band.
Softcover. Anglo Music
Press
#AMP440010. Published by
Anglo Music Press
Piano - intermediate SKU: BT.WA-4014-401 Composed by Robert S. Thornton. ...(+)
Piano - intermediate
SKU:
BT.WA-4014-401
Composed by Robert S.
Thornton. The Walsh
Collection. Educational
Tool. Book Only. 8 pages.
The Walsh Collection #WA
4014-401. Published by
The Walsh Collection
(BT.WA-4014-401).
English.
A
delightful and
entertaining piece for
intermediate level
pianists.
Maestro Swing Fanfare [Conducteur et Parties séparées] - Facile De Haske Publications
Fanfare Band - Grade 2 SKU: BT.DHP-1104948-020 Boogie, Blues & Ragtime...(+)
Fanfare Band - Grade 2
SKU:
BT.DHP-1104948-020
Boogie, Blues &
Ragtime for Fanfare
Band. Composed by
Eric J. Hovi. Compact
Band Series. Original
Light Music. Set (Score &
Parts). Composed 2010. De
Haske Publications #DHP
1104948-020. Published by
De Haske Publications
(BT.DHP-1104948-020).
9x12 inches.
English-German-French-Dut
ch.
Het woord
‘Maestro’ in
deze titel slaat op drie
grote componisten van wie
Eric J. Hovi een aantal
van hun bekende
thema’s als
inspiratiebron nam. Zo is
Antonio’s
Boogie gebaseerd op
een motief uit De Vier
Jaargetijdenvan
Antonio Vivaldi. In
Ludwig’s
Blues gebruikte hij
de eerste vier tonen uit
de Vijfde Symfonie
van Ludwig van Beethoven.
Tenslotte is Amadeus
Rag een knipoog naar
het zogenaamde
hoornkwintet van Wolfgang
AmadeusMozart. Wij wensen
u veel plezier bij het
herontdekken van deze
‘meester’wer
ken!
Das Wort
Maestro“ in diesem
Titel steht für
gleich drei große
Meisterkomponisten, deren
Themen Eric J. Hovis
Inspirationsquelle
für diese Suite
waren. So basiert
Antonio’s Boogie
auf einem Motiv aus den
Vier Jahreszeiten von
Antonio Vivaldi. In
Ludwig’s Blues
wurden die ersten vier
Töne aus der 5.
Sinfonie von Ludwig van
Beethoven verwendet.
Zuletzt verweist Amadeus
Rag mit einem
Augenzwinkern auf das so
genannte Hornquintett von
Wolfgang Amadeus Mozart.
Viel Spaß beim
(Wieder-)
Entdecken!
African Scenes Orchestre d'harmonie [Conducteur] - Débutant De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 1.5 SKU: BT.DHP-1135407-215 Co...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 1.5
SKU:
BT.DHP-1135407-215
Composed by Eric J. Hovi.
De Haske Flexible Series.
Original Light Music.
Score Only. Composed
2012. 10 pages. De Haske
Publications #DHP
1135407-215. Published by
De Haske Publications
(BT.DHP-1135407-215).
9x12 inches.
English-German-French-Dut
ch.
This work in
four sections is written
for a four-part variable
instrumentation together
with drums. We start
off_x001E_ in the
_x001F_first movement on
an adventurous safari. In
the second and third
movements we’re on
the hunt for great beasts
of Africa, which can also
be heard with all their
stomping, screeching and
yelling. A wonderful
musical safari that all
musicians and listeners
alike will enjoy!
Dit werk voor
vierstemmige variabele
bezetting met slagwerk
beschrijft in vier
deeltjes verschillende
taferelen van het
Afrikaanse continent. In
het eerste deel gaan we
op safari. In het tweede
deel gaan we op zoek naar
een olifant, een
neushoorn, een luipaard
een leeuw en een buffel.
Welke reptielen kunnen we
ontdekken in het derde
deel? En hoe kan het
beter stoppen dan met een
‘Monkey
Rock’? Tijdens het
werk kun je actief
verschillende
dierengeluiden nabootsen,
waardoor je je echt in de
jungle
waant!
Dieses
vierteilige Werk ist
für eine vierstimmig
variable Besetzung und
Schlagzeug
instrumentiert. Der Titel
spricht schon für
sich: In African
Scenes spielt der
schwarze Kontinent die
Hauptrolle. Im ersten
Satz starten wir zu einer
abenteuerlichen Safari.
