By Ruth Elaine Schram. For accompaniment CD. Holy Week, Holy Communion. Cantata. Published by Lorenz Publishing Company. (99/2050L)

(from the Opera La Wally). Composed by Alfredo Catalani (1854-1893). Arranged by Jos van de Braak. For Soprano voice and Concert Band. Grade 3. Full score. Duration 4:00. Published by Baton Music

(E-Flat Instruments, Mini Edition). Composed by Various. For E-flat Instruments. Fake Book. Softcover. 464 pages. Published by Hal Leonard

For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names and guitar chord diagrams. Jazz. 312 pages. 9x12 inches. Published by Hal Leonard.

Kantate. By Giacomo Carissimi. Edited by Ebbe Selen. For Violoncello/Contrabass/Ba sso Continuo. Chor-Archiv. Single Part. Published by Baerenreiter-Ausgaben (German import). (BA6225 86)

Concert band - Grade 3

SKU: CL.012-4147-75

Arranged by Bond. Concert Band. Concert Band Series. Audio recording available separately (item CL.WFR376). Oversized, spiral-bound score. Composed 2012. Duration 3 minutes, 7 seconds. Opus III Wind Orchestra Publications #012-4147-75. Published by Opus III Wind Orchestra Publications (CL.012-4147-75).

This rich arrangement of a popular traditional American melody is aimed at the younger band who wish to showcase their development of a warm sound and expressive phrasing. The palette of colors changes throughout to allow each section to shine as the melodic responsibilities are passed around the various sections of the ensemble. As the piece ebbs and flows from subtle splashes of light to dramatic presentations of the melody, the overall effect is contemporary and picturesque in its essence while remaining accessible to less experienced bands. While performance markings are indicated, the arranger would encourage directors to flavor their interpretation of the score with personal choices of expression, flexibility of tempo and dynamic contrast.

(2.2.2.2/2.2.3.0,timp,str ,ST soli)

SKU: TM.03438SC

Composed by Gaetano Donizetti. Score. Lucks Music Library #A3472. Published by Lucks Music Library (TM.03438SC).

Includes Ebben, tenete and the Recit. Eccola Oh! qual le accresce belta. Act II No. 12 Recitative and Aria. Sung by Adina and Nemorino.

String quartet

SKU: HH.HH389-FSP

Composed by Litha Efthymiou. Two Violins, Viola, Violoncello. Full score and parts. Duration 10 minutes. Edition HH Music Publishers #HH389-FSP. Published by Edition HH Music Publishers (HH.HH389-FSP).

ISBN 9790708146032.

The inspiration for Tread Softly came from two contrasting sources: the religious music of early medieval Spain, and Debbie Locke’s work of art ‘Retracing Your Steps - Bristol I’. Although over a thousand years apart, these two sources share a common feature - a powerful sense of movement enclosed within a static form. In early Spanish music this manifests in the use of extended melisma, and in Locke’s work it is depicted through the seemingly moving, web-like form of the central image. Tread Softly explores the idea of movement within stasis through the use of a main melodic gesture that transforms very slowly, but constantly, throughout.

C Instruments Play-Along Edition. Composed by Various. Real Book Play- Along. Softcover Audio Online. 464 pages. Published by Hal Leonard

(Steps One and Two). By Debbie Cavalier and Larry Steelman. For Keyboard; Piano. This edition: Revised. Book; CD; Keyboard/Piano; Method/Instruction. The Ultimate Beginner Series. Beginner. 40 pages. Published by Alfred Music Publishing

By Debbie Friedman. Arranged by Steve Miller. (SATB). This edition: 993355. Transcontinental Music Choral. 16 pages. Published by Hal Leonard.

(Mixed Choir)

SKU: HL.14075289

Composed by Bo Holten. Choral. General Merchandise. Duration 240 seconds. Edition Wilhelm Hansen #WH29700. Published by Edition Wilhelm Hansen (HL.14075289).

Fanfare Band - Grade 3

SKU: BT.DHP-1064013-020

Composed by John Blanken. Applause Series. Original Light Music. Set (Score & Parts). Composed 2006. De Haske Publications #DHP 1064013-020. Published by De Haske Publications (BT.DHP-1064013-020).

9x12 inches. English-German-French-Dut ch.

Why should rock musicians have all the fun? Now your band can experience the thrill of playing a piece in a classic 12-bar blues style. Many players are given the chance to show off their skills as a soloist before the work builds to a grand fortissimo finale with the whole band playin’ the blues!