Im zweiten Teil geht es
auf die Suche nach den
‚Big Five’ -
den großen
Fünf“: Elefant,
Nashorn, Leopard, Löwe
und Büffel. Im dritten
Satz begegnen wir
allerlei unheimlichen
Reptilien, bevor das Werk
fröhlich mit dem
‚Monkey
Rock’ endet, in
dem auch ein Affenruf
vertont
wird.
Questo
brano in quattro parti
è pensato per
strumentazione variabile
a quattro voci e
percussioni. Il titolo
parla da solo: in
African Scenes il
continente nero riveste
il ruolo principale. Il
primo movimento vede i
protagonisti iniziare un
avventuroso safari. Nella
seconda parte inizia la
ricerca dei
“Big-Fiveâ€:
elefante, rinoceronte,
leopardo, leone e bufalo.
Il terzo movimento si
caratterizza
dall’inaspettato
incontro con rettili
rari, e precede il quarto
e ultimo movimento.
Monkey Rock, in
stile più giocoso,
rappresenta
l’incontro con una
simpatica e vivace
scimmietta.
Rukkilillemaa.
Composed by Rob Goorhuis.
Score Only. Composed
2014. 32 pages. Gobelin
Music Publications #GOB
001210-140. Published by
Gobelin Music
Publications
(BT.GOB-001210-140).
9x12 inches.
English-Dutch.
Sinc
e 1968, the blue
cornflower has been the
national flower of
Estonia. During the
Soviet rule, this flower
also served as a symbol
of the resistance. For
this reason, composer Rob
Goorhuis gave this
work—which is based
on Estonian folk
melodies—the title
The Land of the
Cornflower.Estonia
has a rich folk dance
tradition. The dance
melodies are often
related to the folk music
of surrounding countries
or even further away, for
example the padespaan, a
corruption of the term
Pas d’Espagne (Spanish
dance). In The Land of
the Cornflower, Rob
Goorhuis gives us an
impression of Estonia,
and then brings the folk
melodies Kohaanu¹ka,
Minoorne labajalgand
Padespaan into the
limelight.The work was
commissioned by the
Vabariiklik
Orkestrijuhtide
Puhkpilliorkester
(conductor Bert Langeler)
De blauwe
korenbloem is sinds 1968
de nationale bloem van
Estland. Tijdens de
Sovjetoverheersing was
deze bloem tevens het
symbool van het verzet.
Daarom gaf componist Rob
Goorhuis dit werk, dat is
gebaseerd op Estse
volksmelodieën, de titel
The Land of the
Cornflower.Estland
kent een rijke traditie
van volksdansen. De
melodieën waarop gedanst
wordt, zijn vaak verwant
met de volksmuziek van
omringende landen en
zelfs van verder weg,
bijvoorbeeld de
padespaan, een
verbastering van Pas
d’Espagne - oftewel
Spaanse dans. In The
Land of the
Cornflower geeft Rob
Goorhuis een impressie
van Estland en brengt hij
achtereenvolgens de
volksmelodieën
‘Kohaanu¹ka’,‘Mino
orne labajalg’ en
‘Padespaan’ voor het
voetlicht.Het werk is
geschreven voor het
Vabariiklik
Orkestrijuhtide
Puhkpilliorkester, dat
onder leiding staat van
Bert Langeler.
Seit 1968 ist die
blaue Kornblume die
Nationalblume Estlands.
Während der
Sowjetherrschaft diente
diese Blume auch als
Symbol des Widerstands.
Vor diesem Hintergrund
wählte der Komponist Rob
Goorhuis für sein auf
estnischen Volksliedern
basierendes Werk den
Titel The Land of the
Cornflower - Das Land
der Kornblume“.Estland
hat eine reiche
Volkstanz-Tradition. Die
Tanzmelodien sind oft mit
der Volksmusik der
umliegenden Länder oder
sogar weiter entfernten
Regionen verwandt - so
ist zum Beispiel
Padespaan eine
Verballhornung von Pas
d’Espagne (spanischer
Tanz).In The Land of
the Cornflower
vermittelt Rob Goorhuis
einen Eindruck von
Estland, um dann
dieVolksliedmelodien
Kohaanuška,
Minoorne labajalg und
Padespaan ins
Rampenlicht zu
rücken.Das Werk wurde
vom estnischen
Blasorchester Vabariiklik
Orkestrijuhtide
Puhkpilliorkester
(Dirigent: Bert Langeler)
in Auftrag gegeben.
Cambrinus Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1165711-010 Based on the s...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1165711-010
Based on the song Lied
van Hertog Jan (Floris
van der Putt).
Composed by Matthias van
Nispen tot Pannerden.
Concert and Contest
Collection CBHA. Concert
Piece. Set (Score &
Parts). Composed 2016. De
Haske Publications #DHP
1165711-010. Published by
De Haske Publications
(BT.DHP-1165711-010).
English-German-French-
Dutch.
The name
Cambrinus, a
corrupted variation on
‘Jan Primus’
(John the First), refers
to the flamboyant John I
of Brabant, who was the
Duke of the Dutch
provinces Brabant and
Limburg, in the second
half of the 13th century.
This piece of music tells
the story of this notable
man, starting with the
Battle of Worringen in
1288, where he scored a
glorious victory,
followed by an exuberant
celebration in which he
also contemplates about
the suffering he and his
men have caused. The
works offers exciting
energetic musical scenes
with lots of action, as
well as beautiful
romantic and heroic
themes offering plenty of
opportunities for your
band to unfold all its
qualities.
Met de
naam Cambrinus,
een verbastering van
‘Jan
Primus’, wordt de
flamboyante Jan I van
Brabant bedoeld, die in
de tweede helft van de
13e eeuw hertog van
Brabant en Limburg was.
Dit muziekstuk vertelt
het verhaal van deze
bijzondere man, te
beginnen met de Slag bij
Woeringen in het jaar
1288, waar hij een
glorieuze overwinning
behaalde, gevolgd door
een weelderig feest, maar
ook een moment van
contemplatie waarin hij
het leed overdenkt dat
hij en zijn mannen hebben
aangericht. Het werk
omvat energieke muzikale
taferelen met veel actie,
evenals prachtige
romantische en hero sche
thema’s die uw
orkest ruim de
mogelijkheid bieden om te
schitteren.
Der
Name Cambrinus,
eine Verballhornung von
Jan Primus“ (Johann
I.), bezieht sich auf den
extravaganten Johann I.
von Brabant, der in der
zweiten Hälfte des 13.
Jahrhunderts Herzog der
holländischen
Provinzen Brabant und
Limburg war. Das
Musikstück erzählt
die Geschichte dieses
bedeutenden Mannes und
beginnt mit der Schlacht
von Worringen im Jahr
1288, bei der er einen
glorreichen Sieg
davontrug. Bei dem
rauschenden Fest nach
diesem Triumph soll er
aber auch über das
Leid nachgedacht haben,
das seine Soldaten und er
verursacht haben. Dieses
Werk bietet spannende und
energiegeladene
musikalische Szenen mit
großer Wirkung, aber
auch wunderschöne
romantische und
heroischeThemen, bei
denen das Orchester all
seine Qualitäten
entfalten kann.
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1064151-010 Composed by Tra...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1064151-010
Composed by Traditional.
Arranged by Michael
Bilkes. Christmas
Collection. Hymns &
Chorals. Set (Score &
Parts). Composed 2006. De
Haske Publications #DHP
1064151-010. Published by
De Haske Publications
(BT.DHP-1064151-010).
9x12 inches.
English-German-French-Dut
ch.
Maria durch
ein? Dornwald ging (Blest
Mary Wanders Through the
Thorn) is a traditional
German Christmas song.
The earliest known
version is recorded in
the Andernacher
Gesangbuch from 1608.
Halfway through the
nineteenth century it was
a regional pilgrimage
song in Thüringen, and
at the beginning of the
twentieth century, the
current version was
registered in the
songbook Zupfgeigenhansl
of the German youth
movement. Michael Bilkes
used the well-known
melody to create this
attractive arrangement
for concert
band.
Maria
durch ein’
Dornwald ging (Maria door
een doornwoud trad)
is een traditioneel Duits
kerstlied. De oudst
bekende versie is
opgetekend in het
Andernacher
Gesangbuch uit 1608.
Halverwege de negentiende
eeuw was heteen regionaal
bedevaartslied in
Thüringen en aan het
begin van de twintigste
eeuw werd het in de
huidige versie opgenomen
in het liedboek
Zupfgeigenhansl
van de Duitse
jeugdbeweging. Maria
durch ein’
Dornwald ging heeftal
vele arrangeurs ge
nspireerd tot het
schrijven van
koorbewerkingen. Michael
Bilkes verwerkte de
bekende melodie in een
sfeervol arrangement voor
harmonieorkest.