The Mayor’s Blues, in 2005 geschreven voor het afscheid van burgemeester Remco Heite van de gemeente Weststellingwerf, is een klassieke blues over een twaalfmatig schema. Een korte fortissimo-inleiding maakt de weg vrij vooreen solo met het bluesthema. De begeleiding door trombones met plungers (gootsteenontstoppers) en de vibrafoon werkt hierbij sfeerverhogend. Het thema wordt in een vraag-en-antwoordspel herhaald door de rest van het orkest. Eenkorte fortissimopassage volgt en al gauw mogen zich enkele solisten presenteren als de muziek kalmeert. Na de solo’s volgt een herneming van de openingsmaten, waarna hele orkest zich vol overgave in de blues kan storten.

The Mayor’s Blues ist ein klassischer Blues über ein zwölftaktiges Bluesschema. Eine kurze, sehr schnelle Einleitung macht den Weg frei für ein Solo mit dem Bluesthema. Die Begleitung durch die Posaunen mit Dämpfer und das Vibraphon unterstreichen die Atmosphäre. Das Thema wird vom übrigen Blasorchester in einer Art Frage-und-Antwort-Spiel wiederholt. Es folgt eine kurze Fortissimo- Passage; bald darauf dürfen ein paar Solisten in den Vordergrund treten,während die Musik verebbt. Nach den Soli werden die Eingangstakte wiederholt. Dann taucht das komplette Blasorchester mit Begeisterung und im Fortissimo in den Blues ein...

The Mayor’s Blues est un blues en douze mesures aux couleurs sonores multiples. Brillant, puissant et mystérieux, la texture offre un vaste espace de jeu pour l’ensemble des pupitres de la formation avant d’entreprendre une plongée enthousiaste, fascinante et corsée dans l’univers du blues…

The Mayor’s Blues è un blues in dodici misure dai molteplici colori sonori. Brillante, potente e misterioso, esso offre un vasto spazio di esecuzione per le varie sezioni dell’organico prima di intraprendere un viaggio entusiasmante nell’universo del blues….

Fanfare Band - Grade 3

SKU: BT.DHP-1064013-120

Composed by John Blanken. Applause Series. Original Light Music. Score Only. Composed 2006. 20 pages. De Haske Publications #DHP 1064013-120. Published by De Haske Publications (BT.DHP-1064013-120).

9x12 inches. English-German-French-Dut ch.

Why should rock musicians have all the fun? Now your band can experience the thrill of playing a piece in a classic 12-bar blues style. Many players are given the chance to show off their skills as a soloist before the work builds to a grand fortissimo finale with the whole band playin’ the blues!

The Mayor’s Blues ist ein klassischer Blues über ein zwölftaktiges Bluesschema. Eine kurze, sehr schnelle Einleitung macht den Weg frei für ein Solo mit dem Bluesthema. Die Begleitung durch die Posaunen mit Dämpfer und das Vibraphon unterstreichen die Atmosphäre. Das Thema wird vom übrigen Blasorchester in einer Art Frage-und-Antwort-Spiel wiederholt. Es folgt eine kurze Fortissimo- Passage; bald darauf dürfen ein paar Solisten in den Vordergrund treten,während die Musik verebbt. Nach den Soli werden die Eingangstakte wiederholt. Dann taucht das komplette Blasorchester mit Begeisterung und im Fortissimo in den Blues ein...

The Mayor’s Blues est un blues en douze mesures aux couleurs sonores multiples. Brillant, puissant et mystérieux, la texture offre un vaste espace de jeu pour l’ensemble des pupitres de la formation avant d’entreprendre une plongée enthousiaste, fascinante et corsée dans l’univers du blues…

The Mayor’s Blues è un blues in dodici misure dai molteplici colori sonori. Brillante, potente e misterioso, esso offre un vasto spazio di esecuzione per le varie sezioni dell’organico prima di intraprendere un viaggio entusiasmante nell’universo del blues….

Fanfare Band - Grade 3

SKU: BT.AMP-139-020

Composed by Philip Sparke. Anglo Music Midway Series. Concert Piece. Set (Score & Parts). Composed 2005. Anglo Music Press #AMP 139-020. Published by Anglo Music Press (BT.AMP-139-020).

9x12 inches. English-German-French-Dut ch.

This is an ancient Welsh air that was first published in Relics of the Welsh Bards in 1794. Dafydd (David) Owain was a famous Welsh bard who lived on a farm called Gareg Wen (The White Rock) in Eifionydd, Carnarnvonshire, North Wales. Tradition has it that on his deathbed he called for his harp and composed this lovely melody, requesting that it be played at his funeral. Accordingly, it was later played at the parish church of Ynys-Cynhaiarn. Lyrics were later added by Ceiriog Hughes, which describe the melody's inspiration. This version for fanfare band retains all the beauty and simplicity of the original.