Ma
ria durch ein’
Dornwald ging ist ein
traditionelles deutsches
Adventslied, dessen
früheste
überlieferte Version
im Andernacher
Gesangbuch von 1608
dokumentiert ist und
seither viele Arrangeure
zu Bearbeitungen für
diverse
Instrumentalbesetzungen
und Chöre inspiriert
hat. Michael Bilkes
verwendete die bekannte
Melodie für diese
gefühlvolle
Bearbeitung für
Blasorchester.
Maria
durch ein’
Dornwald ging è un
canto di Natale tedesco
pubblicato per la prima
volta nella raccolta di
cantici Andernacher
Gesanbuch (1608). La
versione attuale è
stata pubblicata nel
corso del XX secolo in
una raccolta di canti per
il Movimento tedesco
della gioventù.
Maria durch
ein’ Dornwald
ging ha ispirato
numerosi adattamenti per
coro.
L’arrangiamento
per orchestra di fiati di
Michael Bilkes è
basato sulla melodia del
canto.
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1064151-140 Composed by Tra...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1064151-140
Composed by Traditional.
Arranged by Michael
Bilkes. Christmas
Collection. Hymns &
Chorals. Score Only.
Composed 2006. De Haske
Publications #DHP
1064151-140. Published by
De Haske Publications
(BT.DHP-1064151-140).
9x12 inches.
English-German-French-Dut
ch.
Maria durch
ein? Dornwald ging (Blest
Mary Wanders Through the
Thorn) is a traditional
German Christmas song.
The earliest known
version is recorded in
the Andernacher
Gesangbuch from 1608.
Halfway through the
nineteenth century it was
a regional pilgrimage
song in Thüringen, and
at the beginning of the
twentieth century, the
current version was
registered in the
songbook Zupfgeigenhansl
of the German youth
movement. Michael Bilkes
used the well-known
melody to create this
attractive arrangement
for concert
band.
Maria durch
ein’ Dornwald ging
ist ein traditionelles
deutsches Adventslied,
dessen früheste
überlieferte Version
im Andernacher
Gesangbuch von 1608
dokumentiert ist und
seither viele Arrangeure
zu Bearbeitungen für
diverse
Instrumentalbesetzungen
und Chöre inspiriert
hat. Michael Bilkes
verwendete die bekannte
Melodie für diese
gefühlvolle
Bearbeitung für
Blasorchester.
Maria
durch ein’
Dornwald ging è un
canto di Natale tedesco
pubblicato per la prima
volta nella raccolta di
cantici Andernacher
Gesanbuch (1608). La
versione attuale è
stata pubblicata nel
corso del XX secolo in
una raccolta di canti per
il Movimento tedesco
della gioventù.
Maria durch
ein’ Dornwald
ging ha ispirato
numerosi adattamenti per
coro.
L’arrangiamento
per orchestra di fiati di
Michael Bilkes è
basato sulla melodia del
canto.
62 Traditional Pieces for Violin. Edited by Matt Cranitch. This edition: Saddle ...(+)
62 Traditional Pieces for
Violin. Edited by Matt
Cranitch. This edition:
Saddle stitching. Sheet
music with CD. String.
Edition with CD. 52
pages. Schott Music #ED
13361. Published by
Schott Music
Composed by Tony Kime.
Performance Music
Ensemble; String Quartet.
Ludwig Masters. Score and
Part(s). LudwigMasters
Publications
#36-52703015. Published
by LudwigMasters
Publications
(AP.36-52703015).
ISBN
9781633611030. UPC:
660355001734.
English.
More
traditional Scottish
favorites in medley form
(reels, strathspeys,
jigs, hornpipes and slow
airs) including virtuosic
works by Scott Skinner
and new originals from
Tony Kime. Tune list:
Mhairi's Wedding, Dr.
Cameron's Jig, The Bonnie
Lass o' Bonaccord, Lady
Mary Ramsey, Alice
Eileen, The Steam-Boat,
Kelso Square, and The
Mathematician.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Orchestra - Grade 3.5 SKU: AP.BSO00107C Composed by Robert Washburn. Perf...(+)
Orchestra - Grade 3.5
SKU: AP.BSO00107C
Composed by Robert
Washburn. Performance
Music Ensemble; Single
Titles; String Orchestra.
Belwin Intermediate
String Orchestra.
Multicultural. Score. 12
pages. Belwin Music
#00-BSO00107C. Published
by Belwin Music
(AP.BSO00107C).
UPC:
029156097801.
English.
A suite of
three Irish pieces at a
moderately easy level.
Irish Hornpipie, Air, and
Irish Jig, woven
together, make a very
good concert piece.
Highlight any concert
with this smiler.
Judas Maccabaeus Chorale SATB [Conducteur et Parties séparées] Carus Verlag
SMsATB Voices, SATB Choir, 2 Fl, 2 Ob, 2 Fg, 2 Cor, 3 Tr, Timp, 2 Vl, Va, Bc ...(+)
SMsATB Voices, SATB
Choir, 2 Fl, 2 Ob, 2 Fg,
2 Cor, 3 Tr, Timp, 2 Vl,
Va, Bc
SKU:
CA.5506309
Composed
by George Frideric
Handel. Edited by Felix
Loy. 1x 55.063/21 flute
1, 1x 55.063/22 flute 2,
2x 55.063/23 recorders 1
and 2, 1x 55.063/24 oboe
1, 1x 55.063/25 oboe 2,
2x 55.063/26 Bassoon 1
and 2, 2x 55.063/31 horns
1 and 2, 4x 55.063/32
Trumpets 1-3 and timpani.
Stuttgart Urtext Edition:
Handel. Harmony parts.
Sacred vocal music,
Oratorios. Set of
Orchestra Parts. Duration
160 minutes. Carus Verlag
#CV 55.063/09. Published
by Carus Verlag
(CA.5506309).
ISBN
9790007242060. Language:
English/German. Text:
Eschenburg, J. J. / Loy,
Felix.
First
critical edition. The
oratorio Judas Maccabaeus
is one of George Frideric
Handel's most popular
choral works. It was
performed over fifty
times during the
composer's lifetime and
was one of his first
works to be performed in
Germany (1772). The
frequent performances
given by Handel himself
resulted in a
particularly large number
of reworkings, reflecting
local conditions. This
new edition therefore
offers the work in two
performable versions:
firstly, the version of
the first performance in
1747, and the one from
the last oratorio season
during Handel's lifetime
(1758/59). This makes
available all the
choruses and arias which
Handel ever wrote for
Judas Maccabaeus.
Reflecting the latest
Handel research, the
edition is based for the
first time throughout on
Handel's conductor's
score, thereby
eradicating not only
long-perpetuated
mistakes, but also
providing clarity about
which pieces were
actually performed by
Handel. By contrast with
the Chrysander edition
obligatory until now, the
aria Father of heav'n
which introduces Part III
is included here in its
original, longer version.
Score and parts available
separately - see item
CA.5506300.
Ode.
Version of the first
performance and version
of 1751. Composed by
George Frideric Handel.
Edited by Felix Loy. This
edition: urtext.
Stuttgart Urtext Edition:
Handel. Organ. Innovative
practice aids, Sacred
vocal music, Oratorios.
Single Part, Organ.
Composed 1736/1751. HWV
75. 60 pages. Duration 85
minutes. Carus Verlag #CV
55.075/49. Published by
Carus Verlag
(CA.5507549).
ISBN
9790007171315. Text
language:
German/English.
For
the magnificent opening
of the oratorio season at
the beginning of 1736
Handel presented a
composition which, like
hardly any of his other
oratorios, gave him the
opportunity to display
his musical artistry:
John Dryden's ode
Alexander's Feast or the
Power of Music, published
in 1696, demonstrates the
power of music by the
example of the ancient
hero, Alexander the
Great. From the
impressive lament on the
death of Darius, the King
of Persia, to the
boisterous Praise of
Bacchus Handel avails
himself of the entire
breadth of the musical
representation of the
emotions and the
possibilities for
expression. In the text
by Newburg Hamilton added
at the end of work St.