Deze oude melodie uit Wales werd in 1794 voor het eerst uitgegeven in Relics of the Welsh Bards. Dafydd (David) Owain was een beroemde bard uit Wales, hij woonde op een boerderij genaamd Gareg Wen (De witte rots) te Eifionyddin Carnarnvonshire, in Noord-Wales. Volgens de overlevering vroeg hij op zijn sterfbed om zijn harp en componeerde hij vervolgens deze prachtige melodie, met het verzoek om die te laten spelen op zijn begrafenis. Overeenkomstigzijn wens werd de melodie gespeeld in de dorpskerk van Ynys-Cynhaiarn. De tekst werd later toegevoegd door Ceiriog Hughes en beschrijft de ontstaansgeschiedenis van deze muziek.

Dafydd Owain war ein berühmter walisischer Barde, der auf einem Bauernhof namens Gareg Wen, was so viel wie weißer Felsen bedeutet, lebte; daher der Name David vom weißen Felsen“. Es wird erzählt, dass Dafydd auf seinem Sterbebett nach seiner Harfe verlangte und dort diese Melodie komponierte, mit der Bitte, man möge sie zu seiner Beerdigung spielen. Die Schlichtheit dieses bezaubernden Airs eignet sich perfekt als Zwischenspiel in Ihrem Konzert.

Dafydd (David) Owain fu un poeta e cantore gallese. Visse a Eifionydd, nella contea del Carnavonshire (nel nord del Galles), in una fattoria chiamata”Gareg wen” (La roccia bianca). Una leggenda narra che, prima di morire,Dafydd Owain chiese che gli venisse portata la sua arpa. Negli ultimi istanti della sua vita avrebbe composto questa deliziosa melodia esigendo che venisse eseguita al suo funerale. Alcuni anni dopo, il poeta John Ceiriog Hughes scrisse un testo riportandosi alla storia che aveva portato alla composizione di questa melodia, divenuta da allora un classico della musica tradizionale gallese.

Arranged by Stanley Sperber. (SATB). Transcontinental Music Choral. Jewish. 15 pages. Published by Transcontinental Music Publications.

(Twp Part Voices with Keyboard with Optional Hand Percussion). By Israeli Folk Song. Arranged by Debbie Cavalier. Mixed chorus. For Hand Percussion. Carl Fischer Performance Series for Chorus. Choral. Piano/Vocal Score. Standard notation. 7 pages

(The Complete Resource for Every Pianist!). By Various. Piano Solo Songbook. Softcover. 282 pages. Published by Hal Leonard

Piano, Percussion and Voice [Wordless] - intermediate

SKU: BT.SY-4440-02

Für Klavier, Schlagzeug und Sprecher. Composed by Heiner Goebbels. Set of Parts. Ricordi #SY 4440-02. Published by Ricordi (BT.SY-4440-02).

German.

Volume 1. Arranged by Velvel Pasternak. Tara Publications (Tara: The Best in Jewish Music). Size 9x12 inches. 80 pages. Published by Tara Publications.

Solo voice, piano

SKU: GH.EC-682

Composed by Zelma Wall. With Language: Swedish. Gehrmans Musikforlag #EC 682. Published by Gehrmans Musikforlag (GH.EC-682).

Text: Ebba Strahle.

Orchestra Cello, Contrabass, Viola, Violin 1, Violin 2 - Grade 3

SKU: CF.CAS160F

From Three Short Pieces for Organ. Composed by Samuel Coleridge-Taylor. Arranged by Robert Debbaut. Cas. Full score. Duration 3 minutes. Carl Fischer Music #CAS160F. Published by Carl Fischer Music (CF.CAS160F).

ISBN 9781491165454. UPC: 680160924363. Key: C major.

The story of Samuel Coleridge-Taylor is of a rising star composer, one with a significant gift for melody and a simple lyricism, who embraced the previously unexplored song and dance forms from his father’s native west Africa and incorporated them into his own very European art music. Coleridge-Taylor began playing the violin at age five and by age fifteen wasadmitted to London’s Royal College of Music, where he studied both violin and composition and composed his first works. The simply-titled Melody is taken from Three Short Pieces for Organ - a set of pieces originally published in Novello’s Album for the Organ, No. 3 (1898). While certainly typical of the late 19th century, many of Coleridge-Taylor's creations display inspiration by African musical elements much like spirituals inspired Dvořák’s “New World” Symphony.