Cecilia elevates the
events of the ancient
heathen story, which
Handel expressed in
plastic, skillful
polyphony. Later, this
homage to the patron
saint of church music,
Handel also present the
opportunity to perform
the work on St. Cecilia's
Day (22 November). For
the first time the
present new edition is
based consistently on
Handel's conducting
score, which he used for
his own performances of
the oratorio, thus not
only eliminating timeworn
errors, but also offering
clarity concerning the
choruses, the arias and
recitatives, actually
performed in Handel's
concerts, as well as
their sequence of
performance. The new
Carus edition offers two
performance versions: the
version of the premiere
in 1736, as well as a
revised version from
1751. Furthermore, the
inclusion of the Concerto
for Harp HWV 294 (CV
55.294) is also possible;
Handel composed this work
especially for
Alexander's Feast (as an
illustration of
Timotheus, the ancient
poet who played the
lyre). For this purpose
the edition contains the
appropriate alternatives
for the sequence of the
movements. Score and part
available separately -
see item CA.5507500.
(O! Come let us worship and kneel before the Lord). By Felix Bartholdy Mendelsso...(+)
(O! Come let us worship
and kneel before the
Lord). By Felix Bartholdy
Mendelssohn (1809-1847).
Edited by R. Larry Todd.
For Soli SST, SATB Choir,
2 Flutes, 2 Oboes, 2
Clarinets, 2 Bassoons, 2
Horns, 2 Trumpets, 3
Trombones, Timpani, 2
Violins, Viola, Cello,
Contrabass, Organ.
Stuttgart Urtext
editions. Score available
separately - see item
CA.4007300. Cantatas,
Psalms, German, Praise
and thanks, Psalms. Part:
organ. Language:
German/English. Composed
1839. Opus 46. 4 pages.
Duration 28 min.
Published by Carus Verlag
Composed by Richard Proulx. For organ, violin 1, violin 2, viola, cello, bass, f...(+)
Composed by Richard
Proulx. For organ, violin
1, violin 2, viola,
cello, bass, flute,
trumpet 1 and 2 in Bb and
C, 2 horns In F,
trombone1, 2, 3, tuba,
percussion, timpani.
Sacred. Full score and
parts. Text language:
English. 92 pages.
Published by GIA
Publications
Chorale cantata.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Oswald Bill.
This edition: urtext.
Stuttgart Urtext Edition:
Mendelssohn. German
title: O Haupt voll Blut
und Wunden. Innovative
practice aids, Sacred
vocal music, Cantatas,
Lent and Passiontide,
Holy Week, Eucharist,
Communion. Study score.
Composed 1830. MWV.
Duration 12 minutes.
Carus Verlag #CV
40.186/07. Published by
Carus Verlag
(CA.4018607).
ISBN
9790007092573. Language:
German/English. Text:
Gerhardt, Paul. Text:
Paul
Gerhardt.
During
Mendelssohns years of
study with Zelter, the
arrangement of chorales
already played an
important role, and he
continued to be occupied
with the protestant
chorale throughout his
symphonic and oratorical
work. The break Bach's
works in connection with
the reperformance of the
St. Matthew Passion led
to a series of cantatas
based on well-known
chorale melodies for
choir, instruments, and
sometimes also for
soloists. Score available
separately - see item
CA.4018600.
Mack the Knife [Set de Parties séparées] Alfred Publishing
Choir Secular SKU: AP.47695 From The Threepenny Opera. Comp...(+)
Choir Secular
SKU:
AP.47695
From
The Threepenny
Opera. Composed
by Marc Blitzstein and
original German. Arranged
by Mark Hayes. This
edition: SoundPax. Choral
Octavo; Performance Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Broadway; Great American
Songbook; Jazz; Secular.
Part(s). 52 pages. Alfred
Music #00-47695.
Published by Alfred Music
(AP.47695).
UPC:
038081543888. English.
Bert Brecht; music by
Kurt
Weill.
Originally
written for The
Threepenny Opera and
famously covered by the
likes of Louis Armstrong,
Bobby Darin, and Frank
Sinatra, this song has
become one of the
best-known jazz standards
of the twentieth century.
Mark's arrangement
captures all the style of
Kurt Weill's original
score, building in
excitement right to the
very end. Perform with
the swingin' piano
accompaniment, add live
horns and rhythm with the
optional SoundPax, or
check out our hip
live-instrument SoundTrax
CD.
About
Alfred Pop Choral
Series
The
Alfred Pop Series
features outstanding
arrangements of songs
from the popular music
genre. These publications
provide exciting,
contemporary, and
educationally-sound
arrangements for singers
of all ages, from
elementary through high
school, to college and
adult choirs.